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♪ (musique méditative) ♪
(sifflement du vent)

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(Esteban) Mes peintures
se développent dans

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une approche très intuitive
de mes ressentis,

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ce qui me fait réagir,
mais aussi ma quête d'identité.

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Ayant grandi à la frontière

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et ayant été connecté
à peu de mon héritage,

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j'ai dû le trouver par moi-même.

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J'utilise l'art comme un acte de guérison

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pour me connecter à ces histoires,

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mais aussi pour renouer avec le territoire

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et pour apprendre ces histoires
avant que le temps ne les efface.

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(tic-tac de l'horloge)
(la musique méditative continue)

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(souffle du vent)

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(ruissellement de l'eau)

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La façon dont mon procédé fonctionne

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est basée sur le concept du tesseract,

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avec quatre couches
ou dimensions différentes à l'intérieur.

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Je commence par teindre
la toile avec du carmin.

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Le carmin opère presque
comme un plan astral,

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un peu à la manière qu'ont les physiciens
de cartographier l'espace.

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Ces spirales dans ma peinture
représentent les solstices.

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Les sociétés indigènes étaient capables

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de modéliser le temps
sans technologie industrielle,

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ensuite je construis l'image suivante

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en pensant aux histoires précoloniales

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et aux structures avancées
antérieures à 1492.

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La troisième couche implique
de la peinture figurative

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que je fais sur place.

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(Heidi) Oui, ça a l'air plutôt bien.

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(Esteban) Heidi est ma partenaire
depuis 10 ans.

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Je demande son avis,

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mais je l'aide aussi quand je peux dans ses travaux

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