WEBVTT 00:00:18.180 --> 00:00:20.960 这所房子是我所栖之地的肖像。 00:00:26.500 --> 00:00:30.780 我想，“我怎么知晓我的生活？” 00:00:32.140 --> 00:00:35.400 “我对我的政治立场清楚吗， 我了解我的宗教信仰吗，“ 00:00:35.400 --> 00:00:37.460 “我懂得如何去爱吗？” 00:00:37.970 --> 00:00:38.970 我可能是从家里学到的。 00:00:39.480 --> 00:00:41.720 但是，我最有可能是从电视中学来的。 00:00:41.720 --> 00:00:44.960 如果我要描绘一个地方的肖像， 也许我会从电视开始。 00:00:46.660 --> 00:00:50.760 我将一堆旧面孔回收到某种具有新鲜感的综艺节目中， 00:00:53.440 --> 00:00:59.980 为匹兹堡的第57届卡内基国际展制作了57个视频。 00:00:59.980 --> 00:01:05.420 [ALEX DA CORTE：57个品种] 00:01:06.720 --> 00:01:11.240 --Liv，我觉得这很酷。 00:01:15.180 --> 00:01:16.680 --嗯，我觉得放松一点，看起来会自然些。 00:01:17.500 --> 00:01:21.760 --这是我目前为止最喜欢的一套服装，Liv。 00:01:30.860 --> 00:01:33.200 当我被某个角色吸引时， 00:01:37.480 --> 00:01:40.380 它可能只是一个被误解的角色， 00:01:40.380 --> 00:01:43.890 或者是一个有着美丽色彩的角色。 00:01:43.890 --> 00:01:47.920 --我觉得这很漂亮。 00:01:50.680 --> 00:01:52.760 --真的很漂亮。 00:01:52.760 --> 00:01:54.200 --让我知道你什么时候准备好，我要把腿抬起来。 00:01:54.800 --> 00:01:56.680 我要和Oscar分享这杯酒， 00:01:57.620 --> 00:02:02.040 但酒似乎倒不完。 00:02:02.049 --> 00:02:05.560 我们实际上在Patrick Caulfield的一幅名为“餐厅休息室”的画作中喝这酒。 00:02:05.560 --> 00:02:11.540 但用了一种障眼法来让我看起来比实际上更扁平。 00:02:11.540 --> 00:02:17.440 --[导演]准备，开始。 00:02:18.320 --> 00:02:21.140 --倒酒。 00:02:23.400 --> 00:02:23.900 [DA CORTE] Caroll Spinney，直到最近一直扮演Big Bird 00:02:24.360 --> 00:02:27.340 和Oscar the Grouch的演员， 00:02:27.340 --> 00:02:29.660 在表演Oscar the Grouch的同时戴着Big Bird的腿。 00:02:30.420 --> 00:02:35.660 我觉得这是代表转变中的美好的一刻-- 00:02:38.040 --> 00:02:43.600 我认为我们作为一个国家和一个民族总是处于转变之中。 00:02:45.220 --> 00:02:49.220 --[导演]好的，太棒了！ [笑] 00:02:50.100 --> 00:02:51.440 [DA CORTE] 在这些视频中， 00:02:52.640 --> 00:02:54.200 我尝试压平阶级以夺去这些角色可能拥有的特权， 00:02:54.800 --> 00:02:59.530 或权威 00:02:59.530 --> 00:03:05.049 还稍微迷惑一下他们。 00:03:05.049 --> 00:03:07.560 这种流动性发生在 00:03:09.700 --> 00:03:12.760 你可以把任何不同的东西 00:03:12.760 --> 00:03:15.689 连接在一起的地方， 它们共同讲述这个新的故事。 00:03:15.689 --> 00:03:18.900 我住在费城， 00:03:22.120 --> 00:03:24.020 在我的研究中，我反复地阅读Ginsberg的“美国的衰败”。 00:03:24.940 --> 00:03:29.460 很巧的是Ginsberg演出了Bob Dylan的一部 00:03:30.340 --> 00:03:34.260 名叫“Subterranean Homesick Blues”的音乐录像带。 00:03:34.260 --> 00:03:36.159 我在想，Bob Dylan做这首关于60年代后期标志的歌，是多么奇怪 00:03:37.860 --> 00:03:41.820 我在想，Bob Dylan做这首关于60年代后期标志的歌，是多么奇怪 00:03:41.820 --> 00:03:44.640 五十年后，这可能是相似的时刻 00:03:44.640 --> 00:03:48.940 需要一些善解人意的对话 00:03:48.960 --> 00:03:52.079 也许如果我用他的文字匹配我的画面 00:03:53.200 --> 00:03:56.660 我可能会对美国有意义 00:04:00.580 --> 00:04:02.620 [失真的电吉他弹奏“拍子] 00:04:06.500 --> 00:04:10.500 女巫完全被误解了 00:04:35.280 --> 00:04:37.880 一栋房子位于她的姐妹之上。 00:04:37.880 --> 00:04:39.740 这么说， 00:04:39.740 --> 00:04:40.800 我也会很失落。 00:04:41.600 --> 00:04:43.900 Dorothy，她只是一个有些问题的无聊白人女孩。 00:04:47.480 --> 00:04:51.420 然而女巫就是她身后有着沉重故事的有趣绿人。 00:04:51.420 --> 00:04:58.840 --[导演] 5-4-3-2-1，回放。 00:05:01.220 --> 00:05:05.720 [LeAnn Rimes's 歌曲" 蓝色" 播放] 00:05:06.300 --> 00:05:07.300 ♪ 蓝色 ♪ 00:05:07.300 --> 00:05:10.280 ♪ Oh, so lonesome for you ♪ 00:05:10.300 --> 00:05:12.700 00:05:12.700 --> 00:05:16.520 00:05:17.780 --> 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