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(空間音楽)

2
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- [ハイディ] 時折、私に何をすべきか

3
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土が語りかけている気がします

4
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私は無慈悲な貴婦人に従うしかありません

5
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(怪しげな音楽)

6
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私は媒介だと思い知らされます

7
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何かが私や私の手を通って直接土へいくのです

8
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私が彫刻しているというより

9
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私が作り直されているようです

10
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(ハイディが笑う)

11
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魂の水路のようなものです

12
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私の名前はハイディ・ルウ
彫刻家です

13
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土を主に扱っています

14
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(鳥のさえずり)

15
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本当にやさしく土を触っている時

16
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土の中に潜り込んでいきます

17
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層を作っていく作業の連続です

18
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全て独学です
私のしていることはただ

19
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土を形作って、液状粘土をつけ

20
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それを作品にくっ付ける
それだけです

21
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手が

22
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(ハイディの笑い声)

23
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最も長い間私の作品に登場する

24
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題材でしょう

25
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現実的な手を配置したことはありません

26
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私の作る手は、幽霊のような

27
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細長いものです

28
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この世界のものではないと示しているんです

29
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これはカタコンベでのプロジェクトの

30
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準備用のスケッチです

31
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これはアーチです

32
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作品は天窓から吊るします

33
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(穏やかな音楽)

34
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布を被った骨壷を沢山飾ります

35
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悲嘆の象徴です

36
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念願でした

37
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(落ち着いた音楽)

38
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マカオで育ちました

39
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中国的な厳しい育児のもと
一方では家事を投げ出して冒険へ行く

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ポルトガルの植民地時代の廃墟が沢山あったんです
子供の頃はその繰り返しでした

42
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43
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The Portuguese has built
a lot of cathedrals

44
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and there are a lot of
colonial style houses.

45
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I would spend a lot of time
wandering into the structures.

46
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I'm trying to capture that essence

47
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of structures you could get lost into.

48
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(soft music)

49
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(bell ringing)

50
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(car hoots)

51
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- Hi

52
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- [Heidi] Wing on Wo is a ceramic store

53
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in Chinatown and it's actually one

54
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of the oldest running
business in all Manhattan.

55
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I became friends with the
owner Mei, five years ago.

56
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As soon as I stepped into the store,

57
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it just felt so familiar to me

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'cause I had grew up in a
very similar environment.

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I see Chinese diaspora quite similar

60
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to the way I see how Mei runs her store.

61
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Rethinking how ceramics
could be interpreted,

62
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or reintroduced to contemporary times.

63
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If I could close my eyes,

64
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I could even see like the books
my grandpa had on the shelf

65
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like his garden.

66
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While it's looking in the past,

67
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it's also kind of like,
gives me a lot of like energy

68
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to create work both
for now and the future.

69
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And that's why I want to
bring you this to like

70
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'cause I want the actual
elements to kind of reference.

71
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(calm music)

72
00:05:08,700 --> 00:05:10,660
I started thinking about using clay

73
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to make a burial garment
after my mom passed away.

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As a way to grieve,

75
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I began to look at a lot of burial objects

76
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from Han and Qin dynasty

77
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and also watching a lot
of Chinese zombie movies.

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(Heidi laughs)

79
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(suspenseful music)

80
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It feels right to grieve with my hands

81
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doing this very labor
intensive, almost the most

82
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impractical thing you can
think of to do with clay.

83
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The labor of it equals grieving.

84
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(calm music)

85
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(birds chirping)

86
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I started taking very long
walks during the residency

87
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and that's kind of how the project

88
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at the catacomb
started taking shape slowly

89
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through this aimless, meditative walks.

90
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It's a daily exercise for myself to empty

91
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out my own ego when I am
able to get to that state

92
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at the time that I could
access this ancestral plane

93
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and find my way on the other side.

94
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(calm music)

95
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(chains clink)

96
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- Got it.

97
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(coins clink)

98
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- I see my work kind of as,

99
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touch points between very opposing ideas

100
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between human and spiritual unknown.

101
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(calm upbeat music)

102
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I feel like at the core

103
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of me making work about
grief is putting emotion

104
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into clay and really listening to it.

105
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It becomes something
familiar, something beautiful.

106
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(calm upbeat music)