[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:10.68,0:00:14.65,Default,,0000,0000,0000,,Hi, how you doing? Justin here.\NWelcome to IM-123,
Dialogue: 0,0:00:14.65,0:00:18.94,Default,,0000,0000,0000,,which we're going to be starting a look \Nat major scale improvisation.
Dialogue: 0,0:00:18.94,0:00:22.36,Default,,0000,0000,0000,,And we're going to be using the G Major scale.
Dialogue: 0,0:00:22.36,0:00:24.85,Default,,0000,0000,0000,,Which I'm hoping you've kind of \Ngot under your fingers now.
Dialogue: 0,0:00:24.85,0:00:26.92,Default,,0000,0000,0000,,and you're okay playing it \Nup and down from memory.
Dialogue: 0,0:00:26.92,0:00:30.29,Default,,0000,0000,0000,,It's important that you're there \Nbefore we start on doing this.
Dialogue: 0,0:00:30.29,0:00:32.01,Default,,0000,0000,0000,,And what we're going to be doing is \N
Dialogue: 0,0:00:32.01,0:00:36.14,Default,,0000,0000,0000,,looking at using this scale \Nto make up some little solos.
Dialogue: 0,0:00:36.14,0:00:38.44,Default,,0000,0000,0000,,And what I'm going to do is \Ngo through some of the hints with you,
Dialogue: 0,0:00:38.44,0:00:41.23,Default,,0000,0000,0000,,and then I'll kind of demonstrate them \Nto a backing track.
Dialogue: 0,0:00:41.23,0:00:42.60,Default,,0000,0000,0000,,Now, I've just mentioned it : \Nbacking track!
Dialogue: 0,0:00:42.60,0:00:46.37,Default,,0000,0000,0000,,Very, very important that you practice this stuff \Nwith either a backing track,
Dialogue: 0,0:00:46.37,0:00:50.64,Default,,0000,0000,0000,,a jam buddy, or you record yourself playing \Nsome chords and solo over the top.
Dialogue: 0,0:00:50.64,0:00:54.24,Default,,0000,0000,0000,,I think, really, using a backing track \Nis a good idea at this stage.
Dialogue: 0,0:00:54.24,0:00:57.82,Default,,0000,0000,0000,,Jamming with your mates \Nis always a good fun thing
Dialogue: 0,0:00:57.82,0:01:01.67,Default,,0000,0000,0000,,but, at this time, I really think \Nit might be better to be on your own
Dialogue: 0,0:01:01.67,0:01:04.99,Default,,0000,0000,0000,,where you're not afraid of making mistakes \Nand you can kind of concentrate
Dialogue: 0,0:01:04.99,0:01:07.32,Default,,0000,0000,0000,,and kind of figure out the sounds on your own.
Dialogue: 0,0:01:07.32,0:01:09.47,Default,,0000,0000,0000,,So using a backing track is a good idea.
Dialogue: 0,0:01:09.47,0:01:11.46,Default,,0000,0000,0000,,There's a free one on the website
Dialogue: 0,0:01:11.46,0:01:12.95,Default,,0000,0000,0000,,if you're already on the website,\N
Dialogue: 0,0:01:12.95,0:01:16.06,Default,,0000,0000,0000,,it'll be just below \Nor just about this video thing.
Dialogue: 0,0:01:16.06,0:01:18.15,Default,,0000,0000,0000,,And what I want to do \Nis take you through some tips now.
Dialogue: 0,0:01:18.15,0:01:23.63,Default,,0000,0000,0000,,So, the first and most important thing, \Nwhen you're improvising with scales in general,
Dialogue: 0,0:01:23.63,0:01:26.16,Default,,0000,0000,0000,,is that you need to stick to the scale notes.
Dialogue: 0,0:01:26.16,0:01:29.30,Default,,0000,0000,0000,,Particularly with this kind of major scale soloing.
Dialogue: 0,0:01:29.30,0:01:32.15,Default,,0000,0000,0000,,If you hit any notes that aren't in the major scale,
Dialogue: 0,0:01:32.15,0:01:35.56,Default,,0000,0000,0000,,it's very likely they will sound pretty horrible.
Dialogue: 0,0:01:35.56,0:01:37.45,Default,,0000,0000,0000,,Now, occasionally, you might find \None that sounds cool
Dialogue: 0,0:01:37.45,0:01:40.13,Default,,0000,0000,0000,,or be able to sneak one \Nin between two other notes
Dialogue: 0,0:01:40.13,0:01:43.96,Default,,0000,0000,0000,,but as an exercise for now, \Nwhile you're learning to improvise with the major scale
Dialogue: 0,0:01:43.96,0:01:47.51,Default,,0000,0000,0000,,try and stick only, ONLY to scale tones.
Dialogue: 0,0:01:47.51,0:01:52.25,Default,,0000,0000,0000,,Second hint: you mainly want \Nto stick on the thinnest strings.
Dialogue: 0,0:01:52.25,0:01:55.32,Default,,0000,0000,0000,,You can make a great solo \Nusing the thick strings,
Dialogue: 0,0:01:55.32,0:01:57.11,Default,,0000,0000,0000,,there's no problem with doing that,
Dialogue: 0,0:01:57.11,0:01:58.48,Default,,0000,0000,0000,,but, just when you're starting out, \N
Dialogue: 0,0:01:58.48,0:02:01.07,Default,,0000,0000,0000,,it's usually easier to use the thin strings
Dialogue: 0,0:02:01.07,0:02:04.50,Default,,0000,0000,0000,,because they kind of sound \Na little bit more like a solo
Dialogue: 0,0:02:04.50,0:02:05.64,Default,,0000,0000,0000,,if that makes sense.
Dialogue: 0,0:02:05.64,0:02:07.15,Default,,0000,0000,0000,,Less like a riff and more like a lead.
Dialogue: 0,0:02:07.15,0:02:09.46,Default,,0000,0000,0000,,They don't tend to get mixed up in the chords. \N
Dialogue: 0,0:02:09.46,0:02:11.73,Default,,0000,0000,0000,,That's the problem with the low notes,
Dialogue: 0,0:02:11.73,0:02:15.08,Default,,0000,0000,0000,,they tend to get a bit muddily\Nwith the rhythm guitar or the backing track.
Dialogue: 0,0:02:15.08,0:02:16.79,Default,,0000,0000,0000,,So if you stick to the thinnest strings,
Dialogue: 0,0:02:16.79,0:02:19.75,Default,,0000,0000,0000,,then they seem to set themselves aside \Na little bit better.
Dialogue: 0,0:02:19.75,0:02:22.43,Default,,0000,0000,0000,,So, generally, thinnest strings.
Dialogue: 0,0:02:22.43,0:02:24.48,Default,,0000,0000,0000,,Explore the other ones if you like,\Njust to check it out,
Dialogue: 0,0:02:24.48,0:02:27.69,Default,,0000,0000,0000,,but mainly you want \Nto be sticking to the thinnest strings.
Dialogue: 0,0:02:27.69,0:02:31.32,Default,,0000,0000,0000,,Next thing : use the play/rest approach.
Dialogue: 0,0:02:31.32,0:02:33.65,Default,,0000,0000,0000,,And what the play/rest approach is all about
Dialogue: 0,0:02:33.65,0:02:35.51,Default,,0000,0000,0000,,is kind of using punctuation when you play
Dialogue: 0,0:02:35.51,0:02:38.20,Default,,0000,0000,0000,,because if someone is talking to you,
Dialogue: 0,0:02:38.20,0:02:40.92,Default,,0000,0000,0000,,if I'm trying to explain this \Nand I didn't stop at all,
Dialogue: 0,0:02:40.92,0:02:44.26,Default,,0000,0000,0000,,no little pauses in what I'm saying, \Nno full stops or commas,
Dialogue: 0,0:02:44.26,0:02:47.68,Default,,0000,0000,0000,,it would be really difficult to understand \Nwhat I was saying.
Dialogue: 0,0:02:47.68,0:02:49.31,Default,,0000,0000,0000,,And it's the same with improvising.
Dialogue: 0,0:02:49.31,0:02:51.50,Default,,0000,0000,0000,,You want to get in the habit \Nright from the beginning
Dialogue: 0,0:02:51.50,0:02:55.20,Default,,0000,0000,0000,,of 'play a little bit', 'stop a little bit', \N'play a little bit', 'stop a little bit'.
Dialogue: 0,0:02:55.20,0:02:57.36,Default,,0000,0000,0000,,Now the advantage \Nwhen you're learning, of course,
Dialogue: 0,0:02:57.36,0:02:59.52,Default,,0000,0000,0000,,is that it gives you time\Nto think about what you're doing.
Dialogue: 0,0:02:59.52,0:03:02.18,Default,,0000,0000,0000,,To, you know, \Nhave the picture of the scale in your mind \N
Dialogue: 0,0:03:02.18,0:03:04.00,Default,,0000,0000,0000,,and making sure \Nthat your fingers are there.
Dialogue: 0,0:03:04.00,0:03:07.28,Default,,0000,0000,0000,,Maybe even think about what the notes are \Nthat you're going to play before you play them.
Dialogue: 0,0:03:07.28,0:03:09.37,Default,,0000,0000,0000,,That's cool! \NYou're learning, that's allowed.
Dialogue: 0,0:03:09.37,0:03:12.99,Default,,0000,0000,0000,,Later on you want to be all effortless \Nand free and not thinking about it
Dialogue: 0,0:03:12.99,0:03:15.11,Default,,0000,0000,0000,,but right now, if you're learning it, \Nthink about the scale,
Dialogue: 0,0:03:15.11,0:03:17.81,Default,,0000,0000,0000,,think about the notes that you can play\Nand use them.
Dialogue: 0,0:03:17.81,0:03:20.38,Default,,0000,0000,0000,,You know : "What am I going to play? \NOh yeah I might try that." Do it!
Dialogue: 0,0:03:20.38,0:03:22.70,Default,,0000,0000,0000,,"Oh, that didn't sound very good, \Nmaybe I'll try this instead."
Dialogue: 0,0:03:22.70,0:03:25.73,Default,,0000,0000,0000,,You know, you've got lots of time then\Nto think about it. \N
Dialogue: 0,0:03:25.73,0:03:27.35,Default,,0000,0000,0000,,There's no rush with the improvising.
Dialogue: 0,0:03:27.35,0:03:30.33,Default,,0000,0000,0000,,You know, it's all about being relaxed with it
Dialogue: 0,0:03:30.33,0:03:34.91,Default,,0000,0000,0000,,and using the idea of play/rest/play/rest/etc \Ngives you that space.
Dialogue: 0,0:03:34.91,0:03:39.09,Default,,0000,0000,0000,,Space in the head and space in the music. \NIt's a really, really good idea.
Dialogue: 0,0:03:39.09,0:03:43.84,Default,,0000,0000,0000,,Now, leading on from that the next tip \Nis to stay simple.
Dialogue: 0,0:03:43.84,0:03:46.69,Default,,0000,0000,0000,,Don't try and make things too complicated yet, \Nyou're just learning.
Dialogue: 0,0:03:46.69,0:03:51.75,Default,,0000,0000,0000,,Just be cool with kind of exploring \Nwhat the different notes of the scale sound like.
Dialogue: 0,0:03:51.75,0:03:54.19,Default,,0000,0000,0000,,How they kind of react with the changes
Dialogue: 0,0:03:54.19,0:03:56.74,Default,,0000,0000,0000,,cause if the chords are changing \Nin the backing track
Dialogue: 0,0:03:56.74,0:03:59.40,Default,,0000,0000,0000,,the one note that you're playing \Nwill sound different
Dialogue: 0,0:03:59.40,0:04:01.32,Default,,0000,0000,0000,,so just keep things really simple.
Dialogue: 0,0:04:01.32,0:04:04.17,Default,,0000,0000,0000,,Don't be in a hurry to try and do anything\Ntoo flashy or too clever,
Dialogue: 0,0:04:04.17,0:04:07.92,Default,,0000,0000,0000,,just look for a nice really simple little melody.
Dialogue: 0,0:04:07.92,0:04:10.60,Default,,0000,0000,0000,,That's the most important thing.
Dialogue: 0,0:04:10.60,0:04:12.87,Default,,0000,0000,0000,,And while we're on that, again,
Dialogue: 0,0:04:12.87,0:04:17.25,Default,,0000,0000,0000,,another leading straight between these different points\Nis repeating licks.
Dialogue: 0,0:04:17.25,0:04:19.29,Default,,0000,0000,0000,,Now when people are talking, \N
Dialogue: 0,0:04:19.29,0:04:22.65,Default,,0000,0000,0000,,when they start talking about the same thing \Nover and over again
Dialogue: 0,0:04:22.65,0:04:26.42,Default,,0000,0000,0000,,then it seems to help it sink in better \Nand it's the same when you're improvising.
Dialogue: 0,0:04:26.42,0:04:28.91,Default,,0000,0000,0000,,If you have a little idea that you play
Dialogue: 0,0:04:28.91,0:04:32.60,Default,,0000,0000,0000,,and then you play the same idea again \Nwhile the chords keep changing in the background,
Dialogue: 0,0:04:32.60,0:04:34.62,Default,,0000,0000,0000,,it sounds strong, it sounds good.
Dialogue: 0,0:04:34.62,0:04:40.04,Default,,0000,0000,0000,,It adds a new color to what you're doing \Nand reinforces the idea to the listener.
Dialogue: 0,0:04:40.04,0:04:45.08,Default,,0000,0000,0000,,So don't be afraid of playing\Nmaking up a little lick or a little pattern,
Dialogue: 0,0:04:45.08,0:04:46.63,Default,,0000,0000,0000,,and then playing it over and over again.
Dialogue: 0,0:04:46.63,0:04:48.38,Default,,0000,0000,0000,,You know, here you play it, \Nhave a little rest, \N
Dialogue: 0,0:04:48.38,0:04:50.69,Default,,0000,0000,0000,,play it, have a little rest, \Nand see what the effect is.
Dialogue: 0,0:04:50.69,0:04:53.92,Default,,0000,0000,0000,,Sometimes it can sound cool \Nto play a little repeating figure
Dialogue: 0,0:04:53.92,0:04:57.56,Default,,0000,0000,0000,,that goes over and over again \Nwithout stopping while the chords change.
Dialogue: 0,0:04:57.56,0:04:59.62,Default,,0000,0000,0000,,That can be an interesting little thing.
Dialogue: 0,0:04:59.62,0:05:03.23,Default,,0000,0000,0000,,Now, I mentioned earlier on, \Nif you're by yourself
Dialogue: 0,0:05:03.23,0:05:06.84,Default,,0000,0000,0000,,a really, really cool thing \Nthat you can do is to explore.
Dialogue: 0,0:05:06.84,0:05:10.20,Default,,0000,0000,0000,,You know, you're on your own, \Nyou're learning this stuff so
Dialogue: 0,0:05:10.20,0:05:11.91,Default,,0000,0000,0000,,there's no limit here.
Dialogue: 0,0:05:11.91,0:05:14.67,Default,,0000,0000,0000,,Try doing solos only on the thick strings.
Dialogue: 0,0:05:14.67,0:05:17.27,Default,,0000,0000,0000,,Try jumping from the thinnest strings \Nto the thickest strings
Dialogue: 0,0:05:17.27,0:05:19.94,Default,,0000,0000,0000,,and back again or whatever. \NThere's no rules here.
Dialogue: 0,0:05:19.94,0:05:23.99,Default,,0000,0000,0000,,So long as you hit the scale 'dots', if you like, \Nthe notes of the scale,
Dialogue: 0,0:05:23.99,0:05:27.13,Default,,0000,0000,0000,,and you don't hit other notes, \Nit's going to be interesting, right?
Dialogue: 0,0:05:27.13,0:05:29.51,Default,,0000,0000,0000,,Notice the word 'interesting'.
Dialogue: 0,0:05:29.51,0:05:31.60,Default,,0000,0000,0000,,It might not be brilliant, \Nbut it will be interesting
Dialogue: 0,0:05:31.60,0:05:34.39,Default,,0000,0000,0000,,and it shouldn't sound, you know,\Nhorrible, like out of tune.
Dialogue: 0,0:05:34.39,0:05:39.28,Default,,0000,0000,0000,,It just might not sound maybe the most melodic, \Nnicest solo you've ever heard
Dialogue: 0,0:05:39.28,0:05:40.95,Default,,0000,0000,0000,,if you're jumping from :
Dialogue: 0,0:05:40.95,0:05:43.75,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:05:43.75,0:05:45.24,Default,,0000,0000,0000,,It might sound a little bit funny
Dialogue: 0,0:05:45.24,0:05:46.51,Default,,0000,0000,0000,,but, you know, we'll get to that
Dialogue: 0,0:05:46.51,0:05:49.18,Default,,0000,0000,0000,,cause I'm going to do \Nsome little examples in a second.
Dialogue: 0,0:05:49.18,0:05:50.42,Default,,0000,0000,0000,,And the most important thing,
Dialogue: 0,0:05:50.42,0:05:54.96,Default,,0000,0000,0000,,I've left until last so it stays in your memory, \Nis to listen.
Dialogue: 0,0:05:54.96,0:05:58.91,Default,,0000,0000,0000,,Now what you're really listening for \Nis the effect of the note that you're playing
Dialogue: 0,0:05:58.91,0:06:00.39,Default,,0000,0000,0000,,and the backing track.
Dialogue: 0,0:06:00.39,0:06:04.10,Default,,0000,0000,0000,,To the whole thing together. \NDon't just listen to what you're doing
Dialogue: 0,0:06:04.10,0:06:07.09,Default,,0000,0000,0000,,cause then you kind of,\Nyou're not getting the whole picture
Dialogue: 0,0:06:07.09,0:06:11.46,Default,,0000,0000,0000,,because somebody that's listening \Nis listening to your guitar on the backing track.
Dialogue: 0,0:06:11.46,0:06:14.30,Default,,0000,0000,0000,,It's the effect of those things together \Nthat's really important.
Dialogue: 0,0:06:14.30,0:06:15.74,Default,,0000,0000,0000,,Not just one of the things.
Dialogue: 0,0:06:15.74,0:06:21.13,Default,,0000,0000,0000,,So as you're playing try and let your ears \Nbe listening to the whole thing,
Dialogue: 0,0:06:21.13,0:06:25.30,Default,,0000,0000,0000,,the whole sound, the sound of your instrument playing\Nagainst the backing track.
Dialogue: 0,0:06:25.30,0:06:27.32,Default,,0000,0000,0000,,That's really what you're listening out for.
Dialogue: 0,0:06:27.32,0:06:30.23,Default,,0000,0000,0000,,And with the major scale \Nit's a lot about listening
Dialogue: 0,0:06:30.23,0:06:32.61,Default,,0000,0000,0000,,and if you find yourself on a note \Nthat doesn't sound very good,
Dialogue: 0,0:06:32.61,0:06:35.82,Default,,0000,0000,0000,,move to either one note higher \Nor one note lower \N
Dialogue: 0,0:06:35.82,0:06:38.11,Default,,0000,0000,0000,,and you're going to end up on a note\Nthat sounds really good.
Dialogue: 0,0:06:38.11,0:06:39.76,Default,,0000,0000,0000,,It's a weird thing with this major scale.
Dialogue: 0,0:06:39.76,0:06:42.76,Default,,0000,0000,0000,,You're only ever one step away \Nfrom a good note.
Dialogue: 0,0:06:42.76,0:06:45.04,Default,,0000,0000,0000,,So if you choose one note \Nthat doesn't sound great,
Dialogue: 0,0:06:45.04,0:06:48.00,Default,,0000,0000,0000,,move to the next note, \Nand it'll probably sound really good.
Dialogue: 0,0:06:48.00,0:06:52.04,Default,,0000,0000,0000,,So I'm gonna put on \Nthe G Major backing track now \N
Dialogue: 0,0:06:52.04,0:06:54.66,Default,,0000,0000,0000,,and I'm going to run through these little points \Nwith you again
Dialogue: 0,0:06:54.66,0:06:59.61,Default,,0000,0000,0000,,but with a little bit of playing as well \Nso you can hear what I'm talking about.
Dialogue: 0,0:07:01.44,0:07:04.53,Default,,0000,0000,0000,,Okay, let's try out these ideas \Nthat I've just mentioned to you.
Dialogue: 0,0:07:04.53,0:07:07.28,Default,,0000,0000,0000,,So first of all we just want scale notes.
Dialogue: 0,0:07:07.28,0:07:10.39,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:10.39,0:07:13.32,Default,,0000,0000,0000,,These are all going to be good \Nwhile we're sticking with the scale.
Dialogue: 0,0:07:13.32,0:07:17.42,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:17.42,0:07:18.24,Default,,0000,0000,0000,,Whoops!
Dialogue: 0,0:07:18.24,0:07:20.71,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:20.71,0:07:21.51,Default,,0000,0000,0000,,Oooops!
Dialogue: 0,0:07:21.51,0:07:23.82,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:23.82,0:07:26.51,Default,,0000,0000,0000,,While you stay on the scale, \Nit's all going to be good.
Dialogue: 0,0:07:26.51,0:07:28.81,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:28.81,0:07:32.12,Default,,0000,0000,0000,,Ooops. Whoah, even worse. \NOh, that's much better.
Dialogue: 0,0:07:32.12,0:07:34.80,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:34.80,0:07:39.36,Default,,0000,0000,0000,,Now you'll see that I'm mostly staying \Non the thinnest three strings.
Dialogue: 0,0:07:39.36,0:07:45.56,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:45.56,0:07:47.21,Default,,0000,0000,0000,,That doesn't mean you can't
Dialogue: 0,0:07:47.21,0:07:51.17,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:51.17,0:07:52.81,Default,,0000,0000,0000,,But it sounds better up there.
Dialogue: 0,0:07:52.81,0:07:56.14,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:56.14,0:07:57.80,Default,,0000,0000,0000,,Now, hopefully as well, you can see
Dialogue: 0,0:07:57.80,0:07:59.70,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:59.70,0:08:01.56,Default,,0000,0000,0000,,that I play a bit and rest a bit.
Dialogue: 0,0:08:01.56,0:08:05.54,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:08:05.54,0:08:07.26,Default,,0000,0000,0000,,Then you can repeat licks.
Dialogue: 0,0:08:07.26,0:08:29.35,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:08:29.35,0:08:30.83,Default,,0000,0000,0000,,You can also explore!
Dialogue: 0,0:08:30.83,0:08:51.86,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:08:51.86,0:08:53.76,Default,,0000,0000,0000,,This it the time to do it, now.
Dialogue: 0,0:08:53.76,0:08:56.96,Default,,0000,0000,0000,,Just to play around with what you're gonna play.
Dialogue: 0,0:08:56.96,0:09:11.54,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:09:11.54,0:09:14.39,Default,,0000,0000,0000,,It's a really good fun.
Dialogue: 0,0:09:15.02,0:09:17.48,Default,,0000,0000,0000,,And of course, \NI probably don't need to remind you,
Dialogue: 0,0:09:17.48,0:09:19.47,Default,,0000,0000,0000,,but the big thing that you're going to do
Dialogue: 0,0:09:19.47,0:09:22.21,Default,,0000,0000,0000,,while you're doing all these exercises is
Dialogue: 0,0:09:22.21,0:09:24.08,Default,,0000,0000,0000,,LISTEN!
Dialogue: 0,0:09:24.08,0:09:25.32,Default,,0000,0000,0000,,Really, really important.
Dialogue: 0,0:09:25.32,0:09:27.27,Default,,0000,0000,0000,,Just keep your ears open \Nall the time while you're playing.
Dialogue: 0,0:09:27.27,0:09:29.95,Default,,0000,0000,0000,,Make sure that you're listening \Nto your own guitar
Dialogue: 0,0:09:29.95,0:09:32.80,Default,,0000,0000,0000,,and the backing track \Nor whoever you're playing with
Dialogue: 0,0:09:32.80,0:09:34.33,Default,,0000,0000,0000,,and you're listening to the effect
Dialogue: 0,0:09:34.33,0:09:37.95,Default,,0000,0000,0000,,that the notes that you play \Nhave on the whole sound.
Dialogue: 0,0:09:37.95,0:09:40.32,Default,,0000,0000,0000,,And if you start to play some stuff \Nthat doesn't sound very good,
Dialogue: 0,0:09:40.32,0:09:43.09,Default,,0000,0000,0000,,don't play it, play something else \Nand find something that sounds good.
Dialogue: 0,0:09:43.09,0:09:45.55,Default,,0000,0000,0000,,Don't be in a hurry to play fast or anything.
Dialogue: 0,0:09:45.55,0:09:48.12,Default,,0000,0000,0000,,Just keep it nice and simple, \Nexplore the notes.
Dialogue: 0,0:09:48.12,0:09:52.53,Default,,0000,0000,0000,,Don't be expecting to be doing \Nblindingly great solos straight away
Dialogue: 0,0:09:52.53,0:09:54.57,Default,,0000,0000,0000,,because you've got to let your ears tune up, \Nyou know.
Dialogue: 0,0:09:54.57,0:09:57.78,Default,,0000,0000,0000,,After you've been doing this a bit, \Nyou start to find,
Dialogue: 0,0:09:57.78,0:10:02.25,Default,,0000,0000,0000,,your fingers kind of find where the nice notes are \Nwithout you even having to try.
Dialogue: 0,0:10:02.25,0:10:04.87,Default,,0000,0000,0000,,It's almost like it becomes instinctive
Dialogue: 0,0:10:04.87,0:10:08.16,Default,,0000,0000,0000,,to find the right notes \Nrather than having to think about it too much.
Dialogue: 0,0:10:08.16,0:10:10.23,Default,,0000,0000,0000,,But right now you don't have to think, \Nyou're just learning it.
Dialogue: 0,0:10:10.23,0:10:12.94,Default,,0000,0000,0000,,So, don't be afraid of thinking \Nabout what you're doing,
Dialogue: 0,0:10:12.94,0:10:15.64,Default,,0000,0000,0000,,about looking at the notes, \Nthinking about the scale.
Dialogue: 0,0:10:15.64,0:10:17.83,Default,,0000,0000,0000,,Let all of that other stuff happen \Nby itself naturally.
Dialogue: 0,0:10:17.83,0:10:20.55,Default,,0000,0000,0000,,But in the beginning, \Nyou've got to think of it.
Dialogue: 0,0:10:20.55,0:10:22.31,Default,,0000,0000,0000,,So I'll leave you with me
Dialogue: 0,0:10:22.31,0:10:26.16,Default,,0000,0000,0000,,having a bit of a muck-around of this tune\Nor that backing track, you know.
Dialogue: 0,0:10:26.16,0:10:29.59,Default,,0000,0000,0000,,Feel free to have a go at nicking some licks \Nor whatever you feel like
Dialogue: 0,0:10:29.59,0:10:32.31,Default,,0000,0000,0000,,and I'll see you for another lesson\Nsometime very, very soon.
Dialogue: 0,0:10:32.31,0:10:34.55,Default,,0000,0000,0000,,Take care of yourselves. \NBye bye.