[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:04.82,0:00:06.63,Default,,0000,0000,0000,,Hey everyone, Sinix here.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,It's time for another episode of \NAnatomy Quick Tips,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the series that is here to give you \Nsome useful observations
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and help you feel more comfortable with
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,drawing people from imagination.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Today, we'll be talking about arms
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and also dont be alarmed but
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,this all-arm video puts us near the end of this series,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,only two more videos remain
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,regardless for now let's just focus on these upper appendages
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,This probably wont be the funniest video in this series or anything
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but it will be definitely be the most humourous
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so roll up your sleeves and lets get to work
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,starting out with structure
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,weve alreday covered both shoulders and hands
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,in other videos
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so we just need to make sure we can bridge these things together
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,im sketching a quick front side and back few of the shoulders to start
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,seeing a shoulder and torso without the arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,always reminds me of a little lamb or something
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but anyway were going to focus on
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the skeletal breakdown of the arm first
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,of course we have a single major bone
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,in the upper arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and two in the lower arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,connected at the elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but as i draw that, the first thing i actually want to point out
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is that things arent in a perfect straight line
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you can even take a moment
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and try to see this yourself
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,just hold one arm out straight
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and close your opposite eye
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,now do your best to look directly straight down
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the barrel of that massive gun you call
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,your upper arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,if you line up your sight from shoulder to elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you'll notice the lower arm doesn't really
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,line up as much as you might've thought.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,To get really good at drawing any organic forms,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it's important to try and identify these types of subtle offsets
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,as much as possible.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Anyway, let's get back to these bones.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,The humerus is of course the bone
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,of the upper arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,meanwhile the lower arm has the ulna
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,which I would consider the primary lower arm bone
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it's the one you would be hitting someone with
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,if you elbowed them
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and then the radius which orginates
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,from the exterior side of the elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,aka the side thats further away from your body
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and always connects to the thumb-side of your hand
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so we can do a bit of a rotational twisting
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,around the lower arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,hence the name radius
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the last skeletal thing i want to mention
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is the funny bone
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,this is just an extention of the humerus
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,which protrudes from the inner side of the elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,closest to the thigh
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it's called the funny bone
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,because of an exposed nerve ending next to it
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,that will send a shock up your arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,if you hit this part of the elbow against something
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so if you ever see a chance to whack
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,your friends' funny bone with your pencil or stylus
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,its, you know, free comedy
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,alright i added some hands to these drawings
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and i know this isnt the hands video
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but since wrists and organic offsets are so important
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,lets do a quick recap at that connection anyway
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,now keep in mind by the time
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the radius and ulna get to the wrist
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,theyll always be side by side
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and therefore the lower arm connects in
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,a much flatter and wider way into the palm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and back of hand
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and thinner from the side view of the hand
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,basic stuff but the fun part is
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,any time youre adding a hand to an arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,make sure to give it a bit of an offset
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and step over toward the thumb/ radius side of things
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,similarly from the side view the hand should always
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,take a noticeable offsetting step toward the palm side
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,by the way when i say the word offset
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it usually just means not lined up evenly with surrounding things
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,anyway always make sure the thumb side of the hand
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,feels more chunkier and substantial
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,than the pinky side of the palm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,with all of these ideas in mind
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you should be able to develop a quick shorthand
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,for getting from the arm into the hand
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,in fact you should be able to
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,quickly deduce everything about the bones
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and orientation of the wrist without ever seeing
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the thumbs or fingers or any interior information
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so maybe see how quickly you can determine
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,where the radius and the ulna are
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,in any of these rough sketches im making
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,hopefully that seems easy enough
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,lets get back to structure and talk about the muscle side of things
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,were going to make it really easy
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,for our drawing purposes
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and only focus on three muscle groups
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the biceps are on the front of your upper arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and allow you to curl up your arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,they insert under your shoulder muscles chest muscles on one end
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and connect to the radius and tissue around the ulna on the other end
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the triceps are on the back of your arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and allow you to pull your arm straight
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,they also come out from under your shoulder muscles and similar back muscles
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and connect to the back of the ulna
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and yes the deltoids of course the shoulder muscles
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but the third muscle that were going to be fixated on in this video
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is going to be the brachioradialis
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you must learn to love the brachioradialis
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it will be a pivotal part of this video in more ways than one
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,these insertions points are important so keep them in mind
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it connects from the lower back of the humerus
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,under the triceps and it wraps around a bit
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,over parts of the lower biceps and
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,connects to the radius on the other side
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,i will be exaggerating this muscle heavily throughout this video
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so be aware of that strategic inflation
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,were going all in on the bre-bre (brachioradialis)
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,i think thats enough structure so
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,lets get into some drawing practice
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,a big theme in the land of arms will be
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,controlling our organic curves
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so i guess i will do a quick recap on s-curves and c-curves
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,dont let the names throw you off too much
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,most of the s-curves and c-curves you'll be drawing
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,are going to be extremely subtle
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,just a whisper of curvature going on most of the time
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and its good to practice that level of control
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but an even more important thing to practise
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is your ability to weight your cuves
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,weighting your curves means changing of
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the harshness of the curvature through the line
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so if the curve stays consistent from start to finish
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,that would be a weightless curve
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you can have the curve be increasingly strong at the start
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,or the end of the line
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,to give it weight in a specific direction
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,this is very very important to practise
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,because we spend our entire childhoods writing
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,letters and shapes which curve and in a very balanced way
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but the more you can break away from that
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the more organic your drawings will be
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so warm up with these often
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,alright lets get into those simplifications and reductions
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,or rather maybe mention another little side thing
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,sorry theres a lot of ways to think about arms
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,such as the chain
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,a common trick for approaching arms
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is to imagine a giant linking chain
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the idea being that since the upper arm is
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,wider from the side view than from the front view
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and meanwhile the forearm is the opposite
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it will generally create a nice little back and forth between wide and narrow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,which is definitely good for aesthetic purposes
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so you can use that as a little mental note when applicable
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,meanwhile to go back to what weve just talked about
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,with curve weight the most important mental note i fixate on
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is usually just where to weight the curve for each part of the arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,on the bicep side of the upper arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the curve weight is further toward the elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,whereas on the back or tricep side of things
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the curve weight is closer to the shoulder
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the brachioradialis is definitely weighted toward the upper forearm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but its more rounded and gradual than the opposite
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,side of the forearm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,all of these things relate to
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the actual muscle bodies of each muscle group
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the tricep being the most important one
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,to always remember because
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the muscle bodies are located in the top half of the upper arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,okay so lets sum up the straight arm simplications
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,a bit more directly
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,back view of the arm pop forward minimal twisting
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the upper arm might as well be a simple cylinder
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,with minimal tapering
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but the lower arm is going to feel
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,closer to an upside down bowling pin
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the important part is that
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the exterior side of the brachioradialis
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,is going to not only curve outward more than the interior side
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but also come up a bit higher than it
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it should definitely feel like
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it starts its s-curve above the elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,if we raise the arm up out to the side
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,yes youll get a bit of the chain concept
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but since youll probably not be drawing massive bodybuilders
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,it can become pretty minor
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you do want to make sure that
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,youre thinking of weight and gravity though
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,obviously this gets a lot more extreme with age
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,but on any body type
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,you should still be using these ideas
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,to give you at least a little bit of subtle curve weight
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,another useful reference point to think about
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,comes from the shoulder muscle
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the deltoid comes down to a bit
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,of a point on the exterior of the arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,while not exact this can still be used
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,as a good way to indicate a break
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,between the front bicep side of the arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and the rare tricep side
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,especially when youre dealing with more complex poses
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and off angle views
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,if i draw a quick arm over here on the left
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,from a slightly awkward angle
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,adding a deltoid and letting it point a line
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,towards the elbow can at least
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,help us visualise the tricep and bicep sides of the arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,this drawing looks weirdly off to you at first
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,thats good
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the brachioradialis was not coming from the correct spot
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,lets first recall that the brachioradialis should come from
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,under the triceps and over the biceps
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and using that line from the deltoid
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,we can visualise this insertion
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,much more clearly
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,moving along
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,some of these straight arms and elbows
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,might be looking a bit wonky
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so lets briefly mention them
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the most important part of simple "find the elbow"
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,will definitely come from seeing
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the triceps and humerus all come together in a mass
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,that leads straight down through the elbow
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and into the ulna
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the funny bone and radius both become a bit
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,indented on a straight arm
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,so youll mostly see these
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,pockets of depth off to
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,both sides of the triceps and ulna
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,the forearm muscles pulling the forms back out
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,and really solidifying those crevices