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What if every child had access to music education from birth? | Anita Collins | TEDxCanberra

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    What if,
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    what if a large number
    of scientific studies
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    had found that there was one activity
    that could improve our cognitive function,
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    help our memory systems to work,
    help us to learn language,
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    help us to moderate our emotional states,
    help us to solve complex problems
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    and help our brains
    to be healthier into later life?
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    What if that activity,
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    while beneficial if undertaken
    at any time during our lives,
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    was actually found by the scientists
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    to be most beneficial if it was undertaken
    before the age of seven?
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    What if that activity,
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    unlike the momentary pain
    of a vaccination needle,
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    is actually enjoyable
    for everyone involved?
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    Now, you might be expecting me
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    to reveal a new superfood
    we could eat some more of,
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    maybe a pill we could take every day
    or an exercise regimen we could start,
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    But actually, this activity is as old
    as our cultures and societies itself.
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    And that activity is music education.
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    Now, I may well be biased.
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    I am a music educator,
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    and I understand the world
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    through the twin lenses
    of being a musician and being a teacher.
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    But even before I became a teacher,
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    I used to look around at all the people
    I was doing musical activities with
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    and I used to wonder why
    they seemed to be good at everything,
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    why they seem to do well
    at all of their studies,
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    why they fit more into a day.
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    And while many of them, most of them,
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    never went on to be musicians
    in their professional lives,
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    the careers they did choose
    were incredibly diverse
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    and they were so successful in them.
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    and they continue to be so.
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    What, if anything, did music education
    have to do with that?
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    So when it came time for me
    to choose a topic for my PhD study,
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    it became pretty clear pretty quickly,
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    I wanted to know if music education
    benefited brain development.
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    What I found was a huge amount
    of research, now two decades worth,
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    conducted by neuroscientists.
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    And the neuroscientists had stumbled
    on something kind of by accident.
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    They were looking at the brain functions
    and structures of musicians,
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    and, literally, their brains
    looked different
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    and they function differently
    and in many cases, far more effectively.
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    So the neuroscientists
    started to do experiments
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    that compared groups of musicians
    with groups of non-musicians
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    doing all manner of tasks.
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    Now, it's important at this point
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    to share the definition of musician
    that the neuroscientists use.
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    They believe it was someone
    who learnt a musical instrument
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    and had learnt it formally,
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    meaning they'd had lessons
    from an expert every week.
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    They'd learnt how to read music,
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    most of them had been involved in
    ensemble music-making experiences,
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    and they'd done it for a reasonably
    long period of time,
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    two years at the very least.
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    Now, to help me explain
    some of this research,
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    I'm going to use, I hope -
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    There we go! Thank you.
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    I'm going to use some animation
    from a TED Education film
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    that I wrote and I helped to create
    earlier this year.
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    Now, the technology
    that helped the neuroscientists
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    allow them to see our brains
    working in real time.
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    And what they did is they used
    fMRI machines and PET scanners
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    to watch what was happening.
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    They would get the participants
    to do all sorts of tasks -
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    reading, maths problems -
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    and they would see
    certain areas of the brain light up.
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    But when they asked the participants
    to listen to music, they saw fireworks.
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    They had never seen so many areas
    of the brain light up at the same time.
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    So why did music education
    have this impact on the brain?
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    Well, what they found
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    is that music education
    works three areas of the brain at once:
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    the motor, visual and auditory cortices.
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    If we think about it,
    it's like a full-brain workout;
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    it's like our legs,our arms and our torso
    doing an exercise at the same time.
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    Music education is exercise for the brain.
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    And among many, many other things,
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    they also found that musicians had
    a larger bridge, a larger corpus callosum,
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    across the two hemispheres of the brain,
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    which allowed the messages
    to travel far more quickly
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    and in very, very creative pathways.
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    So what did this brain exercise mean
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    for how musicians' brains
    actually functioned?
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    Again, among many,
    many other things they found,
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    they found that musicians
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    were able to solve puzzles and problems
    far more effectively and creatively.
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    They found that musicians
    had higher levels of executive function.
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    Now, executive function is a complex
    group of activities in our brain
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    that solve those really complex problems
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    that have logical, strategic, conceptual,
    emotional elements to them.
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    They also found that musicians
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    had very highly developed
    memory systems in their brain.
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    And that they thought
    this might have happened
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    because when a musician makes a memory,
    they actually put tags against it -
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    an emotional tag, a visual tag,
    a conceptual tag, a contextual tag.
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    And overall, so far with these two decades
    of research that we now have,
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    they have found that music education
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    raises the general cognitive capacity
    of anyone who undertakes it.
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    And even further to that,
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    they've found that music education
    helps us be comfortable with discomfort.
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    Now, learning is uncomfortable:
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    we're asking our brains and our bodies
    to do things we've never done before.
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    So music education actually helps us
    be comfortable in that state.
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    It helps us to feel
    comfortable with learning.
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    Now, I'd like to share with you
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    two studies which, to me, highlight
    some of the many applications and impacts
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    that music education could have.
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    First one involves babies.
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    I've seen very trusting mothers
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    allow their beautiful babies
    to be put into fMRI machines
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    so the neuroscientists
    could monitor their brain functions
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    as the mothers spoke to them,
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    along with many other tasks.
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    Now, I say "trusting mothers"
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    because these babies
    were between one and three days old.
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    What the neuroscientists saw
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    is that the babies were using
    their music-processing networks
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    to understand their mother's voices.
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    Literally, they were hearing music
    in their mother's voices.
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    And this confirms something
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    that the neuroscientists
    had been thinking for a while,
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    that music and language processing
    are very closely connected in the brain,
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    that, indeed,
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    at birth we need our music processing
    to understand our language:
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    at birth, we are musical.
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    The second study involves IQ points.
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    And I know we could have
    a whole other TED Talk about IQ points,
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    but they are a well-used measure
    of intellectual capacity.
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    And in this study comparing musicians
    with non-musicians,
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    they found that those
    that had undertaken music education
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    before the age of seven
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    had around about 7.5 IQ points higher
    than those that had not.
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    Now, 7.5 IQ points
    doesn't sound like much,
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    but if we put it in context, an IQ of 100
    is said to be average or normal,
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    an IQ of 130 is said to be genius
    or entry into Mensa.
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    So 7.5 points is huge.
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    It's over 20%.
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    And even further to that,
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    another study looked
    at the economic capacity vs. IQ point,
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    how much more we would earn
    per year, on average,
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    per one IQ point that we had higher.
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    What they found in today's dollars
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    is that for every IQ point higher we have
    is equal to about $700 per year.
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    Let's take our 7.5 IQ points
    for music education.
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    That's about $5000 per year.
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    Now think of that across 10 years,
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    and suddenly we start to see
    that music education
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    could have an enormous impact
    on every part of our society.
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    Now, in every area of scientific study,
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    it is incredibly important
    to ask big questions
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    and to look at the myths
    that exist in that area.
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    And there are two big ones in this area,
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    and they are that to play music
    we need to be smart
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    and to play music we need to be talented.
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    Neuroscientists have now done
    a large number of randomized studies
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    that have showed that music education
    impacts everybody who undertakes it.
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    You don't need to be smart to start with.
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    And if we think back to that study
    about babies, we're all born musical.
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    We have to be to understand language.
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    It is the experiences
    and the opportunities that we have in life
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    that realizes that talent.
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    And this gets me thinking
    even more about the fact
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    that music education could be the glue
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    that could bring together so many things
    that we are dealing with
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    in our educational systems
    and our societies today.
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    Let me give you some examples.
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    Learning disorders.
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    At the moment, many of them understood
    to be a miscommunication
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    between the left and the right
    hemispheres of the brain.
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    And as we saw earlier,
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    music education actually makes
    those two sides of the brain
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    work together really well.
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    ADHD, again, at the moment understood
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    to be a mistiming between the motor,
    visual and auditory cortices.
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    And again, we saw before,
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    music education actually makes
    the three areas of the brain
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    work together incredibly well.
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    If we take it another step further,
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    music education has been found to help us
    acquire and understand language
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    and to solve complex problems,
    many of which involve numbers.
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    How might universal music education
    change literacy and numeracy
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    in this country and in many
    countries around the world
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    where it's a very hot topic?
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    Now, I think about all of these issues
    in light of my own daughter,
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    who's just turned four.
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    And I think about her and her generation.
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    I wonder what could universal music
    education do for an entire generation?
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    I think of in 10 years' time,
    when she's 14,
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    what might learning be like
    in her classroom
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    if the general cognitive capacity
    has been raised of an entire generation.
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    If literacy and numeracy levels
    have been raised,
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    if many of the learning
    and behavioural disorders
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    that we deal with today in classrooms
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    have had the benefit of music education,
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    how might our schools change?
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    I jump again to 30 years' time,
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    when she's 34.
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    She could be doing
    absolutely anything with her life.
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    But again, if we raise the cognitive
    capacity of an entire generation,
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    how might that change our social,
    cultural, economic, political landscape?
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    Dare I say it, how might
    the focus and quality
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    about political debate
    in this country change
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    if that's the generation of voters
    that they're trying to impress upon?
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    I jump again to 70 years' time,
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    when she's 74.
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    I wonder about the quality
    of her physical and mental health
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    if we'd invested before the age of seven
    in her brain health into later life.
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    How might that impact our health budget?
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    How might we be spending
    our money differently
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    if we've made an investment
    back here in her generation
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    that will impact in 70 years' time?
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    And this gets me thinking
    about a much larger issue with education.
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    Too often, we play
    the short game with education.
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    It is a political football
    that gets hit back and forth
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    with every change in government.
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    What if we played the long game?
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    What if we invested now
    in my daughter's generation
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    before the age of seven
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    in ways that now
    the science has showed us
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    we can absolutely
    predict to the benefits,
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    and in so many ways, we absolutely
    cannot predict the benefits.
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    Now, music education
    is not the only answer,
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    it's not the silver bullet
    that we've heard of earlier.
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    There is no single answer.
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    But I know it was the answer for me.
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    When I was seven or eight years old,
    I was struggling to read.
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    I could not untangle words and letters.
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    And it wasn't through a lack of trying.
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    My mother was a specialist
    reading teacher.
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    And at the age of nine,
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    someone handed me a clarinet by mistake -
    I was meant to get a flute.
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    There was none left, so they said,
    "Here you go. Have a clarinet."
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    And I learnt how to play,
    and I learnt how to read music.
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    Within about six months, I'd untangled
    those words and those letters.
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    I have no proof that those two
    are interconnected,
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    but from all the research
    that I have read
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    and from the works I continue to see
    the neuroscientists undertake,
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    I'm sure they are connected.
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    So now, with all of this research
    and all of this knowledge,
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    what can we do?
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    I think the first thing we can do
    is think differently.
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    Music is a beautiful
    and wonderful art form
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    that almost every human being
    on the planet enjoys
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    in so many different ways
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    every single day.
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    But maybe we are missing
    an opportunity with music education
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    that could change our world
    in ways we have no idea of.
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    I think we could listen differently.
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    When we hear that scratchy,
    out-of-tune sound of a beginner violinist,
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    don't think about how it offends our ears.
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    Think about the fireworks
    that are going off for that young child
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    as they try so desperately
    to get the right note.
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    Think of the learning
    that is going on for them.
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    I think we could act differently.
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    Instead of just going along to our child
    or grandchild's end-of-year concert,
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    ask the music teacher if you can go
    to the rehearsal beforehand.
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    See the learning happening.
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    See the learning to be comfortable
    with discomfort going on.
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    See the fireworks.
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    And if you have a child or a grandchild
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    who's been playing trombone
    for about six months
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    and doesn't feel that
    they're really getting anywhere
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    and they ask you if they can give up,
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    don't let them.
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    Make a choice for them
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    that they will thank you for
    in the decades to come.
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    Music education should be essential
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    for every child.
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    And if you look at our national curriculum
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    and many national curriculums
    around the world,
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    it is a core part of it.
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    And yet in a research a study recently,
    relates to here in Australia,
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    1.4 million children today do not have
    access to a music teacher in their school.
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    Music education is not for the talented.
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    It is not a luxury, it's not an add-on,
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    it's not a bonus, it's not a nice thing
    if we had some extra money.
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    It is essential.
  • 16:53 - 16:58
    We take deliberate steps to teach
    our children how to care for this planet
  • 16:58 - 17:01
    so that they may enjoy it in the future.
  • 17:01 - 17:06
    We take deliberate steps to teach
    our children how to eat well, exercise
  • 17:06 - 17:08
    and look after themselves
    and make good choices
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    so that they may live a full life.
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    Why can't we take deliberate steps
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    to raise the cognitive capacity
    through music education
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    of the next generation
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    so that they can build
    a better world for themselves?
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    Thank you.
  • 17:27 - 17:29
    (Applause)
Title:
What if every child had access to music education from birth? | Anita Collins | TEDxCanberra
Description:

Anita Collins shares how learning music influences our brain development and what this means for musical education.

Anita Collins was handed a clarinet at the age of nine, and it changed her life. This single event dictated her future career as a musician, music educator and academic.

This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx.

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Video Language:
English
Team:
closed TED
Project:
TEDxTalks
Duration:
17:34

English subtitles

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