[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.50,0:00:07.89,Default,,0000,0000,0000,,Hello! Welcome back to a brand new episode\Nof Make Thrift Buy! And I am SO happy to be
Dialogue: 0,0:00:07.89,0:00:12.42,Default,,0000,0000,0000,,sitting right here making a video again, because\NI’ve been really sick for the past month
Dialogue: 0,0:00:12.42,0:00:16.80,Default,,0000,0000,0000,,thanks to my chronic illness, and it's just\Nbeen so good for the past few days to have
Dialogue: 0,0:00:16.80,0:00:20.40,Default,,0000,0000,0000,,a bit more energy to sew again. I don’t\Nknow how long it’s going to last, hopefully
Dialogue: 0,0:00:20.40,0:00:23.68,Default,,0000,0000,0000,,I'm on the mend but – I’m back for this\Nvideo at least! And I just want to thank all
Dialogue: 0,0:00:23.68,0:00:26.77,Default,,0000,0000,0000,,of the people who have been giving me love\Nand support on instagram - it’s really helped
Dialogue: 0,0:00:26.77,0:00:29.84,Default,,0000,0000,0000,,me get through some tough days.\NAnyway, ONTO THE PROJECT FOR TODAY!
Dialogue: 0,0:00:29.84,0:00:33.26,Default,,0000,0000,0000,,Oh yeah – and just in case you’re new\Nhere, Make Thrift Buy is a series where you
Dialogue: 0,0:00:33.26,0:00:38.55,Default,,0000,0000,0000,,guys send in clothes that you’ve found online,\Nfrom chain stores and wholesalers and expensive
Dialogue: 0,0:00:38.55,0:00:43.25,Default,,0000,0000,0000,,designers, and then I try and recreate them\Nand show you all how to do it in the process.
Dialogue: 0,0:00:43.25,0:00:47.60,Default,,0000,0000,0000,,Now, Jaelyne Grace, Chloe Underwood wanted\Nme to try and recreate this ringer-style t-shirt
Dialogue: 0,0:00:47.60,0:00:52.09,Default,,0000,0000,0000,,with an alien patch on it from Brandy Melville\N– which now appears to be gone forever from
Dialogue: 0,0:00:52.09,0:00:55.88,Default,,0000,0000,0000,,their website – and copied throughout the\Ncheap fast-fashion world – but never fear!
Dialogue: 0,0:00:55.88,0:00:59.38,Default,,0000,0000,0000,,Because today we’re going to try and make\Nthis for ourselves. So, let’s go!
Dialogue: 0,0:00:59.38,0:01:03.18,Default,,0000,0000,0000,,First I’m going to show you how to make\Na t-shirt from scratch, but if you just want
Dialogue: 0,0:01:03.18,0:01:06.60,Default,,0000,0000,0000,,to learn how to make a patch then skip forward\Nthrough the video to part 2.
Dialogue: 0,0:01:06.60,0:01:10.61,Default,,0000,0000,0000,,Okay so, first I grabbed myself a top that\NI like the fit and style of.
Dialogue: 0,0:01:10.61,0:01:12.77,Default,,0000,0000,0000,,And you guys know me - I love my crop tops!
Dialogue: 0,0:01:12.77,0:01:17.22,Default,,0000,0000,0000,,SO, to make the t-shirt, first I layed down\Nsome stretchy grey jersey, folded over like
Dialogue: 0,0:01:17.22,0:01:19.85,Default,,0000,0000,0000,,this, with the stretch running in this direction.
Dialogue: 0,0:01:19.85,0:01:23.58,Default,,0000,0000,0000,,Next, I grabbed the t-shirt that I’m going\Nto copy, and I folded it in half so that the
Dialogue: 0,0:01:23.58,0:01:27.24,Default,,0000,0000,0000,,front neckline was on the outside, and then\NI matched up the folded edge of the shirt
Dialogue: 0,0:01:27.24,0:01:30.85,Default,,0000,0000,0000,,with the folded edge of the fabric. Now it\Ndoesn’t matter if the sleeve is running
Dialogue: 0,0:01:30.85,0:01:34.88,Default,,0000,0000,0000,,off the edge of the fabric here, because I\Nwasn’t tracing around that part yet – First,
Dialogue: 0,0:01:34.88,0:01:37.48,Default,,0000,0000,0000,,I was just going to be tracing around THIS\Nbodice section.
Dialogue: 0,0:01:37.48,0:01:41.22,Default,,0000,0000,0000,,I started out trying to trace around the shirt\Nwith chalk, but that didn’t work out so
Dialogue: 0,0:01:41.22,0:01:45.33,Default,,0000,0000,0000,,well because I couldn’t see the chalk lines\Non the grey fabric – so I switched to a
Dialogue: 0,0:01:45.33,0:01:49.85,Default,,0000,0000,0000,,permanent marker. Now this isn’t the best\Nidea for tracing onto fabric because you can’t
Dialogue: 0,0:01:49.85,0:01:53.69,Default,,0000,0000,0000,,exactly rub out a permanent marker’s lines\Nif you make a mistake. So - just be careful
Dialogue: 0,0:01:53.69,0:01:55.23,Default,,0000,0000,0000,,if you also go down this route.
Dialogue: 0,0:01:55.23,0:01:58.87,Default,,0000,0000,0000,,So, I traced around the bottom of the shirt\N– making the line straight because it was
Dialogue: 0,0:01:58.87,0:02:03.55,Default,,0000,0000,0000,,curved for some reason – and added a little\Nbit for hemming allowance. I also traced down
Dialogue: 0,0:02:03.55,0:02:08.01,Default,,0000,0000,0000,,the side from the armhole, and the shoulder,\Nwhich is from the neckline to where the sleeve
Dialogue: 0,0:02:08.01,0:02:13.16,Default,,0000,0000,0000,,begins. Which gave me these three lines.\NNow I just needed to connect them with a neckline
Dialogue: 0,0:02:13.16,0:02:16.88,Default,,0000,0000,0000,,and armhole line.\NThis is a little bit trickier to trace. To
Dialogue: 0,0:02:16.88,0:02:21.11,Default,,0000,0000,0000,,trace out the front neckline, I put my finger\Non top of the neckline, folded the fabric
Dialogue: 0,0:02:21.11,0:02:25.65,Default,,0000,0000,0000,,back to where my finger is, and then I made\Na mark with my pen. I did this at both edges
Dialogue: 0,0:02:25.65,0:02:29.91,Default,,0000,0000,0000,,of the neckline first, and then I worked my\Nway in. And then when I had a few marks like
Dialogue: 0,0:02:29.91,0:02:34.11,Default,,0000,0000,0000,,this, I basically just connected the dots\Nand joined this curve up. And there we go,
Dialogue: 0,0:02:34.11,0:02:37.64,Default,,0000,0000,0000,,there’s the neckline! Then I did the exact\Nsame thing for the armhole curve, putting
Dialogue: 0,0:02:37.64,0:02:42.17,Default,,0000,0000,0000,,my finger on top of the sleeve seam, and making\Nlittle marks with my pen, and then joining
Dialogue: 0,0:02:42.17,0:02:44.77,Default,,0000,0000,0000,,these marks up.
Dialogue: 0,0:02:44.77,0:02:48.89,Default,,0000,0000,0000,,And there we have it, the front bodice-piece\Nfor the t-shirt! Then I simply had to cut
Dialogue: 0,0:02:48.89,0:02:53.81,Default,,0000,0000,0000,,this out, cutting through both layers of fabric,\Nwhich unfolded looks like this.
Dialogue: 0,0:02:53.81,0:02:58.54,Default,,0000,0000,0000,,Then, I did the exact same thing to copy the\Nback of the t-shirt, except that I folded
Dialogue: 0,0:02:58.54,0:03:02.90,Default,,0000,0000,0000,,it the other way so that the back neckline\Nis on the outside, and I traced out the back
Dialogue: 0,0:03:02.90,0:03:04.42,Default,,0000,0000,0000,,neckline instead.
Dialogue: 0,0:03:12.62,0:03:14.54,Default,,0000,0000,0000,,So, these are my front and back pieces.
Dialogue: 0,0:03:16.50,0:03:18.58,Default,,0000,0000,0000,,Now I needed to make sleeves.
Dialogue: 0,0:03:18.58,0:03:23.44,Default,,0000,0000,0000,,To copy the sleeves of my original t-shirt,\NI folded the fabric over once with the stretch
Dialogue: 0,0:03:23.44,0:03:27.85,Default,,0000,0000,0000,,running in this direction, and I placed the\Ntop of the sleeve down onto the fold like
Dialogue: 0,0:03:27.85,0:03:32.84,Default,,0000,0000,0000,,this. Next, making sure that the sleeve was\Nlaying totally flat on the fabric, I traced
Dialogue: 0,0:03:32.84,0:03:36.40,Default,,0000,0000,0000,,around the sleeve like this.\NSimilar to tracing around the shirt, the bottom
Dialogue: 0,0:03:36.40,0:03:40.81,Default,,0000,0000,0000,,and sides of the sleeve are easy to trace\Naround, and I also added a small seam-allowance
Dialogue: 0,0:03:40.81,0:03:44.37,Default,,0000,0000,0000,,at the bottom of the sleeve.\NThen, to trace around the more difficult armhole
Dialogue: 0,0:03:44.37,0:03:48.96,Default,,0000,0000,0000,,seam, I again used this method where I placed\Na finger on top of the seam that joins the
Dialogue: 0,0:03:48.96,0:03:54.40,Default,,0000,0000,0000,,sleeve, folded back the t-shirt, made small\Nmarks with my pen, and then joined these marks
Dialogue: 0,0:03:54.40,0:03:59.54,Default,,0000,0000,0000,,up into a nice curve.\NSo, this is my sleeve, which I then cut out
Dialogue: 0,0:03:59.54,0:04:03.48,Default,,0000,0000,0000,,and then copied directly onto some more fabric\Nin order to give me TWO sleeves.
Dialogue: 0,0:04:05.98,0:04:10.74,Default,,0000,0000,0000,,And now it’s time to sew everything together!\NFirst I placed the front and back pieces together
Dialogue: 0,0:04:10.74,0:04:13.09,Default,,0000,0000,0000,,and I sewed them together at the shoulders\Nlike this.
Dialogue: 0,0:04:13.09,0:04:16.92,Default,,0000,0000,0000,,Then, I lay the shirt out like this with the\Nright sides facing up, and I am going to attach
Dialogue: 0,0:04:16.92,0:04:17.89,Default,,0000,0000,0000,,one of the sleeves.
Dialogue: 0,0:04:17.89,0:04:23.09,Default,,0000,0000,0000,,Okay now watch carefully because this is a\Nlittle confusing – I put the sleeve on top
Dialogue: 0,0:04:23.09,0:04:27.97,Default,,0000,0000,0000,,of the shirt, with the middle of the sleeve\Nmatched up with the shoulder seam. Now I need
Dialogue: 0,0:04:27.97,0:04:32.74,Default,,0000,0000,0000,,to sew these two pieces together, but as you\Ncan see, the curve of the armhole and the
Dialogue: 0,0:04:32.74,0:04:36.05,Default,,0000,0000,0000,,curve of the sleeve go in two VERY different\Ndirections.
Dialogue: 0,0:04:36.05,0:04:40.50,Default,,0000,0000,0000,,But, because I am working with very stretchy\Nfabric, I can use pins to solve this!
Dialogue: 0,0:04:40.50,0:04:45.70,Default,,0000,0000,0000,,So, first I put a pin in the middle, matching\Nup the middle of the sleeve to the shoulder
Dialogue: 0,0:04:45.70,0:04:47.93,Default,,0000,0000,0000,,seam.\NThen I pinned the sleeve on all the way down
Dialogue: 0,0:04:47.93,0:04:52.58,Default,,0000,0000,0000,,ONE side only. It’s easiest to do one side\Nof each sleeve at a time, because otherwise
Dialogue: 0,0:04:52.58,0:04:56.69,Default,,0000,0000,0000,,things will get very bunched up.\NSo with half the sleeve pinned on, I sewed
Dialogue: 0,0:04:56.69,0:04:59.97,Default,,0000,0000,0000,,it on to the bodice like this, using a zig-zag\Nstitch.
Dialogue: 0,0:05:02.65,0:05:06.23,Default,,0000,0000,0000,,And once that side is sewn on, I pinned the\Nother half of the sleeve to the bodice and
Dialogue: 0,0:05:06.23,0:05:08.29,Default,,0000,0000,0000,,sewed it on in the same way.
Dialogue: 0,0:05:15.74,0:05:19.20,Default,,0000,0000,0000,,I repeated this for the other sleeve, and\Nnow I had something resembling a t-shirt.
Dialogue: 0,0:05:19.20,0:05:23.91,Default,,0000,0000,0000,,Next, with the fabrics facing right-sides\Ntogether, I’m going to sew the arms and
Dialogue: 0,0:05:23.91,0:05:25.83,Default,,0000,0000,0000,,the sides together like this.
Dialogue: 0,0:05:25.83,0:05:30.27,Default,,0000,0000,0000,,Things will work out best if you first sew\Nfrom the underarm to the end of the sleeve,
Dialogue: 0,0:05:30.27,0:05:33.37,Default,,0000,0000,0000,,and then from the underarm down the side of\Nthe shirt.
Dialogue: 0,0:05:33.37,0:05:37.88,Default,,0000,0000,0000,,Now I have a t-shirt with raw edges, and I’m\Ngoing to finish it off by adding the contrasting
Dialogue: 0,0:05:37.88,0:05:39.91,Default,,0000,0000,0000,,neckline and armhole bindings.
Dialogue: 0,0:05:39.91,0:05:43.74,Default,,0000,0000,0000,,So to figure out how much material I would\Nneed for the neckline binding, I measured
Dialogue: 0,0:05:43.74,0:05:48.58,Default,,0000,0000,0000,,the circumference of the neckhole which came\Nout at 24 inches. I then took 4 inches off
Dialogue: 0,0:05:48.58,0:05:49.46,Default,,0000,0000,0000,,this measurement.
Dialogue: 0,0:05:49.46,0:05:53.59,Default,,0000,0000,0000,,Next, I cut out a strip of black jersey fabric\Nwhich is what I'm going to be using for my
Dialogue: 0,0:05:53.59,0:05:58.64,Default,,0000,0000,0000,,contrasting binding. This strip is 20 inches\Nlong. I was able to take away 4 inches from
Dialogue: 0,0:05:58.64,0:06:02.33,Default,,0000,0000,0000,,the neckhole measurement because this fabric\Nwas extremely stretchy, but you will have
Dialogue: 0,0:06:02.33,0:06:04.91,Default,,0000,0000,0000,,to adjust this depending on the stretch of\Nyour fabrics.
Dialogue: 0,0:06:04.91,0:06:08.93,Default,,0000,0000,0000,,A good test to make sure that you have cut\Na long-enough strip of fabric is to fold this
Dialogue: 0,0:06:08.93,0:06:12.99,Default,,0000,0000,0000,,strip in half, place it on the front of your\Nneckline, and, with your fingers holding it
Dialogue: 0,0:06:12.99,0:06:17.03,Default,,0000,0000,0000,,in place, stretching the fabric and kind of\N"walking” it along the neckline like this.
Dialogue: 0,0:06:19.48,0:06:23.98,Default,,0000,0000,0000,,Next, with this strip folded in half (right\Nsides together), I sewed down the edges.
Dialogue: 0,0:06:25.14,0:06:27.18,Default,,0000,0000,0000,,Then, I turned it the right way around,
Dialogue: 0,0:06:28.64,0:06:30.64,Default,,0000,0000,0000,,folded\Nit in half length-ways,
Dialogue: 0,0:06:33.60,0:06:35.70,Default,,0000,0000,0000,,then, I quartered it with pins.
Dialogue: 0,0:06:36.54,0:06:40.66,Default,,0000,0000,0000,,I did the same thing with the\Nneckline, quartering it with pins, so two
Dialogue: 0,0:06:40.67,0:06:44.47,Default,,0000,0000,0000,,pins at each of the shoulder seams, and one\Nin the centre back, and one in the centre
Dialogue: 0,0:06:44.47,0:06:46.92,Default,,0000,0000,0000,,front. Now I’m going to sew these two together!
Dialogue: 0,0:06:46.92,0:06:51.63,Default,,0000,0000,0000,,To do this, I placed the neck binding onto\Nthe machine first with the raw edges facing
Dialogue: 0,0:06:51.63,0:06:56.95,Default,,0000,0000,0000,,THIS way. The shirt goes on next, and the\Nbinding then goes on top of the neckline,
Dialogue: 0,0:06:56.95,0:07:01.37,Default,,0000,0000,0000,,with the raw edges matching up, and at the\Nsame time I also matched up two of the pins.
Dialogue: 0,0:07:03.42,0:07:07.54,Default,,0000,0000,0000,,Removing these pins so I don’t sew over\Nthem, I’m going to then sew the two pieces
Dialogue: 0,0:07:07.55,0:07:11.89,Default,,0000,0000,0000,,together, stretching the binding so that the\Nnext set of pins match up.
Dialogue: 0,0:07:11.89,0:07:15.34,Default,,0000,0000,0000,,I’m sewing the two together with about an\Neight of an inch seam allowance.
Dialogue: 0,0:07:15.34,0:07:19.51,Default,,0000,0000,0000,,I’m also using a straight stitch to sew\Nthe neckline on, because next I am going to
Dialogue: 0,0:07:19.51,0:07:24.33,Default,,0000,0000,0000,,overlock (or, serge) the stitches, but if\Nyou don’t have an overlocker then you should
Dialogue: 0,0:07:24.33,0:07:26.69,Default,,0000,0000,0000,,be using a zig-zag stitch at this point.
Dialogue: 0,0:07:26.69,0:07:31.01,Default,,0000,0000,0000,,So, with the neck binding sewn on and flipped\Naround the right way it looks like this, and
Dialogue: 0,0:07:31.01,0:07:34.68,Default,,0000,0000,0000,,I'm also give everything a good iron to ensure\Nthat it lays flat.
Dialogue: 0,0:07:34.68,0:07:38.98,Default,,0000,0000,0000,,Now, going to make contrasting bindings for\Nthe sleeves and I'm going to use a very similar
Dialogue: 0,0:07:38.98,0:07:43.10,Default,,0000,0000,0000,,method. So I cut out a strip of black fabric\Nthat’s shorter than the armhole by about
Dialogue: 0,0:07:43.10,0:07:47.11,Default,,0000,0000,0000,,2 inches, so, with the strip folded over in\Ntwo it looks like this.
Dialogue: 0,0:07:47.11,0:07:54.27,Default,,0000,0000,0000,,I then sew the strip into a loop by stitching\Ndown here, cutting off the excess fabric,
Dialogue: 0,0:07:54.28,0:07:59.94,Default,,0000,0000,0000,,turning it around so that the seam is on the\Ninside, folding this in half lengthways,
Dialogue: 0,0:08:02.92,0:08:07.50,Default,,0000,0000,0000,,and then placing it over the top of the armhole,\Nwith the raw edges of both fabrics up, matching
Dialogue: 0,0:08:10.68,0:08:14.52,Default,,0000,0000,0000,,and then I sew it on all the way around\Nthe armhole like this.
Dialogue: 0,0:08:14.53,0:08:18.52,Default,,0000,0000,0000,,Now I’m not bothering with pins this time,\NI’m just stretching the black binding fabric
Dialogue: 0,0:08:18.52,0:08:22.28,Default,,0000,0000,0000,,slightly as I sew, but if you want to be a\Nbit more accurate then you should quarter
Dialogue: 0,0:08:22.28,0:08:25.00,Default,,0000,0000,0000,,everything with pins just like you did for\Nthe neckline.
Dialogue: 0,0:08:27.20,0:08:31.48,Default,,0000,0000,0000,,Then, to hem the bottom of the shirt, I folded\Nthe raw edge up inside the shirt about one
Dialogue: 0,0:08:31.49,0:08:35.60,Default,,0000,0000,0000,,inch, pinned everything in place, and then\NI went over the top of the fabric with my
Dialogue: 0,0:08:35.60,0:08:40.51,Default,,0000,0000,0000,,twin-needle, and I also used my walking foot.\NHemming stretch fabrics can be difficult,
Dialogue: 0,0:08:40.51,0:08:44.38,Default,,0000,0000,0000,,but I find that this combination with the\Nwalking foot and the twin needle stops the
Dialogue: 0,0:08:44.38,0:08:48.25,Default,,0000,0000,0000,,fabric from ruffling. If you don’t have\Nthese attachments then you can always place
Dialogue: 0,0:08:48.25,0:08:52.55,Default,,0000,0000,0000,,a piece of paper underneath while you sew\Nand zig-zag stitch your way along the hem,
Dialogue: 0,0:08:52.55,0:08:56.48,Default,,0000,0000,0000,,tearing off the paper when you’re done.\NAND, that’s how I make a t-shirt! And now
Dialogue: 0,0:08:56.48,0:08:58.13,Default,,0000,0000,0000,,I can move onto part 2.
Dialogue: 0,0:08:58.13,0:09:03.58,Default,,0000,0000,0000,,Sooo I’ve never made a patch before, and\NI also don’t really have any proper patch-making
Dialogue: 0,0:09:03.58,0:09:07.99,Default,,0000,0000,0000,,materials on me, so I'm going to be honest\N- I’m kind of making this up as I go along.
Dialogue: 0,0:09:07.99,0:09:12.19,Default,,0000,0000,0000,,I grabbed myself this scrap piece of plain\Nwhite cotton, which I pre-ironed to make it
Dialogue: 0,0:09:12.19,0:09:16.98,Default,,0000,0000,0000,,nice and flat. And then I drew an alien’s\Nface onto it with a pencil, using the original
Dialogue: 0,0:09:16.98,0:09:18.70,Default,,0000,0000,0000,,t-shirt image to help guide me.
Dialogue: 0,0:09:18.70,0:09:23.59,Default,,0000,0000,0000,,I figured that I needed something to stabalize\Nthe patch so I grabbed some interfacing that
Dialogue: 0,0:09:23.59,0:09:28.00,Default,,0000,0000,0000,,I already owned, and I cut out a small square\Nof this and ironed it onto the back of the
Dialogue: 0,0:09:28.00,0:09:29.32,Default,,0000,0000,0000,,alien drawing.
Dialogue: 0,0:09:32.52,0:09:37.00,Default,,0000,0000,0000,,Next, with a very narrow zig-zag stitch, I\Nwent carefully around the outsides of the
Dialogue: 0,0:09:37.01,0:09:41.56,Default,,0000,0000,0000,,alien’s head, following the pencil line\Nas closely as possible.
Dialogue: 0,0:09:41.56,0:09:45.84,Default,,0000,0000,0000,,And, I ended up with this!\NIn order to stop the patch from fraying when
Dialogue: 0,0:09:45.84,0:09:50.90,Default,,0000,0000,0000,,I eventually cut it, I’m going to add fabric\Nglue all around the edges. So I brushed the
Dialogue: 0,0:09:50.90,0:09:54.93,Default,,0000,0000,0000,,fabric glue on in a thin layer, both around\Nthe edges of the stitches and also a little
Dialogue: 0,0:09:54.93,0:09:59.55,Default,,0000,0000,0000,,bit on top of the stitches, just in case I\Naccidentally cut through any later, to stop
Dialogue: 0,0:09:59.55,0:10:02.75,Default,,0000,0000,0000,,them unraveling.\NNext, I put the fabric into an embroidery
Dialogue: 0,0:10:02.75,0:10:07.86,Default,,0000,0000,0000,,hoop and I used an embroidery needle and thread\Nand a satin stitch to fill in the eyes.
Dialogue: 0,0:10:07.86,0:10:11.36,Default,,0000,0000,0000,,I’ve talked about how to make a satin stitch\Nin many other videos which I’ll link in
Dialogue: 0,0:10:11.36,0:10:15.92,Default,,0000,0000,0000,,the description, but really quickly, you do\Na satin stitch by going UP at one edge of
Dialogue: 0,0:10:15.92,0:10:20.94,Default,,0000,0000,0000,,your shape, the bringing your needle down\Nat the OTHER edge of the shape, and then pulling
Dialogue: 0,0:10:20.94,0:10:26.17,Default,,0000,0000,0000,,the thread through. Then, you simply push\Nyour needle up right NEXT to the spot where
Dialogue: 0,0:10:26.17,0:10:30.12,Default,,0000,0000,0000,,your needle just went down, bring your needle\Nover to the other side of the shape, and back
Dialogue: 0,0:10:30.12,0:10:34.14,Default,,0000,0000,0000,,down again, and repeat this until your shape\Nis filled in with these long stitches!
Dialogue: 0,0:10:34.14,0:10:37.58,Default,,0000,0000,0000,,And always make sure when you’re done to\Nflip it over to the back and tie a couple
Dialogue: 0,0:10:37.58,0:10:40.01,Default,,0000,0000,0000,,of knots to stop the threads from coming loose.
Dialogue: 0,0:10:40.01,0:10:44.24,Default,,0000,0000,0000,,So once I’d embroidered both the eyes, I\Ngrabbed these iron-on patches, which you should
Dialogue: 0,0:10:44.24,0:10:46.20,Default,,0000,0000,0000,,be able to find at most craft stores.
Dialogue: 0,0:10:46.20,0:10:50.87,Default,,0000,0000,0000,,I roughly cut out the alien’s face, and\Nthen I sewed the alien onto the iron-on patch
Dialogue: 0,0:10:50.87,0:10:53.54,Default,,0000,0000,0000,,like this.\NBasically, I just used a straight stitch to
Dialogue: 0,0:10:53.54,0:10:56.61,Default,,0000,0000,0000,,go over the top of the already-exisiting zig-zag\Nstitch.
Dialogue: 0,0:10:56.61,0:11:00.44,Default,,0000,0000,0000,,Then, using some sharp fabric scissors, I\Ncut out the alien’s face by going as close
Dialogue: 0,0:11:00.44,0:11:04.32,Default,,0000,0000,0000,,to the zig-zag stitches as possible. And,\Nthe fabric shouldn’t fray now because of
Dialogue: 0,0:11:04.32,0:11:08.30,Default,,0000,0000,0000,,all the fabric glue that I used earlier (which,\Nby the way, I allowed to dry before cutting
Dialogue: 0,0:11:08.30,0:11:09.04,Default,,0000,0000,0000,,this out).
Dialogue: 0,0:11:09.04,0:11:12.29,Default,,0000,0000,0000,,So, here’s my patch! And I’m so happy\Nwith how it turned out!
Dialogue: 0,0:11:12.29,0:11:16.25,Default,,0000,0000,0000,,Now in order to attach it to the shirt, all\NI'm going to have to do is to iron it on because
Dialogue: 0,0:11:16.25,0:11:18.88,Default,,0000,0000,0000,,the back of the patch has this heat-activated\Nglue.
Dialogue: 0,0:11:18.88,0:11:23.25,Default,,0000,0000,0000,,So, I layed the patch down on the appropriate\Nspot on the shirt, covered it with some cotton
Dialogue: 0,0:11:23.25,0:11:27.97,Default,,0000,0000,0000,,to protect it, and then following the instructions\Non the iron-on patch I held my iron down on
Dialogue: 0,0:11:27.97,0:11:29.76,Default,,0000,0000,0000,,top of it for 20 seconds.
Dialogue: 0,0:11:29.76,0:11:33.32,Default,,0000,0000,0000,,And now I'm finally done!\NSO, after all of that, how did the shirt turn out?
Dialogue: 0,0:11:33.32,0:11:34.34,Default,,0000,0000,0000,,How did I go?
Dialogue: 0,0:11:34.34,0:11:35.80,Default,,0000,0000,0000,,[music plays]
Dialogue: 0,0:11:51.90,0:11:55.14,Default,,0000,0000,0000,,So my conclusion is: [scissor snipping sound\Neffect].
Dialogue: 0,0:11:55.15,0:12:00.27,Default,,0000,0000,0000,,I love how this turned out! And this was a\Nproject that had surprisingly few hiccups
Dialogue: 0,0:12:00.27,0:12:03.98,Default,,0000,0000,0000,,for a project of mine. But if you didn't want\Nto make an entire t-shirt from scratch, then
Dialogue: 0,0:12:03.98,0:12:08.32,Default,,0000,0000,0000,,you could always just get a t-shirt that you\Nliked and make your own patch and stick it
Dialogue: 0,0:12:08.32,0:12:12.66,Default,,0000,0000,0000,,on the front. You can really make this project\Nas easy or as difficult as you want to! And
Dialogue: 0,0:12:12.66,0:12:17.42,Default,,0000,0000,0000,,I really want to make a bunch of other patches\Nnow and put them on cute, different-coloured,
Dialogue: 0,0:12:17.42,0:12:21.88,Default,,0000,0000,0000,,ringer-style t-shirts. What kind of simple\Nembroidered patches could I make? If you have
Dialogue: 0,0:12:21.88,0:12:23.01,Default,,0000,0000,0000,,any ideas, let me know in the comments down\Nbelow!
Dialogue: 0,0:12:23.01,0:12:26.93,Default,,0000,0000,0000,,As always, thank so much for watching, thanks\Nfor sharing, liking, supporting my videos,
Dialogue: 0,0:12:26.93,0:12:31.07,Default,,0000,0000,0000,,all of that, the kind words you leave on instagram\Nand in the comments - anyway, I’ll see you
Dialogue: 0,0:12:31.07,0:12:32.48,Default,,0000,0000,0000,,all in my next video, bye!
Dialogue: 0,0:12:32.48,0:12:36.80,Default,,0000,0000,0000,,Thank you to all of my supporters on Patreon\Nwho helped to make this video possible. To
Dialogue: 0,0:12:36.80,0:12:39.45,Default,,0000,0000,0000,,become my patreon supporter, go to patreon.com/annikavictoria.