[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:08.87,0:00:11.00,Default,,0000,0000,0000,,♪ ♪
Dialogue: 0,0:00:34.17,0:00:35.70,Default,,0000,0000,0000,,Robin Rhode: \NSplit, split, split.
Dialogue: 0,0:00:35.70,0:00:36.45,Default,,0000,0000,0000,,Come on, split.
Dialogue: 0,0:00:40.15,0:00:40.65,Default,,0000,0000,0000,,Split, please.
Dialogue: 0,0:00:45.54,0:00:47.09,Default,,0000,0000,0000,,Alright guys, strip the van, please.
Dialogue: 0,0:00:49.48,0:00:51.74,Default,,0000,0000,0000,,I've been working here for about eight \Nyears.
Dialogue: 0,0:00:51.74,0:00:53.96,Default,,0000,0000,0000,,I think the wall is fantastic in terms of\Nits scale.
Dialogue: 0,0:00:54.45,0:00:59.50,Default,,0000,0000,0000,,There's an amazing crack in \Nthe surface, which appears in all of my works.
Dialogue: 0,0:01:04.87,0:01:05.93,Default,,0000,0000,0000,,Drawing team!
Dialogue: 0,0:01:06.08,0:01:07.87,Default,,0000,0000,0000,,I developed from a three-man crew
Dialogue: 0,0:01:07.87,0:01:09.79,Default,,0000,0000,0000,,that would do pieces around Johannesburg
Dialogue: 0,0:01:10.00,0:01:12.17,Default,,0000,0000,0000,,to this location here, which then developed to
Dialogue: 0,0:01:12.17,0:01:14.48,Default,,0000,0000,0000,,a much larger crew of 10 persons,
Dialogue: 0,0:01:14.48,0:01:16.84,Default,,0000,0000,0000,,consisting of guys that are from this particular area.
Dialogue: 0,0:01:19.48,0:01:25.83,Default,,0000,0000,0000,,Over the last year or so, some of my team have\Nvanished. Two are currently in jail.
Dialogue: 0,0:01:26.37,0:01:28.37,Default,,0000,0000,0000,,Kevin, here, is director of drawing.
Dialogue: 0,0:01:30.45,0:01:34.86,Default,,0000,0000,0000,,Standby six-pack, Castle Lite. \NI want change and receipt.
Dialogue: 0,0:01:36.66,0:01:38.80,Default,,0000,0000,0000,,Producing a work of art is easy.
Dialogue: 0,0:01:39.84,0:01:43.14,Default,,0000,0000,0000,,It's surviving day-to-day life that's the\Ndifficult part here.
Dialogue: 0,0:01:44.67,0:01:49.31,Default,,0000,0000,0000,,This is the shoemaker. Shoemaker has been \Nworking with us for almost two years.
Dialogue: 0,0:01:53.66,0:01:54.66,Default,,0000,0000,0000,,What's happening?
Dialogue: 0,0:01:54.66,0:01:55.49,Default,,0000,0000,0000,,Shaun: \NAll right, big man.
Dialogue: 0,0:01:55.93,0:01:57.48,Default,,0000,0000,0000,,Robin Rhode: \NBig man! What's up, bru?
Dialogue: 0,0:01:57.48,0:01:58.67,Default,,0000,0000,0000,,Shaun: \NAll right, you bru? You well?
Dialogue: 0,0:01:58.93,0:01:59.92,Default,,0000,0000,0000,,Robin Rhode:\NThis is Shaun.
Dialogue: 0,0:01:59.92,0:02:01.50,Default,,0000,0000,0000,,Shaun:\NYou see when Robin gets here.
Dialogue: 0,0:02:01.50,0:02:02.97,Default,,0000,0000,0000,,Start hooting here, beep, beep, beep, beep.
Dialogue: 0,0:02:02.97,0:02:05.00,Default,,0000,0000,0000,,and then they all get you. Then they all all get here!
Dialogue: 0,0:02:05.00,0:02:06.00,Default,,0000,0000,0000,,[laughter]
Dialogue: 0,0:02:06.56,0:02:09.46,Default,,0000,0000,0000,,Robin Rhode:\NAcross the train line is Westbury, this is Newclare.
Dialogue: 0,0:02:10.43,0:02:13.58,Default,,0000,0000,0000,,This is where I was raised.\NThis is where I grew up.
Dialogue: 0,0:02:15.37,0:02:16.41,Default,,0000,0000,0000,,This is a colored area.
Dialogue: 0,0:02:16.41,0:02:19.22,Default,,0000,0000,0000,,We are a community of \Nmixed-race people.
Dialogue: 0,0:02:19.38,0:02:21.60,Default,,0000,0000,0000,,We are African, Islamic,
Dialogue: 0,0:02:22.01,0:02:24.26,Default,,0000,0000,0000,,but we have European ancestry as well.
Dialogue: 0,0:02:24.42,0:02:25.30,Default,,0000,0000,0000,,- Standby coconut.
Dialogue: 0,0:02:25.74,0:02:28.78,Default,,0000,0000,0000,,We reinvent various cultures.
Dialogue: 0,0:02:30.37,0:02:31.46,Default,,0000,0000,0000,,Stand by.
Dialogue: 0,0:02:34.84,0:02:38.33,Default,,0000,0000,0000,,Stand by, blade. Stand by, Unwrap boxes, please.
Dialogue: 0,0:02:39.85,0:02:42.21,Default,,0000,0000,0000,,There will be a handover \Ntaking place this afternoon.
Dialogue: 0,0:02:42.54,0:02:43.44,Default,,0000,0000,0000,,- Snap back.
Dialogue: 0,0:02:43.44,0:02:44.50,Default,,0000,0000,0000,,To form this camaraderie,
Dialogue: 0,0:02:44.50,0:02:45.71,Default,,0000,0000,0000,,to form this team,
Dialogue: 0,0:02:46.02,0:02:47.52,Default,,0000,0000,0000,,We're going military.
Dialogue: 0,0:02:47.68,0:02:48.21,Default,,0000,0000,0000,,- Try.
Dialogue: 0,0:02:48.21,0:02:49.29,Default,,0000,0000,0000,,- We're German.
Dialogue: 0,0:02:50.52,0:02:51.92,Default,,0000,0000,0000,,Robin Rhode: \NWe're art soldiers.
Dialogue: 0,0:02:52.20,0:02:52.77,Default,,0000,0000,0000,,- Shoemaker.
Dialogue: 0,0:02:53.64,0:02:55.46,Default,,0000,0000,0000,,Discipline is a huge factor here.
Dialogue: 0,0:02:55.46,0:02:57.47,Default,,0000,0000,0000,,- Randy, can you work?
Dialogue: 0,0:02:58.91,0:03:03.18,Default,,0000,0000,0000,,Everyone's coming with their own personal \Nissues and when we work, the issues need
Dialogue: 0,0:03:03.18,0:03:05.00,Default,,0000,0000,0000,,to be left on the pavement.
Dialogue: 0,0:03:05.55,0:03:07.50,Default,,0000,0000,0000,,Who votes for Randy in?
Dialogue: 0,0:03:07.96,0:03:10.68,Default,,0000,0000,0000,,- I got two hands for you.
Dialogue: 0,0:03:11.01,0:03:11.51,Default,,0000,0000,0000,,- Welcome aboard.
Dialogue: 0,0:03:11.51,0:03:12.70,Default,,0000,0000,0000,,Robin Rhode:\NWelcome aboard, Randy.
Dialogue: 0,0:03:12.70,0:03:14.61,Default,,0000,0000,0000,,- Welcome, soldier.\N- Welcome, soldier.
Dialogue: 0,0:03:19.31,0:03:20.54,Default,,0000,0000,0000,,Robin Rhode: \NThanks, guys. Let's push.
Dialogue: 0,0:03:20.54,0:03:21.72,Default,,0000,0000,0000,,Let's finish this job.
Dialogue: 0,0:03:23.44,0:03:26.92,Default,,0000,0000,0000,,My team are paid on a daily rate, but it's\Nbeyond
Dialogue: 0,0:03:26.92,0:03:27.87,Default,,0000,0000,0000,,just cash.
Dialogue: 0,0:03:29.36,0:03:34.34,Default,,0000,0000,0000,,It gives him a sense of status, \Nas somebody that is part of something really
Dialogue: 0,0:03:34.34,0:03:35.99,Default,,0000,0000,0000,,positive and productive.
Dialogue: 0,0:03:36.94,0:03:41.24,Default,,0000,0000,0000,,Your contribution, \Nno matter what level it is, has value.
Dialogue: 0,0:03:52.40,0:03:54.14,Default,,0000,0000,0000,,So I used to play football here.
Dialogue: 0,0:03:54.14,0:03:58.60,Default,,0000,0000,0000,,I played under 12s, under 14s and under 16s.
Dialogue: 0,0:03:59.06,0:04:02.84,Default,,0000,0000,0000,,I must say, when I was younger, \Nthe conditions were a lot better.
Dialogue: 0,0:04:04.48,0:04:07.59,Default,,0000,0000,0000,,There's not much facilities for the youth \Nto engage with.
Dialogue: 0,0:04:07.59,0:04:11.78,Default,,0000,0000,0000,,So, there is also other modes of spending\Ntheir free time,
Dialogue: 0,0:04:11.78,0:04:13.64,Default,,0000,0000,0000,,and that's a \Nproblem.
Dialogue: 0,0:04:14.46,0:04:16.100,Default,,0000,0000,0000,,You have a beautiful park in this area,
Dialogue: 0,0:04:16.100,0:04:21.93,Default,,0000,0000,0000,,but opposite the park is, like one of the \Nbiggest drug gang wars in Johannesburg.
Dialogue: 0,0:04:26.21,0:04:32.18,Default,,0000,0000,0000,,You know, when I'm not here, this also creates\Na huge vacuum for the team that I work with.
Dialogue: 0,0:04:33.18,0:04:40.00,Default,,0000,0000,0000,,I'm not sure how productive they will be\Nif I'm not around,
Dialogue: 0,0:04:40.72,0:04:45.25,Default,,0000,0000,0000,,or do they have an employment of some sort.\N
Dialogue: 0,0:04:45.71,0:04:48.50,Default,,0000,0000,0000,,So, um, yeah. It's a major issue.
Dialogue: 0,0:04:50.73,0:04:55.89,Default,,0000,0000,0000,,It's only a matter of time before I do a piece \Non this wall. It's only a matter of time.
Dialogue: 0,0:04:59.32,0:05:05.00,Default,,0000,0000,0000,,♪ ♪ [hip-hop music] ♪ ♪
Dialogue: 0,0:05:11.00,0:05:14.33,Default,,0000,0000,0000,,Strip the van please, unload. ASAP.
Dialogue: 0,0:05:15.23,0:05:16.35,Default,,0000,0000,0000,,- Standby spirit level.
Dialogue: 0,0:05:16.55,0:05:21.91,Default,,0000,0000,0000,,As a school kid, we had a form of hazing in the\Ntoilets of the school.
Dialogue: 0,0:05:22.40,0:05:23.60,Default,,0000,0000,0000,,We used to steal
Dialogue: 0,0:05:23.60,0:05:29.42,Default,,0000,0000,0000,,the chalk in the classrooms, draw objects \Nonto the toilet walls, and force young kids
Dialogue: 0,0:05:29.42,0:05:32.36,Default,,0000,0000,0000,,to interact and engage with the drawings,
Dialogue: 0,0:05:33.16,0:05:34.42,Default,,0000,0000,0000,,to ride a bike
Dialogue: 0,0:05:35.67,0:05:37.21,Default,,0000,0000,0000,,or to blow out a candle.
Dialogue: 0,0:05:38.11,0:05:42.25,Default,,0000,0000,0000,,I think that kind of planted the seed \Nfor my practice as a young artist.
Dialogue: 0,0:05:44.27,0:05:45.27,Default,,0000,0000,0000,,♪ ♪
Dialogue: 0,0:05:51.56,0:05:55.00,Default,,0000,0000,0000,,I used to create these performances for \Nmyself and for the camera, where I would
Dialogue: 0,0:05:55.00,0:05:58.72,Default,,0000,0000,0000,,just draw an object on the wall and interact\Nwith it.
Dialogue: 0,0:06:00.59,0:06:03.06,Default,,0000,0000,0000,,One of the first objects I drew was the bicycle,
Dialogue: 0,0:06:03.93,0:06:07.21,Default,,0000,0000,0000,,and then it became a television,\Nthen it became a chair,
Dialogue: 0,0:06:07.36,0:06:09.88,Default,,0000,0000,0000,,and it just began to extend \Nitself further and further.
Dialogue: 0,0:06:12.11,0:06:18.62,Default,,0000,0000,0000,,We use humor as a mode of survival, and \Nwe use play as a means to destabilize
Dialogue: 0,0:06:18.62,0:06:20.50,Default,,0000,0000,0000,,various dominant structures.
Dialogue: 0,0:06:21.73,0:06:23.71,Default,,0000,0000,0000,,- Standby!
Dialogue: 0,0:06:23.71,0:06:25.38,Default,,0000,0000,0000,,- Wall touch up green, here.
Dialogue: 0,0:06:25.38,0:06:28.88,Default,,0000,0000,0000,,Johannesburg, there is no art education whatsoever.
Dialogue: 0,0:06:28.88,0:06:30.30,Default,,0000,0000,0000,,- Stand by, shot one!
Dialogue: 0,0:06:31.22,0:06:32.22,Default,,0000,0000,0000,,And go!
Dialogue: 0,0:06:32.22,0:06:33.37,Default,,0000,0000,0000,,Oh, beautiful, Kevin!
Dialogue: 0,0:06:33.37,0:06:35.26,Default,,0000,0000,0000,,So how do we engage with minimalism?
Dialogue: 0,0:06:36.08,0:06:37.42,Default,,0000,0000,0000,,- Thank you very much.
Dialogue: 0,0:06:37.54,0:06:42.54,Default,,0000,0000,0000,,Minimalism. I would reference and rework \Nin a kind of humor-orientated way.
Dialogue: 0,0:06:42.82,0:06:46.59,Default,,0000,0000,0000,,Feet up higher, higher. Yes!\NTwo shots.
Dialogue: 0,0:06:47.49,0:06:49.78,Default,,0000,0000,0000,,Standby bike.\NStandby bike.
Dialogue: 0,0:06:53.35,0:06:57.44,Default,,0000,0000,0000,,The Institute for Quality.\NBuilding South Africa.
Dialogue: 0,0:06:57.44,0:06:59.65,Default,,0000,0000,0000,,Child by Child.
Dialogue: 0,0:06:59.65,0:07:01.62,Default,,0000,0000,0000,,So doppelganger is a kind of body double
Dialogue: 0,0:07:01.88,0:07:04.01,Default,,0000,0000,0000,,to represent me in the works.
Dialogue: 0,0:07:04.40,0:07:05.40,Default,,0000,0000,0000,,- Arm lower. Yeah.
Dialogue: 0,0:07:05.50,0:07:10.53,Default,,0000,0000,0000,,The doppelganger also acts as a stand-in for \Nthe viewer. He's standing on the bike, lying
Dialogue: 0,0:07:10.53,0:07:13.09,Default,,0000,0000,0000,,on the bike, never touching the surface of the
Dialogue: 0,0:07:13.09,0:07:16.47,Default,,0000,0000,0000,,ground, trying to grapple with gravity, \Nin a way.
Dialogue: 0,0:07:17.83,0:07:20.00,Default,,0000,0000,0000,,I'm trying to escape time.
Dialogue: 0,0:07:20.45,0:07:21.95,Default,,0000,0000,0000,,Look up. Yeah. Two.
Dialogue: 0,0:07:21.95,0:07:25.43,Default,,0000,0000,0000,,And this is why I've been \Nso fascinated with geometry.
Dialogue: 0,0:07:25.43,0:07:26.43,Default,,0000,0000,0000,,- Painters!
Dialogue: 0,0:07:27.17,0:07:31.11,Default,,0000,0000,0000,,The simple geometric form allows for kind of transcendence
Dialogue: 0,0:07:31.11,0:07:34.41,Default,,0000,0000,0000,,over time, over space, over geography
Dialogue: 0,0:07:39.36,0:07:43.72,Default,,0000,0000,0000,,A lot of preparatory drawings take \Nplace in my studio, in Berlin.
Dialogue: 0,0:07:47.97,0:07:50.55,Default,,0000,0000,0000,,Berlin just gives me that breathing space to
Dialogue: 0,0:07:50.55,0:07:53.00,Default,,0000,0000,0000,,internalize what I've created in South Africa.
Dialogue: 0,0:07:57.03,0:08:00.60,Default,,0000,0000,0000,,I first came to Berlin in 2001. I had a residency.
Dialogue: 0,0:08:01.63,0:08:05.25,Default,,0000,0000,0000,,I met a beautiful woman, that eventually became my wife.
Dialogue: 0,0:08:06.41,0:08:11.84,Default,,0000,0000,0000,,We have two sons. My family is what roots me to Berlin.
Dialogue: 0,0:08:13.38,0:08:15.59,Default,,0000,0000,0000,,I think that being here has given me
Dialogue: 0,0:08:15.59,0:08:19.08,Default,,0000,0000,0000,,a level of education that I never actually \Nhad in Johannesburg.
Dialogue: 0,0:08:20.00,0:08:21.02,Default,,0000,0000,0000,,All those years ago,
Dialogue: 0,0:08:21.02,0:08:26.33,Default,,0000,0000,0000,,I said that I would school myself by reading magazines,
Dialogue: 0,0:08:26.64,0:08:28.91,Default,,0000,0000,0000,,going to exhibitions, going to museums.
Dialogue: 0,0:08:29.06,0:08:30.77,Default,,0000,0000,0000,,[imitates piano]
Dialogue: 0,0:08:31.98,0:08:36.46,Default,,0000,0000,0000,,Berlin has given me that kind of hands-on \Nexperience in understanding different artistic
Dialogue: 0,0:08:36.46,0:08:40.00,Default,,0000,0000,0000,,movements, from the Bauhaus to Der Blaue Reiter.
Dialogue: 0,0:08:41.24,0:08:44.49,Default,,0000,0000,0000,,I'm an artist that really loves art history.
Dialogue: 0,0:08:47.75,0:08:50.39,Default,,0000,0000,0000,,When I think about the studio, I get really
Dialogue: 0,0:08:52.21,0:08:58.21,Default,,0000,0000,0000,,emotional because it's luxury. It's \Nthe great space to think.
Dialogue: 0,0:08:59.34,0:09:02.06,Default,,0000,0000,0000,,But I have an army on the street in Johannesburg,
Dialogue: 0,0:09:02.42,0:09:06.54,Default,,0000,0000,0000,,and my studio is a beautiful piece of architecture.
Dialogue: 0,0:09:08.54,0:09:12.61,Default,,0000,0000,0000,,A street corner in Johannesburg offers a lot\Nmore danger and risk.
Dialogue: 0,0:09:12.61,0:09:15.16,Default,,0000,0000,0000,,And the danger and risk becomes a kind of
Dialogue: 0,0:09:15.16,0:09:20.13,Default,,0000,0000,0000,,subliminal effect on the energy of that work.
Dialogue: 0,0:09:21.98,0:09:24.16,Default,,0000,0000,0000,,South Africa, there's a lot more vibrant,
Dialogue: 0,0:09:24.16,0:09:25.57,Default,,0000,0000,0000,,a lot more colorful.
Dialogue: 0,0:09:28.59,0:09:29.59,Default,,0000,0000,0000,,♪ ♪
Dialogue: 0,0:09:35.00,0:09:36.91,Default,,0000,0000,0000,,Maxime Scheepers:\NI am good friends with Kevin,
Dialogue: 0,0:09:36.91,0:09:41.22,Default,,0000,0000,0000,,and Kevin has worked with Robin so many times before.
Dialogue: 0,0:09:41.22,0:09:44.20,Default,,0000,0000,0000,,And I always just hear the stories of how\Namazing it is.
Dialogue: 0,0:09:44.20,0:09:45.76,Default,,0000,0000,0000,,- Yay. Thank you so much.
Dialogue: 0,0:09:46.30,0:09:47.89,Default,,0000,0000,0000,,And I see the final product.
Dialogue: 0,0:09:47.89,0:09:49.77,Default,,0000,0000,0000,,- You guys are so cool.
Dialogue: 0,0:09:49.77,0:09:51.60,Default,,0000,0000,0000,,I've always wanted to work with him.
Dialogue: 0,0:09:52.34,0:09:54.11,Default,,0000,0000,0000,,Robin Rhode:\NJust take note that we, you know
Dialogue: 0,0:09:54.11,0:09:56.90,Default,,0000,0000,0000,,once you put in a few missions,
Dialogue: 0,0:09:56.90,0:10:00.55,Default,,0000,0000,0000,,you do receive the Amarillo bottle string.
Dialogue: 0,0:10:01.22,0:10:02.35,Default,,0000,0000,0000,,Maxime Scheepers:\NFor levels.
Dialogue: 0,0:10:02.35,0:10:03.98,Default,,0000,0000,0000,,Robin Rhode:\NFor levels. This is our levels,
Dialogue: 0,0:10:03.98,0:10:05.04,Default,,0000,0000,0000,,our tour of duty.
Dialogue: 0,0:10:09.81,0:10:13.29,Default,,0000,0000,0000,,If I combine that performance with what I'm \Ndrawing on the wall,
Dialogue: 0,0:10:13.29,0:10:15.35,Default,,0000,0000,0000,,that can lead to a visual language.
Dialogue: 0,0:10:16.84,0:10:21.91,Default,,0000,0000,0000,,Today, the drawing is replaced by a \Nsculpture of children's jungle gyms
Dialogue: 0,0:10:22.24,0:10:25.14,Default,,0000,0000,0000,,as a set for this particular performance piece.
Dialogue: 0,0:10:25.14,0:10:27.78,Default,,0000,0000,0000,,Kevin: \NGiven by you. And we say-
Dialogue: 0,0:10:27.78,0:10:29.41,Default,,0000,0000,0000,,Maxime Scheepers: \Nsow the seed
Dialogue: 0,0:10:29.41,0:10:32.71,Default,,0000,0000,0000,,Kevin:\NPaint the wall. Be at home
Dialogue: 0,0:10:32.71,0:10:34.81,Default,,0000,0000,0000,,Together:\Nin our desert for all.
Dialogue: 0,0:10:34.81,0:10:37.42,Default,,0000,0000,0000,,Robin Rhode: \NI was inspired by the poet,
Dialogue: 0,0:10:37.42,0:10:39.59,Default,,0000,0000,0000,,James Matthews, and Gladys Thomas,
Dialogue: 0,0:10:40.23,0:10:42.73,Default,,0000,0000,0000,,because the youth that they were referring to was myself,
Dialogue: 0,0:10:43.12,0:10:44.81,Default,,0000,0000,0000,,being born in the mid-1970s.
Dialogue: 0,0:10:45.78,0:10:48.99,Default,,0000,0000,0000,,Dedicated to all the children of South Africa
Dialogue: 0,0:10:49.81,0:10:52.88,Default,,0000,0000,0000,,who will become one family, brothers and sisters.
Dialogue: 0,0:10:53.52,0:10:57.96,Default,,0000,0000,0000,,It's the first collection of poems that \Nwas banned by the apartheid government.
Dialogue: 0,0:10:58.86,0:11:01.74,Default,,0000,0000,0000,,It speaks of the white fences in society,
Dialogue: 0,0:11:01.74,0:11:04.28,Default,,0000,0000,0000,,speaks about the city as a jungle,
Dialogue: 0,0:11:04.28,0:11:05.64,Default,,0000,0000,0000,,demarcated areas,
Dialogue: 0,0:11:05.64,0:11:09.08,Default,,0000,0000,0000,,identity and race, and these ideas are
Dialogue: 0,0:11:09.08,0:11:11.19,Default,,0000,0000,0000,,playing out right now on the streets of South\NAfrica.
Dialogue: 0,0:11:15.55,0:11:19.09,Default,,0000,0000,0000,,Kevin:\NThe poetry comes from two colored poets,
Dialogue: 0,0:11:19.09,0:11:21.50,Default,,0000,0000,0000,,and we're both mixed race.
Dialogue: 0,0:11:22.16,0:11:23.74,Default,,0000,0000,0000,,Learning them and reciting \Nthem
Dialogue: 0,0:11:23.94,0:11:26.84,Default,,0000,0000,0000,,is the most beautiful part about this whole process.
Dialogue: 0,0:11:26.84,0:11:28.04,Default,,0000,0000,0000,,It still relates to us now.
Dialogue: 0,0:11:28.04,0:11:31.36,Default,,0000,0000,0000,,Maxime Scheepers:\NBut it's also harsh, I think, pieces of it.
Dialogue: 0,0:11:32.69,0:11:34.47,Default,,0000,0000,0000,,It's something we want\Nto play with, you know?
Dialogue: 0,0:11:40.00,0:11:41.17,Default,,0000,0000,0000,,Shh!
Dialogue: 0,0:11:45.24,0:11:48.68,Default,,0000,0000,0000,,Maxime Scheepers:\NA beautiful land with beautiful
Dialogue: 0,0:11:48.68,0:11:52.99,Default,,0000,0000,0000,,mountains and beautiful seas,
Dialogue: 0,0:11:54.55,0:11:56.57,Default,,0000,0000,0000,,but not for me.
Dialogue: 0,0:11:57.88,0:12:02.26,Default,,0000,0000,0000,,Come, take my hand, \Nstop touring and go slumming with me.
Dialogue: 0,0:12:03.31,0:12:05.68,Default,,0000,0000,0000,,Kevin and Maxine: \NLook before your eyes.
Dialogue: 0,0:12:05.68,0:12:08.77,Default,,0000,0000,0000,,Maxime Scheepers:\NYou see a jungle.
Dialogue: 0,0:12:08.77,0:12:10.61,Default,,0000,0000,0000,,Kevin:\NSee the white cages.
Dialogue: 0,0:12:10.61,0:12:13.12,Default,,0000,0000,0000,,Maxime Scheepers: \NWith thousands of animals running wild.
Dialogue: 0,0:12:13.12,0:12:17.30,Default,,0000,0000,0000,,Kevin: \NLook into their eyes. Haunted eyes.
Dialogue: 0,0:12:19.04,0:12:20.76,Default,,0000,0000,0000,,Robin Rhode: \NWe're working so much focus around the
Dialogue: 0,0:12:20.76,0:12:23.76,Default,,0000,0000,0000,,aspect of youth, and we refer to the
Dialogue: 0,0:12:23.76,0:12:25.13,Default,,0000,0000,0000,,youth as the born frees.
Dialogue: 0,0:12:25.13,0:12:26.70,Default,,0000,0000,0000,,Maxime Scheepers: \NWe say, sow the seed.
Dialogue: 0,0:12:26.70,0:12:27.74,Default,,0000,0000,0000,,Kevin: \NPaint the wall.
Dialogue: 0,0:12:27.74,0:12:31.52,Default,,0000,0000,0000,,And the born frees don't have the same experiences\Nas my generation have,
Dialogue: 0,0:12:31.52,0:12:33.40,Default,,0000,0000,0000,,and the generation before me,
Dialogue: 0,0:12:33.40,0:12:35.52,Default,,0000,0000,0000,,of understanding the mechanisms of apartheid.
Dialogue: 0,0:12:37.65,0:12:39.80,Default,,0000,0000,0000,,So they are still trying\Nto find themselves
Dialogue: 0,0:12:39.80,0:12:42.87,Default,,0000,0000,0000,,and find a position for themselves in society.
Dialogue: 0,0:12:44.20,0:12:45.64,Default,,0000,0000,0000,,Robin Rhode: \NWhat do you guys want to do?
Dialogue: 0,0:12:45.77,0:12:46.77,Default,,0000,0000,0000,,- Anything.
Dialogue: 0,0:12:46.77,0:12:48.76,Default,,0000,0000,0000,,Robin Rhode:\NAnything? You want to paint?
Dialogue: 0,0:12:49.53,0:12:50.98,Default,,0000,0000,0000,,- Yeah, we can paint.
Dialogue: 0,0:12:51.36,0:12:53.95,Default,,0000,0000,0000,,When you give young people a sense of worth,
Dialogue: 0,0:12:53.95,0:12:58.14,Default,,0000,0000,0000,,you can really change your own identity and\Nsense of self.
Dialogue: 0,0:12:59.61,0:13:04.08,Default,,0000,0000,0000,,And this is something that \NI try to communicate to my young crew.
Dialogue: 0,0:13:12.36,0:13:20.00,Default,,0000,0000,0000,,When I see the works exhibited on a wall of\Na gallery, of a museum, it's almost muted,
Dialogue: 0,0:13:20.00,0:13:21.01,Default,,0000,0000,0000,,somehow.
Dialogue: 0,0:13:22.68,0:13:27.90,Default,,0000,0000,0000,,But the energy and excitement of the process \Nis so intoxicating.
Dialogue: 0,0:13:28.25,0:13:29.24,Default,,0000,0000,0000,,- Standby photography.
Dialogue: 0,0:13:29.90,0:13:31.51,Default,,0000,0000,0000,,That's why I always go back to the wall.
Dialogue: 0,0:13:42.56,0:13:46.25,Default,,0000,0000,0000,,To learn more about Art21 and \Nour educational resources,
Dialogue: 0,0:13:46.25,0:13:51.34,Default,,0000,0000,0000,,please visit us online at pbs.org/art21.