1
00:00:00,126 --> 00:00:02,709
(música animada)

2
00:00:20,220 --> 00:00:22,922
[Heidi] A veces siento 
que la arcilla me dice qué hacer.

3
00:00:24,217 --> 00:00:27,070
Y me entrego a esta cruel amante.

4
00:00:27,790 --> 00:00:29,024
(música intrigante)

5
00:00:33,940 --> 00:00:36,540
Se siente como si fuera el medio.

6
00:00:37,497 --> 00:00:42,060
Algo atraviesa mi cuerpo o mis manos
y la arcilla lo dirige.

7
00:00:44,170 --> 00:00:46,063
En vez de esculpirla yo,

8
00:00:46,550 --> 00:00:48,210
es como si esculpiera a mí.

9
00:00:48,210 --> 00:00:49,089
(Heidi ríe)

10
00:00:51,599 --> 00:00:54,488
Es como un conducto para los espíritus.

11
00:00:57,297 --> 00:00:59,805
Soy Heidi Lau y hago esculturas.

12
00:01:00,151 --> 00:01:02,187
Y trabajo principalmente con arcilla.

13
00:01:03,851 --> 00:01:05,264
(pájaros trinando)

14
00:01:13,841 --> 00:01:17,091
CEMENTERIO DE GREEN-WOOD, BROOKLYN

15
00:01:17,525 --> 00:01:22,711
LAU ES LA PRIMERA ARTISTA EN RESIDENCIA 
EN EL CEMENTERIO DE 184 AÑOS

16
00:01:30,780 --> 00:01:34,170
Al trabajar con arcilla, 
hasta el toque más delicado

17
00:01:34,170 --> 00:01:37,833
se integra en el material.

18
00:01:39,710 --> 00:01:43,943
Es continuamente hacer capas sobre capas.

19
00:01:46,070 --> 00:01:48,440
Todo lo que aprendí 
me lo enseñé a mí misma.

20
00:01:49,880 --> 00:01:54,460
La única técnica que uso 
es rayar la arcilla,

21
00:01:54,842 --> 00:01:57,383
ponerle barbotina y luego pegar la pieza.

22
00:02:00,640 --> 00:02:02,488
Tal vez, las manos

23
00:02:02,488 --> 00:02:03,510
(Heidi ríe)

24
00:02:03,510 --> 00:02:05,950
son unas de las partes 
con mayor trayectoria

25
00:02:05,950 --> 00:02:07,083
en mis obras.

26
00:02:08,290 --> 00:02:11,229
Nunca moldearía una mano de verdad.

27
00:02:11,296 --> 00:02:15,363
Todas son como fantasmales y alargadas

28
00:02:16,240 --> 00:02:19,123
para representar 
que no vienen de este mundo.

29
00:02:20,410 --> 00:02:22,710
Esto es un boceto preliminar

30
00:02:22,710 --> 00:02:24,380
para mi proyecto en la catacumba.

31
00:02:24,380 --> 00:02:26,120
Este es el arco.

32
00:02:26,120 --> 00:02:29,045
La pieza colgaría 
desde tragaluz hasta el suelo.

33
00:02:29,045 --> 00:02:31,462
(música suave)

34
00:02:36,480 --> 00:02:39,590
Hay muchas urnas con ropaje encima.

35
00:02:39,590 --> 00:02:42,170
Es como un símbolo de duelo

36
00:02:42,170 --> 00:02:43,558
y he querido plasmar eso.

37
00:02:44,698 --> 00:02:47,115
(música tranquila)

38
00:02:48,840 --> 00:02:50,500
Crecí en Macao.

39
00:02:50,500 --> 00:02:56,390
Mi infancia oscila
entre tener una crianza china estricta

40
00:02:56,390 --> 00:03:01,390
y escaparme de mi casa 
y tener aventuras

41
00:03:01,720 --> 00:03:06,246
en muchas de las ruinas
cuando aún era colonia de Portugal.

42
00:03:09,500 --> 00:03:12,270
Los portugueses construyeron
muchas catedrales

43
00:03:12,270 --> 00:03:15,053
y hay numerosas casas con estilo colonial.

44
00:03:16,460 --> 00:03:19,813
Pasaba mucho tiempo 
paseando en las estructuras.

45
00:03:21,920 --> 00:03:23,510
Estoy tratando de plasmar

46
00:03:23,510 --> 00:03:27,699
esa esencia de estructuras 
en las que podrías perderte.

47
00:03:28,219 --> 00:03:30,626
(música suave)

48
00:03:50,138 --> 00:03:54,328
CHINATOWN, MANHATTAN

49
00:03:54,328 --> 00:03:55,531
(toque de campanas)

50
00:03:55,531 --> 00:03:56,559
(bocina de carro)

51
00:04:01,350 --> 00:04:03,200
- Hola.
- Hola.

52
00:04:03,560 --> 00:04:07,000
[Heidi] Wing on Wo 
es una tienda de cerámica en Chinatown

53
00:04:07,100 --> 00:04:11,770
y es uno de los negocios 
con mayor antigüedad en todo Manhattan.

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