0:00:00.594,0:00:02.160 I'm Stefano Sollima, 0:00:02.160,0:00:06.112 and I'm the director of[br]"Sicario: Day of the Soldado." 0:00:08.912,0:00:13.130 This scene is the main[br]moment in which 0:00:13.130,0:00:16.210 we see something[br]changing in Alejandro, 0:00:16.210,0:00:19.560 played by[br]Benicio Del Toro. 0:00:19.560,0:00:25.980 It's a sort of reminder[br]of his past, of his loss, 0:00:25.980,0:00:33.390 of his family that was killed,[br]of his own daughter. 0:00:33.390,0:00:37.340 And then, of course,[br]having Isabel next to him 0:00:37.340,0:00:45.805 during this reminiscence plays[br]a key role in their relationship. 0:00:45.893,0:00:50.020 And this is sort of[br]a switch of emotion. 0:00:50.020,0:00:53.840 Because until now,[br]Isabel has only 0:00:53.840,0:01:00.180 being a sort of pawn[br]in Alejandro's hand 0:01:00.180,0:01:04.879 to win this dirty war,[br]to get his vengeance. 0:01:04.879,0:01:06.620 I feel interested [br]in this scene, 0:01:06.620,0:01:09.920 because it's the[br]first scene ever 0:01:09.920,0:01:15.410 where we introduce[br]a skill of Alejandro 0:01:15.410,0:01:18.020 that has nothing to do[br]with his vengeance. 0:01:18.020,0:01:22.100 I felt it was important[br]to bring down the volume 0:01:22.100,0:01:23.780 after one of the biggest action[br]set pieces in the movie. 0:01:26.150,0:01:30.630 I felt that there was a big[br]need of a quieter moment. 0:01:30.630,0:01:34.880 Because by listening to [br]the silence in this sequence, 0:01:34.880,0:01:38.630 and feeling the humanity[br]and the normal life 0:01:38.630,0:01:44.360 of this deaf, mute man,[br]we are able to put 0:01:44.360,0:01:49.220 the loudness and the violence[br]of the action a bit in perspective. 0:02:07.560,0:02:10.560 In the original[br]script, it was spoken. 0:02:10.560,0:02:14.730 And it was Benicio's idea[br]to change it into sign language exchange. 0:02:19.350,0:02:21.510 I think it's really smart. 0:02:21.510,0:02:26.700 Because in this way, we create[br]an immediate bond between the two guys.