1 00:00:00,017 --> 00:00:03,434 (soulful tranquil music) 2 00:00:07,229 --> 00:00:11,646 (intriguing tranquil ethereal music) 3 00:00:16,590 --> 00:00:19,593 - The protocol of painting is very slow and meditative, 4 00:00:21,870 --> 00:00:25,443 and I think that's what I appreciate about it. 5 00:00:28,170 --> 00:00:32,423 It's a space that I'm very comfortable in. 6 00:00:32,423 --> 00:00:36,840 (intriguing tranquil ethereal music) 7 00:00:40,200 --> 00:00:41,880 I think it's become really good 8 00:00:41,880 --> 00:00:44,803 for my mental health. (laughs) 9 00:00:47,610 --> 00:00:51,510 There's a dynamism that happens with these images 10 00:00:51,510 --> 00:00:55,216 where it becomes about that singular moment. 11 00:00:55,216 --> 00:00:59,633 (intriguing tranquil ethereal music) 12 00:01:01,878 --> 00:01:03,878 (objects clacking) 13 00:01:03,878 --> 00:01:07,143 Oh, it's on the table in the break room. 14 00:01:09,480 --> 00:01:14,480 I was introduced to these bikers when I moved to Baltimore. 15 00:01:15,960 --> 00:01:18,750 Although most people consider them a nuisance, 16 00:01:18,750 --> 00:01:20,640 I think there's something so fantastic 17 00:01:20,640 --> 00:01:23,670 about their ability to teach themselves 18 00:01:23,670 --> 00:01:28,263 these highly skilled ways of riding these dirt bikes. 19 00:01:30,150 --> 00:01:34,020 They're riding at this 12 o'clock position, 20 00:01:34,020 --> 00:01:35,643 which is straight up and down, 21 00:01:37,740 --> 00:01:41,010 but a lot of times their hands are off of the bike, 22 00:01:41,010 --> 00:01:42,633 and there's a sense of freedom. 23 00:01:45,420 --> 00:01:48,393 I wanted to try to capture this effect of, like, flying. 24 00:01:51,810 --> 00:01:54,840 Although these are dirt bikes, and dirt bikes are loud, 25 00:01:54,840 --> 00:01:56,540 these paintings are kind of quiet, 26 00:01:58,170 --> 00:02:01,560 as if they've been lifted off the ground, 27 00:02:01,560 --> 00:02:02,913 they're flying in the air, 28 00:02:03,990 --> 00:02:06,243 and it's just like this moment of silence. 29 00:02:08,207 --> 00:02:12,365 (intriguing tranquil ethereal music) 30 00:02:12,365 --> 00:02:17,365 (street bustling) (wind whooshing) 31 00:02:19,724 --> 00:02:21,810 I was born in 1973. 32 00:02:21,810 --> 00:02:24,543 We were always outside riding our bikes. 33 00:02:26,310 --> 00:02:31,080 When we all turned like, I don't know, like 11 or 12, 34 00:02:31,080 --> 00:02:34,080 somebody's parents got them like a scooter, 35 00:02:34,080 --> 00:02:35,880 and then everybody got a scooter. 36 00:02:35,880 --> 00:02:37,400 So all of us had... 37 00:02:38,400 --> 00:02:41,070 It was like a gang of, like, 12 or 13 kids, 38 00:02:41,070 --> 00:02:43,170 and we'd be riding around on our scooters. 39 00:02:44,190 --> 00:02:46,023 It was an all-American childhood. 40 00:02:48,750 --> 00:02:50,940 (intriguing tranquil ethereal music) 41 00:02:50,940 --> 00:02:52,940 I kind of feel like a giant in here now. 42 00:02:55,620 --> 00:02:59,610 There's like the piggy bank (chuckles) 43 00:02:59,610 --> 00:03:02,763 that I painted in art class in high school. 44 00:03:03,990 --> 00:03:05,460 I used to push this window up 45 00:03:05,460 --> 00:03:07,920 and put my boombox in the window, 46 00:03:07,920 --> 00:03:10,950 and I remember memorizing 47 00:03:10,950 --> 00:03:13,650 Prince: "Sign O' The Times," (chuckles) 48 00:03:13,650 --> 00:03:15,780 and playing it over and over again 49 00:03:15,780 --> 00:03:17,910 with my cassette tape player. 50 00:03:17,910 --> 00:03:22,327 (intriguing tranquil ethereal music) 51 00:03:24,150 --> 00:03:27,290 Artists have been painting children for a very long time, 52 00:03:27,290 --> 00:03:31,707 (intriguing tranquil ethereal music) 53 00:03:33,540 --> 00:03:35,430 so it feels like another way 54 00:03:35,430 --> 00:03:37,080 of making a traditional painting. 55 00:03:39,600 --> 00:03:43,503 The idea was having this slide in the sky, almost, 56 00:03:44,910 --> 00:03:47,610 and it seems like he's just reached this pinnacle, 57 00:03:47,610 --> 00:03:52,610 like, he's this pioneer standing on top of a mountain. 58 00:03:54,660 --> 00:03:59,098 I wanted to join him in that moment of exploration. 59 00:03:59,098 --> 00:04:03,515 (intriguing tranquil ethereal music) 60 00:04:05,610 --> 00:04:07,890 When I was living in Baltimore, 61 00:04:07,890 --> 00:04:10,710 I had the opportunity to work on a farm. 62 00:04:10,710 --> 00:04:13,230 It's some of the hardest work I've ever done, 63 00:04:13,230 --> 00:04:16,230 and I have a great respect for the ministry of that, 64 00:04:16,230 --> 00:04:17,733 of, like, growing food. 65 00:04:19,230 --> 00:04:22,413 My model, his name is Denzel, 66 00:04:24,120 --> 00:04:26,040 is just a very special person 67 00:04:26,040 --> 00:04:29,310 who's very passionate about teaching people 68 00:04:29,310 --> 00:04:31,893 how to grow their own food and where it comes from. 69 00:04:35,340 --> 00:04:37,920 I named the painting "A God Blessed Land" 70 00:04:37,920 --> 00:04:41,460 in thinking about American soil, 71 00:04:41,460 --> 00:04:46,460 and my ancestral connections to farming and plantations. 72 00:04:50,310 --> 00:04:52,290 Alongside that, I also want it 73 00:04:52,290 --> 00:04:56,777 to just be, like, a regular moment of a guy's life. 74 00:04:56,777 --> 00:05:01,498 (intriguing tranquil ethereal music) 75 00:05:01,498 --> 00:05:03,189 (metal screeching) 76 00:05:03,189 --> 00:05:05,939 (metal clanking) 77 00:05:06,810 --> 00:05:09,390 Because the work is evolving and I'm evolving, 78 00:05:09,390 --> 00:05:11,793 I've had to change my process up some. 79 00:05:13,380 --> 00:05:15,390 Painting this large is very different 80 00:05:15,390 --> 00:05:17,440 from what I've always done my whole life. 81 00:05:19,410 --> 00:05:21,813 It's something that I'm still getting used to. 82 00:05:24,630 --> 00:05:27,090 Certain things have to be more exaggerated, 83 00:05:27,090 --> 00:05:29,580 like, highlights have to be more exaggerated 84 00:05:29,580 --> 00:05:32,280 to still come to life, 85 00:05:32,280 --> 00:05:35,823 when you're, you know, 10 or 15, 20 feet back from it. 86 00:05:40,140 --> 00:05:43,533 For me, it's really about getting the face in first. 87 00:05:45,720 --> 00:05:47,793 Especially after I get the eyes in, 88 00:05:48,660 --> 00:05:50,853 that's when the image kind of comes alive. 89 00:05:51,837 --> 00:05:55,504 (intriguing tranquil music) 90 00:06:02,700 --> 00:06:03,543 Hi, Alice. 91 00:06:05,670 --> 00:06:08,943 I wanna like hop over, (chuckles) get closer. 92 00:06:11,566 --> 00:06:13,200 (intriguing tranquil ethereal music) 93 00:06:13,200 --> 00:06:14,673 This one, when I look at it, 94 00:06:16,110 --> 00:06:18,513 I don't see anything I wanna fix, 95 00:06:20,940 --> 00:06:21,847 which sometimes I'm like, 96 00:06:21,847 --> 00:06:24,717 "Oh, I wish I could do this to it, or do that to it," 97 00:06:25,650 --> 00:06:27,750 but I don't see anything that I wanna fix. 98 00:06:31,020 --> 00:06:32,163 I love beauty. 99 00:06:33,780 --> 00:06:35,100 I know beauty's a bad word, 100 00:06:35,100 --> 00:06:38,673 but I like to make things that make people feel good, 101 00:06:41,010 --> 00:06:44,103 and I think beautiful paintings are important. 102 00:06:45,392 --> 00:06:48,510 (intriguing tranquil ethereal upbeat music) 103 00:06:48,510 --> 00:06:52,170 I say figuration is like the soul food of art-making, 104 00:06:52,170 --> 00:06:53,943 it's like what takes you back home, 105 00:06:56,580 --> 00:06:58,530 and what you eat when you need comfort. 106 00:07:00,030 --> 00:07:02,219 And we all need that at some point. 107 00:07:02,219 --> 00:07:06,636 (intriguing tranquil ethereal music)