WEBVTT 00:00:00.017 --> 00:00:03.434 (soulful tranquil music) 00:00:07.229 --> 00:00:11.646 (intriguing tranquil ethereal music) 00:00:16.590 --> 00:00:19.593 - The protocol of painting is very slow and meditative, 00:00:21.870 --> 00:00:25.443 and I think that's what I appreciate about it. 00:00:28.170 --> 00:00:32.423 It's a space that I'm very comfortable in. 00:00:32.423 --> 00:00:36.840 (intriguing tranquil ethereal music) 00:00:40.200 --> 00:00:41.880 I think it's become really good 00:00:41.880 --> 00:00:44.803 for my mental health. (laughs) 00:00:47.610 --> 00:00:51.510 There's a dynamism that happens with these images 00:00:51.510 --> 00:00:55.216 where it becomes about that singular moment. 00:00:55.216 --> 00:00:59.633 (intriguing tranquil ethereal music) 00:01:01.878 --> 00:01:03.878 (objects clacking) 00:01:03.878 --> 00:01:07.143 Oh, it's on the table in the break room. 00:01:09.480 --> 00:01:14.480 I was introduced to these bikers when I moved to Baltimore. 00:01:15.960 --> 00:01:18.750 Although most people consider them a nuisance, 00:01:18.750 --> 00:01:20.640 I think there's something so fantastic 00:01:20.640 --> 00:01:23.670 about their ability to teach themselves 00:01:23.670 --> 00:01:28.263 these highly skilled ways of riding these dirt bikes. 00:01:30.150 --> 00:01:34.020 They're riding at this 12 o'clock position, 00:01:34.020 --> 00:01:35.643 which is straight up and down, 00:01:37.740 --> 00:01:41.010 but a lot of times their hands are off of the bike, 00:01:41.010 --> 00:01:42.633 and there's a sense of freedom. 00:01:45.420 --> 00:01:48.393 I wanted to try to capture this effect of, like, flying. 00:01:51.810 --> 00:01:54.840 Although these are dirt bikes, and dirt bikes are loud, 00:01:54.840 --> 00:01:56.540 these paintings are kind of quiet, 00:01:58.170 --> 00:02:01.560 as if they've been lifted off the ground, 00:02:01.560 --> 00:02:02.913 they're flying in the air, 00:02:03.990 --> 00:02:06.243 and it's just like this moment of silence. 00:02:08.207 --> 00:02:12.365 (intriguing tranquil ethereal music) 00:02:12.365 --> 00:02:17.365 (street bustling) (wind whooshing) 00:02:19.724 --> 00:02:21.810 I was born in 1973. 00:02:21.810 --> 00:02:24.543 We were always outside riding our bikes. 00:02:26.310 --> 00:02:31.080 When we all turned like, I don't know, like 11 or 12, 00:02:31.080 --> 00:02:34.080 somebody's parents got them like a scooter, 00:02:34.080 --> 00:02:35.880 and then everybody got a scooter. 00:02:35.880 --> 00:02:37.400 So all of us had... 00:02:38.400 --> 00:02:41.070 It was like a gang of, like, 12 or 13 kids, 00:02:41.070 --> 00:02:43.170 and we'd be riding around on our scooters. 00:02:44.190 --> 00:02:46.023 It was an all-American childhood. 00:02:48.750 --> 00:02:50.940 (intriguing tranquil ethereal music) 00:02:50.940 --> 00:02:52.940 I kind of feel like a giant in here now. 00:02:55.620 --> 00:02:59.610 There's like the piggy bank (chuckles) 00:02:59.610 --> 00:03:02.763 that I painted in art class in high school. 00:03:03.990 --> 00:03:05.460 I used to push this window up 00:03:05.460 --> 00:03:07.920 and put my boombox in the window, 00:03:07.920 --> 00:03:10.950 and I remember memorizing 00:03:10.950 --> 00:03:13.650 Prince: "Sign O' The Times," (chuckles) 00:03:13.650 --> 00:03:15.780 and playing it over and over again 00:03:15.780 --> 00:03:17.910 with my cassette tape player. 00:03:17.910 --> 00:03:22.327 (intriguing tranquil ethereal music) 00:03:24.150 --> 00:03:27.290 Artists have been painting children for a very long time, 00:03:27.290 --> 00:03:31.707 (intriguing tranquil ethereal music) 00:03:33.540 --> 00:03:35.430 so it feels like another way 00:03:35.430 --> 00:03:37.080 of making a traditional painting. 00:03:39.600 --> 00:03:43.503 The idea was having this slide in the sky, almost, 00:03:44.910 --> 00:03:47.610 and it seems like he's just reached this pinnacle, 00:03:47.610 --> 00:03:52.610 like, he's this pioneer standing on top of a mountain. 00:03:54.660 --> 00:03:59.098 I wanted to join him in that moment of exploration. 00:03:59.098 --> 00:04:03.515 (intriguing tranquil ethereal music) 00:04:05.610 --> 00:04:07.890 When I was living in Baltimore, 00:04:07.890 --> 00:04:10.710 I had the opportunity to work on a farm. 00:04:10.710 --> 00:04:13.230 It's some of the hardest work I've ever done, 00:04:13.230 --> 00:04:16.230 and I have a great respect for the ministry of that, 00:04:16.230 --> 00:04:17.733 of, like, growing food. 00:04:19.230 --> 00:04:22.413 My model, his name is Denzel, 00:04:24.120 --> 00:04:26.040 is just a very special person 00:04:26.040 --> 00:04:29.310 who's very passionate about teaching people 00:04:29.310 --> 00:04:31.893 how to grow their own food and where it comes from. 00:04:35.340 --> 00:04:37.920 I named the painting "A God Blessed Land" 00:04:37.920 --> 00:04:41.460 in thinking about American soil, 00:04:41.460 --> 00:04:46.460 and my ancestral connections to farming and plantations. 00:04:50.310 --> 00:04:52.290 Alongside that, I also want it 00:04:52.290 --> 00:04:56.777 to just be, like, a regular moment of a guy's life. 00:04:56.777 --> 00:05:01.498 (intriguing tranquil ethereal music) 00:05:01.498 --> 00:05:03.189 (metal screeching) 00:05:03.189 --> 00:05:05.939 (metal clanking) 00:05:06.810 --> 00:05:09.390 Because the work is evolving and I'm evolving, 00:05:09.390 --> 00:05:11.793 I've had to change my process up some. 00:05:13.380 --> 00:05:15.390 Painting this large is very different 00:05:15.390 --> 00:05:17.440 from what I've always done my whole life. 00:05:19.410 --> 00:05:21.813 It's something that I'm still getting used to. 00:05:24.630 --> 00:05:27.090 Certain things have to be more exaggerated, 00:05:27.090 --> 00:05:29.580 like, highlights have to be more exaggerated 00:05:29.580 --> 00:05:32.280 to still come to life, 00:05:32.280 --> 00:05:35.823 when you're, you know, 10 or 15, 20 feet back from it. 00:05:40.140 --> 00:05:43.533 For me, it's really about getting the face in first. 00:05:45.720 --> 00:05:47.793 Especially after I get the eyes in, 00:05:48.660 --> 00:05:50.853 that's when the image kind of comes alive. 00:05:51.837 --> 00:05:55.504 (intriguing tranquil music) 00:06:02.700 --> 00:06:03.543 Hi, Alice. 00:06:05.670 --> 00:06:08.943 I wanna like hop over, (chuckles) get closer. 00:06:11.566 --> 00:06:13.200 (intriguing tranquil ethereal music) 00:06:13.200 --> 00:06:14.673 This one, when I look at it, 00:06:16.110 --> 00:06:18.513 I don't see anything I wanna fix, 00:06:20.940 --> 00:06:21.847 which sometimes I'm like, 00:06:21.847 --> 00:06:24.717 "Oh, I wish I could do this to it, or do that to it," 00:06:25.650 --> 00:06:27.750 but I don't see anything that I wanna fix. 00:06:31.020 --> 00:06:32.163 I love beauty. 00:06:33.780 --> 00:06:35.100 I know beauty's a bad word, 00:06:35.100 --> 00:06:38.673 but I like to make things that make people feel good, 00:06:41.010 --> 00:06:44.103 and I think beautiful paintings are important. 00:06:45.392 --> 00:06:48.510 (intriguing tranquil ethereal upbeat music) 00:06:48.510 --> 00:06:52.170 I say figuration is like the soul food of art-making, 00:06:52.170 --> 00:06:53.943 it's like what takes you back home, 00:06:56.580 --> 00:06:58.530 and what you eat when you need comfort. 00:07:00.030 --> 00:07:02.219 And we all need that at some point. 00:07:02.219 --> 00:07:06.636 (intriguing tranquil ethereal music)