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["New York Close Up"]


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[ZVUK METALA KOJI LOMI]


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Nosila sam zatamljene naočale.

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Ljudi su mi rekli da sam nervozna

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zato što nosim te naočale.

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[ZVUK STROJA ZA KAVU]


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Oni su predložili:
"Zašto ih ne bi promijenila u ružičaste naočale?"

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U svakom slučaju, napravila sam naočale
koje mi omogućuju

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gledati na svijet kroz aromu kave--

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moje najdraže stvari.

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Mislila sam da ću možda biti romantična
ako to napravim, znate?

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["Aki Sasamoto se Osjeća Rastegnuto"]


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[The Kitchen, Chelsea, Manhattan]


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Planiram performansu i

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razmišljam da će to biti strukturirana
improvizacija,

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i strukture ili "scorevi" zadani su
instalacijama koje stvaram.

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Koristim performansu kako bih produbila
svoje zanimanje za pripovijedanje.

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Nikada ne znam kada će projekt započeti

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ali je možda započeo kad sam shvatila 
da želim staviti

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trampolin u kontejner.

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Ali ne znam ako je kontejner došao 
zbog trampolina,

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ili zato što sam jedino željela

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je skakati unutar i van kontejnera.

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Željela sam iskusiti upravo ovdje,

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između podzemlja i površine.

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Kad god pokušam reći da je ovo djelo o

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ovome ili onome,

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tada se počinjem osjećati
kao lažljivica.

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Gotovo se osjećam da
izvodim performanse da bih doznala


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odgovore na svoja vlastita pitanja.

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--Da bi živio miran uredski život,

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--nekako moraš promatrati

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--elastičnu konstantu svojih kolega.

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--Ljudi uvijek vole elastičnu konstantu,

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--Postaju lijeni i čudni.

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--Ti ljudi ti davaju nemaštovita 
opravdanja

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-- i ne dolaze se družiti u tvoj dom

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--jednom kada se preseliš u nezgodno
susjedstvo.

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--Većina incidenata u životu

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--može se objasniti unutar

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--elastične granice.

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U posljednje vrijeme, osjećam se
rastegnuto na sve strane i ....

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umorno--

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pokušavajući raditi dnevni posao

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i pokušavajući stvarati umjetnost--

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i bila sam zainteresirana koliko 
netko može sebe naprezati.

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Zato sam počela razmišljati o 
elasticitetu

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i testiranju te granice.

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