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← Slash Chords (Guitar Lesson CH-007) How to play

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Ukazujem Revíziu 8 vytvorenú 05/01/2016 od konyv 1977.

  1. Hola, people. How' re you doing.
    Justin here.
  2. In this little lesson today
  3. we're going to be having a chat
    about slash chords.
  4. Now, I'm sure many of you
    have seen things like D/F#
  5. and wondered what it meant,
  6. may be it was two chords at the same time.
  7. Well, luckily for you,
    I'm here to explain it to you,
  8. and it's really, really simple.
  9. All slash chords are,
  10. are indicating a different
    base note for the chord
  11. and a lot of the times, you don't even have to
    worry about playing that base note
  12. because the bass player will be playing it.
  13. So, if you see, say, the chord D/F#
  14. all it's meaning is it's a D chord,
    "slash", with an F# base note.
  15. That's all it is.
  16. Chord, "/", base note.
  17. Now, sometimes,
    this can be incredibly easy.
  18. If we took, say, a regular Em chord
  19. Now, if it was Em/B,
  20. all you'd have to do
  21. is play it with starting
    from the 5th string,
  22. and just leave off that thickest string,
    which was the note E.
  23. Because now the lowest note,
    the bass note of the chord,
  24. is the note B.
  25. .♪
  26. Now, that's the principle of it
  27. and it's really, really, really that simple.
  28. Of course, in order to be able
    to find your own slash chords,
  29. you need to know what the notes are
  30. at least on the thickest two strings,
  31. because that's usually
    where you'd put that base note
  32. is on one of those two strings, so
  33. making...
  34. an essential skill really
    for all of you guys
  35. would be knowing the notes
    on the bottom two strings,
  36. because you need that
    for your power chords,
  37. your barre chords, your scales
    and everything. So,
  38. make sure you get that down
  39. and you can kind of make up
    your slash chords yourself.
  40. Just pick any chord and then
    try and figure out
  41. what it sounds like
    with a different base note.
  42. You might go: "Well, here's a D chord."
  43. "I wonder what it sounds like
    if I put a C base note on it."
  44. "Where's the C? OK, there's a C there
    on the 5th string there."
  45. So, if I move my third finger
    over to play that
  46. and put my little finger
    back where it was before:
  47. Pretty funky sounding chord:
  48. Not a very common one, probably,
  49. but it's a slash chord,
    and you can really do
  50. any chord with any base note.
  51. A lot of more complex jazz stuff
  52. has some pretty outrageous slash chords in it
    that sound pretty dissonant.
  53. You get your D#/C, or
    whatever it sounds a bit, here
  54. Things like that, you know.
  55. They sound pretty outside, you know,
  56. But... And they're not really that common.
  57. For a beginner guitar player,
  58. which I'm guessing you are
    if you're not so sure what slash chords are,
  59. or maybe you're a great guitar player
  60. and you just never discovered
    slash chords before,
  61. there are a few really common ones
  62. which I wanna go through with you now and,
  63. I'll explain it in a bit of a
    close-up for you, I think.
  64. So, let's go CLOSE.
    Let's get closer!
  65. Regular D chord,
  66. and one of the most common
    slash chords is D/F#
  67. Now, hopefully some of you know already,
  68. but that note there is the note F#.
  69. So, if we've got a D chord
  70. And we want to put a F# base on it,
  71. there's a couple of ways of doing it.
  72. First of all, you could
    wrap your thumb around
  73. Now, you can play that 5th string there if you want.
  74. I usually let the thumb mute that string.
  75. I think it sounds a bit sweeter,
  76. but that's really your call.
  77. But the getting the thumb over
    can be quite a hard technique,
  78. and a much more common way of
    playing that chord
  79. is like this:
  80. with first finger on the F#.
  81. That also mutes the fourth...
  82. This string is muted
    by the underneath of the first finger.
  83. The D string is open.
  84. Second finger on the 2nd fret
  85. And third finger on the 3rd fret.
  86. And that thinnest string is also muted.
  87. This is a really common way of playing it.
  88. Now, one of the most common movements
    is to go from G:
  89. to D with an F# base:
  90. to Em:
  91. and back again maybe to D with an F# base.
  92. G
  93. D with an F# base.
  94. You can see that coming from the G
  95. the third finger is staying where it is,
  96. second finger is going down,
  97. first finger is going over to the base:
  98. and then to Em,
  99. The first finger comes back over,
  100. second finger goes up,
  101. and third finger comes off:
  102. Sometimes it sounds nice
    to leave that one there as well:
  103. Then you get an Em7.
  104. But that's a really common...
  105. Really common song...
    or movement in songs, I should say.
  106. So that's your D with an F# base.
  107. Either like that...
  108. You can play it like that as well.
  109. It's not an uncommon way to play it,
  110. you could play it just with your 1st finger
    reaching over, (♪)
  111. or like that (♪).
  112. It doesn't really matter
    what fingers you use, to be honest,
  113. you'd use different fingers
    in different circumstances.
  114. That's a D/F#, really common one.
  115. Now, another common one is G with a B base.
  116. So there's a regular G chord:
  117. and this note here with your first finger,
    that's the note B.
  118. So, if you're using the tip of your
    1st finger there to mute the 6th string,
  119. You've now got a G with a B base.
  120. Now, that's a good way of playing
    it if it's by itself,
  121. but usually, it's found
    in between the chords
  122. G (♪)
  123. Sorry!
  124. C (♪)
  125. G/B (♪)
  126. and Am (♪).
  127. So, if you're going to do it that way,
  128. it's a lot easier to finger it:
  129. This is C chord,
  130. now, second finger moves over to the B,
  131. third finger comes off
    and little finger goes down on the note D
  132. making sure that the 6th string is muted.
  133. The tip of that second finger is pressing up there
    to mute the 6th string.
  134. Little finger is also muting the first string.
  135. Although, it doesn't hurt really, to...
  136. If you want to have that open E string open,
    it often sounds nice,
  137. but it's not officially part of the chord,
  138. and then you can see your
    hand's already kind of in position (♪)
  139. for the Am (♪).
  140. And then back to G/B,
    second finger steps over,
  141. other two fingers lift off,
    little finger goes down.
  142. There's your G/B (♪)
  143. C (♪)
  144. G/B (♪)
  145. Am (♪)
  146. G/B (♪)
  147. Can make a nice little song out there
  148. C (♪)
  149. G/B (♪)
  150. Am (♪)
  151. Now, here's a common one as well:
  152. Am with a G base.
  153. So, just reaching over
    with the little finger there
  154. to hit the note G.
  155. So, that would be an Am/G.
  156. Not that hard, really. Is it?
  157. Or, instead of that, you might go:
  158. G/B (♪)
  159. Am (♪)
  160. Then you might go G (♪)
  161. D/F# (♪)
  162. Em (♪)
  163. Often follows vocals.
  164. It's used in "Wonderwall" and
  165. and "Miss American Pie"
  166. There's hundreds of songs
    that use these kind of movements.
  167. Now, another really nice little one
  168. that you might experiment with is A chord.
  169. Now, maybe a lot of you've learned A chord
    like this, or like this,
  170. or whatever.
  171. If you're going to do slash chords,
    generally you play A with a little barre.
  172. Making sure the thinnest string again,
    that one up there, is muted
  173. with the underneath of your first finger.
  174. So you're pressing down just three strings.
  175. Now, a really nice common one
    is to reach over with that third finger
  176. I'm playing A with a C# base.
  177. It's just a really nice sound
  178. D (♪)
  179. A/C# (♪)
  180. E.
    That's a common movement.
  181. There's lots and lots of songs
    that use these things.
  182. So, that's A with a C# base,
  183. but we could have, say,
    A chord with a G base:
  184. See? It's just really...
  185. It's an A chord
    and you can put on whatever bass you want,
  186. you could put an F# base.
  187. Play the A with your third finger:
  188. Do that, that would be an A/F#
    (♪)
  189. Also called F#min7, but you could call it
    A/F#, so it'd be cool.
  190. You could put an F base on it.
  191. Pretty wacky sounding chord, but it still works.
  192. You can really...
    You can go mad with these things.
  193. Another really common one
  194. -- I'm just trying to get you
    as many common ones as I can here --
  195. This is C chord
  196. C with a G base, C/G.
  197. There's your G note.
  198. So, you just move that finger from the C
  199. pluck it on the old G there.
  200. Now the 5th string is muted.
  201. C with a G base. C/G.
  202. Really common in country.
  203. C
  204. C/G
  205. You kind of do that for
    another reason, but it still...
  206. That's what it is.
  207. C. C/G.
  208. You can really go mad with them.
  209. So, I hope after that
    you are not scared of seeing slash chords anymore.
  210. It does take a little while to get used
    to learning all of the different shapes.
  211. Because there's so many
    variations possible,
  212. There are kind of a lot
    of slash chords to learn,
  213. but what I'd recommend is
  214. having a little bit of an
    experiment yourself and
  215. seeing, you know, what chord
    you can put what base note with
  216. And see if you can come up
    with some funky chords, you know.
  217. Especially if you're a song writer,
    and you can really get...
  218. It's a nice way of kind of
    getting a bit creative with a simple idea.
  219. So, I hope you enjoyed that.
  220. Please subscribe, if you haven't already,
    to the channel
  221. and go and check out the web site
  222. where I'll stick some little chord boxes
    and stuff like that
  223. up for this lesson.
  224. So, I hope you're all good,
  225. take of yourselves,
  226. See you later from sunny London.
  227. Later, bye!