WEBVTT 00:00:01.071 --> 00:00:02.221 How y'all doing? 00:00:02.881 --> 00:00:04.111 Good. 00:00:04.135 --> 00:00:06.920 I came here to give you a science lesson 00:00:06.944 --> 00:00:09.006 about animal mating systems 00:00:09.030 --> 00:00:13.614 and why defining monogamy has been a challenge for scientists. 00:00:13.934 --> 00:00:17.046 But you won't need a textbook or to download an online lecture. 00:00:17.839 --> 00:00:22.283 All you'll simply need to do is revisit the song "OPP" 00:00:22.307 --> 00:00:23.712 by Naughty by Nature. NOTE Paragraph 00:00:23.736 --> 00:00:24.926 (Laughter) NOTE Paragraph 00:00:24.950 --> 00:00:27.211 It was released in 1991. 00:00:28.808 --> 00:00:31.493 Now, "OPP" is a call-and-response song. 00:00:31.815 --> 00:00:35.649 So throughout the talk, I'm going to put lyrics up on the screen, 00:00:35.673 --> 00:00:37.063 and I'm going to recite some 00:00:37.087 --> 00:00:38.450 and I'm going to prompt you 00:00:38.474 --> 00:00:40.644 when it's your turn to do the response, OK? NOTE Paragraph 00:00:40.668 --> 00:00:41.921 (Cheers) NOTE Paragraph 00:00:41.945 --> 00:00:44.580 Now, I know some people in this audience know this song, 00:00:44.604 --> 00:00:47.429 so I need you to lead the way with the tempo and the rhythm, 00:00:47.453 --> 00:00:48.857 if that's alright, OK? 00:00:48.881 --> 00:00:50.071 Right, y'all ready? NOTE Paragraph 00:00:50.974 --> 00:00:52.321 You down with OPP? NOTE Paragraph 00:00:52.345 --> 00:00:53.712 Audience: Yeah, you know me! NOTE Paragraph 00:00:53.736 --> 00:00:55.119 DNL: You down with OPP? NOTE Paragraph 00:00:55.143 --> 00:00:56.498 Audience: Yeah, you know me! NOTE Paragraph 00:00:56.522 --> 00:00:57.777 DNL: You down with OPP? NOTE Paragraph 00:00:57.791 --> 00:00:59.133 Audience: Yeah, you know me! NOTE Paragraph 00:00:59.157 --> 00:01:00.355 DNL: That was perfect. 00:01:00.379 --> 00:01:01.529 Thank you. NOTE Paragraph 00:01:02.768 --> 00:01:04.450 "OPP, how can I explain it? NOTE Paragraph 00:01:04.474 --> 00:01:05.982 I'll take it frame by frame it. NOTE Paragraph 00:01:06.006 --> 00:01:08.045 To have y'all jumping shout and singing it NOTE Paragraph 00:01:08.069 --> 00:01:10.823 O is for other, P is for people. scratch your temple. NOTE Paragraph 00:01:10.847 --> 00:01:13.355 The last P, well, that's not that simple." NOTE Paragraph 00:01:13.379 --> 00:01:17.069 Now, in the song, the MC hints that it's a five-letter word, 00:01:17.093 --> 00:01:18.704 but to keep it rated PG, 00:01:18.728 --> 00:01:21.553 he simply refers to it as "property." NOTE Paragraph 00:01:21.983 --> 00:01:23.133 (Laughter) NOTE Paragraph 00:01:23.157 --> 00:01:26.466 The song is about cheating on your significant other. 00:01:26.879 --> 00:01:30.633 Now, around the time that this song was in heavy rotation, 00:01:30.657 --> 00:01:35.974 biologists were in deep discussion about whether bird species, 00:01:35.998 --> 00:01:41.246 notably songbirds and waterfowl were actually monogamous or not. 00:01:41.831 --> 00:01:45.117 See, for decades, generations of science students 00:01:45.141 --> 00:01:49.131 were taught that well over 90 percent of the bird species were monogamous. 00:01:49.657 --> 00:01:52.723 A male and female mating faithfully for life. NOTE Paragraph 00:01:53.419 --> 00:01:55.672 That was until the late 1980s, 00:01:55.696 --> 00:01:58.490 when a new laboratory technique came on the scene, 00:01:58.514 --> 00:02:02.522 which could copy DNA from a small tissue or fluid sample 00:02:02.546 --> 00:02:04.641 and decode the genetics of individuals. 00:02:05.046 --> 00:02:07.109 Now, before that technique, 00:02:07.133 --> 00:02:09.378 we were never ever certain about, 00:02:09.402 --> 00:02:12.245 100 percent, who the parents of baby birds were. 00:02:12.744 --> 00:02:14.482 All we had were our field notes. 00:02:14.792 --> 00:02:17.164 And we would know which adults lived in a nest 00:02:17.188 --> 00:02:19.323 and which ones fed the baby birds. 00:02:20.085 --> 00:02:25.704 Well, come to find out, study after study kept coming in 00:02:25.728 --> 00:02:29.286 and we found so much evidence of infidelity -- NOTE Paragraph 00:02:29.310 --> 00:02:30.658 (Laughter) NOTE Paragraph 00:02:30.682 --> 00:02:32.048 among bird species, 00:02:32.072 --> 00:02:33.463 particularly these songbirds 00:02:33.487 --> 00:02:36.075 that we thought were the pinnacle of monogamy. 00:02:36.445 --> 00:02:39.783 It would have made Maury Povich jealous for the ratings. NOTE Paragraph 00:02:39.807 --> 00:02:42.180 (Laughter) NOTE Paragraph 00:02:42.538 --> 00:02:45.831 It rocked biology and ornithology so hard, 00:02:45.855 --> 00:02:50.053 we had to modify and expand the entire definition of monogamy. 00:02:50.974 --> 00:02:54.657 Now, it was so bad that this was the headline 00:02:54.681 --> 00:02:57.172 of the "New York Times" science section, 00:02:57.196 --> 00:02:58.958 August, 1990. 00:02:59.427 --> 00:03:02.381 "Mating for Life? It's not for the Birds or the Bees." NOTE Paragraph 00:03:02.405 --> 00:03:04.237 (Laughter) NOTE Paragraph 00:03:04.261 --> 00:03:07.173 We had to come up with new definitions. 00:03:07.538 --> 00:03:11.204 The situation where an individual would change partners, 00:03:11.228 --> 00:03:13.057 either between breeding seasons 00:03:13.081 --> 00:03:16.394 or just simply because they didn't like their partner anymore? 00:03:16.418 --> 00:03:18.618 We now call this "serial monogamy." NOTE Paragraph 00:03:18.941 --> 00:03:23.791 (Laughter) NOTE Paragraph 00:03:23.815 --> 00:03:25.894 I didn't know it was going to be this funny. NOTE Paragraph 00:03:25.918 --> 00:03:27.865 (Laughter) NOTE Paragraph 00:03:28.283 --> 00:03:32.783 The situation where we know the male and female pair together 00:03:32.807 --> 00:03:35.355 and all the babies belong to both partners? 00:03:35.379 --> 00:03:37.346 We call that "genetic monogamy." 00:03:37.370 --> 00:03:39.815 And we now recognize that it only holds true 00:03:39.839 --> 00:03:43.966 for about 14 percent of the songbird species, 00:03:43.990 --> 00:03:47.070 which we were very certain were truly monogamous. NOTE Paragraph 00:03:47.831 --> 00:03:49.569 And with this reclassification, 00:03:49.593 --> 00:03:52.343 we realized that in a lot of those field observations 00:03:52.367 --> 00:03:55.481 where we saw a male and female sharing a nest, 00:03:55.505 --> 00:04:00.021 comaintaining a territory, even provisioning offspring together, 00:04:00.045 --> 00:04:04.560 often included a few baby birds that did not belong to the male partner. 00:04:05.925 --> 00:04:08.288 We call this "social monogamy." NOTE Paragraph 00:04:08.312 --> 00:04:10.732 (Laughter) NOTE Paragraph 00:04:10.756 --> 00:04:13.066 And the mechanism responsible? 00:04:13.090 --> 00:04:15.557 Extra-pair copulation. 00:04:17.660 --> 00:04:20.370 "It's OPP, time for other people's what you get it 00:04:20.394 --> 00:04:23.206 there's no room for relationship, there's just room to ..." NOTE Paragraph 00:04:23.230 --> 00:04:24.381 Audience: "Hit it!" NOTE Paragraph 00:04:24.405 --> 00:04:27.234 "How many brothers out there know just what I'm getting at? NOTE Paragraph 00:04:27.258 --> 00:04:30.404 Who thinks it's wrong because I was splitting and cohitting that. NOTE Paragraph 00:04:30.754 --> 00:04:33.785 Well if you do, that's OPP" NOTE Paragraph 00:04:34.238 --> 00:04:35.777 Actually, that's EPC 00:04:36.770 --> 00:04:40.572 Which is the abbreviation for extra-pair copulation. NOTE Paragraph 00:04:40.596 --> 00:04:42.888 (Laughter) NOTE Paragraph 00:04:42.912 --> 00:04:47.720 Now, we define extra-pair copulation as the mating outside of a pair bond. 00:04:48.119 --> 00:04:50.434 And just like we were discovering via science, 00:04:50.458 --> 00:04:54.085 it can lead to babies that don't belong to the male partner. 00:04:54.109 --> 00:04:55.264 Alright? NOTE Paragraph 00:04:55.288 --> 00:04:58.942 Now, I first learned about EPCs years later, 00:04:58.966 --> 00:05:02.029 after all the science news broke while I was in graduate school. 00:05:02.403 --> 00:05:04.703 And as we were taking a class, 00:05:04.727 --> 00:05:07.601 talking about current discoveries and mating systems, 00:05:07.625 --> 00:05:09.403 this topic comes up. 00:05:09.855 --> 00:05:12.459 And as my professor's going through the definition 00:05:12.483 --> 00:05:15.292 and recounting all the dramatic turns of events 00:05:15.316 --> 00:05:17.482 that lead to these new revelations, 00:05:17.506 --> 00:05:21.109 I'm sitting in class and a familiar song starts bopping in my head. 00:05:21.133 --> 00:05:22.768 I'm like, "You down with OPP? 00:05:22.792 --> 00:05:24.323 Yeah, you know me!" NOTE Paragraph 00:05:24.347 --> 00:05:25.966 (Laughter) NOTE Paragraph 00:05:25.990 --> 00:05:29.799 I mean, that's exactly what that song was about: 00:05:29.823 --> 00:05:30.973 EPCs. 00:05:31.355 --> 00:05:33.182 And what I recognized 00:05:33.206 --> 00:05:36.847 is that this gives us an opportunity to revisit this song. 00:05:36.871 --> 00:05:38.671 Let's switch the lyrics up. 00:05:39.815 --> 00:05:41.569 So say EPC. NOTE Paragraph 00:05:41.593 --> 00:05:42.751 Audience: EPC. NOTE Paragraph 00:05:42.775 --> 00:05:44.289 DNL: Say it, EPC! NOTE Paragraph 00:05:44.313 --> 00:05:45.464 Audience: EPC! NOTE Paragraph 00:05:45.488 --> 00:05:46.855 "I like to say it with pride NOTE Paragraph 00:05:46.879 --> 00:05:49.855 now, when you do it, do it well, and make sure that it counts. 00:05:49.879 --> 00:05:51.498 You're not down with a discount." NOTE Paragraph 00:05:51.522 --> 00:05:52.720 You down with EPC? NOTE Paragraph 00:05:52.744 --> 00:05:56.026 Audience: Yeah, you know me! NOTE Paragraph 00:05:56.050 --> 00:05:59.534 Now, I had always been playing songs in my head 00:05:59.558 --> 00:06:01.534 while I was in science class, 00:06:01.558 --> 00:06:05.136 kind of tapping into this index of pop culture and hip-hop songs. 00:06:05.585 --> 00:06:08.871 But when I would share my analogies with my science professors, 00:06:08.895 --> 00:06:10.823 all of whom were older white men, 00:06:10.847 --> 00:06:15.585 I often got blank and confused stares as responses. NOTE Paragraph 00:06:15.609 --> 00:06:17.792 (Laughter) NOTE Paragraph 00:06:17.816 --> 00:06:21.712 But when I would share this with people from communities like mine, 00:06:21.736 --> 00:06:24.950 or other colleagues -- so, diverse communities -- 00:06:24.974 --> 00:06:27.441 this hip-hop science remix was a hit. 00:06:27.871 --> 00:06:31.537 That's because I was either talking to people who looked and sounded like me, 00:06:31.561 --> 00:06:34.967 or at the very least, you know, listened to some of the same songs. 00:06:34.991 --> 00:06:37.791 We were sharing a common cultural lexicon. 00:06:38.346 --> 00:06:42.768 And with that lexicon, I was able to bring new science terms to them, 00:06:42.792 --> 00:06:48.653 and together, we were sharing a new comprehension of science for the culture. NOTE Paragraph 00:06:49.649 --> 00:06:53.745 Now, hip-hop song references 00:06:53.769 --> 00:06:59.880 are a really good tool for teaching content to students from hip-hop culture 00:06:59.904 --> 00:07:01.333 or urban communities. 00:07:01.357 --> 00:07:04.537 And I use it intentionally to connect to those students, 00:07:04.561 --> 00:07:07.823 tapping into vocabulary that they already know 00:07:07.847 --> 00:07:10.580 and systems that they already comprehend. 00:07:11.228 --> 00:07:17.748 And what it does in that process is it ratifies them, us, our culture 00:07:17.772 --> 00:07:19.557 as knowledge purveyors. 00:07:20.691 --> 00:07:24.077 I use hip-hop to frame and communicate science 00:07:24.101 --> 00:07:28.601 because I'm intentionally communicating science to broader audiences 00:07:28.625 --> 00:07:33.315 that public science outreach has traditionally overlooked. 00:07:34.427 --> 00:07:36.316 And in the process, 00:07:36.340 --> 00:07:39.308 I am affirming the genius 00:07:39.332 --> 00:07:43.347 that thrives in the young minds of people from every hood everywhere. 00:07:43.879 --> 00:07:45.966 So let me ask you one last time, 00:07:45.990 --> 00:07:47.395 you down with EPC? NOTE Paragraph 00:07:47.419 --> 00:07:48.776 Audience: Yeah, you know me! NOTE Paragraph 00:07:48.800 --> 00:07:50.057 DNL: You down with EPC? NOTE Paragraph 00:07:50.081 --> 00:07:51.420 Audience: Yeah, you know me! NOTE Paragraph 00:07:51.444 --> 00:07:52.646 DNL: You down with EPC? NOTE Paragraph 00:07:52.670 --> 00:07:54.030 Audience: Yeah, you know me! NOTE Paragraph 00:07:54.054 --> 00:07:55.262 DNL: Who's down with EPC? NOTE Paragraph 00:07:55.286 --> 00:07:57.362 Audience: All the homies! NOTE Paragraph 00:07:57.698 --> 00:07:58.864 Thank you. NOTE Paragraph 00:07:58.888 --> 00:08:03.277 (Applause and cheers)