[Script Info]
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.38,0:00:07.61,Default,,0000,0000,0000,,All right so now we have frame rates right an incredibly important tool the you can use to change
Dialogue: 0,0:00:07.61,0:00:21.75,Default,,0000,0000,0000,,in control of the aesthetic of your film so we have 24306120 and 240 frames a second so start with 24 this is the gold standard
Dialogue: 0,0:00:21.75,0:00:31.27,Default,,0000,0000,0000,,for basically all films that you see on the big screen because at 24 frames a second your cameras capturing 24 images
Dialogue: 0,0:00:31.27,0:00:47.76,Default,,0000,0000,0000,,back to back per second he gives the film or video this is much more soft and Sir real kind of vibe in kind of a static and the next frame rate is 30 frames a second
Dialogue: 0,0:00:47.76,0:00:57.91,Default,,0000,0000,0000,,this is a much more realistic look you can see it in most broadcast TV a lot of you know TV stations just imagine
Dialogue: 0,0:00:57.91,0:01:08.80,Default,,0000,0000,0000,,what news anchors look like it's kind of this slightly uncomfortable for whatever reason it doesn't have that dream me cinematic quality of 24 frames a second
Dialogue: 0,0:01:08.80,0:01:19.75,Default,,0000,0000,0000,,so TV broadcasts and also home movies are shot at this 30 frames a second rate you can definitely see a difference in the overall look and feel
Dialogue: 0,0:01:19.75,0:01:32.63,Default,,0000,0000,0000,,and next we have 60 frames a second right this is that more plastic you look where since work doubling in going beyond 24 and 30 you're capturing twice
Dialogue: 0,0:01:32.63,0:01:42.17,Default,,0000,0000,0000,,as many frames a second which gives away and lets go of that motion blur look and how's that very kind of ultra realistic kind
Dialogue: 0,0:01:42.17,0:01:54.99,Default,,0000,0000,0000,,of plastic feel not very cinematic but can be used in very very well for the more high speed action need tied Phil all right last but not least
Dialogue: 0,0:01:54.99,0:02:06.80,Default,,0000,0000,0000,,shooting at 120 and 240 frames a second right. I love shooting out these high frame rates because it creates such a dramatic and epic.
Dialogue: 0,0:02:06.80,0:02:17.52,Default,,0000,0000,0000,,Contrast between our normal day to day way of viewing things in the real life day to day you know viewing experience we don't ever get to see things
Dialogue: 0,0:02:17.52,0:02:28.73,Default,,0000,0000,0000,,in slow motion that is why in film and video is such an incredibly powerful tool to Juxtapoz what we would see day to day with all sure
Dialogue: 0,0:02:28.73,0:02:40.06,Default,,0000,0000,0000,,slow epic footage right these are the kind of cinematic things that we can use to create something that really sparks that feeling they were always
Dialogue: 0,0:02:40.06,0:02:50.38,Default,,0000,0000,0000,,looking to create in the viewer so what I've realized is that what creates the most impactful films and videos are using techniques
Dialogue: 0,0:02:50.38,0:02:59.86,Default,,0000,0000,0000,,that you wanted to see a normal day to day life right think about the things they look the best in film when you are filming directly
Dialogue: 0,0:02:59.86,0:03:08.63,Default,,0000,0000,0000,,into the sun and the viewer is able to look and they can see a beautiful just rays of light that are coming into the camera that's an experience
Dialogue: 0,0:03:08.63,0:03:19.34,Default,,0000,0000,0000,,that the everyday person never gets the hat right because we can't just directly look into the sun and experience that specific perspective.
Dialogue: 0,0:03:19.34,0:03:30.83,Default,,0000,0000,0000,,Equally you think about how cool it is to see time lapses right there's something special that sparks a specific feeling that creates
Dialogue: 0,0:03:30.83,0:03:39.60,Default,,0000,0000,0000,,that kind of joy in the viewer just from looking at that it's like this visual candy that we love to see same with macro shots
Dialogue: 0,0:03:39.60,0:03:48.49,Default,,0000,0000,0000,,right seeing so close on a specific object it's breaking away from the ordinary perspective you see where I'm going with this
Dialogue: 0,0:03:48.49,0:04:00.34,Default,,0000,0000,0000,,the same exact thing we all share epic slow motion shots never in our day to day life do we get to see so much detail right a simple movement
Dialogue: 0,0:04:00.34,0:04:10.92,Default,,0000,0000,0000,,they look so plain in ordinary reality on film looks so much better and more amazing this is how we create impactful moments
Dialogue: 0,0:04:10.92,0:04:19.87,Default,,0000,0000,0000,,by using these hyper speeding up of film and hyper slowing down the film right showing the viewer situations
Dialogue: 0,0:04:19.87,0:04:25.21,Default,,0000,0000,0000,,that breaks away from their normal day to day viewing experience cool cool cool.