-
You. You seen a man
with a woman and a boy?
-
When?
-
Just now.
-
Yes.
-
San Diego bus, outside.
-
( air brakes hiss )
-
Monica!
-
I'm glad to see you,
Markie.
-
I'm glad you're here.
-
See, this is what
your mother is.
-
This is what she did to me
when-- When I was in the Army.
-
I don't believe you, Dad.
-
You did this.
-
( grunts )
-
( grunts )
-
( dramatic theme playing )
-
Air Police! Halt!
-
( bullet ricochets )
-
( crowd chattering )
-
( melancholy theme playing )
-
Monica, if I stay--
-
They'll find you,
-
and you'll never find him.
-
Well, you can go home now.
It's over.
-
Everything.
-
We won't forget.
-
That's what we're
left with, remembering.
-
Look, maybe...
-
Goodbye.
-
Goodbye, son.
-
( sirens approaching )
-
( somber theme playing )
-
Mrs. Welles.
-
I'm sorry
about the circumstances.
-
Who are you?
-
Mrs. Welles,
where did James Lincoln
-
tell you he was going?
-
You're Lieutenant Gerard.
-
The Tucson policemen--
-
They recognized him.
-
Unfortunately, after the facts.
-
Well, he told you about me.
-
Excellent.
-
He thinks of me
as much as I think of him.
-
He's innocent.
-
The law says guilty.
-
The law isn't perfect.
-
Wherever he is now,
-
he knows I believe him.
-
I always will.
-
( melancholy theme playing )
-
( meows )
-
( cat meowing )
-
NARRATOR:
Now, six months, two weeks,
-
and another thousand miles
a fugitive,
-
this is Richard Kimble.
-
And this is how it is with him.
-
( meowing )
-
( dramatic theme playing )
-
( dramatic theme playing )