1 00:00:00,609 --> 00:00:05,297 (Singing) I see the moon. The moon sees me. 2 00:00:06,296 --> 00:00:11,564 The moon sees somebody that I don't see. 3 00:00:12,708 --> 00:00:18,351 God bless the moon, and God bless me. 4 00:00:19,243 --> 00:00:24,655 And God bless the somebody that I don't see. 5 00:00:25,673 --> 00:00:31,331 If I get to heaven, before you do, 6 00:00:31,987 --> 00:00:37,770 I'll make a hole and pull you through. 7 00:00:38,083 --> 00:00:43,552 And I'll write your name on every star, 8 00:00:44,062 --> 00:00:46,704 and that way the world 9 00:00:47,356 --> 00:00:50,638 won't seem so far. 10 00:00:51,079 --> 00:00:54,770 The astronaut will not be at work today. 11 00:00:55,111 --> 00:00:56,767 He has called in sick. 12 00:00:56,791 --> 00:01:01,919 He has turned off his cell phone, his laptop, his pager, his alarm clock. 13 00:01:01,943 --> 00:01:05,092 There is a fat yellow cat asleep on his couch, 14 00:01:05,116 --> 00:01:06,860 raindrops against the window 15 00:01:06,884 --> 00:01:10,599 and not even the hint of coffee in the kitchen air. 16 00:01:10,623 --> 00:01:11,872 Everybody is in a tizzy. 17 00:01:11,896 --> 00:01:15,842 The engineers on the 15th floor have stopped working on their particle machine. 18 00:01:15,866 --> 00:01:17,644 The anti-gravity room is leaking, 19 00:01:17,668 --> 00:01:19,548 and even the freckled kid with glasses, 20 00:01:19,572 --> 00:01:22,246 whose only job is to take out the trash, is nervous, 21 00:01:22,270 --> 00:01:24,979 fumbles the bag, spills a banana peel and a paper cup. 22 00:01:25,003 --> 00:01:26,425 Nobody notices. 23 00:01:26,449 --> 00:01:29,874 They are too busy recalculating what this all mean for lost time. 24 00:01:29,898 --> 00:01:31,930 How many galaxies are we losing per second? 25 00:01:31,954 --> 00:01:34,004 How long before next rocket can be launched? 26 00:01:34,028 --> 00:01:36,899 Somewhere an electron flies off its energy cloud. 27 00:01:36,923 --> 00:01:38,889 A black hole has erupted. 28 00:01:38,913 --> 00:01:41,214 A mother finishes setting the table for dinner. 29 00:01:41,238 --> 00:01:43,299 A Law & Order marathon is starting. 30 00:01:43,323 --> 00:01:45,544 The astronaut is asleep. 31 00:01:45,568 --> 00:01:47,471 He has forgotten to turn off his watch, 32 00:01:47,495 --> 00:01:50,246 which ticks, like a metal pulse against his wrist. 33 00:01:50,270 --> 00:01:51,845 He does not hear it. 34 00:01:51,869 --> 00:01:54,918 He dreams of coral reefs and plankton. 35 00:01:54,942 --> 00:01:58,081 His fingers find the pillowcase's sailing masts. 36 00:01:58,105 --> 00:02:01,173 He turns on his side, opens his eyes at once. 37 00:02:01,197 --> 00:02:05,927 He thinks that scuba divers must have the most wonderful job in the world. 38 00:02:05,951 --> 00:02:08,794 So much water to glide through! 39 00:02:11,070 --> 00:02:16,298 (Applause) 40 00:02:16,322 --> 00:02:18,103 Thank you. 41 00:02:18,127 --> 00:02:22,228 When I was little, I could not understand the concept 42 00:02:22,996 --> 00:02:25,041 that you could only live one life. 43 00:02:25,560 --> 00:02:27,140 I don't mean this metaphorically. 44 00:02:27,164 --> 00:02:30,115 I mean, I literally thought that I was going to get to do 45 00:02:30,433 --> 00:02:32,479 everything there was to do 46 00:02:32,503 --> 00:02:35,099 and be everything there was to be. 47 00:02:35,123 --> 00:02:36,527 It was only a matter of time. 48 00:02:36,899 --> 00:02:39,923 And there was no limitation based on age or gender 49 00:02:39,947 --> 00:02:43,034 or race or even appropriate time period. 50 00:02:43,058 --> 00:02:46,509 I was sure that I was going to actually experience 51 00:02:46,533 --> 00:02:50,327 what it felt like to be a leader of the civil rights movement 52 00:02:50,351 --> 00:02:53,985 or a ten-year old boy living on a farm during the dust bowl 53 00:02:54,009 --> 00:02:57,627 or an emperor of the Tang dynasty in China. 54 00:02:57,651 --> 00:02:59,652 My mom says that when people asked me 55 00:02:59,676 --> 00:03:03,255 what I wanted to be when I grew up, my typical response was: 56 00:03:03,279 --> 00:03:05,047 princess-ballerina-astronaut. 57 00:03:05,458 --> 00:03:08,603 And what she doesn't understand is that I wasn't trying to invent 58 00:03:08,627 --> 00:03:10,610 some combined super profession. 59 00:03:10,634 --> 00:03:14,011 I was listing things I thought I was gonna get to be: 60 00:03:14,035 --> 00:03:17,096 a princess and a ballerina and an astronaut. 61 00:03:17,120 --> 00:03:19,859 and I'm pretty sure the list probably went on from there. 62 00:03:19,883 --> 00:03:21,881 I usually just got cut off. 63 00:03:21,905 --> 00:03:24,771 It was never a question of if I was gonna get to do something 64 00:03:24,795 --> 00:03:26,855 so much of a question of when. 65 00:03:27,278 --> 00:03:29,755 And I was sure that if I was going to do everything, 66 00:03:29,779 --> 00:03:32,215 that it probably meant I had to move pretty quickly, 67 00:03:32,239 --> 00:03:34,485 because there was a lot of stuff I needed to do. 68 00:03:34,509 --> 00:03:36,779 So my life was constantly in a state of rushing. 69 00:03:36,803 --> 00:03:38,970 I was always scared that I was falling behind. 70 00:03:38,994 --> 00:03:42,374 And since I grew up in New York City, as far as I could tell, 71 00:03:42,398 --> 00:03:44,224 rushing was pretty normal. 72 00:03:45,128 --> 00:03:48,763 But, as I grew up, I had this sinking realization, 73 00:03:49,108 --> 00:03:53,398 that I wasn't gonna get to live any more than one life. 74 00:03:53,422 --> 00:03:56,428 I only knew what it felt like to be a teenage girl 75 00:03:56,452 --> 00:03:57,603 in New York City, 76 00:03:57,627 --> 00:03:59,918 not a teenage boy in New Zealand, 77 00:03:59,942 --> 00:04:03,019 not a prom queen in Kansas. 78 00:04:03,043 --> 00:04:04,964 I only got to see through my lens. 79 00:04:04,988 --> 00:04:08,296 And it was around this time that I became obsessed with stories, 80 00:04:08,320 --> 00:04:11,447 because it was through stories that I was able to see 81 00:04:11,471 --> 00:04:15,193 through someone else's lens, however briefly or imperfectly. 82 00:04:15,589 --> 00:04:18,701 And I started craving hearing other people's experiences 83 00:04:18,725 --> 00:04:22,288 because I was so jealous that there were entire lives 84 00:04:22,312 --> 00:04:24,003 that I was never gonna get to live, 85 00:04:24,027 --> 00:04:26,702 and I wanted to hear about everything that I was missing. 86 00:04:26,726 --> 00:04:28,020 And by transitive property, 87 00:04:28,044 --> 00:04:31,273 I realized that some people were never gonna get to experience 88 00:04:31,297 --> 00:04:33,981 what it felt like to be a teenage girl in New York city. 89 00:04:34,005 --> 00:04:35,910 Which meant that they weren't gonna know 90 00:04:35,934 --> 00:04:39,156 what the subway ride after your first kiss feels like, 91 00:04:39,180 --> 00:04:41,998 or how quiet it gets when its snows. 92 00:04:42,022 --> 00:04:44,634 And I wanted them to know, I wanted to tell them. 93 00:04:44,658 --> 00:04:47,085 And this became the focus of my obsession. 94 00:04:47,109 --> 00:04:50,734 I busied myself telling stories and sharing stories and collecting them. 95 00:04:50,758 --> 00:04:52,742 And it's not until recently 96 00:04:52,766 --> 00:04:57,075 that I realized that I can't always rush poetry. 97 00:04:57,666 --> 00:05:01,004 In April for National Poetry Month, there's this challenge 98 00:05:01,028 --> 00:05:04,146 that many poets in the poetry community participate in, 99 00:05:04,170 --> 00:05:06,234 and its called the 30/30 Challenge. 100 00:05:06,551 --> 00:05:09,273 The idea is you write a new poem 101 00:05:09,297 --> 00:05:12,234 every single day for the entire month of April. 102 00:05:12,916 --> 00:05:14,972 And last year, I tried it for the first time 103 00:05:14,996 --> 00:05:19,146 and was thrilled by the efficiency at which I was able to produce poetry. 104 00:05:19,765 --> 00:05:23,375 But at the end of the month, I looked back at these 30 poems I had written 105 00:05:23,399 --> 00:05:27,418 and discovered that they were all trying to tell the same story, 106 00:05:27,442 --> 00:05:32,251 it had just taken me 30 tries to figure out the way that it wanted to be told. 107 00:05:32,275 --> 00:05:36,196 And I realized that this is probably true of other stories on an even larger scale. 108 00:05:36,220 --> 00:05:38,648 I have stories that I have tried to tell for years, 109 00:05:38,672 --> 00:05:43,060 rewriting and rewriting and constantly searching for the right words. 110 00:05:43,084 --> 00:05:46,369 There's a French poet and essayist by the name of Paul Valéry 111 00:05:46,393 --> 00:05:49,869 who said a poem is never finished, it is only abandoned. 112 00:05:50,178 --> 00:05:51,329 And this terrifies me 113 00:05:51,353 --> 00:05:54,732 because it implies that I could keep re-editing and rewriting forever 114 00:05:54,756 --> 00:05:58,209 and its up to me to decide when a poem is finished 115 00:05:58,233 --> 00:06:00,344 and when I can walk away from it. 116 00:06:00,978 --> 00:06:03,685 And this goes directly against my very obsessive nature 117 00:06:03,709 --> 00:06:07,328 to try to find the right answer and the perfect words and the right form. 118 00:06:07,352 --> 00:06:09,433 And I use poetry in my life, 119 00:06:09,457 --> 00:06:12,169 as a way to help me navigate and work through things. 120 00:06:12,193 --> 00:06:15,399 But just because I end the poem, doesn't mean that I've solved 121 00:06:15,423 --> 00:06:17,407 what it was I was puzzling through. 122 00:06:18,001 --> 00:06:19,835 I like to revisit old poetry 123 00:06:19,859 --> 00:06:23,674 because it shows me exactly where I was at that moment 124 00:06:23,698 --> 00:06:25,611 and what it was I was trying to navigate 125 00:06:25,635 --> 00:06:27,769 and the words that I chose to help me. 126 00:06:28,468 --> 00:06:29,821 Now, I have a story 127 00:06:29,845 --> 00:06:32,694 that I've been stumbling over for years and years 128 00:06:32,718 --> 00:06:35,368 and I'm not sure if I've found the perfect form, 129 00:06:35,392 --> 00:06:37,384 or whether this is just one attempt 130 00:06:37,408 --> 00:06:41,153 and I will try to rewrite it later in search of a better way to tell it. 131 00:06:41,177 --> 00:06:44,177 But I do know that later, when I look back 132 00:06:44,201 --> 00:06:48,200 I will be able to know that this is where I was at this moment 133 00:06:48,224 --> 00:06:50,423 and this is what I was trying to navigate, 134 00:06:50,447 --> 00:06:53,274 with these words, here, in this room, with you. 135 00:06:56,105 --> 00:06:57,255 So -- 136 00:06:58,652 --> 00:07:00,152 Smile. 137 00:07:05,310 --> 00:07:06,794 It didn't always work this way. 138 00:07:07,874 --> 00:07:10,281 There's a time you had to get your hands dirty. 139 00:07:10,305 --> 00:07:14,090 When you were in the dark, for most of it, fumbling was a given. 140 00:07:14,416 --> 00:07:17,812 If you needed more contrast, more saturation, 141 00:07:17,836 --> 00:07:19,939 darker darks and brighter brights, 142 00:07:19,963 --> 00:07:22,660 they called it extended development. 143 00:07:22,684 --> 00:07:25,986 It meant you spent longer inhaling chemicals, longer up to your wrist. 144 00:07:26,010 --> 00:07:27,302 It wasn't always easy. 145 00:07:27,937 --> 00:07:30,707 Grandpa Stewart was a Navy photographer. 146 00:07:30,731 --> 00:07:33,675 Young, red-faced with his sleeves rolled up, 147 00:07:33,699 --> 00:07:36,327 fists of fingers like fat rolls of coins, 148 00:07:36,351 --> 00:07:39,171 he looked like Popeye the sailor man come to life. 149 00:07:39,195 --> 00:07:41,612 Crooked smile, tuft of chest hair, 150 00:07:41,636 --> 00:07:45,017 he showed up to World War II, with a smirk and a hobby. 151 00:07:45,041 --> 00:07:47,707 When they asked him if he knew much about photography, 152 00:07:47,731 --> 00:07:51,019 he lied, learned to read Europe like a map, 153 00:07:51,043 --> 00:07:54,233 upside down, from the height of a fighter plane, 154 00:07:54,257 --> 00:07:56,758 camera snapping, eyelids flapping 155 00:07:56,782 --> 00:07:58,997 the darkest darks and brightest brights. 156 00:07:59,021 --> 00:08:02,007 He learned war like he could read his way home. 157 00:08:02,520 --> 00:08:05,624 When other men returned, they would put their weapons out to rest, 158 00:08:05,648 --> 00:08:08,275 but he brought the lenses and the cameras home with him. 159 00:08:08,299 --> 00:08:11,362 Opened a shop, turned it into a family affair. 160 00:08:11,386 --> 00:08:14,806 My father was born into this world of black and white. 161 00:08:14,830 --> 00:08:18,000 His basketball hands learned the tiny clicks and slides 162 00:08:18,024 --> 00:08:20,595 of lens into frame, film into camera, 163 00:08:20,619 --> 00:08:22,096 chemical into plastic bin. 164 00:08:22,120 --> 00:08:24,944 His father knew the equipment but not the art. 165 00:08:25,308 --> 00:08:27,151 He knew the darks but not the brights. 166 00:08:27,175 --> 00:08:30,850 My father learned the magic, spent his time following light. 167 00:08:30,874 --> 00:08:34,508 Once he traveled across the country to follow a forest fire, 168 00:08:34,532 --> 00:08:37,087 hunted it with his camera for a week. 169 00:08:37,929 --> 00:08:39,381 "Follow the light," he said. 170 00:08:39,698 --> 00:08:40,874 "Follow the light." 171 00:08:40,898 --> 00:08:44,071 There are parts of me I only recognize from photographs. 172 00:08:44,095 --> 00:08:46,801 The loft on Wooster Street with the creaky hallways, 173 00:08:46,825 --> 00:08:49,525 the twelve-foot ceilings, white walls and cold floors. 174 00:08:49,549 --> 00:08:52,348 This was my mother's home, before she was mother. 175 00:08:52,372 --> 00:08:55,229 Before she was wife, she was artist. 176 00:08:55,253 --> 00:08:56,992 And the only two rooms in the house, 177 00:08:57,016 --> 00:08:59,547 with walls that reached all the way up to the ceiling, 178 00:08:59,571 --> 00:09:01,158 and doors that opened and closed, 179 00:09:01,182 --> 00:09:03,443 were the bathroom and the darkroom. 180 00:09:03,814 --> 00:09:05,893 The darkroom she built herself, 181 00:09:05,917 --> 00:09:10,512 with custom-made stainless steel sinks, an 8x10 bed enlarger 182 00:09:10,536 --> 00:09:12,948 that moved up and down by a giant hand crank, 183 00:09:12,972 --> 00:09:14,655 a bank of color-balanced lights, 184 00:09:14,679 --> 00:09:16,644 a white glass wall for viewing prints, 185 00:09:16,668 --> 00:09:19,010 a drying rack that moved in and out from the wall. 186 00:09:19,034 --> 00:09:21,120 My mother built herself a darkroom. 187 00:09:21,144 --> 00:09:22,407 Made it her home. 188 00:09:22,431 --> 00:09:25,091 Fell in love with a man with basketball hands, 189 00:09:25,115 --> 00:09:26,995 with the way he looked at light. 190 00:09:27,375 --> 00:09:29,458 They got married. Had a baby. 191 00:09:29,482 --> 00:09:31,672 Moved to a house near a park. 192 00:09:31,696 --> 00:09:33,609 But they kept the loft on Wooster Street 193 00:09:33,633 --> 00:09:36,182 for birthday parties and treasure hunts. 194 00:09:36,206 --> 00:09:38,610 The baby tipped the grayscale, 195 00:09:38,634 --> 00:09:42,269 filled her parents' photo albums with red balloons and yellow icing. 196 00:09:42,293 --> 00:09:45,062 The baby grew into a girl without freckles, 197 00:09:45,086 --> 00:09:46,578 with a crooked smile, 198 00:09:46,602 --> 00:09:51,062 who didn’t understand why her friends did not have darkrooms in their houses, 199 00:09:51,086 --> 00:09:52,998 who never saw her parents kiss, 200 00:09:53,022 --> 00:09:54,554 who never saw them hold hands. 201 00:09:55,006 --> 00:09:56,744 But one day, another baby showed up. 202 00:09:56,768 --> 00:09:59,951 This one with perfect straight hair and bubble gum cheeks. 203 00:09:59,975 --> 00:10:01,601 They named him sweet potato. 204 00:10:01,625 --> 00:10:03,557 When he laughed, he laughed so loudly 205 00:10:03,581 --> 00:10:05,739 he scared the pigeons on the fire escape 206 00:10:05,763 --> 00:10:08,739 And the four of them lived in that house near the park. 207 00:10:08,763 --> 00:10:11,318 The girl with no freckles, the sweet potato boy, 208 00:10:11,342 --> 00:10:13,468 the basketball father and darkroom mother 209 00:10:13,492 --> 00:10:16,120 and they lit their candles and said their prayers, 210 00:10:16,144 --> 00:10:18,198 and the corners of the photographs curled. 211 00:10:18,959 --> 00:10:21,467 One day, some towers fell. 212 00:10:21,491 --> 00:10:25,220 And the house near the park became a house under ash, so they escaped 213 00:10:25,244 --> 00:10:28,507 in backpacks, on bicycles to darkrooms 214 00:10:28,531 --> 00:10:31,360 But the loft of Wooster Street was built for an artist, 215 00:10:31,384 --> 00:10:34,138 not a family of pigeons, 216 00:10:34,162 --> 00:10:37,534 and walls that do not reach the ceiling do not hold in the yelling 217 00:10:37,558 --> 00:10:41,800 and the man with basketball hands put his weapons out to rest. 218 00:10:41,824 --> 00:10:45,063 He could not fight this war, and no maps pointed home. 219 00:10:45,442 --> 00:10:47,641 His hands no longer fit his camera, 220 00:10:47,665 --> 00:10:49,252 no longer fit his wife's, 221 00:10:49,276 --> 00:10:50,712 no longer fit his body. 222 00:10:51,299 --> 00:10:53,983 The sweet potato boy mashed his fists into his mouth 223 00:10:54,007 --> 00:10:55,580 until he had nothing more to say. 224 00:10:55,604 --> 00:10:58,902 So, the girl without freckles went treasure hunting on her own. 225 00:10:59,497 --> 00:11:02,908 And on Wooster Street, in a building with the creaky hallways 226 00:11:02,932 --> 00:11:04,760 and the loft with the 12-foot ceilings 227 00:11:04,784 --> 00:11:06,752 and the darkroom with too many sinks 228 00:11:06,776 --> 00:11:09,298 under the color-balanced lights, she found a note, 229 00:11:09,322 --> 00:11:13,575 tacked to the wall with a thumb-tack, left over from a time before towers, 230 00:11:13,933 --> 00:11:16,564 from the time before babies. 231 00:11:16,588 --> 00:11:21,520 And the note said: "A guy sure loves the girl who works in the darkroom." 232 00:11:22,758 --> 00:11:25,710 It was a year before my father picked up a camera again. 233 00:11:26,238 --> 00:11:28,776 His first time out, he followed the Christmas lights, 234 00:11:28,800 --> 00:11:31,283 dotting their way through New York City's trees, 235 00:11:31,307 --> 00:11:36,006 tiny dots of light, blinking out at him from out of the darkest darks. 236 00:11:36,030 --> 00:11:39,928 A year later he traveled across the country to follow a forest fire 237 00:11:39,952 --> 00:11:42,464 stayed for a week hunting it with his camera, 238 00:11:42,488 --> 00:11:44,340 it was ravaging the West Coast 239 00:11:44,364 --> 00:11:46,594 eating 18-wheeler trucks in its stride. 240 00:11:46,618 --> 00:11:48,197 On the other side of the country, 241 00:11:48,221 --> 00:11:51,579 I went to class and wrote a poem in the margins of my notebook. 242 00:11:51,603 --> 00:11:53,563 We have both learned the art of capture. 243 00:11:54,059 --> 00:11:56,912 Maybe we are learning the art of embracing. 244 00:11:56,936 --> 00:12:00,039 Maybe we are learning the art of letting go. 245 00:12:01,357 --> 00:12:06,023 (Applause)