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["New York Close Up"]

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[SUONO DI METALLO CHE SI ROMPE ]

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Portavo questi occhiali tinti di blu.

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La gente mi ha detto che

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sono intensa per via di questi occhiali.

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RUMORE DELLA MACCHINA DEL CAFFE'

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Hanno suggerito:
"Perchè non li cambi con un paio rosa?"

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Ad ogni modo, ho creato questi occhiali che mi fanno

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vedere il mondo tramite l'arome di caffè--

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la cosa che preferisco.

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Ho pensato che magari era una cosa romantica , sai?

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["Aki Sasamoto si sente distesa"]

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[The Kitchen, Chelsea, Manhattan]

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Pianifico una performance

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pensadola come un'mprovvisazine strutturata,

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e le strutture e gli spartiti sono dati dalle mie installazioni.

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Uso la performance per indagare in mio interesse nello storytelling.

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Non so mai da dove inizia un progetto,

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magari è inziato quando ho capito che volevo

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mettere un trampolino in un cassonetto.

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Ma non so se il cassonetto

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è venuto fuori per il trampolino o perchè

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volevo solo saltarci dentro e fuori.

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Volevo provare prorio qui,

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tra il sottoterra e la superficie.

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Ogni volta che provo a dire che quest'opera

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parla di questo o quello,

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mi sento una bugiarda.

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Mi sento come se la performance possa dare

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le risposte alle mie stesse domande

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-- Per vivere una vita d'ufficio serena,

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-- devi osservare

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la costante elastica dei tuoi colleghi.

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--Le persone amano la costante elastica,

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--Diventano pigri, inaffidabili.

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- Queste persone ti danno scuse banali

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--e non vengono a trovarti a casa tua

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--quando ti sposti in un quartiere poco elegante.

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La maggior parte degli incidenti nella vita

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si possono spiegare con

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un limite elastico.

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