[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:10.75,0:00:14.06,Default,,0000,0000,0000,,Hi, how you doing? Justin here again. Dialogue: 0,0:00:14.06,0:00:15.38,Default,,0000,0000,0000,,In this lesson we are going to be talking Dialogue: 0,0:00:15.38,0:00:18.82,Default,,0000,0000,0000,,about the 5 positions of the major scale. Dialogue: 0,0:00:18.82,0:00:20.38,Default,,0000,0000,0000,,I'm going to take you through each\Nposition Dialogue: 0,0:00:20.38,0:00:22.62,Default,,0000,0000,0000,,the way that I play it. Dialogue: 0,0:00:22.62,0:00:24.38,Default,,0000,0000,0000,,Different guitar teachers and different \Nguitar Dialogue: 0,0:00:24.38,0:00:26.50,Default,,0000,0000,0000,,players have different opinions about what\Nthe correct Dialogue: 0,0:00:26.50,0:00:29.46,Default,,0000,0000,0000,,fingering is for the five positions. Dialogue: 0,0:00:29.46,0:00:31.45,Default,,0000,0000,0000,,Some guitar players use another system \Ncalled 3 Dialogue: 0,0:00:31.45,0:00:34.66,Default,,0000,0000,0000,,notes per string in which there are 7 \Npositions. Dialogue: 0,0:00:34.66,0:00:36.71,Default,,0000,0000,0000,,However, most guitar players I know seem \Nto agree Dialogue: 0,0:00:36.71,0:00:40.27,Default,,0000,0000,0000,,that the 5 positions system is the best \None. Dialogue: 0,0:00:40.27,0:00:42.07,Default,,0000,0000,0000,,There is no right or wrong with the \Nfingering, Dialogue: 0,0:00:42.07,0:00:43.87,Default,,0000,0000,0000,,the fingering I'm going to show you is the Dialogue: 0,0:00:43.87,0:00:46.35,Default,,0000,0000,0000,,fingering that I've worked out that I \Nthink is logical, Dialogue: 0,0:00:46.35,0:00:50.05,Default,,0000,0000,0000,,that suits me, just if your guitar teacher \Nor Dialogue: 0,0:00:50.05,0:00:52.16,Default,,0000,0000,0000,,someone you know plays it a different way,\Nthat's Dialogue: 0,0:00:52.16,0:00:54.27,Default,,0000,0000,0000,,totally cool, I'm not trying to say that \Nyou should Dialogue: 0,0:00:54.27,0:00:57.20,Default,,0000,0000,0000,,do it this way, but if you don't have an \Nopinion, Dialogue: 0,0:00:57.20,0:00:59.03,Default,,0000,0000,0000,,this might be a good one to start off with Dialogue: 0,0:00:59.03,0:01:00.53,Default,,0000,0000,0000,,You'd probably only change it if you could\Ncome up Dialogue: 0,0:01:00.53,0:01:04.10,Default,,0000,0000,0000,,with a logical reason why you should \Nchange it. Dialogue: 0,0:01:04.10,0:01:05.92,Default,,0000,0000,0000,,So we are just gonna go for a close-up now\Non the Dialogue: 0,0:01:05.92,0:01:09.03,Default,,0000,0000,0000,,left hand and just do each different scale\Nposition Dialogue: 0,0:01:09.03,0:01:11.16,Default,,0000,0000,0000,,starting with position one. Dialogue: 0,0:01:11.16,0:01:13.89,Default,,0000,0000,0000,,All of these scale shapes are on my \Nwebsite Dialogue: 0,0:01:13.89,0:01:18.24,Default,,0000,0000,0000,,which is www.justinguitar.com so you might\Nwant Dialogue: 0,0:01:18.24,0:01:21.88,Default,,0000,0000,0000,,to go and check that out, either download\Nthe pages Dialogue: 0,0:01:21.88,0:01:24.98,Default,,0000,0000,0000,,or print off the scale shapes. Dialogue: 0,0:01:24.98,0:01:26.66,Default,,0000,0000,0000,,So, yeah, I'll see you in a few seconds \Nwith my left Dialogue: 0,0:01:26.66,0:01:29.35,Default,,0000,0000,0000,,hand, thanks Jedi! Dialogue: 0,0:01:29.35,0:01:31.97,Default,,0000,0000,0000,,Okay, so here we are for position one. Dialogue: 0,0:01:31.97,0:01:33.74,Default,,0000,0000,0000,,Position one we start with the second Dialogue: 0,0:01:33.74,0:01:36.24,Default,,0000,0000,0000,,finger and play up the scale. Dialogue: 0,0:01:36.24,0:01:48.32,Default,,0000,0000,0000,,{\i1}Guitar Scale Playing{\i0} Dialogue: 0,0:01:48.32,0:01:59.03,Default,,0000,0000,0000,,Come back down Dialogue: 0,0:01:59.03,0:02:01.75,Default,,0000,0000,0000,,Making sure we start and finish on the \Nroot note, Dialogue: 0,0:02:01.75,0:02:03.47,Default,,0000,0000,0000,,also making sure that our fingers curve \N Dialogue: 0,0:02:03.47,0:02:04.91,Default,,0000,0000,0000,,up as we go up the scale. Dialogue: 0,0:02:04.91,0:02:16.10,Default,,0000,0000,0000,,{\i1}Guitar Scale Playing{\i0} Dialogue: 0,0:02:16.10,0:02:19.17,Default,,0000,0000,0000,,Okay, now we are moving up to position two Dialogue: 0,0:02:19.17,0:02:21.69,Default,,0000,0000,0000,,Move up to here, up to the fifth fret. Dialogue: 0,0:02:21.69,0:02:23.41,Default,,0000,0000,0000,,Following me here Jedi? Dialogue: 0,0:02:23.41,0:02:25.90,Default,,0000,0000,0000,,Okay, so now for position two, the root, Dialogue: 0,0:02:25.90,0:02:28.96,Default,,0000,0000,0000,,the lowest root note is right up here on \Nthe forth string.\N Dialogue: 0,0:02:28.96,0:02:31.56,Default,,0000,0000,0000,,Even if it seems a little but strange, I \Nthink it's very Dialogue: 0,0:02:31.56,0:02:34.02,Default,,0000,0000,0000,,important that you start up here on the \Nroot note. Dialogue: 0,0:02:34.02,0:02:36.32,Default,,0000,0000,0000,,The reason is that you will hear the major Dialogue: 0,0:02:36.32,0:02:39.02,Default,,0000,0000,0000,,scale the, do-re-mi-fa-so-la-ti-do Dialogue: 0,0:02:39.02,0:02:42.32,Default,,0000,0000,0000,,idea if you start on the lowest note all \Nof the time, Dialogue: 0,0:02:42.32,0:02:44.91,Default,,0000,0000,0000,,you tend to hear the modes which can be \Nuseful, Dialogue: 0,0:02:44.91,0:02:47.45,Default,,0000,0000,0000,,but right now you're learning the major \Nscale. Dialogue: 0,0:02:47.45,0:02:49.19,Default,,0000,0000,0000,,So we start here with the second finger Dialogue: 0,0:02:49.19,0:02:53.36,Default,,0000,0000,0000,,{\i1}Guitar Scale Playing{\i0} Dialogue: 0,0:02:53.36,0:02:59.81,Default,,0000,0000,0000,,Slight position shift here Dialogue: 0,0:02:59.81,0:03:06.82,Default,,0000,0000,0000,,Back down the scale Dialogue: 0,0:03:06.82,0:03:09.30,Default,,0000,0000,0000,,Now at this point, 4th finger on the way Dialogue: 0,0:03:09.30,0:03:18.98,Default,,0000,0000,0000,,down and 3rd finger on the way up. Dialogue: 0,0:03:18.98,0:03:20.61,Default,,0000,0000,0000,,Now, I'll just explain that odd fingering Dialogue: 0,0:03:20.61,0:03:21.98,Default,,0000,0000,0000,,here because this is a little bit unique Dialogue: 0,0:03:21.98,0:03:23.51,Default,,0000,0000,0000,,to me. Dialogue: 0,0:03:23.51,0:03:24.77,Default,,0000,0000,0000,,Uhm, I got it off my old teacher. Dialogue: 0,0:03:24.77,0:03:27.32,Default,,0000,0000,0000,,Thanks John Mc Millan, great stuff man. Dialogue: 0,0:03:27.32,0:03:30.43,Default,,0000,0000,0000,,Uhm, and if I try and reach over here with Dialogue: 0,0:03:30.43,0:03:32.62,Default,,0000,0000,0000,,my third finger you can see that the angle Dialogue: 0,0:03:32.62,0:03:36.64,Default,,0000,0000,0000,,of my hand has to move to reach it. Dialogue: 0,0:03:36.64,0:03:37.74,Default,,0000,0000,0000,,You don't really want that, especially Dialogue: 0,0:03:37.74,0:03:38.82,Default,,0000,0000,0000,,when you start going faster. Dialogue: 0,0:03:38.82,0:03:40.06,Default,,0000,0000,0000,,It makes it quite a pain. Dialogue: 0,0:03:40.06,0:03:43.09,Default,,0000,0000,0000,,It's ok slowly, but once we get quicker it Dialogue: 0,0:03:43.09,0:03:44.61,Default,,0000,0000,0000,,makes it really awkward. Dialogue: 0,0:03:44.61,0:03:46.68,Default,,0000,0000,0000,,So, this way we use the little finger \Nthere Dialogue: 0,0:03:46.68,0:03:47.98,Default,,0000,0000,0000,,because the little finger is already in Dialogue: 0,0:03:47.98,0:03:49.54,Default,,0000,0000,0000,,the right place to go. Dialogue: 0,0:03:49.54,0:03:51.10,Default,,0000,0000,0000,,We follow up here a little bit, and that's Dialogue: 0,0:03:51.10,0:03:52.56,Default,,0000,0000,0000,,a really easy transition to make to your Dialogue: 0,0:03:52.56,0:03:55.46,Default,,0000,0000,0000,,first finger. Dialogue: 0,0:03:55.46,0:03:57.48,Default,,0000,0000,0000,,Now we could just cramp up here again with Dialogue: 0,0:03:57.48,0:03:59.92,Default,,0000,0000,0000,,little finger, but it gets a bit squashy Dialogue: 0,0:03:59.92,0:04:02.25,Default,,0000,0000,0000,,so we use our third finger still there. Dialogue: 0,0:04:02.25,0:04:04.17,Default,,0000,0000,0000,,Our first finger can always reach back Dialogue: 0,0:04:04.17,0:04:06.34,Default,,0000,0000,0000,,without the, you can see the flat of my Dialogue: 0,0:04:06.34,0:04:08.65,Default,,0000,0000,0000,,hand here is not having to move anywhere Dialogue: 0,0:04:08.65,0:04:09.91,Default,,0000,0000,0000,,for my first finger to reach back. Dialogue: 0,0:04:09.91,0:04:11.24,Default,,0000,0000,0000,,Cause you always got more flexiblity with Dialogue: 0,0:04:11.24,0:04:12.85,Default,,0000,0000,0000,,your first finger. Dialogue: 0,0:04:12.85,0:04:20.41,Default,,0000,0000,0000,,So.. [plays scale] Dialogue: 0,0:04:20.41,0:04:21.83,Default,,0000,0000,0000,,Making sure again that the fingers round Dialogue: 0,0:04:21.83,0:04:23.17,Default,,0000,0000,0000,,up when they get to the top and making Dialogue: 0,0:04:23.17,0:04:24.64,Default,,0000,0000,0000,,sure you watch out that funny note that Dialogue: 0,0:04:24.64,0:04:26.24,Default,,0000,0000,0000,,changes between the fourth finger and Dialogue: 0,0:04:26.24,0:04:33.63,Default,,0000,0000,0000,,the third finger. [Plays scale] Dialogue: 0,0:04:33.63,0:04:36.96,Default,,0000,0000,0000,,Ok, now we move onto the third position. Dialogue: 0,0:04:36.96,0:04:38.16,Default,,0000,0000,0000,,Ok, we there still with me Jed? Dialogue: 0,0:04:38.16,0:04:39.03,Default,,0000,0000,0000,,Jed: Right on Dialogue: 0,0:04:39.03,0:04:40.04,Default,,0000,0000,0000,,Cool Mate. Dialogue: 0,0:04:40.04,0:04:41.89,Default,,0000,0000,0000,,Ok, now this one. Root note is under Dialogue: 0,0:04:41.89,0:04:44.56,Default,,0000,0000,0000,,the little finger. Dialogue: 0,0:04:44.56,0:04:45.54,Default,,0000,0000,0000,,It's pretty straight forward for the Dialogue: 0,0:04:45.54,0:04:46.49,Default,,0000,0000,0000,,fingering this time. Dialogue: 0,0:04:46.49,0:04:49.11,Default,,0000,0000,0000,,Each finger gets allocated it's own fret. Dialogue: 0,0:04:49.11,0:04:49.97,Default,,0000,0000,0000,,Start with the little finger. Dialogue: 0,0:04:49.97,0:05:12.77,Default,,0000,0000,0000,,[Plays scale] Dialogue: 0,0:05:12.77,0:05:13.99,Default,,0000,0000,0000,,Pretty straight forward again. Dialogue: 0,0:05:13.99,0:05:15.67,Default,,0000,0000,0000,,Making sure you start on the lowest root Dialogue: 0,0:05:15.67,0:05:17.04,Default,,0000,0000,0000,,note. Up as far as you can. Dialogue: 0,0:05:17.04,0:05:18.57,Default,,0000,0000,0000,,Down as far as you can, and back up and Dialogue: 0,0:05:18.57,0:05:19.96,Default,,0000,0000,0000,,finishing on the root note. Dialogue: 0,0:05:19.96,0:05:22.53,Default,,0000,0000,0000,,Ok, now we go onto position 4. Dialogue: 0,0:05:22.53,0:05:25.12,Default,,0000,0000,0000,,Just a little farther up the neck now. Dialogue: 0,0:05:25.12,0:05:26.21,Default,,0000,0000,0000,,K, this time we're starting with the Dialogue: 0,0:05:26.21,0:05:29.90,Default,,0000,0000,0000,,second finger. We're playing here. Dialogue: 0,0:05:29.90,0:05:47.30,Default,,0000,0000,0000,,[Plays scale] Dialogue: 0,0:05:47.30,0:05:48.26,Default,,0000,0000,0000,,Again, starting and finishing on the Dialogue: 0,0:05:48.26,0:05:49.22,Default,,0000,0000,0000,,lowest root note. Dialogue: 0,0:05:49.22,0:05:50.15,Default,,0000,0000,0000,,Really important. Dialogue: 0,0:05:50.15,0:05:56.36,Default,,0000,0000,0000,,[Plays scale] Dialogue: 0,0:05:56.36,0:05:57.97,Default,,0000,0000,0000,,It's worth noticing as well that if you're Dialogue: 0,0:05:57.97,0:06:00.87,Default,,0000,0000,0000,,playing these scales with a metronome, you Dialogue: 0,0:06:00.87,0:06:03.90,Default,,0000,0000,0000,,probably want to get up to four notes per Dialogue: 0,0:06:03.90,0:06:05.74,Default,,0000,0000,0000,,metronome click. Dialogue: 0,0:06:05.74,0:06:07.33,Default,,0000,0000,0000,,And if you follow the scale shapes that Dialogue: 0,0:06:07.33,0:06:09.65,Default,,0000,0000,0000,,I've got, you'll see that every scale form Dialogue: 0,0:06:09.65,0:06:11.76,Default,,0000,0000,0000,,has three notes on each string except for Dialogue: 0,0:06:11.76,0:06:14.94,Default,,0000,0000,0000,,one string which has two notes on it. Dialogue: 0,0:06:14.94,0:06:16.27,Default,,0000,0000,0000,,I think that makes a total of seventeen Dialogue: 0,0:06:16.27,0:06:17.12,Default,,0000,0000,0000,,notes. Dialogue: 0,0:06:17.12,0:06:18.43,Default,,0000,0000,0000,,And what that means is if you play the Dialogue: 0,0:06:18.43,0:06:19.90,Default,,0000,0000,0000,,scale up and down that you'll always end Dialogue: 0,0:06:19.90,0:06:23.90,Default,,0000,0000,0000,,up back on the root note for the beat. Dialogue: 0,0:06:23.90,0:06:35.46,Default,,0000,0000,0000,,[Plays scale] Dialogue: 0,0:06:35.46,0:06:36.88,Default,,0000,0000,0000,,You can see that I accented each group of Dialogue: 0,0:06:36.88,0:06:39.10,Default,,0000,0000,0000,,four then and started and finished on the Dialogue: 0,0:06:39.10,0:06:40.54,Default,,0000,0000,0000,,same note. Dialogue: 0,0:06:40.54,0:06:43.56,Default,,0000,0000,0000,,Ok. That was position four. Dialogue: 0,0:06:43.56,0:06:44.63,Default,,0000,0000,0000,,Now we're going to move up to Dialogue: 0,0:06:44.63,0:06:47.77,Default,,0000,0000,0000,,position five. Right up the neck now. Dialogue: 0,0:06:47.77,0:06:49.46,Default,,0000,0000,0000,,Starting with our little finger on the 6th Dialogue: 0,0:06:49.46,0:06:51.32,Default,,0000,0000,0000,,string. Dialogue: 0,0:06:51.32,0:07:10.30,Default,,0000,0000,0000,,Play up the scale. [Plays scale] Dialogue: 0,0:07:10.30,0:07:11.36,Default,,0000,0000,0000,,Ok now, on this girl we've go the same Dialogue: 0,0:07:11.36,0:07:13.57,Default,,0000,0000,0000,,little trick as we had before with the \Nthird Dialogue: 0,0:07:13.57,0:07:16.58,Default,,0000,0000,0000,,finger on the way up and the 4th finger on Dialogue: 0,0:07:16.58,0:07:18.54,Default,,0000,0000,0000,,the same note on the way back down. Dialogue: 0,0:07:18.54,0:07:33.57,Default,,0000,0000,0000,,[Plays scale] Dialogue: 0,0:07:33.57,0:07:35.86,Default,,0000,0000,0000,,Ok, so please, what's really, really Dialogue: 0,0:07:35.86,0:07:37.54,Default,,0000,0000,0000,,important. After you've finally got those Dialogue: 0,0:07:37.54,0:07:39.80,Default,,0000,0000,0000,,5 positions down is that you remember what Dialogue: 0,0:07:39.80,0:07:42.24,Default,,0000,0000,0000,,I said originally in the lesson 1 for the Dialogue: 0,0:07:42.24,0:07:43.59,Default,,0000,0000,0000,,major scale. Dialogue: 0,0:07:43.59,0:07:46.23,Default,,0000,0000,0000,,It's really important that you can use the Dialogue: 0,0:07:46.23,0:07:47.42,Default,,0000,0000,0000,,scales. Dialogue: 0,0:07:47.42,0:07:49.07,Default,,0000,0000,0000,,Don't learn lots of scales and not be \Nable Dialogue: 0,0:07:49.07,0:07:51.74,Default,,0000,0000,0000,,to use them. There's absolutely no point. Dialogue: 0,0:07:51.74,0:07:53.40,Default,,0000,0000,0000,,So learn position one. Dialogue: 0,0:07:53.40,0:07:55.30,Default,,0000,0000,0000,,Learn to do a solo using the position one Dialogue: 0,0:07:55.30,0:07:56.63,Default,,0000,0000,0000,,scale. Dialogue: 0,0:07:56.63,0:07:59.10,Default,,0000,0000,0000,,Then learn position two and then start to Dialogue: 0,0:07:59.10,0:08:01.35,Default,,0000,0000,0000,,join position one and position two Dialogue: 0,0:08:01.35,0:08:02.45,Default,,0000,0000,0000,,together. Dialogue: 0,0:08:02.45,0:08:03.88,Default,,0000,0000,0000,,There's hundreds of different ways of Dialogue: 0,0:08:03.88,0:08:05.66,Default,,0000,0000,0000,,doing it. You can slide between them, you Dialogue: 0,0:08:05.66,0:08:06.94,Default,,0000,0000,0000,,can shift between them. Dialogue: 0,0:08:06.94,0:08:08.57,Default,,0000,0000,0000,,It's really a good exercise just to sit Dialogue: 0,0:08:08.57,0:08:12.19,Default,,0000,0000,0000,,down and start playing one and try to get Dialogue: 0,0:08:12.19,0:08:14.50,Default,,0000,0000,0000,,into position two and back. Dialogue: 0,0:08:14.50,0:08:25.66,Default,,0000,0000,0000,,[Plays scales] Dialogue: 0,0:08:25.66,0:08:27.45,Default,,0000,0000,0000,,Just trying to combine position one and Dialogue: 0,0:08:27.45,0:08:29.15,Default,,0000,0000,0000,,position two. Once you feel really Dialogue: 0,0:08:29.15,0:08:30.74,Default,,0000,0000,0000,,confident that you can combine positions Dialogue: 0,0:08:30.74,0:08:32.48,Default,,0000,0000,0000,,one and two, then you'd add the third Dialogue: 0,0:08:32.48,0:08:35.39,Default,,0000,0000,0000,,position and start to combine position one Dialogue: 0,0:08:35.39,0:08:40.39,Default,,0000,0000,0000,,with postion two into three. Dialogue: 0,0:08:40.39,0:08:47.74,Default,,0000,0000,0000,,[Plays scale] Dialogue: 0,0:08:47.74,0:08:49.53,Default,,0000,0000,0000,,Etc... And keep joining them together. Dialogue: 0,0:08:49.53,0:08:51.69,Default,,0000,0000,0000,,Don't just sit there and play the scales Dialogue: 0,0:08:51.69,0:08:53.89,Default,,0000,0000,0000,,up and down. It's really, really just a Dialogue: 0,0:08:53.89,0:08:54.98,Default,,0000,0000,0000,,not happening thing. Dialogue: 0,0:08:54.98,0:08:56.27,Default,,0000,0000,0000,,Ok. Dialogue: 0,0:08:56.27,0:08:58.49,Default,,0000,0000,0000,,In the next lesson, I'll show you some Dialogue: 0,0:08:58.49,0:09:01.85,Default,,0000,0000,0000,,ways to break up the major scale. Into Dialogue: 0,0:09:01.85,0:09:03.79,Default,,0000,0000,0000,,making it sound like music instead of it Dialogue: 0,0:09:03.79,0:09:05.59,Default,,0000,0000,0000,,sounding like a scale, so I'll see you for Dialogue: 0,0:09:05.59,0:09:06.82,Default,,0000,0000,0000,,part three in a minute. Dialogue: 0,0:09:06.82,0:09:12.59,Default,,0000,0000,0000,,Cheers. Take care.