1 00:00:00,270 --> 00:00:01,862 Hi KQED, 2 00:00:01,862 --> 00:00:03,848 my name is Stephen Malnowski. 3 00:00:03,848 --> 00:00:06,047 Let me tell you what I've been making. 4 00:00:06,978 --> 00:00:09,594 A while ago, when I was learning to read music, 5 00:00:09,594 --> 00:00:11,826 I could follow the score for a single instrument 6 00:00:11,826 --> 00:00:15,378 [violin playing] 7 00:00:18,490 --> 00:00:21,234 much more easily than a score with many instruments. 8 00:00:21,234 --> 00:00:24,104 [orchestra playing] 9 00:00:26,491 --> 00:00:28,889 To make complex scores that were easier to read, 10 00:00:28,889 --> 00:00:32,930 I condensed them by putting all the notes on a single staff, 11 00:00:32,930 --> 00:00:34,837 like in piano music. 12 00:00:34,837 --> 00:00:39,593 Unfortunately, this made it hard to see which instrument was playing which note. 13 00:00:39,593 --> 00:00:42,470 I tried coloring the notes by instrument. 14 00:00:42,470 --> 00:00:46,354 That worked better, but since all the note symbols were about the same size, 15 00:00:46,354 --> 00:00:51,193 a long note for one instrument could easily be lost among shorter notes of other instruments. 16 00:00:51,193 --> 00:00:54,137 The solution was to use bar graph notation. 17 00:00:54,137 --> 00:00:57,145 At first, I drew paper scrolls by hand, 18 00:00:59,974 --> 00:01:02,688 but later I learned how to make them with computer software. 19 00:01:02,688 --> 00:01:06,761 The first version, on the Atari 800, looked and sounded like this: 20 00:01:06,761 --> 00:01:10,149 [electronic song plays] 21 00:01:26,325 --> 00:01:30,630 The second one, on an IBM PC, looked like this: 22 00:01:30,630 --> 00:01:35,858 [harpsichord arrangement] 23 00:02:03,118 --> 00:02:06,379 Over the years, I experimented with other ways of showing music. 24 00:02:06,379 --> 00:02:09,764 [classical piano playing] 25 00:02:23,416 --> 00:02:26,134 [Beethoven's 5th Symphony] 26 00:03:04,092 --> 00:03:04,092 [adagio piece] 27 00:03:26,138 --> 00:03:29,162 [allegro violin] 28 00:03:43,130 --> 00:03:45,943 [Bach's Cello Suite #1] 29 00:03:54,561 --> 00:03:59,656 Recently a violinist told me he wanted to use my visualizations in live performance. 30 00:03:59,656 --> 00:04:04,307 So I made a version of my software in which the timing of the animation is controlled with a crank. 31 00:04:07,713 --> 00:04:10,058 We tried this out with the symphony orchestra. 32 00:04:10,058 --> 00:04:12,254 It worked.