WEBVTT 00:00:00.384 --> 00:00:07.614 All right so now we have frame rates right an incredibly important tool the you can use to change 00:00:07.614 --> 00:00:21.754 in control of the aesthetic of your film so we have 24306120 and 240 frames a second so start with 24 this is the gold standard 00:00:21.754 --> 00:00:31.274 for basically all films that you see on the big screen because at 24 frames a second your cameras capturing 24 images 00:00:31.274 --> 00:00:47.764 back to back per second he gives the film or video this is much more soft and Sir real kind of vibe in kind of a static and the next frame rate is 30 frames a second 00:00:47.764 --> 00:00:57.914 this is a much more realistic look you can see it in most broadcast TV a lot of you know TV stations just imagine 00:00:57.914 --> 00:01:08.801 what news anchors look like it's kind of this slightly uncomfortable for whatever reason it doesn't have that dream me cinematic quality of 24 frames a second 00:01:08.801 --> 00:01:19.751 so TV broadcasts and also home movies are shot at this 30 frames a second rate you can definitely see a difference in the overall look and feel 00:01:19.751 --> 00:01:32.631 and next we have 60 frames a second right this is that more plastic you look where since work doubling in going beyond 24 and 30 you're capturing twice 00:01:32.631 --> 00:01:42.169 as many frames a second which gives away and lets go of that motion blur look and how's that very kind of ultra realistic kind 00:01:42.169 --> 00:01:54.989 of plastic feel not very cinematic but can be used in very very well for the more high speed action need tied Phil all right last but not least 00:01:54.989 --> 00:02:06.800 shooting at 120 and 240 frames a second right. I love shooting out these high frame rates because it creates such a dramatic and epic. 00:02:06.800 --> 00:02:17.520 Contrast between our normal day to day way of viewing things in the real life day to day you know viewing experience we don't ever get to see things 00:02:17.520 --> 00:02:28.730 in slow motion that is why in film and video is such an incredibly powerful tool to Juxtapoz what we would see day to day with all sure 00:02:28.730 --> 00:02:40.060 slow epic footage right these are the kind of cinematic things that we can use to create something that really sparks that feeling they were always 00:02:40.060 --> 00:02:50.380 looking to create in the viewer so what I've realized is that what creates the most impactful films and videos are using techniques 00:02:50.380 --> 00:02:59.860 that you wanted to see a normal day to day life right think about the things they look the best in film when you are filming directly 00:02:59.860 --> 00:03:08.630 into the sun and the viewer is able to look and they can see a beautiful just rays of light that are coming into the camera that's an experience 00:03:08.630 --> 00:03:19.340 that the everyday person never gets the hat right because we can't just directly look into the sun and experience that specific perspective. 00:03:19.340 --> 00:03:30.830 Equally you think about how cool it is to see time lapses right there's something special that sparks a specific feeling that creates 00:03:30.830 --> 00:03:39.600 that kind of joy in the viewer just from looking at that it's like this visual candy that we love to see same with macro shots 00:03:39.600 --> 00:03:48.487 right seeing so close on a specific object it's breaking away from the ordinary perspective you see where I'm going with this 00:03:48.487 --> 00:04:00.337 the same exact thing we all share epic slow motion shots never in our day to day life do we get to see so much detail right a simple movement 00:04:00.337 --> 00:04:10.917 they look so plain in ordinary reality on film looks so much better and more amazing this is how we create impactful moments 00:04:10.917 --> 00:04:19.866 by using these hyper speeding up of film and hyper slowing down the film right showing the viewer situations 00:04:19.866 --> 00:04:25.206 that breaks away from their normal day to day viewing experience cool cool cool.