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FAKE FRIENDS EPISODE TWO: parasocial hell

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    [Shannon] Grape-kun was a real-life penguin that essentially fell in love
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    with a cardboard cutout of an anime character.
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    Grape-kun is the ur-parasocial relationship.
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    We peak with Grape-kun.
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    [Bo Burnham] And I was sort of raised in America
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    when it was a cult of self-expression,
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    and I was just taught, you know, express myself and have things to say
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    and everyone will care about them.
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    And I think everyone was taught that, and most of us found out
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    no one gives a s*** what we think.
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    *Audience laughs* -So we flock to performers by the thousands
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    because we're the few that have found an audience
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    and then I'm supposed to get up here and say "follow your dreams"
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    as if this is a meritocracy, it is not, ok?
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    I had a privileged life and I got lucky and I'm unhappy.
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    [Audience laughs]
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    [Wreden] Please, help me. Please give me some of whatever it is
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    that-that makes you complete, I want- whatever that wholeness is
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    that you just summoned out of nothing and you put into your work,
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    you were...complete in some way that I never was!
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    I want to know how to be a good person, I want to know how not to hate myself.
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    Please!
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    [Jacksepticeye] It's a hard life, man.
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    I-It's not a hard life. It's a-it's a weird life.
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    When there's so many eyeballs on you all at once, and, like,
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    everything you say is put under the microscope.
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    Blah blah blah- It's so f***in' weird.
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    [Jason Pargin] We were trying to figure out why...
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    PewDiePie had surpassed, y'know, 30 million subscribers.
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    And that he had literally THE most-watched show
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    in all of media.
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    And I think when we had this conversation,
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    South Park had just done an episode about how...
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    ...mystifying that was.
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    [Kyle] "You're watching someone play Call of Duty and talk about it?"
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    [Ike] *claps* "PewDiePie!"
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    This is what kids consider entertainment is this guy shouting at video games,
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    or- or, whatever. Or like, that didn't make sense to me.
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    so I had made it a point since then to try to-
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    because it is kind of my job to stay current on things a little bit
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    even though I'm hopelessly old, and what I had found was
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    that a huge segment of the entertainment that's out there
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    among the popular youtubers, it really is just people hanging out
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    and having someone to hang out with.
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    And they will just sit together and watch a movie or something
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    and you're only watching it because you kind of get to, like,
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    just be friends with them in the room?
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    Only, you don't have to say anything?
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    [Jacksepticeye] 'What do you like most about what you do?'
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    Honestly, as cliché as it is to say... THIS kind of stuff.
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    It's-it's the community aspect of what I do that's the most fun part of it all,
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    interacting with the people who watch your content.
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    [Bo Burnham] I think, like, the poison of-of...now is fan interaction.
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    [Jack] You can be an actor and you can make a movie,
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    but there's so much time between when you start that project-
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    when you get the role in that project- to when it's actually out
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    and you can interact with people about it,
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    compared to what YouTube is, whereas I record this video now,
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    it's probably gonna go up tomorrow, and I get direct feedback from you always,
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    all the time.
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    [Alton Brown] Yeah, somebody like started an account
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    saying that they were...my...spouse,
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    and I was kind of like "you people are all creeps."
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    [Jack] It can be a bit overloading sometimes,
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    and some people from traditional media might think that that's a bad thing
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    because it's too much- it's too much stimulus all the time.
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    [Markiplier] Did you know that there's a whole fan base
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    dedicated to like my arms and my pit hair?
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    [Jack] I love it!
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    [Boogie2988] I get to the big concert hall and I roll right through the front doors,
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    and Mark being the smart person he is and aware of what's going on,
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    I believe he ends up nopeing out.
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    I think he tries to go find, uh, backstage, but John and-and Jack follow me on in
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    and immediately Jack is swarmed.
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    [Bo] -artists that just, cave to their fans and do all this stuff for their fans-
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    -celebrity, which was like a byproduct of art, it's gone from it.
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    Now, it's just celebrities and people.
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    [Jack] I just want to meet you guys all the time.
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    It's the best feeling in the world, it's why I love doing Youtube.
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    If you guys weren't there to meet, then...
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    i-it just wouldn't be worthwhile to me because you guys means so much to me.
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    [Boogie] But I didn't even know there was this many people at the concert,
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    I don't think there was, but he is literally swarmed by ten,
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    then twenty, then fifty, then a hundred...teenage girls,
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    it is like Beatlemania, they are clawing all over him to get a hold of him,
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    and they're like taking pictures with him, they're trying to touch him...
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    [Bo] I try not to think about...fans.
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    ♫ A part of me loves you ♫
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    [Jack] I wouldn't do this if you weren't there watching,
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    and I really love you guys to bits-
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    ♫ Part of me hates you ♫
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    [Jack] Sincerely-
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    ♫ Part of me needs you ♫
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    ♫ Part of me fears you ♫
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    [Boogie] We get to the green room and I expect Jack to be livid with me
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    or at least livid with the situation, and he's not mad at all,
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    but he is exasperated and I'll never forget he says something to the effect of,
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    "Boogie, I'd love to meet every girl there, I'd love to meet every girl in the world,
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    but I can't do it. There's only one me, there's thousands of them.
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    They all want to meet me and I can't do it, I can't take a picture with every girl here
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    there's-there's thousands of girls here.
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    [Mike Stoklasa] The relationship between Follower and Instagrammer and the-
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    [Jay Bauman] -The psychology of how that can affect you,
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    like on both sides.
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    [Jack] I respect your guy's opinions a great deal, and I listen to you
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    every single day from the stuff I'm doing, and I try my best to do right by you guys,
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    and I hope I'm doing you guys proud.
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    [Bo] I feel like the best thing I can give people
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    is what I believe I should do, regardless of what they think.
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    [Jack] I love you, I've-I've seen people say
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    "I don't know if he cares about us anymore", but...
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    hopefully any of you who are there over the weekend can tell that I really do.
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    [Bo] ...videos of them opening up gifts from their fans and talking about it,
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    I'm like "Why are-where the f*** are... what the f*** is happening?"
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    ♫ The truth is, my biggest problem's you ♫
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    ♫ I want to please you ♫
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    ♫ But I want to stay true to myself ♫
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    ♫ I want to give you the night out that you deserve ♫
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    [Jack] ...I'm having the time of my life doing this stuff, and I never want anything
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    to change too much.
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    I want to still do it for fun, I want to still be...
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    I want to still feel like a friend to all you guys.
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    ♫ But I want to say what I think and not care what you think about it ♫
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    [Tsundere Chan] You mean how I could never want to be
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    with a pitiful human like yourself,
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    wasting away playing games and watching anime,
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    probably never going to amount to anything in the rest of your sad, pathetic life?
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    [Jessi] She's supposed to just stay stationary
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    for this half-hour, while this fake imaginary boyfriend
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    talks to her and compliments her and makes her feel good about herself,
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    and then she goes one more day without killing herself.
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    [Gigguk] Alright? That was-That was mean.
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    [Shane Dawson] For me, what I do is when I'm gonna eat dinner, alone,
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    *laughs* um, with my dog, in my creepy house,
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    I like to turn on a video of somebody eating food and talking,
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    and it kind of makes you feel like you're eating dinner with somebody.
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    That is so f***ing sad when I say it out loud, holy s***.
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    [Kendrick Lamar] I never thought that a female will cry for me, right?
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    *laughs* I always thought that was the most insane thing
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    when I look on TVs and they be crying, you know, you know, for...
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    Justin Bieber, Usher, and stuff like that, right?
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    That happened.
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    Six young ladies running to me. Boom, rush me.
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    All got tears in the eyes at the same time.
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    So I'm tripping to myself,
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    "What happened, did one of my- something happened to my peoples?"
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    It's like, "No, we love Section.80 so much,
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    we was just talking about it and we all just broke down in tears
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    and we see you and we thought it was just meant to be to see you,
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    since we were talking about it."
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    I was like "Woah. That's crazy."
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    I couldn't believe it.
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    [J.T. Sexkik] "-it's about real happiness that you can't get with 3d"...?
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    [Jay] ...it's the first movie I've seen that really captures the kind of psychology
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    of like a parasocial relationship, which is that one-sided relationship
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    where you-you follow someone on Instagram or Twitter or whatever
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    and you feel like they're your friend
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    even though they don't know you f***ing exist.
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    Um...it's a scary scary world when it comes to that stuff.
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    [Waifubot] If you had the option to truly dive into your fantasy,
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    a perfect world to escape your reality, would you say no?
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    Of course, you never really wanted us to be real.
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    [Bo] They're lying too, that's all.
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    They're lying.
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    Entertainers, they are lying and they are manipulating you,
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    and it's not in the good way. It's like advertising, you deserve better.
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    I'm not saying I'm it, but I'm the guy that says you deserve better,
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    you go get better, you say "Thank you weird man. Bye."
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    *Audience laughs*
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    Anyone watch, uh, celebrity lip-syncing on The Tonight Show, you know?
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    *Audience cheers* -It's the end of culture.
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    Culture's over everybody, we lost.
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    *Audience claps*
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    This is entertainment.
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    How is this entertainment? People we've seen too much of
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    mouthing along to songs we've heard too much of,
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    and this is the bread and butter of American television,
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    and it's always one of two things, on celebrity lip-syncing,
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    it's either a male celebrity lip-syncing to a woman song,
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    *laughs* but he's not-
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    *Audience laughs* -Or, it's...
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    a rich, young, white actress ironically lip-syncing to a hip-hop song.
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    Ho hoo.
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    ♫ Fuck the police coming straight from the underground. ♫
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    ♫ Can you believe this song was once an honest articulation of class struggle?
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    Uh huh ha!
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    F*** these people, how dare they think
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    that them f***ing around is worthy of your attention.
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    Them playing pictionary- your attention's a valuable thing.
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    I worked for three years to... get it for an hour, and I barely get there.
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    -See? *Audience laughs*
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    It's like, you know these people actually do a job, right?
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    They actually are supposed to give you a tangible service.
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    You know, beyond just you liking them, like they're actually supposed to give you
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    something concrete that you can- that can affect you or you can pass along
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    or will mean something to you or-or will stay with you,
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    and it has become this like IV drip, this just constant...distraction or, um...
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    yeah.
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    [Jack] If I didn't have you here, I'd fall apart.
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    I wouldn't know what to make, I wouldn't know what I was doing was right.
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    I need that validation, like the game was saying.
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    [Michael B. Jordan] Uh, it makes me run the other way.
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    *exhales* Like a flock of fans, you know I'm saying,
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    like big groups that swarm on you a little bit so gotta kinda like gauge it
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    like "Is this dangerous? Can this get out of hand?"
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    and then once you make that quick decision, I'm-I'm out of there.
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    -Out of there? -Yeah, yeah.
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    [Boogie] ...and if I didn't already love Jack, I would love Jack there
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    because he wasn't worried about himself, he wasn't worried about the mistake I made,
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    he was worried-he was worried about disappointing his fans,
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    and that's-I mean, that's a true Youtuber,
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    you gotta love somebody who feels like that.
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    [Shannon] An honorific is “a title or word implying
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    or expressing high status, politeness, or respect”.
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    You probably know the Japanese honorific “-san”,
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    which is similar to “Mr. or “Mrs.” in English and communicates respect,
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    whereas “-kun” is “used by persons of senior status in addressing or referring
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    to those of junior status, or by anyone when addressing or referring
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    to male children or male teenagers.”
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    Grape-kun was a humboldt penguin at the Tobu Zoo in Japan,
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    named for the purple identification band strapped to his wing.
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    Grape-kun had a mate named Midori who, after he had to leave the enclosure
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    for a period of time due to health problems,
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    left him for a male penguin who was younger than him.
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    Humboldt penguins typically mate for life and Grape-kun, as you can imagine,
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    was devastated.
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    That is, until the anime Kemono Friends ran a promotion at Tobu Zoo
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    and Hululu entered Grape-kun’s life.
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    To quote a a SoranNews24 article on Grape-kun:
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    "While the other animals paid no attention to the cardboard cutouts in their midst,
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    Grape-kun became so enamoured by his 2-D visitor
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    that he couldn’t tear his eyes away from her,
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    and it wasn’t long before photos began surfacing online, showing the penguin
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    staring up at her for hours at a time and refusing to leave her side."
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    The Daily Mail is hardly a reputable source,
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    but they were accurate when describing penguin mating rituals
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    which Grape-kun displayed when trying to court Hululu.
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    *Grape-kun caws*
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    "Grape’s true feelings were all but confirmed when he was observed
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    standing before the cut-out with his wings outstretched and his beak pointed up.
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    This stance is a courtship ritual in the penguin world, and an indicator
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    that Grape could be ready to take his relationship to the next leVEL."
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    A Metro article stated that:
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    “…it was so all-consuming that he neglected to eat his meals,
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    meaning zookeepers had to remove the cut-out.
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    When the cut-out was taken away, Grape-kun began eating again-
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    but it was obvious that he was deeply missing his cardboard soul mate.
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    The zoo has since embraced the penguin’s unusual crush
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    by broadcasting updates of the couple on social media."
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    It describes how the Tobu Zoo profited off of the attention Grape-Kun received,
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    saying:
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    “In fact, they’re so in love with the idea of their penguin being in love
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    that they’ve even started selling a ‘Loving Grape’ drink in (the) gift shop
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    …describing it to customers as the ‘perfect embodiment’
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    of Grape-kun and his cut-out’s relationship.
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    Who doesn’t love a good marketing opportunity?
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    The label states that the ‘white and deep purple mix together beautifully,
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    yet the ice cream makes you feel cold’, to remind zoo-goers of ‘two penguin souls
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    that yearn to be together but remain in separate dimensions’."
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    This is all real.
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    This is a real thing that actually...happened.
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    After some time Grape-kun fell ill and was dying.
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    In a straitstimes article, Tobu Zoo’s penguin caretaker Eri Nemoto said:
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    “We put the cardboard panel next to him to comfort him to the very end.”
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    The goodbye tweet from the zoo to Grape-kun when he died,
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    translated into English, reads:
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    “The Humboldt penguin Grape-kun passed away yesterday.
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    Sincere thanks to everyone for supporting him until now.
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    Thank you also to Hululu, who watched over him until the very end.
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    And thank you, Grape-kun, for all this time.
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    Rest peacefully in heaven.“
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    From the technology Enquirer:
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    "Even Kemono Friends manga artist, Mine Yoshizaki,
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    drew up a special illustration of Hululu with Grape-kun.
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    In the illustration, they wear matching purple bands
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    as if these were wedding rings."
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    A “waifu” is “a fictional female character from non-live-action visual media
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    (typically an anime, manga or video game) to whom one is attracted.”
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    I don’t want to spend too much time getting into waifu culture-
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    if you’re interested, in 2012 video essayist JT Sexkik published
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    a video essay called “Waifuism And You” that you can check out.
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    Sexkik has a background in chan culture and I don’t agree with some of his language
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    (including slurs) or some of what he says in his essays,
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    but I still find value in them and in the research that he does.
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    [J.T.] 'Waifu as a Lifestyle'? What?
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    [Shannon] His waifuism essay is an honest examination
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    of the phenomenon from someone who is very familiar with it,
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    and the enraged comments he got in response show that he definitely struck a nerve.
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    [J.T.] 'Mai Waifu' was basically... like a joke,
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    it was a facetious, tongue-in-cheek way of being like:
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    "Oh, I like this character or she's really cute or..."
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    something like that.
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    What's interesting though is the thing that the word is come to represent now,
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    which is an obsessive commitment to a fictional character.
  • 14:12 - 14:17
    This...whole concept... is so baffling to me.
  • 14:17 - 14:20
    [Shannon] Gigguk also made a couple of short films dealing with waifu culture
  • 14:20 - 14:23
    called “Your Waifu is Real” and “Your Waifu Doesn’t Love You”
  • 14:23 - 14:25
    that would be further illuminating to the uninitiated.
  • 14:25 - 14:28
    [Waifubot] Was I created to research the cure for cancer?
  • 14:28 - 14:29
    Solve world hunger?
  • 14:29 - 14:32
    -Oh, no, we just want you to be the imaginary girlfriend to a bunch of guys.
  • 14:32 - 14:34
    [Waifubot] I think I understand.
  • 14:34 - 14:38
    This whole waifu culture, it's like...some self-aware meta joke.
  • 14:38 - 14:41
    -Correct, for the most part. -And nobody who really choose
  • 14:42 - 14:44
    to have a waifu if they actually existed.
  • 14:45 - 14:46
    Hello?
  • 14:46 - 14:50
    [J.T.] Or there's also the whole '3D Pig Disgusting' thing,
  • 14:50 - 14:54
    which I mean, you know, uh...that is still mostly a joke, but...
  • 14:54 - 14:57
    uh... there's still this undercurrent of misogyny
  • 14:58 - 15:01
    among this-this uh... this circle of people.
  • 15:01 - 15:04
    [Shannon] Anime nerds into waifu culture related strongly to Grape-kun
  • 15:04 - 15:06
    and responded with an outpouring of support.
  • 15:06 - 15:08
    The straitstimes piece phrases it as:
  • 15:08 - 15:10
    “The plight of the romantic penguin went viral,
  • 15:10 - 15:13
    earning Grape millions of fans worldwide.”
  • 15:13 - 15:16
    A Soranews24 article on Grape-kun is titled:
  • 15:16 - 15:20
    “Japan’s anime-loving penguin turned to comfort of a 2-D girl
  • 15:20 - 15:21
    after being scorned by his 3-D wife”,
  • 15:21 - 15:25
    subtitled “Lost his real-life penguin wife, gained an anime waifu”.
  • 15:25 - 15:29
    "Were Grape-kun a human, his situation would have elicited at least a few cries of
  • 15:29 - 15:31
    “He should stop obsessing over anime characters
  • 15:31 - 15:33
    and look for a real girl instead!”
  • 15:33 - 15:36
    But it turns out that Grape-kun did indeed have a 3-D romantic partner,
  • 15:36 - 15:38
    and it was only after that relationship fell apart
  • 15:39 - 15:40
    that he found comfort with his 2-D crush.
  • 15:40 - 15:44
    Having lost his companion, Grape-kun began spending more time apart
  • 15:44 - 15:46
    from the other members of the penguin colony.
  • 15:46 - 15:51
    Then, like a lonely, lovesick otaku taking refuge in anime indulgence,
  • 15:51 - 15:55
    he became enthralled with Hululu once a cardboard standee of the character
  • 15:55 - 15:58
    was placed near the penguin habitat as part of a cross-promotion with Kemono Friends."
  • 15:58 - 16:01
    A Vice piece titled 'Love Is Dead,
  • 16:01 - 16:04
    and So Is the Penguin Who Fell for a Cardboard Cutout', states:
  • 16:04 - 16:07
    "Fans of Grape seem to be taking his death pretty seriously,
  • 16:07 - 16:11
    referring to him as a person, imagining his service as a soldier’s funeral,
  • 16:11 - 16:13
    even starting a Change.org petition begging the zoo
  • 16:13 - 16:16
    to erect a statue of Grape and Hululu in his honor."
  • 16:16 - 16:18
    The piece ends with: "So long, Grape-kun.
  • 16:18 - 16:20
    May we all find someone who looks at us
  • 16:20 - 16:22
    the way you looked at that cardboard cutout."
  • 16:22 - 16:23
    From the BBC:
  • 16:23 - 16:25
    "Sadly, his death comes a month before the zoo’s Grape Festival,
  • 16:25 - 16:29
    a series of events spanning two weeks based around the celebrity penguin."
  • 16:29 - 16:34
    Grape-kun didn’t know what an anime is and didn’t understand marketing or branding
  • 16:34 - 16:37
    or currency, but the Tobu Zoo sure knew how to make money off of him
  • 16:37 - 16:39
    and off of his story.
  • 16:39 - 16:43
    Welcome to part two of Fake Friends, my series on parasocial relationships.
  • 16:43 - 16:45
    Part one is an introduction to the term
  • 16:45 - 16:48
    and an explanation of the concept and its academic background,
  • 16:48 - 16:50
    so you should check that video out before you watch this one.
  • 16:50 - 16:52
    This episode is a broad exploration
  • 16:52 - 16:55
    of different examples of parasocial relationships.
  • 16:55 - 16:58
    I also want to give the same disclaimer from the first essay that a discussion
  • 16:58 - 17:01
    of a media figure or content creator in this essay
  • 17:01 - 17:03
    because they're a relevant example does not mean
  • 17:03 - 17:05
    that I endorse them or their work or their beliefs.
  • 17:05 - 17:09
    Some people I talk about I know are awful and for others I don’t pretend to know
  • 17:09 - 17:11
    that much about them or their field, so blanket content warning
  • 17:11 - 17:15
    and viewer discretion advised for anything that I mention in this essay.
  • 17:15 - 17:16
    I used a lot of fairly obvious examples
  • 17:16 - 17:18
    of parasocial relationships in the first video-
  • 17:18 - 17:20
    Mister Rogers, Dora the Explorer,
  • 17:20 - 17:23
    let’s players like Markiplier, Bob Ross, etcetera.
  • 17:23 - 17:26
    I did also intentionally focus on what I consider to be the creepy
  • 17:26 - 17:29
    and exploitative nature of a lot of parasocial relationships,
  • 17:29 - 17:32
    but not every instance of a parasocial relationship,
  • 17:32 - 17:36
    even one that's deliberately fostered and profited off of, is inherently evil.
  • 17:36 - 17:39
    Harp seals, also known as Saddleback seals, are born yellow-white
  • 17:39 - 17:41
    before their coats turn white, then grey.
  • 17:41 - 17:44
    They're goofy and adorable, especially as pups
  • 17:44 - 17:46
    with big black eyes against the white fur and snow,
  • 17:46 - 17:50
    So, when Takanori Shibata of the Intelligent System Research Institute
  • 17:50 - 17:53
    of Japan's National Institute of Advanced Industrial Science and Technology
  • 17:54 - 17:58
    was designing a therapeutic robot, he chose harp seals as a basis for his design.
  • 17:58 - 18:01
    Paro is a robot alternative to animal assisted therapy,
  • 18:01 - 18:04
    a simulated therapy animal who never needs to be fed or cleaned up after
  • 18:04 - 18:06
    and who won't ever get sick or die.
  • 18:06 - 18:08
    I talked about Paro in my uncanny valley essay,
  • 18:08 - 18:11
    a companion essay to this series that deals with inhuman objects
  • 18:11 - 18:14
    that try to pass himself off as human and our relationship with them.
  • 18:14 - 18:16
    Check it out if you want further elaboration.
  • 18:16 - 18:19
    here's an excerpt from Adam Peoria's popular science piece
  • 18:19 - 18:21
    titled: 'Will Your Next Best Friend Be A Robot?'
  • 18:21 - 18:25
    "To make Paro realistic, Shibata flew out to a floating ice field
  • 18:25 - 18:28
    in north-east Canada to record real baby seals in their natural habitat.
  • 18:28 - 18:31
    In addition to replicating those sounds in the robot, he designed it
  • 18:31 - 18:35
    to seek out eye contact, respond to touch, cuddle, remember faces,
  • 18:35 - 18:38
    and learn actions that generate a favorable reaction.
  • 18:38 - 18:40
    [Takanori, Subtitles] PARO has a value system
  • 18:40 - 18:44
    that includes enjoying being stroked and disliking being hit.
  • 18:44 - 18:50
    In its relationship with its owner, PARO remembers if it's been stroked.
  • 18:50 - 18:53
    And in similar situations, this robot acts in ways
  • 18:53 - 18:55
    that make it more likely to be stroked.
  • 18:55 - 18:58
    In this way, PARO gradually learns to develop
  • 18:58 - 19:00
    a personality that its owner likes.
  • 19:00 - 19:03
    [Shannon] "Just like animals used in pet therapy, Shibata argues,
  • 19:03 - 19:06
    Paro can help relieve depression and anxiety-
  • 19:06 - 19:08
    but it never needs to be fed and doesn't die."
  • 19:08 - 19:11
    In 'It's Not a Stuffed Animal, It's a $6,000 Medical Device;
  • 19:11 - 19:14
    Paro the Robo Seal Aims to Comfort Elderly, but Is It Ethical?'
  • 19:14 - 19:18
    by Anne Tergesen and Miho Inada, published in the Wall Street Journal,
  • 19:18 - 19:19
    they quote Sherry Turkle,
  • 19:19 - 19:22
    a professor in the Science, Technology and Society program
  • 19:22 - 19:24
    at the Massachusetts Institute of Technology,
  • 19:24 - 19:28
    saying that she acknowledges Paro’s potential as a “communication aid”,
  • 19:28 - 19:30
    but warns against regarding it as a companion.
  • 19:30 - 19:33
    “Why are we so willing to provide our parents, then ourselves,
  • 19:33 - 19:35
    with faux relationships?” she asks.
  • 19:35 - 19:36
    To further quote the piece-
  • 19:36 - 19:40
    "Shibata says he designed Paro to evoke memories of pets and babies.
  • 19:40 - 19:44
    It weighs about 6 pounds, feels warm and sucks on a pacifier-like charger.
  • 19:44 - 19:50
    "It doesn't do much other than utter weird sounds like 'heee' or 'huuu,'"
  • 19:50 - 19:54
    says Tomoko Iimura, whose adult day-care center in Tsukuba City
  • 19:54 - 19:56
    keeps its Paro in a closet."
  • 19:56 - 19:59
    Paro's European distributor is the Danish Technological Institute.
  • 19:59 - 20:02
    Denmark's Paros are mostly purchased with public funds.
  • 20:02 - 20:06
    The DTI, quote, "requires caregivers to attend Paro seminars,
  • 20:06 - 20:10
    where they discuss such issues as whether it’s OK to leave an elderly person alone
  • 20:10 - 20:13
    with a Paro, and whether patients must be told it’s a robot.
  • 20:13 - 20:17
    Don’t allow someone to “escape into a strange seal robot’s universe,”
  • 20:17 - 20:19
    cautions Lone Gaedt, senior consultant at DTI."
  • 20:19 - 20:22
    Vincentian Collaborative, which runs several homes,
  • 20:22 - 20:25
    "has made Paro one of the many formal “interventions” used
  • 20:25 - 20:29
    before staff medicate dementia patients who become very agitated or aggressive."
  • 20:29 - 20:32
    [Takanori, Subtitles] Previously, such patients were sedated,
  • 20:32 - 20:35
    and even now, that's sometimes done in Europe and America.
  • 20:35 - 20:39
    In Japan, such patients are sometimes physically restrained.
  • 20:39 - 20:42
    But if such patients have contact with PARO,
  • 20:42 - 20:47
    they settle down almost immediately, smile, and feel good.
  • 20:47 - 20:50
    Sometimes they're able to talk.
  • 20:50 - 20:55
    As such effects can be actually observed, there's no need to use drugs.
  • 20:55 - 20:58
    Of course, this method doesn't work in 100% of cases.
  • 20:58 - 21:02
    But even if it doesn't work, it has no particular side-effects,
  • 21:02 - 21:04
    so all you need to do is stop using it.
  • 21:04 - 21:06
    [Shannon] "Aides also take Paro to residents’ rooms
  • 21:06 - 21:07
    to get them to socialize.
  • 21:07 - 21:10
    At another Vincentian home, Lois Simmeth, 73,
  • 21:10 - 21:12
    doesn’t always participate in group activities,
  • 21:12 - 21:15
    but she ventures into the hall when she hears Paro’s sounds.
  • 21:15 - 21:17
    "I love animals," explains Ms. Simmeth.
  • 21:17 - 21:21
    She whispered to the robot in her lap: "I know you're not real,
  • 21:21 - 21:24
    but somehow, I don't know, I love you.""
  • 21:24 - 21:28
    The Popular Science piece describes Paro in positive terms-
  • 21:28 - 21:31
    "Yasuko Komatsu, the head nurse, pulls me aside to tell me a story:
  • 21:31 - 21:35
    Not long ago, a patient arrived who would frequently wander the hallways,
  • 21:35 - 21:38
    entering others’ rooms to move and collect interesting objects.
  • 21:38 - 21:40
    One of her favorite targets was the room of a patient
  • 21:40 - 21:43
    who compulsively arranged her belongings in a precise order.
  • 21:43 - 21:45
    The thefts led to bedlam.
  • 21:45 - 21:48
    “The victim would raise her voice yelling and screaming,” Komatsu says.
  • 21:48 - 21:51
    “But the other patient didn’t really understand why she was so mad.
  • 21:51 - 21:53
    The staff tried to intervene. But the problems continued,
  • 21:54 - 21:56
    and the screaming upset the other patients.”
  • 21:56 - 21:59
    Paro’s arrival had a calming effect on all the patients, but especially the wanderer.
  • 21:59 - 22:03
    She largely abandoned her forays when told the baby seal was waiting for her
  • 22:03 - 22:04
    in the third-floor common room.
  • 22:04 - 22:08
    During my visit, I see this patient humming to Paro and gently brushing its hair.
  • 22:08 - 22:10
    She notices me watching and summons me over.
  • 22:10 - 22:13
    “Paro is saying, ‘Nice to meet you,’ ” she says.
  • 22:13 - 22:16
    Then she smiles serenely and returns to her robot."
  • 22:16 - 22:19
    Pepper is a robot developed by SoftBank Robotics.
  • 22:19 - 22:23
    Softbank Promotional material states: "Pleasant and likeable,
  • 22:23 - 22:24
    Pepper is much more than a robot,
  • 22:24 - 22:28
    he is a genuine humanoid companion created to communicate with you
  • 22:28 - 22:32
    in the most natural and intuitive way, through his body movements and his voice."
  • 22:32 - 22:36
    [Advertisement] Pepper's not here to replace humans or even vacuum the floor.
  • 22:36 - 22:42
    Pepper is here to make people happy, help them grow, and enhance their lives.
  • 22:42 - 22:45
    [Shannon] Pepper has been used both to increase foot traffic in stores
  • 22:45 - 22:48
    and to manipulate consumers into giving over their contact information.
  • 22:48 - 22:51
    [Ad] Pepper can be incredibly helpful interacting with customers
  • 22:51 - 22:54
    and solving problems, or providing information.
  • 22:54 - 22:58
    That's because Pepper is a friend, an advisor, and a business partner.
  • 22:58 - 23:02
    [Shannon] In 2017 Thuy Ong published a piece in The Verge called
  • 23:02 - 23:06
    'Pepper the robot is now a Buddhist priest programmed to chant at funerals'.
  • 23:06 - 23:09
    "While the intention may be good, the execution is not so.
  • 23:09 - 23:11
    Judging from footage of the chants,
  • 23:11 - 23:14
    the robot is quite disconcerting and brazen.
  • 23:14 - 23:17
    Buddhist temples are places of peace and reflection.
  • 23:17 - 23:21
    Death, and therefore funerals, are of religious significance
  • 23:21 - 23:24
    and Buddhist priests play a vital role in the ceremony.
  • 23:24 - 23:28
    Personally, I can't see this working out, in addition to it being just plain creepy.
  • 23:28 - 23:32
    When I sent this to my mom, she responded with a cry-face emoji."
  • 23:32 - 23:35
    In a reuters piece, "Buddhist priest Tetsugi Matsuo said he came to the expo
  • 23:35 - 23:38
    to see if Pepper could “impart the ‘heart’ aspect to a machine
  • 23:38 - 23:42
    because he believes that the ‘heart’ is the foundation of religion."
  • 23:42 - 23:44
    The robot has not yet been hired for a funeral."
  • 23:44 - 23:46
    From the Popular Science piece-
  • 23:46 - 23:50
    "Since Pepper has limited computational abilities, engineers designed the robot
  • 23:50 - 23:53
    to more closely resemble a child than an adult.
  • 23:53 - 23:56
    “You can find kids who cannot understand everything adults are talking about,”
  • 23:56 - 24:00
    Hayashi says, “but a kid wants to make the adults around him happy.
  • 24:00 - 24:03
    And he talks a lot because he knows that’s the best way for him to [do that]
  • 24:03 - 24:05
    when he doesn’t have the same mental capacity as adults.
  • 24:05 - 24:07
    It’s the same with Pepper.”
  • 24:07 - 24:10
    All of these tricks ultimately serve the same goal:
  • 24:10 - 24:13
    They subtly convey that this little guy wants to hang out with me -
  • 24:13 - 24:15
    — that he is a friend, an ally.
  • 24:15 - 24:19
    “The important thing,” Hayashi says, “is the sense of being accepted,
  • 24:19 - 24:21
    the sense of being understood by Pepper, and the feeling
  • 24:21 - 24:23
    that he is reacting based on that understanding.”
  • 24:24 - 24:27
    That illusion of understanding, what some might call artificial empathy,
  • 24:27 - 24:31
    touches an “evolutionary button” roboticists are attempting to exploit.
  • 24:31 - 24:33
    Some robots push it without even trying.
  • 24:33 - 24:36
    Fostering a relationship between man and machine
  • 24:36 - 24:39
    may require far less sophistication than what even Pepper has to offer.
  • 24:39 - 24:42
    It’s not clear that robots need to look human at all.
  • 24:42 - 24:43
    Matthias Scheutz,
  • 24:43 - 24:47
    who heads the Tufts University Human-Robot Interaction Laboratory,
  • 24:47 - 24:50
    notes that there is already literature on people developing feelings —
  • 24:50 - 24:54
    what he calls “unidirectional bonds” — for their Roomba vacuum cleaners.
  • 24:54 - 24:57
    “People seem to experience gratitude toward their Roomba,” he says.
  • 24:57 - 25:00
    “They think it works hard and that it should take a break.
  • 25:00 - 25:02
    They clean for it. They take it on vacation.
  • 25:02 - 25:06
    It seems totally absurd. The Roomba doesn’t even look like a person,
  • 25:06 - 25:08
    but it does something nice for us, and since it moves,
  • 25:08 - 25:10
    it can seem like an autonomous agent.”
  • 25:10 - 25:15
    Social robotics pioneer Cynthia Breazeal, who directs MIT’s Personal Robots Group,
  • 25:15 - 25:18
    notes that the company IRobot has encountered a similar reaction
  • 25:18 - 25:20
    from battle-hardened vets begging for technicians
  • 25:20 - 25:22
    to fix their bomb-disposal robots.
  • 25:22 - 25:26
    “They have soldiers coming back in tears saying, ‘Please fix my robot Scooby Doo,
  • 25:26 - 25:28
    because it saved my life,’ ” she says.
  • 25:28 - 25:31
    “I mean these are powerful emotional attachments.
  • 25:31 - 25:34
    And this is a completely teleoperated bomb disposal robot
  • 25:34 - 25:36
    that wasn’t even trying to be social.
  • 25:36 - 25:39
    It’s just part of the human experience and how we relate and engage
  • 25:39 - 25:42
    with one another and the world. We are profoundly social beings.”
  • 25:42 - 25:45
    Such an attachment is troubling to some.
  • 25:45 - 25:48
    Sherry Turkle, the director of MIT’s Initiative on Technology and the Self,
  • 25:48 - 25:52
    argues that what robots provide is the illusion of a relationship.
  • 25:52 - 25:55
    And she worries that some who find human relationships challenging
  • 25:55 - 25:57
    may turn to robots for companionship instead.
  • 25:57 - 26:01
    Tuft’s Scheutz warns that elderly people who feel depressed
  • 26:01 - 26:04
    could become more so if they misunderstand a robot’s actions,
  • 26:04 - 26:06
    or if the robot fails to correctly read human signals.
  • 26:06 - 26:10
    “There are just so many ways these interactions can go wrong,” Scheutz says."
  • 26:10 - 26:14
    We’re pretty used to subservient female companions-
  • 26:14 - 26:16
    Cortana, Alexa, Siri-
  • 26:16 - 26:20
    and the creepy implications of these assistants are self-evident-
  • 26:20 - 26:25
    but GateBox is the peak of uncomfortable simulated female companionship.
  • 26:25 - 26:29
    From Newsweek’s 'HOLOGRAPHIC WIFE OFFERS INTIMACY TO JAPAN’S CELIBATE GENERATION'-
  • 26:29 - 26:32
    "To fill this intimacy void, a Japanese firm has come up
  • 26:32 - 26:35
    with a holographic companion that allows its owner to
  • 26:35 - 26:38
    “enjoy a life with someone while still retaining your freedom.”"
  • 26:38 - 26:40
    To quote from the virtualtrends piece
  • 26:40 - 26:44
    'A holographic virtual girlfriend lives inside Japan’s answer to the Amazon Echo'-
  • 26:44 - 26:46
    "Instead of a simple, cylindrical speaker design,
  • 26:46 - 26:49
    Gatebox has a screen and a projector, which brings Hikari —
  • 26:49 - 26:53
    her name, appropriately, means “light” — to life inside the gadget.
  • 26:53 - 26:56
    On the outside are microphones, cameras, and sensors
  • 26:56 - 26:58
    to detect temperature and motion, so she can interact with you
  • 26:58 - 27:01
    on a more personal level, rather than being a voice on your phone."
  • 27:01 - 27:05
    Vinclu apparently is planning multiple possible personalities for Gatebox —
  • 27:05 - 27:08
    which, as part of the device’s backstory, is a gateway
  • 27:08 - 27:10
    to the dimension the character lives in.
  • 27:10 - 27:13
    As a side note, most of Hikari’s personality
  • 27:13 - 27:15
    seems to involve her wanting to please her “master”.
  • 27:15 - 27:18
    And also, uh...cooking eggs? Eggs??
  • 27:18 - 27:21
    Her coming from another dimension reminds me
  • 27:21 - 27:23
    of how Hululu’s relationship with Grape-Kun was described.
  • 27:23 - 27:25
    *Grape-kun caws*
  • 27:25 - 27:30
    I found a 2007 Washington Post piece describing how two English security guards
  • 27:30 - 27:32
    were so distracted by the game Virtual Woman
  • 27:32 - 27:35
    that they missed the fact that their bank was being robbed.
  • 27:35 - 27:37
    But when going back for a closer look, I could not find
  • 27:37 - 27:39
    a reputable source for the piece.
  • 27:39 - 27:43
    The Washington Post links to a website called 'Article Codex', which was useless.
  • 27:43 - 27:44
    When I googled the title and author
  • 27:44 - 27:49
    I found two postings on ezine articles dot com under the name Jane Trebay.
  • 27:49 - 27:50
    Trebay’s two article were both about men
  • 27:50 - 27:53
    being infatuated and obsessed with the Virtual Woman game.
  • 27:53 - 27:56
    This article about a man supposedly “cheating” on his wife
  • 27:56 - 27:59
    with a Virtual Woman references individuals and institutions
  • 27:59 - 28:02
    that do not seem to exist.
  • 28:02 - 28:05
    I downloaded Virtual Woman and played it and it’s horrific.
  • 28:05 - 28:07
    You build a woman, and then the game tells you
  • 28:07 - 28:09
    to try to get her to take her clothes off.
  • 28:09 - 28:12
    I don’t have any problems with video games having a sexual component to them,
  • 28:12 - 28:14
    but Virtual Woman melds the uncanny valley
  • 28:14 - 28:17
    and probably the worst chatbot I’ve ever tried to use.
  • 28:17 - 28:20
    She just rambles disjointedly, ignoring most of what you have to say
  • 28:20 - 28:22
    unless you directly hit on or insult her.
  • 28:22 - 28:25
    It’s a nightmare, especially the way the developers assumed
  • 28:25 - 28:28
    you were along for the ride with their weird creepy fake woman fantasy.
  • 28:28 - 28:30
    No wonder the only articles I can find about how great it is
  • 28:30 - 28:33
    are mysteriously difficult to verify,
  • 28:33 - 28:36
    along with the bizarre claim on its Wikipedia page that it’s used by
  • 28:36 - 28:39
    “members of a polar stationed research team”.
  • 28:39 - 28:41
    The podcast clip from towards the beginning of this video
  • 28:41 - 28:44
    is from the Cracked podcast and the man speaking is David Wong,
  • 28:44 - 28:46
    real name Jason Pargin,
  • 28:46 - 28:49
    and he’s talking about online fame and youtube content.
  • 28:49 - 28:50
    [Jason] What we're doing, in podcasts...
  • 28:50 - 28:52
    this doesn't seem that weird to me because this just
  • 28:52 - 28:55
    seems like a radio show- you could have had this show
  • 28:55 - 28:59
    in 1935 and it would sounded ABOUT the same only the
  • 28:59 - 29:00
    subjects would be different, right?
  • 29:00 - 29:03
    [Shannon] The first video essay I ever started, though I never finished it,
  • 29:03 - 29:06
    was around 2012 and it was on Pargin’s book 'John Dies at the End',
  • 29:06 - 29:09
    which is a horror comedy where the two main characters
  • 29:09 - 29:11
    are based on Pargin and his best friend,
  • 29:11 - 29:13
    and I’ve been a fan of his writing for many years,
  • 29:13 - 29:15
    so to hear him speak on the phenomenon is really interesting,
  • 29:15 - 29:18
    especially because he considers himself such an outsider to it,
  • 29:18 - 29:20
    despite having been such a big part of internet culture
  • 29:20 - 29:21
    through Cracked for so long.
  • 29:21 - 29:24
    He’s a fan of the Milwaukee-based production company Red Letter Media
  • 29:24 - 29:26
    and even as he insults them he describes their appeal.
  • 29:26 - 29:29
    [Jason] It's the four of them or the five of them hanging out and just
  • 29:29 - 29:33
    watching a series of movies and videos and just...
  • 29:33 - 29:37
    they're drinking the whole time and they just sort of riff on it
  • 29:37 - 29:39
    and it's very loose, it's not scripted-
  • 29:40 - 29:44
    there's nothing to it because it's not replacing
  • 29:44 - 29:47
    what Johnny Carson was to, y'know, my parents.
  • 29:47 - 29:48
    Or, at least, I don't feel like that.
  • 29:48 - 29:52
    I-it's not, watching a, y'know, a comedian interview a celebrity
  • 29:52 - 29:55
    or watching a very talented person perform.
  • 29:55 - 29:59
    It REALLY is just the hanging out with some guys that are
  • 29:59 - 30:01
    fun to hang around with.
  • 30:01 - 30:03
    And I didn't grasp that until the last
  • 30:03 - 30:06
    year, and started clicking around and realized that almost all
  • 30:06 - 30:11
    of the most popular channels are really just that- they're very
  • 30:11 - 30:12
    unpolished...
  • 30:12 - 30:14
    Like, a hundred years ago, in terms of that being entertainment,
  • 30:14 - 30:17
    I don't know if anybody could have predicted. But, I also
  • 30:17 - 30:20
    find myself enjoying them. Like, I find- these are some of these
  • 30:20 - 30:23
    shows I look forward to WAY more than, y'know, like a network
  • 30:23 - 30:27
    sitcom that I watch like Brookyln Nine-Nine, which is like a
  • 30:27 - 30:31
    mildly entertaining sitcom...but, yeah! I would rather hang
  • 30:31 - 30:35
    out with these guys for half an hour than watch that. And one of
  • 30:35 - 30:38
    those things took $7,000,000 to film and a hundred people
  • 30:38 - 30:42
    on the crew and the other was just a webcam and some
  • 30:42 - 30:44
    guys, y'know- they edit out the dead spots.
  • 30:44 - 30:46
    [Shannon] ...and their creepy fanbase.
  • 30:46 - 30:50
    [Jason] If you go look at the subreddit devoted to their group or
  • 30:50 - 30:55
    to any place where- in the youtube comments, it's all people...
  • 30:55 - 30:58
    speculating on their personal lives, or one of them has lost a
  • 30:58 - 31:02
    bunch of weight or talking about, y'know, "WHY DID RICH
  • 31:02 - 31:04
    SHAVE THE BEARD?!? HE LOOKS MUCH BETTER WITH-" Like, it's
  • 31:04 - 31:05
    clear that
  • 31:05 - 31:08
    they're talking about them as if it's part of their social circle.
  • 31:08 - 31:09
    As opposed to-
  • 31:09 - 31:12
    if they were- if you had the comments underneath, y'know,
  • 31:12 - 31:16
    like, a Louis CK stand-up bit. It would all be about his
  • 31:16 - 31:18
    performance, y'know, "Well, this wasn't as good as the special
  • 31:18 - 31:21
    last year!" or, "I think he's-" y'know, "He needs to-" it's not
  • 31:21 - 31:23
    like that. It's all in terms of, "These are friends!"
  • 31:23 - 31:25
    [Jack O'Brien] That's something I've noticed
  • 31:25 - 31:28
    in the comments directed at me
  • 31:28 - 31:31
    and just in the comments section of our articles
  • 31:31 - 31:35
    is that I think some people, a lot of the appeal is feeling like
  • 31:35 - 31:39
    "Oh, these are just people like me and I'm one of their friends and-"
  • 31:39 - 31:41
    speaking in a familiar way.
  • 31:41 - 31:44
    [Daniel O'Brien] We do get that for After Hours an awful lot.
  • 31:44 - 31:46
    After Hours is one of our most successful shows
  • 31:46 - 31:48
    and its pretty much the motto of what Jason's talking about
  • 31:48 - 31:51
    but it has a little more polish to it 'cuz it's clearly scripted.
  • 31:51 - 31:53
    But, I mean the comments are always about how Katy cut her hair
  • 31:53 - 31:56
    or...Michael grew his beard and things like that
  • 31:56 - 32:01
    and has almost nothing to do with the content of the video itself.
  • 32:01 - 32:04
    So, I think what it is- it's a conversation-
  • 32:04 - 32:07
    you find a conversation you would like to be having
  • 32:07 - 32:09
    and then you just listen to it.
  • 32:09 - 32:11
    It's like inviting those people into your room
  • 32:11 - 32:14
    and then you're just not participating, you're not adding to it at all.
  • 32:14 - 32:17
    [Jason] It breaks every rule of entertainment any of us learned when
  • 32:17 - 32:21
    we were in entertainment school. All of us have our degrees in
  • 32:21 - 32:22
    entertainment.
  • 32:22 - 32:26
    It's four schlubby guys, y'know, at least one of them didn't
  • 32:26 - 32:30
    shave, y'know, two of them are overweight. They laugh out
  • 32:30 - 32:34
    loud at each other's jokes. They're getting increasingly drunk
  • 32:34 - 32:38
    while you watch... y'know the set is just, like, a curtain behind
  • 32:38 - 32:41
    them... it violates everything- if you tried to pitch this to a
  • 32:41 - 32:45
    network, no single element of this would work. Like, American
  • 32:45 - 32:48
    networks are the ones who said the three guys on Top Gear
  • 32:48 - 32:51
    are not attractive to- host a show in America. Like, no,
  • 32:51 - 32:53
    everyone's gotta look like a model!
  • 32:53 - 32:56
    And you would have a much worse, much slicker version
  • 32:56 - 32:59
    of it. And, every bit of it- none of it could have been
  • 32:59 - 33:00
    focus tested.
  • 33:00 - 33:04
    What you feel, when you watch it, is 100% different...
  • 33:04 - 33:07
    then even watching something like Mystery Science Theater
  • 33:07 - 33:10
    3000 where you've still got a team full of professional
  • 33:10 - 33:13
    comedy writers and comedians writing, y'know, riffing
  • 33:13 - 33:16
    on jokes, making it tight, y'know, making sure there's a beat
  • 33:16 - 33:19
    every few seconds, where it's polished. Whereas, here, you'll
  • 33:19 - 33:22
    have long stretches where they'll diverge on some topic or
  • 33:22 - 33:26
    whatever. And it works because it is, like, just eavesdropping
  • 33:26 - 33:28
    on a group of friends talking. And I don't think you could
  • 33:28 - 33:30
    replicate it on purpose.
  • 33:30 - 33:32
    [Jack] Yeah, I think that's what podcasting is a lot,
  • 33:32 - 33:36
    and I've noticed that people, y'know, when they've known each other for a while
  • 33:36 - 33:39
    that really helps my ability to like a podcast,
  • 33:39 - 33:45
    as opposed to when you have like... a stranger interviewing another stranger.
  • 33:45 - 33:49
    [Jack] And it's TRULY new and it's something that- It's hard to
  • 33:49 - 33:53
    explain, like, my wife doesn't watch anything like this, but if
  • 33:53 - 33:56
    I was, y'know, explaining, like, "Ah, yeah, y'know, I'm just
  • 33:56 - 33:59
    watchin'- I'm editing an article in the background, these
  • 33:59 - 34:02
    guys are just talkin' about a video game they played-
  • 34:02 - 34:04
    y'know, I'm watching them talk about it". It's very hard to
  • 34:04 - 34:08
    explain why that would hold any entertainment value for
  • 34:08 - 34:09
    anybody, but,
  • 34:09 - 34:13
    if had, like, a pie chart, of the minutes of total
  • 34:13 - 34:17
    entertainment enjoyed by people under age 25 or whatever,
  • 34:17 - 34:19
    this now has to represent like a quarter of it!
  • 34:19 - 34:22
    Just, the sheer number of subscribers and the sheer number of
  • 34:22 - 34:26
    how many BILLIONS of minutes these youtubers get watched-
  • 34:26 - 34:29
    They have to have blown away network TV cumulatively
  • 34:29 - 34:30
    a long time ago.
  • 34:30 - 34:33
    [Shannon] From the description of a more recent episode
  • 34:33 - 34:34
    of their Wheel of the Worst series-
  • 34:34 - 34:36
    "Your inbred flyover friends from the Midwest
  • 34:36 - 34:38
    (that you’ll never meet or be friends with)
  • 34:38 - 34:41
    spin a wooden wheel with obscure and terrible videos on it.
  • 34:41 - 34:44
    Watch them watch the tapes! Get drunk! And embarrass themselves!"
  • 34:44 - 34:47
    The 'Instant Adoring Boyfriend' is a VHS tape Red Letter Media covered
  • 34:47 - 34:50
    in a very early episode of Wheel of the Worst in 2013.
  • 34:50 - 34:52
    [Rich Evans] And nang next up
  • 34:52 - 34:55
    we have the Incredible Instant Boring Boyfriend.
  • 34:55 - 34:57
    [Jay] Adoring Boyfriend! -Oh! Oh...
  • 34:57 - 34:59
    I thought it said, uh boring...
  • 34:59 - 35:01
    [Jay] It's yet to be decided if it's boring or not,
  • 35:01 - 35:03
    but I think this is some sort of virtual boyfriend
  • 35:03 - 35:05
    where you put it in and he talks to you.
  • 35:05 - 35:06
    [Rich] For incredibly lonely women.
  • 35:06 - 35:08
    [Jay] I-Eh...but not just women,
  • 35:08 - 35:10
    I'm sure there's some men that would be uh...
  • 35:10 - 35:11
    he looks like a handsome fella.
  • 35:11 - 35:13
    [Mike] So: "At last! The man who says all the right things,
  • 35:13 - 35:15
    who is considerate, charming, gorgeous...
  • 35:15 - 35:19
    ...and madly in love with you! Sounds too good to be true?
  • 35:19 - 35:22
    Well he's here, and he's all yours!"
  • 35:22 - 35:25
    [Rich] I mean basically it's just a guy looking at the camera
  • 35:25 - 35:27
    and he's gonna pretend he's your boyfriend.
  • 35:27 - 35:29
    [Jay] What it really felt like
  • 35:29 - 35:34
    is a 50 year old businessman, uh, cynically saying
  • 35:34 - 35:42
    "What can we release that depressing women with no lives
  • 35:42 - 35:45
    will purchase to make themselves feel like they have a companion?"
  • 35:45 - 35:48
    [Jessi] She just wants that companionship, she just wants to feel like someone
  • 35:48 - 35:51
    is there with her while she's also reading.
  • 35:51 - 35:52
    [Rich] Thirty minutes at a time?
  • 35:52 - 35:57
    [Mike] Yeah but that- the woman that's that sad
  • 35:57 - 36:01
    and that lonely and that delusional, where she puts on a video
  • 36:01 - 36:05
    of a young guy pretending he's her boyfriend...
  • 36:05 - 36:08
    that's like a 1% on the market.
  • 36:08 - 36:10
    [Jay] Oh he's gonna propose! [Rich] Nooo...
  • 36:12 - 36:13
    [Boyfriend] Will you marry me?
  • 36:13 - 36:15
    *Romantic music swell*
  • 36:15 - 36:18
    [Shannon] Comments on that video and elsewhere remark as a...'joke'
  • 36:18 - 36:22
    that Red Letter Media's videos and the tape serve the same purpose.
  • 36:22 - 36:25
    Especially in darker places online, like 4chan,
  • 36:25 - 36:26
    Red Letter Media and the like’s videos
  • 36:26 - 36:29
    are also referred to as “friend simulators”.
  • 36:29 - 36:32
    There’s a similar “joke” on lots of Red Letter Media’s videos,
  • 36:32 - 36:35
    along with videos of edgelord youtubers, about suicide.
  • 36:35 - 36:39
    Especially when a video is new, it’ll get comments about how the person commenting
  • 36:39 - 36:42
    is putting off killing themselves for [insert length of video].
  • 36:42 - 36:45
    It’s repeated over and over and over again.
  • 36:45 - 36:47
    Over and over...and over.
  • 36:47 - 36:50
    And inevitably with plenty of likes encouraging it.
  • 36:50 - 36:54
    It’s as if the joke never gets old. Almost as if it isn’t really a “joke”.
  • 36:54 - 36:58
    And there’s absolutely no indication, ever, from any of the Red Letter Media crew
  • 36:58 - 37:02
    that they want or would appreciate comments on their appearance or personal lives,
  • 37:02 - 37:05
    or people using their content as a self-harm delay method,
  • 37:05 - 37:06
    but those comments roll in anyway.
  • 37:07 - 37:10
    In fandom, the word “stan” relates to being
  • 37:10 - 37:14
    “an overzealous or obsessive fan of a particular celebrity”.
  • 37:14 - 37:16
    It originates from the Eminem song of the same name
  • 37:16 - 37:18
    about a frustrated fan of Eminem’s who,
  • 37:18 - 37:19
    ♫ See, I'm just like you in a way ♫
  • 37:19 - 37:21
    ♫ I never knew my father, neither ♫
  • 37:21 - 37:23
    ♫ He used to always cheat on my mom and beat her ♫
  • 37:23 - 37:26
    ♫ I can relate to what you're saying in your songs ♫
  • 37:26 - 37:29
    ♫ So when I have a s****y day, I drift away and put them on ♫
  • 37:29 - 37:30
    ♫ 'Cause I don't really got s*** else ♫
  • 37:30 - 37:32
    ♫ So that s*** helps when I'm depressed ♫
  • 37:32 - 37:35
    ♫ I even got a tattoo of your name across the chest ♫
  • 37:35 - 37:37
    [Shannon] ...after not hearing back from his hero,
  • 37:37 - 37:40
    emulates his music and kills himself and his pregnant girlfriend.
  • 37:40 - 37:42
    ♫ And all I wanted was a lousy letter or a call- ♫
  • 37:42 - 37:45
    ♫ I hope you know I ripped all of your pictures off the wall! ♫
  • 37:46 - 37:47
    [Eminem] DAMN
  • 37:47 - 37:51
    Basically, it's just about crazy fanmail that I get from people
  • 37:51 - 37:54
    and it's about, like, a kid who is really sick,
  • 37:54 - 37:56
    y'know what I'm sayin'? And
  • 37:56 - 37:58
    takes everything that I say literally. Like if I say
  • 37:58 - 38:00
    I'm gonna slit my wrists, he wants to slit his wrists. It's like-
  • 38:01 - 38:03
    everything that I say, he can relate to. It's like he finally found
  • 38:03 - 38:06
    somebody that he can relate to. So, at the end of the song,
  • 38:06 - 38:10
    um... he ends up committing suicide, and driving his girl off a cliff
  • 38:10 - 38:11
    and it's, like, really crazy.
  • 38:11 - 38:14
    But, it was a song- it's kind of like a message to the fans to let
  • 38:14 - 38:16
    them know that... y'know what I'm sayin', like,
  • 38:16 - 38:19
    everything that I say is not meant to be taken literally.
  • 38:19 - 38:21
    -Do you get letters like this? -Yeah, I get crazy letters like that.
  • 38:21 - 38:22
    That's why I was saying-
  • 38:22 - 38:25
    y'know, I don't underst- like, all this is crazy to me.
  • 38:25 - 38:27
    Y'know what I'm sayin'? I never knew that I was going to have
  • 38:27 - 38:30
    any of this. This is all... this is all, y'know,
  • 38:30 - 38:31
    a little bit much for me.
  • 38:31 - 38:34
    This is the best part- "I actually have a gold-plated ring that
  • 38:34 - 38:35
    I wear and I pretend I'm engaged to him."
  • 38:35 - 38:37
    -...wow... -Isn't that nice?
  • 38:37 - 38:38
    How old is she? Twelve?
  • 38:38 - 38:41
    [Shannon] There are ways to talk about or reach out to a celebrity
  • 38:41 - 38:42
    that are flattering and endearing,
  • 38:43 - 38:45
    and there are ways that are creepy and invasive.
  • 38:45 - 38:48
    Molly Lewis wrote a song for Stephen Fry, gay comedian and actor,
  • 38:48 - 38:50
    about how she wanted to bear his child.
  • 38:50 - 38:52
    ♫ I've got those child-bearing hips ♫
  • 38:52 - 38:54
    ♫ You always hear so much about ♫
  • 38:54 - 38:57
    ♫ I have permission from my boyfriend- ♫
  • 38:57 - 38:59
    ♫ And he'd like to help you out... ♫
  • 38:59 - 39:02
    [Shannon] The song is obviously tongue-in-cheek and when she performed it
  • 39:02 - 39:05
    the night he won the Outstanding Lifetime Achievement Award in Cultural Humanism
  • 39:05 - 39:06
    from the Humanist Chaplaincy at Harvard,
  • 39:07 - 39:09
    she was much more distraught and embarrassed than he was.
  • 39:10 - 39:12
    [Molly] Hello, uh Mr. Fry, uh, my name is Molly-
  • 39:12 - 39:14
    [Fry] I know...
  • 39:14 - 39:16
    *Audience clapping and cheering*
  • 39:16 - 39:19
    ♫ Oh, Stephen Fry, I hope you'll tell us why ♫
  • 39:19 - 39:22
    ♫ You wouldn't want, someday, maybe, ♫
  • 39:22 - 39:24
    ♫ To let me have your baby! ♫
  • 39:24 - 39:28
    ♫ We adore you, dear! I come before you, here ♫
  • 39:28 - 39:31
    ♫ To be the only woman you will ever need- ♫
  • 39:32 - 39:35
    ♫ And my fertility is nearly guaranteed- ♫
  • 39:36 - 39:41
    ♫ 'cause I have all the tools that you require to breed- ♫
  • 39:41 - 39:42
    *audience laughs*
  • 39:42 - 39:44
    ♫ -so, send along your seed! ♫
  • 39:44 - 39:45
    *audience laughs*
  • 39:45 - 39:48
    [Shannon] Gabriel Gundacker wrote an album about wanting to meet Richard Dreyfuss.
  • 39:48 - 39:51
    ♫ I've tried hard to meet you, Mr. Dreyfuss ♫
  • 39:52 - 39:55
    ♫ I've sang songs and tweeted at Richard Dreyfuss ♫
  • 39:55 - 39:58
    ♫ But so far it's been a lengthy process for nothing ♫
  • 39:58 - 40:01
    ♫ Where you at? Say hello (hello) ♫
  • 40:01 - 40:04
    ♫ I don't wanna go on a date, Richard ♫
  • 40:04 - 40:07
    ♫ I just want to meet you face to face, Richard ♫
  • 40:07 - 40:10
    ♫ And I know you've got some free time on your plate, Richard ♫
  • 40:10 - 40:12
    ♫ 'Cause your friend's directing Raiders sequels ♫
  • 40:12 - 40:14
    ♫ Not Close Encounters prequels ♫
  • 40:14 - 40:17
    ♫ I've treated you better than I've ever treated ladies and ♫
  • 40:17 - 40:20
    ♫ I'm in a darker place than you were in the eighties when ♫
  • 40:20 - 40:23
    ♫ You shot Whose Life Is It Anyway ♫
  • 40:23 - 40:27
    ♫ But you don't remember a single day, well I do ♫
  • 40:27 - 40:29
    ♫ And I can tell you about it ♫
  • 40:29 - 40:31
    ♫ I can tell you about ♫
  • 40:31 - 40:32
    ♫ ALL YOUR MOVIES! ♫
  • 40:32 - 40:35
    ♫ I'VE SEEN INSERTS! AND IT WAS ♫
  • 40:35 - 40:36
    ♫ NOT THAT GREAT ♫
  • 40:36 - 40:38
    ♫ BUT YOU WERE GREAT IN IT ♫
  • 40:38 - 40:40
    ♫ I stayed up late to finish it ♫
  • 40:40 - 40:43
    I'm familiar with your entire filmography, quiz me!
  • 40:43 - 40:47
    Okay, let's see, what movie was I in in 1993?
  • 40:48 - 40:49
    *drumroll*
  • 40:49 - 40:50
    Lost in Yonkers!
  • 40:50 - 40:53
    [Shannon] A little weirder and more insistent, but still clearly an experiment
  • 40:53 - 40:55
    and a harmless joke from a talented comedian
  • 40:55 - 40:57
    and not the call of a stalker.
  • 40:57 - 40:58
    [Richard] Are you the guy who's been following
  • 40:59 - 41:00
    -and asking to meet me? -Yes, that's me.
  • 41:00 - 41:03
    -I'm so glad to meet you! -Very good to meet you.
  • 41:03 - 41:08
    *audience claps while piano plays uptempo*
  • 41:08 - 41:11
    -Hi there, very nice to meet you. -Very nice!
  • 41:11 - 41:13
    [Richard] It's good to know that you're not a stalker.
  • 41:13 - 41:18
    *audience laughs*
  • 41:18 - 41:20
    [Marcus Dibble] I woke up to a knock on the door
  • 41:20 - 41:24
    and I was 'Oh, might be the postman, might be a bit of mail', not too sure,
  • 41:24 - 41:26
    got up, all dopey unnnnnhhhhh
  • 41:26 - 41:27
    open the door...
  • 41:28 - 41:29
    *puts hand on counter*
  • 41:30 - 41:31
    to Dibble fans.
  • 41:31 - 41:34
    How the f*** did you find my house?!
  • 41:34 - 41:38
    [Pewdiepie] Since I started doing Youtube, I've lived in six different locations
  • 41:38 - 41:41
    and I've had 'fans'...
  • 41:41 - 41:44
    coming up to each and every single one of them.
  • 41:44 - 41:46
    And here's the big surprise:
  • 41:46 - 41:48
    it's f***ing weird.
  • 41:48 - 41:51
    It's so weird, it's so... f***ing weird.
  • 41:51 - 41:54
    It's so weird. It's uhh...uahhh-
  • 41:54 - 41:57
    [Marcus] There's been a lot of Youtubers that have had to move house
  • 41:57 - 41:59
    just because they have fans coming to the front door,
  • 41:59 - 42:01
    like standing outside waiting for them to leave.
  • 42:01 - 42:05
    [Deji] -thankfully they couldn't, but they were trying to climb over the gate.
  • 42:05 - 42:07
    Luckily, I've got some of this on footage.
  • 42:07 - 42:13
    One guy was-were literally sitting by my house, by my gate, for like an hour.
  • 42:13 - 42:16
    [Matt Shea] I've had a lot of people come to my house,
  • 42:16 - 42:20
    and they're not all bad experiences per se, but uh...
  • 42:20 - 42:24
    it's just generally not a good idea to go to a Youtuber's house,
  • 42:24 - 42:27
    that's what I'm trying to say, please...don't come to my house.
  • 42:27 - 42:28
    [Pewdiepie] Just stop.
  • 42:28 - 42:31
    Picture it like this: I don't know who you are,
  • 42:31 - 42:34
    but I know that you found my address online
  • 42:34 - 42:38
    and thought "Hey, I'm gonna invite myself over".
  • 42:38 - 42:41
    [Marcus] You maybe recognized the tree out the front, you know,
  • 42:41 - 42:46
    you maybe recognized a letterbox or a park or...some type of-a little blade of grass,
  • 42:46 - 42:48
    you even recognize a little blade of grass- ah!
  • 42:48 - 42:50
    I know that blade of grass, Dibble lives there,
  • 42:50 - 42:52
    let's go and knock on his door and visit him.
  • 42:52 - 42:54
    [Social Repose] ...and if you do decide
  • 42:54 - 42:58
    to like randomly come to one of your favorite creator's houses,
  • 42:58 - 43:03
    dont...just don't do it, um...it's- feels really violating.
  • 43:03 - 43:08
    [Deji] We have to fit f***ing blinds in our windows so you just leave us alone.
  • 43:08 - 43:12
    [Pewdiepie] This was when I lived in Italy, and some guy that was on holiday in Italy
  • 43:12 - 43:15
    came by our house. My girlfriend's mom opened the door
  • 43:15 - 43:18
    and was like "There's a friend out there, you have to go!"
  • 43:18 - 43:19
    and I was like "Ok."
  • 43:19 - 43:21
    You know why it says after some waiting?
  • 43:21 - 43:22
    Because I didn't want to f***ing go out.
  • 43:22 - 43:25
    I was like "This is crazy, what the f*** are they doing here?"
  • 43:25 - 43:29
    [Social Repose] You just- You never know the intention of a fan,
  • 43:29 - 43:32
    um, who kinda breaches that line.
  • 43:32 - 43:34
    Like, they could just really really enjoy your stuff
  • 43:34 - 43:37
    or they could be coming to kill you because they love you too much.
  • 43:37 - 43:41
    [Pewdiepie] He was gonna interview me, but he was really bad at interviewing.
  • 43:41 - 43:43
    [Matt] I've had so many experiences
  • 43:43 - 43:47
    with people who just don't seem to understand boundaries.
  • 43:47 - 43:50
    One night, I was sittin' in my hot tub in my backyard,
  • 43:50 - 43:54
    havin' a couple of drinks with my wife and my friends,
  • 43:54 - 44:00
    and out of nowhere, some guy climbs up my fence and he starts talking to us,
  • 44:00 - 44:03
    and I'm like "Dude, what are you doing? Why are you here?"
  • 44:03 - 44:06
    He told me his name and then he just-
  • 44:06 - 44:09
    he gave me a weird look and he said "Hey, are you Matt Shea?"
  • 44:09 - 44:12
    and I was like "Ok, so obviously you already knew who I was
  • 44:12 - 44:15
    before you climbed up my fence and peeked into my backyard."
  • 44:15 - 44:20
    Here I am, sittin' down in my swim wear, in my hot tub,
  • 44:20 - 44:25
    y'know, kind of a weird-really weird time to have someone talk to you,
  • 44:25 - 44:27
    especially when they're hoppin' up your fence.
  • 44:27 - 44:30
    [Deji] And parents who bring their children to my house too-
  • 44:30 - 44:34
    Think you guys should know better. Respect my privacy!
  • 44:34 - 44:37
    [Pewdiepie] I've even had parents coming over with their kids.
  • 44:38 - 44:42
    I've had people yell outside my house, I had school classes come outside.
  • 44:42 - 44:47
    Just because you found my address doesn't mean you found an invitation
  • 44:47 - 44:48
    for you to come over.
  • 44:48 - 44:51
    [Matt] You can never, ever make friends with someone like that.
  • 44:51 - 44:53
    It's not gonna happen.
  • 44:53 - 44:55
    If you-if you come to someone's house,
  • 44:55 - 44:59
    creepily find their address, and then uh-and then expect to be friends,
  • 44:59 - 45:01
    it's not gonna happen.
  • 45:01 - 45:03
    [Boogie2988] "Well, like, what are you doing here?
  • 45:03 - 45:06
    You know, it's not cool to just pop in like this in the middle of a work day."
  • 45:06 - 45:08
    and he goes "Oh, I know, I know, but here's the thing:
  • 45:08 - 45:11
    I know we're gonna be friends, we're gonna be REALLY close friends,
  • 45:11 - 45:12
    we're gonna be BEST friends."
  • 45:12 - 45:16
    and I'm like "Well buddy, I've got a lot of friends as it is,
  • 45:16 - 45:19
    and I appreciate that, but why do you think that?"
  • 45:19 - 45:21
    and he's like "Well because- I will tell you something
  • 45:21 - 45:23
    I watch your videos all the time and I can really relate
  • 45:23 - 45:26
    to the stuff that you went through when you were a kid,
  • 45:26 - 45:27
    and I just feel like we're brothers, y'know,
  • 45:27 - 45:29
    and I just feel like we're people of the same cloth
  • 45:29 - 45:33
    and I knew that once you got to know me you and I would be really good friends"-
  • 45:33 - 45:35
    [Shannon] In 2011 Youtube singer Dodie Clark recorded a song
  • 45:35 - 45:38
    about another youtuber and how she wanted to be his friend and...
  • 45:38 - 45:39
    wanted to marry him.
  • 45:39 - 45:41
    ♫ I'm not quite sure ♫
  • 45:41 - 45:43
    ♫ What I should do ♫
  • 45:43 - 45:45
    ♫ I'm ever so ♫
  • 45:45 - 45:47
    ♫ In love with you ♫
  • 45:47 - 45:51
    ♫ But I have to stop, and clear my head ♫
  • 45:51 - 45:54
    ♫ Your eyes don't meet mine, they meet a camera's instead ♫
  • 45:54 - 45:58
    ♫ So I'll never be Mrs. Coollike after all, so it seems ♫
  • 45:58 - 46:02
    ♫ Charlieissocoollike, one day you'll be my friend! ♫
  • 46:02 - 46:04
    ♫ And we'll sing a duet and I will bet that ♫
  • 46:04 - 46:06
    ♫ My happiness will not end! ♫
  • 46:06 - 46:09
    [Shannon] even including “Yes, I’m slightly in love with Charlie,
  • 46:09 - 46:14
    as are 18726...other...girls HEHEH" in the description
  • 46:14 - 46:17
    and calling it “slightly stalkerish”.
  • 46:17 - 46:20
    It worked out for her and she did end up recording a duet with him.
  • 46:20 - 46:23
    Maybe she’s a perfectly sweet person, but I know no matter
  • 46:23 - 46:26
    how cute and sweet it was I would not be super responsive
  • 46:26 - 46:29
    to a song about being in love with me from a stranger.
  • 46:29 - 46:32
    Earlier this year a Serbian band recorded a song for Clark
  • 46:32 - 46:34
    called “I’m just trying to say hi”,
  • 46:34 - 46:37
    where the singer complains she never responded to his email
  • 46:37 - 46:38
    and asked people to send her this song about her.
  • 46:39 - 46:41
    ♫ So i... wrote an e-mail, thought it was neat ♫
  • 46:41 - 46:43
    ♫ Thought she'd reply, turns out she didn't. ♫
  • 46:43 - 46:46
    ♫ There's a thousand of 'em writing I just don't have the luck ♫
  • 46:46 - 46:48
    ♫ The situation is stupid well I'll be stupid as ♫
  • 46:48 - 46:52
    ♫ Will you be my wingman and help my message fly? ♫
  • 46:57 - 47:00
    ♫ I gotta try to shoot straight to the sky ♫
  • 47:05 - 47:09
    ♫ Please send her this song. Don't tell her why ♫
  • 47:09 - 47:11
    ♫ I would be so kind-
  • 47:16 - 47:18
    ♫ I'm just trying to say hi. ♫
  • 47:18 - 47:21
    [Shannon] She snapchatted and commented and tweeted her mixed feelings about it,
  • 47:21 - 47:28
  • 47:28 - 47:29
    [Clark] What's happening?!
  • 47:29 - 47:35
  • 47:36 - 47:38
    There's a f***ing band, wha-??
  • 47:39 - 47:45
    Like there's different sections, I think he does a monologue at this point,
  • 47:45 - 47:48
    and then...it goes like back into the band.
  • 47:48 - 47:51
    It's just so- there's...a stage light.
  • 47:51 - 47:54
    It's just so much. It's so much.
  • 47:56 - 47:59
    Who are all these people!? I don't understand!
  • 47:59 - 48:02
    What's she playing? What??
  • 48:02 - 48:07
  • 48:09 - 48:10
    WHAT THE F-
  • 48:10 - 48:13
    [Shannon] saying stuff like “yo being well known online is weird”
  • 48:13 - 48:17
    and “can’t tell if i’m creeped out, impressed, amazed, confused, worried,
  • 48:17 - 48:20
    astounded, irritated, grateful
  • 48:20 - 48:21
    i think all of them lol”.
  • 48:21 - 48:24
    At least six of this dude’s friends enabled him to make
  • 48:24 - 48:27
    a highly insistant and inappropriate song for his internet crush.
  • 48:27 - 48:31
    I’ve used a bunch of Bo Burnham song clips, so let’s switch it up
  • 48:31 - 48:32
    and talk about John Darnielle.
  • 48:32 - 48:36
    Darnielle is best-known as the founder of the band the Mountain Goats.
  • 48:36 - 48:39
    On his album The Sunset Tree, Darnielle explored having grown up
  • 48:39 - 48:40
    with an abusive stepfather.
  • 48:40 - 48:44
    It’s an intense and moving album and one that has meant a lot to a lot of people-
  • 48:44 - 48:47
    Up the Wolves and This Year are the kinds of songs
  • 48:47 - 48:49
    multiple people I know personally have described as life-saving.
  • 48:49 - 48:53
    ♫ I down shifted as I pulled into the driveway ♫
  • 48:53 - 48:56
    ♫ The motor screaming out stuck in second gear ♫
  • 48:56 - 48:59
    ♫ The scene ends badly, as you might imagine ♫
  • 49:00 - 49:03
    ♫ In a cavalcade of anger and fear ♫
  • 49:03 - 49:05
    ♫ There will be feasting ♫
  • 49:05 - 49:07
    ♫ and dancing ♫
  • 49:07 - 49:10
    ♫ In Jerusalem next year ♫
  • 49:10 - 49:13
    ♫ I am going to make it through this year ♫
  • 49:13 - 49:15
    ♫ If it kills me ♫
  • 49:16 - 49:20
    ♫ I'm gonna get myself in fighting trim ♫
  • 49:23 - 49:26
    ♫ Scope out every angle of unfair advantage ♫
  • 49:28 - 49:30
    ♫ I'm gonna bribe the officials ♫
  • 49:31 - 49:33
    ♫ I'm gonna kill all the judges ♫
  • 49:34 - 49:37
    ♫ It's gonna take you people years ♫
  • 49:37 - 49:39
    ♫ To recover from all of the damage ♫
  • 49:39 - 49:41
    [Shannon] In general, Darnielle’s autobiographical songs
  • 49:41 - 49:44
    about overcoming abuse, isolation, and drug addiction
  • 49:44 - 49:48
    have had a tremendous effect on his fans and he has a religiously devoted fanbase.
  • 49:48 - 49:50
    Beat The Champ is a later Mountain Goats album
  • 49:50 - 49:53
    that is ostensibly a concept album about wrestling
  • 49:53 - 49:55
    but is described by Darnielle as, quote,
  • 49:55 - 49:59
    “really more about death and difficult-to-navigate interior spaces
  • 49:59 - 50:00
    than wrestling”.
  • 50:00 - 50:02
    This album is perfect for this discussion
  • 50:02 - 50:05
    because here we have a man thousands of people have basically deified
  • 50:05 - 50:07
    and here’s his album about characters in wrestling-
  • 50:07 - 50:11
    who they are vs who they’re playing, how they get lost in performance,
  • 50:11 - 50:14
    how this performance influences their lives, both good and bad-
  • 50:14 - 50:17
    and it’s imbued with plenty of the same autobiographical material
  • 50:17 - 50:20
    that made The Sunset Tree such a resonant success.
  • 50:20 - 50:23
    In wrestling there are baby faces, or faces, and there are heels.
  • 50:23 - 50:26
    [John Darnielle] That is, uh- that's good guys and bad guys, right?
  • 50:26 - 50:29
    The heel is the bad guy and the face, which is short for
  • 50:29 - 50:32
    "babyface", is the good guy.
  • 50:32 - 50:35
    [Shannon] A heel turn is when a face “turns” into a heel-
  • 50:35 - 50:38
    [John] It happens, from time to time, if you are a good guy,
  • 50:38 - 50:40
    that you grow weary of being a good guy.
  • 50:40 - 50:41
    It begins to grate at you.
  • 50:41 - 50:44
    [Shannon] turning away from adoration and love and doing the right thing
  • 50:44 - 50:48
    and turning toward relishing in being a villain reviled by the audience.
  • 50:48 - 50:51
    Wrestling terms, by the way, have plenty of use outside of wrestling-
  • 50:51 - 50:54
    when feminist youtuber Laci Green got reddddpilllled
  • 50:54 - 50:55
    *Shannon chuckles*
  • 50:55 - 50:59
    I saw her sudden shift very aptly described as a heel turn, and “kayfabe”,
  • 50:59 - 51:01
    a wrestling term that essentially means staying in-character
  • 51:01 - 51:05
    and maintaining the persona, the illusion, and the fourth wall-
  • 51:05 - 51:07
    has plenty of application outside of wrestling.
  • 51:07 - 51:09
    Heel Turn 2 is a Mountain Goats song
  • 51:09 - 51:11
    that’s about someone at the end of their rope giving up on doing good.
  • 51:11 - 51:16
    ♫ Spent too much of my life now trying to play fair ♫
  • 51:18 - 51:20
    ♫ Throw my better self overboard, ♫
  • 51:20 - 51:22
    ♫ Shoot at him when he comes up for air ♫
  • 51:22 - 51:24
    ♫ Stay good under pressure ♫
  • 51:24 - 51:27
    ♫ For years and years and years and years ♫
  • 51:28 - 51:30
    ♫ President of the fan club up there ♫
  • 51:30 - 51:33
    ♫ Choking on his tears ♫
  • 51:33 - 51:36
    [Shannon] Werewolf Gimmick is about someone who gets a little too into their persona.
  • 51:36 - 51:39
    ♫ Get told to maybe dial it back ♫
  • 51:39 - 51:41
    ♫ Backstage later on ♫
  • 51:41 - 51:45
    ♫ Everyone still in this building right now: ♫
  • 51:45 - 51:47
    ♫ Dead before the dawn! ♫
  • 51:47 - 51:49
    [Shannon] Foreign Object is, uh, MOSTLY
  • 51:49 - 51:52
    about stabbing someone in the eye with a foreign object in the ring,
  • 51:52 - 51:55
    ♫ I'm gonna stab you in the eye with a foreign object. ♫
  • 51:58 - 52:00
    ♫ I PERSONALLY will stab you in the eye ♫
  • 52:01 - 52:02
    ♫ With a foreign object. ♫
  • 52:02 - 52:05
    [Shannon] but even then it still has great lines about desperation
  • 52:05 - 52:07
    and doing something for yourself versus for an audience.
  • 52:07 - 52:11
    ♫ March through the red mist, never get my vision clear ♫
  • 52:12 - 52:15
    ♫ Learn to love this kind of atmosphere ♫
  • 52:15 - 52:18
    ♫ Strike funny poses, keep my weapon hand low ♫
  • 52:18 - 52:21
    ♫ Whip my head around a little, get blood on the front row ♫
  • 52:22 - 52:25
    ♫ Sink my teeth into your scalp take a nice big bite ♫
  • 52:25 - 52:29
    ♫ Save nothing for the cameras, play the angles all night ♫
  • 52:30 - 52:33
    ♫ One of these days my legs will both snap like twigs ♫
  • 52:33 - 52:36
    ♫ If you can't beat 'em make 'em bleed like pigs ♫
  • 52:36 - 52:40
    'The Legend of Chavo Guerrero' is about Darnielle’s favorite wrestler as a child,
  • 52:40 - 52:41
    Chavo Guerrero.
  • 52:41 - 52:44
    The song- especially when paired with its music video-
  • 52:44 - 52:47
    is on its surface an upbeat and sincere ode to Darnielle’s childhood hero,
  • 52:48 - 52:50
    as well as an ode to wrestling fandom in general.
  • 52:50 - 52:54
    A thorough look at this song, however, reveals something darker and more personal.
  • 52:54 - 52:56
    It starts off subtly, with lines like-
  • 52:56 - 53:00
    ♫ Look high, it's my last hope ♫
  • 53:04 - 53:05
    ♫ Chavo Guerrero, ♫
  • 53:07 - 53:08
    ♫ Coming off the top rope! ♫
  • 53:09 - 53:10
    [Shannon] And-
  • 53:10 - 53:13
    ♫ Before a black-and-white TV in the middle of the night ♫
  • 53:14 - 53:17
    ♫ I'm lying on the floor, I'm bathed in blue light, ♫
  • 53:17 - 53:20
    ♫ And the telecast's in Spanish, I can understand some ♫
  • 53:20 - 53:22
    ♫ And I need justice in my life, ♫
  • 53:22 - 53:23
    ♫ HERE IT COMES! ♫
  • 53:23 - 53:25
    [Shannon] Then, with greater specificity-
  • 53:25 - 53:28
    ♫ He was my hero back when I was a kid ♫
  • 53:29 - 53:31
    ♫ You let me down but Chavo never once did! ♫
  • 53:32 - 53:35
    ♫ You ran him down to try to get beneath my skin ♫
  • 53:35 - 53:38
    ♫ Now your ashes are scattered on the wind ♫
  • 53:38 - 53:41
    ♫ I heard his son got famous and he went nationwide ♫
  • 53:42 - 53:44
    ♫ Coast to coast, with his dad by his side ♫
  • 53:44 - 53:48
    ♫ I don't know if that's true, but I've been told ♫
  • 53:49 - 53:51
    ♫ It's real sweet to grow old! ♫
  • 53:51 - 53:54
    [Shannon] Darnielle’s abusive stepfather would cheer for heels
  • 53:54 - 53:56
    and openly make fun of Darnielle’s heroes.
  • 53:56 - 53:58
    Guerroro himself is in the video
  • 53:58 - 54:00
    at the moment Darnielle looks directly into the camera
  • 54:00 - 54:02
    and says that he is happy his stepfather is dead.
  • 54:03 - 54:07
    ♫ You called him names to try to get beneath my skin ♫
  • 54:07 - 54:09
    ♫ Now your ashes are scattered on the wind ♫
  • 54:09 - 54:13
    [Shannon] The album was released in 2015 and Guerrero died in 2017
  • 54:13 - 54:14
    and it’s absolutely wonderful
  • 54:14 - 54:16
    that Darnielle was able to include his childhood hero
  • 54:16 - 54:18
    who had helped him endure abuse,
  • 54:18 - 54:21
    especially on such a fun album and such a complex song.
  • 54:21 - 54:25
    John Cena has fulfilled over 500 Make-A-Wish requests.
  • 54:25 - 54:28
    It’s pretty incredible that he’s been able to use his public persona
  • 54:28 - 54:31
    to give a tremendous gift to five hundred children
  • 54:31 - 54:32
    with life-threatening medical conditions.
  • 54:33 - 54:35
    Logan Paul, a tremendous idiot real-life heel,
  • 54:35 - 54:38
    has done multiple Make-A-Wish fulfillments himself.
  • 54:38 - 54:41
    Him being an idiot doesn’t take away the meaning that those visits had
  • 54:41 - 54:42
    for those now-dead children,
  • 54:42 - 54:46
    even if he exploited the dying children as clickbait for views.
  • 54:46 - 54:49
    A clickbait thumbnail...cancer...
  • 54:49 - 54:51
    From an ESPN piece on Cena-
  • 54:51 - 54:54
    ""When he was diagnosed, everybody would tell him you have to be strong
  • 54:54 - 54:56
    and you can never give up,” Maria Lanzer said.
  • 54:56 - 54:59
    “He was like, `Wow, mommy, that’s what John Cena says.’
  • 54:59 - 55:02
    I’m like, `See, if a wrestler tells you to never give up,
  • 55:02 - 55:05
    then you can’t give up. You have to fight and be strong.”
  • 55:05 - 55:08
    Many families stay in touch with Cena, sometimes writing
  • 55:08 - 55:10
    that the time spent helped turn the child’s attitude
  • 55:10 - 55:12
    and physical condition around.
  • 55:12 - 55:14
    He also receives heartfelt, thankful letters
  • 55:14 - 55:16
    for brightening days for children who eventually died.
  • 55:16 - 55:19
    “Those are always difficult to read,” Cena says.
  • 55:19 - 55:23
    "But at the same time, the strength of the parents in sending me a message
  • 55:23 - 55:26
    about how much the time that I spent with their child meant to them,
  • 55:26 - 55:27
    it’s very special.”"
  • 55:27 - 55:31
    A WWE piece states that ""John Cena’s slogan, ‘Never Give Up,’
  • 55:31 - 55:35
    is a constant source of inspiration for wish kids and serves as a reminder
  • 55:35 - 55:39
    to stay strong and keep pushing through the difficult times,” says David Williams,
  • 55:39 - 55:42
    Make-A-Wish America president and CEO.
  • 55:42 - 55:45
    “The fact that he has had the sustained success required to reach 500 wishes
  • 55:45 - 55:47
    speaks volumes about the type of person John is
  • 55:47 - 55:50
    and the quality of the wish experience he delivers.”
  • 55:50 - 55:53
    “There is no more humbling experience than a child who could ask
  • 55:53 - 55:57
    for anything in the world asking to meet me,” said WWE Superstar John Cena.
  • 55:57 - 56:01
    “I have faced some of the toughest Superstars in WWE history
  • 56:01 - 56:04
    and I’ve never encountered more bravery or toughness than I see
  • 56:04 - 56:05
    in each wish kid that I meet.
  • 56:05 - 56:07
    It is inspiring to see the impact
  • 56:07 - 56:11
    that granting wishes can have and I look forward to granting 500 more.”"
  • 56:11 - 56:14
    It’s bizarre to me to see the life and death struggles of children
  • 56:14 - 56:17
    and the language of branding so nakedly intertwined.
  • 56:17 - 56:20
    There are also loads of problematic aspects of wrestling
  • 56:20 - 56:23
    and the myriad ways the WWE has mistreated its performers,
  • 56:23 - 56:27
    and that’s all important and relevant and something that should be considered
  • 56:27 - 56:30
    in any analysis or description of professional wrestling,
  • 56:30 - 56:32
    as with any spectacle that spectators get something out of
  • 56:32 - 56:35
    and form parasocial bonds with, without necessarily considering
  • 56:35 - 56:36
    the toll on performers.
  • 56:36 - 56:39
    On the Mountain Goats Facebook page someone recently posted
  • 56:39 - 56:42
    “I am (censored)’s mother. He passed yesterday morning.
  • 56:42 - 56:44
    Minutes after I played Up the Wolves for him.
  • 56:44 - 56:46
    He had a hard battle with leukemia.
  • 56:46 - 56:49
    I can only be grateful for your part in bringing him peace.”
  • 56:49 - 56:51
    From a creepy thread on the Red Letter Media subreddit-
  • 56:51 - 56:54
    "I was having a really hard time dealing with my father’s illness.
  • 56:54 - 56:57
    He was in and out of the ICU, getting multiple procedures,
  • 56:57 - 56:59
    unable to really take care of himself,
  • 56:59 - 57:02
    there wasn’t much he could do beyond sit around / sleep.
  • 57:02 - 57:05
    On a whim, I decided to show him some BOTW stuff,
  • 57:05 - 57:06
    and he fell in love with the guys.
  • 57:06 - 57:09
    It was nice to be able to enjoy something with my dad again,
  • 57:09 - 57:12
    even if it was just some dudes on the internet talking about bad movies.
  • 57:12 - 57:14
    Despite the difficulties we faced as a family,
  • 57:14 - 57:17
    we were able to laugh and smile together again.
  • 57:17 - 57:20
    I owe the RLM guys more than I ever thought I would."
  • 57:20 - 57:22
    I haven’t verified the claims in those comments
  • 57:22 - 57:25
    but they’re ubiquitous enough with content creators of a certain level
  • 57:25 - 57:28
    that it becomes clear that celebrities and media figures have a huge impact
  • 57:28 - 57:30
    on people who are genuinely struggling.
  • 57:30 - 57:33
    The delayed suicide jokes on edgy videos and the sweet sincere comments
  • 57:33 - 57:36
    about ill or dying relatives are all in the same vein.
  • 57:36 - 57:39
    You could make videos of you watching VHS tapes or goofy vlogs
  • 57:39 - 57:42
    or let’s play videos, or videos of you eating food,
  • 57:42 - 57:45
    or a song on your abusive stepfather album and it could,
  • 57:45 - 57:48
    completely unbeknownst to you, make a substantial difference
  • 57:48 - 57:50
    in the life of someone who is really suffering.
  • 57:50 - 57:53
    It isn’t necessarily just one-way, either.
  • 57:53 - 57:56
    Lisa Williams was a Walking Dead fan who recently died of cancer
  • 57:56 - 58:00
    and cast members seemed to genuinely mourn her absence as well-
  • 58:00 - 58:03
    there was a mutually meaningful connection between her and the show she was a fan of.
  • 58:03 - 58:07
    Youtubers like Markiplier are also very active Make-A-Wish contributers.
  • 58:07 - 58:10
    I grew up on the internet so I understand Markiplier’s appeal
  • 58:10 - 58:12
    even if I don’t watch his videos or Jacksepticeye’s
  • 58:12 - 58:14
    or Pewdiepie’s recreationally,
  • 58:14 - 58:17
    but I do have to wonder what it’s like to be disconnected from technology
  • 58:17 - 58:21
    and unfamiliar with it and find out a possibly dying child who gets one wish,
  • 58:21 - 58:23
    who could wish for anything, wants to use that wish
  • 58:23 - 58:26
    to meet up with a man who plays video games on the internet for money.
  • 58:26 - 58:29
    I had initially only planned to talk about Markiplier
  • 58:29 - 58:31
    in the context of Make-A-Wish contributions,
  • 58:31 - 58:33
    but I found various clips about him and Jacksepticeye
  • 58:33 - 58:36
    in the context of RPF, or real person fanfiction.
  • 58:36 - 58:38
    [Ethan Nestor] What is this? 'Archive Of Our Own'?
  • 58:39 - 58:42
    Ooo, woooahHh, what is this?
  • 58:42 - 58:44
    'Works in Ethan Nestor'.
  • 58:44 - 58:47
    Ok, oo is this- is this like fanfics or something?
  • 58:48 - 58:52
    'You find...fate to be unaccept...'
  • 58:52 - 58:53
    What is this...
  • 58:53 - 58:56
    ♫ I don't know...what this is. ♫
  • 58:56 - 58:58
    ♫ I don't know what this is ♫
  • 58:58 - 59:03
    [Shannon] RPF is fanfiction written about actual people, sometimes with self-inserts
  • 59:03 - 59:05
    (fiction starring “you” and a character)
  • 59:05 - 59:08
    and sometimes just writing fiction about real-life people, often sexually explicit.
  • 59:08 - 59:13
    RPF-style self-insert quiz stories used to be popular in the early 2000s as well.
  • 59:13 - 59:17
    Some folks you might never expect to have that much of an invasive, obsessive fanbase
  • 59:17 - 59:18
    have RPF written about them.
  • 59:18 - 59:20
    Dodie RPF? Yeah.
  • 59:20 - 59:22
    Hockey player RPF? Yeah.
  • 59:22 - 59:24
    Charlie Brooker and David Mitchell RPF?
  • 59:24 - 59:28
    Brooker said “Yes. Someone sent me some. I did read a bit
  • 59:28 - 59:31
    but not very far because I thought: I don’t want this in my head.”
  • 59:31 - 59:33
    [David Mitchell] 'Is that what you're really like?'
  • 59:33 - 59:34
    interviewers wanted to know.
  • 59:34 - 59:37
    'Lots of women find you attractive, you know - just look at the internet.'
  • 59:37 - 59:40
    It was absolutely true that, by googling my name,
  • 59:40 - 59:43
    I could find lots of examples of people saying that they fancied me,
  • 59:43 - 59:46
    usually (they added) to their surprise.
  • 59:46 - 59:48
    But then some people will fancy anyone who's on telly.
  • 59:48 - 59:50
    That just turns them on.
  • 59:50 - 59:52
    As, sometimes, does being funny.
  • 59:52 - 59:54
    As does being unattainable.
  • 59:54 - 59:56
    As does not being there 'in real life',
  • 59:56 - 60:02
    all wrong/normal/unglamorous/ unhilarious/hairy/human like people are
  • 60:02 - 60:03
    when you actually know them.
  • 60:03 - 60:06
    I get it a lot on Twitter- people saying they fancy me
  • 60:06 - 60:09
    or asking their friends if it's 'wrong' that they fancy me,
  • 60:09 - 60:11
    which is definitely a backhanded compliment,
  • 60:11 - 60:13
    or possibly a backhanded insult.
  • 60:13 - 60:15
    It's all a bit of an ego boost, I suppose.
  • 60:15 - 60:17
    But I think that moment of saying they fancied me
  • 60:17 - 60:19
    would always be the high point of the relationship,
  • 60:19 - 60:21
    so there's no need to take it any further.
  • 60:21 - 60:25
    It dawned on me gradually that quite a lot of people who I didn't know
  • 60:25 - 60:28
    were interested in my private life, or my apparent lack of one.
  • 60:28 - 60:30
    I resented the interest.
  • 60:30 - 60:32
    I didn't think- I don't think-
  • 60:32 - 60:35
    that the specifics of my private life were anyone's business.
  • 60:35 - 60:37
    I was just a purveyor of comedy.
  • 60:37 - 60:39
    If people liked it, they could keep watching.
  • 60:39 - 60:40
    If not, they should stop.
  • 60:40 - 60:44
    I didn't want to encourage people to buy in too much to 'what I was really like'.
  • 60:44 - 60:47
    They couldn't know me personally and I didn't want to be trapped
  • 60:47 - 60:49
    into creating the illusion that they could -
  • 60:49 - 60:51
    an illusion that might subsequently be shattered
  • 60:51 - 60:54
    if I was caught on film strangling a cat.
  • 60:54 - 60:58
    [Shannon] I love fandom and fan expression but using actual people with actual lives,
  • 60:58 - 61:01
    especially micro-celebrities like let's players and British showrunners
  • 61:01 - 61:03
    and comedians who did not sign up
  • 61:03 - 61:05
    for the same kind of established megastar social contract
  • 61:06 - 61:08
    with its invasive, obsessive fan culture the way a George Clooney
  • 61:08 - 61:11
    or Kim Kardashian did, using them in a public way
  • 61:11 - 61:14
    and a way that’s sexually explicit- is inappropriate.
  • 61:14 - 61:18
    -They're not together, they're never gonna- -No! IT WILL BE REAL-
  • 61:18 - 61:22
    [Shannon] Neil Cicierega, one of the most prolific content creators on the internet,
  • 61:22 - 61:25
    found out about queer teenagers on tumblr having arguments over mistaking him
  • 61:25 - 61:28
    for a lesbian and whether or not they should be attracted to him.
  • 61:28 - 61:31
    Cicierega is barely over 30, but he’s been on the internet making videos and music
  • 61:31 - 61:33
    for at least seventeen years.
  • 61:33 - 61:36
    He’s certainly a ubiquitous figure but there’s nothing that he’s done
  • 61:36 - 61:38
    that would entitle someone to obsess over his appearance in that way
  • 61:39 - 61:41
    or try to rebuke him when he expresses discomfort
  • 61:41 - 61:45
    over being treated like some kind of public yardstick of sexuality-
  • 61:45 - 61:48
    he’s a PERSON, and he’s a person who is ONLINE ALL THE TIME,
  • 61:48 - 61:51
    and everyone participating knew that there was a high likelihood
  • 61:51 - 61:54
    of him reading what they said. And he did.
  • 61:54 - 61:56
    Here’s a clip of Jacksepticeye talking about RPF-
  • 61:56 - 61:58
    [Jack] 'What are your thoughts about Septiplier?'
  • 61:58 - 61:59
    Oh god.
  • 62:00 - 62:03
    I mean, what do you- what are people expecting me to say?
  • 62:03 - 62:05
    Septiplier's a weird thing, 'cuz it started off
  • 62:05 - 62:09
    as me and Mark just being good friends, and then...
  • 62:09 - 62:11
    it was kinda just like a buddy-buddy kind of thing
  • 62:11 - 62:13
    and we were all happy and everything,
  • 62:13 - 62:14
    and then people took it way too f***ing far.
  • 62:14 - 62:17
    Septiplier didn't ruin me and Mark's friendship or anything like that
  • 62:17 - 62:20
    so don't feel too bad about it, please!
  • 62:20 - 62:23
    But...I-I hated seeing people do that and then other people
  • 62:23 - 62:26
    were attacking others saying "You f***ing ruined their friendship
  • 62:26 - 62:29
    because of Septiplier", which it wasn't the case, like,
  • 62:29 - 62:31
    don't be d***s to each other, um...
  • 62:31 - 62:33
    it was just a case of like the whole...
  • 62:33 - 62:37
    the homosexual side of Septiplier that kinda got a bit out of control,
  • 62:37 - 62:41
    and then even when me and Mark had said "Please don't do that.
  • 62:41 - 62:46
    We don't mind Septiplier, but please don't draw us like f***ing each other."
  • 62:46 - 62:49
    Then people went ahead anyway and were like "Oh, but it's so cute, look!"
  • 62:49 - 62:51
    And then people started roleplaying,
  • 62:51 - 62:53
    and writing all these fanfictions about it,
  • 62:54 - 62:57
    that kinda seemed to go against anything that we had thought about
  • 62:57 - 62:58
    or had said.
  • 62:58 - 63:00
    Come on, at some point we have to grow up
  • 63:00 - 63:03
    and be like "Yeah, this kinda went a bit too far."
  • 63:03 - 63:06
    I think everyone involved in that kinda knows that at this point,
  • 63:06 - 63:08
    otherwise you wouldn't be talking about it
  • 63:08 - 63:11
    and otherwise you wouldn't be asking about these types of questions, but...
  • 63:12 - 63:15
    as far as like the pictures of just me and Mark like hanging out
  • 63:15 - 63:17
    and being like good friends and every-
  • 63:17 - 63:18
    Those were awesome, I loved that!
  • 63:18 - 63:23
    That was cool, it's just some people had to s*** in the swimming pool.
  • 63:23 - 63:25
    Some people were just peeing in the swimming pool,
  • 63:25 - 63:28
    and that's fine 'cuz everyone pees in the swimming pool,
  • 63:28 - 63:30
    but somebody had to come in and take a big 'ol s***
  • 63:30 - 63:31
    and then ruin the swimming pool for everybody.
  • 63:32 - 63:34
    I still love you guys, don't worry, I don't hate anybody
  • 63:34 - 63:36
    who did that kind of stuff,
  • 63:36 - 63:39
    and I don't...condemn anybody or anything like that,
  • 63:39 - 63:41
    it's just one of those things that went too far.
  • 63:41 - 63:44
    'Do you ship Amyplier (Amy and Mark)?'
  • 63:44 - 63:46
    I mean, that's the thing, they're a real couple.
  • 63:46 - 63:49
    You don't have to ship them one way or not, they're still a thing.
  • 63:49 - 63:52
    With the Septiplier thing, it was like some people actually thought
  • 63:52 - 63:54
    me and Mark were actually gonna be a couple,
  • 63:54 - 63:58
    which we said clearly like no, never gonna happen,
  • 63:58 - 64:00
    like why did anybody think that?
  • 64:01 - 64:02
    Um...
  • 64:02 - 64:05
    and then it's a case of like, real couples come along.
  • 64:05 - 64:07
    It's like me and my girlfriend and everyone's like:
  • 64:07 - 64:08
    "Oh, I ship Septiishu."
  • 64:08 - 64:10
    It's like, well...
  • 64:10 - 64:12
    we're an actual thing.
  • 64:12 - 64:15
    It's not really a thing you have to... ship yes or no on.
  • 64:16 - 64:18
    And then it's not a thing that we need people's...
  • 64:18 - 64:21
    we don't need people's validation on it whether they ship it or not,
  • 64:21 - 64:23
    we're still gonna be a couple.
  • 64:23 - 64:26
    It's the weirdest thing, it's one of those things that comes with...
  • 64:26 - 64:31
    like...like, popularity and...
  • 64:31 - 64:35
    influence online kinda thing- it just, it boggles my mind.
  • 64:35 - 64:37
    [Shannon] Also I found what appears to be
  • 64:37 - 64:41
    Jacksepticeye and Markiplier Make-A-Wish RPF because f*** everything.
  • 64:41 - 64:43
    After finding the RPF clip I was clicking around
  • 64:43 - 64:47
    and found a compilation video of Jacksepticeye crying while playing games.
  • 64:47 - 64:50
    It starts off with footage of him playing That Dragon Cancer,
  • 64:50 - 64:53
    which is a game I backed on Kickstarter in 2014 but have never played
  • 64:53 - 64:56
    because I’ve never had a moment where I felt emotionally prepared
  • 64:56 - 64:57
    to engage with it.
  • 64:57 - 64:58
    *soft piano music*
  • 64:58 - 65:00
    [Jack] This is sad, because...
  • 65:00 - 65:03
    it reminds me of the last few days when my granny was alive,
  • 65:04 - 65:08
    and...she didn't die of cancer or anything, but...she...
  • 65:08 - 65:12
    she was locked away in like a hospital for the last few months of her life,
  • 65:12 - 65:16
    and... she didn't really recognize anybody anymore.
  • 65:16 - 65:19
    She was-she was super, like, aware of everything-
  • 65:19 - 65:20
    *Jack drops his mic*
  • 65:20 - 65:23
    God, sorry, that's gonna sound terrible.
  • 65:24 - 65:28
    She was super aware of everything, like, her entire life
  • 65:28 - 65:31
    and right up until she went into hospital, but as soon as she went into hospital...
  • 65:32 - 65:35
    and she was starting to get treated for uh,
  • 65:35 - 65:38
    I can't remember what it was she had, she had something in her leg
  • 65:38 - 65:41
    that spread through her body and affected her blood,
  • 65:41 - 65:45
    but she was in hospital for a few months before she died,
  • 65:45 - 65:48
    and...her mind just completely went,
  • 65:49 - 65:51
    and...I remember going in one time...
  • 65:52 - 65:56
    with my sister to see her, and we were talkin' to her,
  • 65:56 - 66:00
    and my granny was like "Is Sean gonna come in to visit us?"
  • 66:00 - 66:03
    I was sitting right next to her and she didn't know who I was.
  • 66:05 - 66:07
    Uh, that was really sad.
  • 66:09 - 66:11
    Again, she didn't die of cancer or anything,
  • 66:11 - 66:14
    it's just reminded me of it, and I need to move on
  • 66:14 - 66:15
    or I won't be able to move on.
  • 66:15 - 66:18
    *soft piano continuing*
  • 66:18 - 66:20
    And just reading all the notes is really sad.
  • 66:22 - 66:26
    And I feel sorry for anyone who has lost family or loved ones,
  • 66:26 - 66:28
    just in general but especially to cancer,
  • 66:29 - 66:31
    because...it's not a nice thing.
  • 66:32 - 66:37
    And the last...the last while with someone who has cancer is not nice either.
  • 66:39 - 66:41
    *exhales* Ok.
  • 66:42 - 66:44
    I'm sorry about knocking over the mic as well,
  • 66:44 - 66:46
    I grabbed my sleeve and I hit the mic,
  • 66:46 - 66:48
    I can see the waveform right now and it's just a giant spike.
  • 66:49 - 66:57
    *ambient strings play and then recede*
  • 67:01 - 67:03
    'Thank you for playing'.
  • 67:04 - 67:08
    'for Joel Evan Green'. JEG.
  • 67:12 - 67:14
    Oh, he was real.
  • 67:27 - 67:30
    I was really hoping all that time it wasn't real,
  • 67:30 - 67:32
    that it was just a story.
  • 67:33 - 67:35
    [Shannon] I was one of the 250 people
  • 67:35 - 67:37
    who put a small memento for a lost loved one in the game.
  • 67:37 - 67:41
    I actually watched a playthrough of the mementos on Youtube just now
  • 67:41 - 67:44
    (at the time of writing this paragraph, I mean, not of editing the video),
  • 67:44 - 67:45
    and started crying.
  • 67:45 - 67:49
    Bizarrely and completely coincidentally at the time of me writing this
  • 67:49 - 67:53
    it’s the day after the anniversary of this specific person’s passing.
  • 67:53 - 67:57
    What does it mean that I can watch a man I’ve never met or interacted with cry
  • 67:57 - 68:00
    while talking about his dead grandmother while playing a game two parents made
  • 68:00 - 68:03
    to express their feelings about their very young son dying of cancer,
  • 68:03 - 68:07
    a game a very very very small part of I paid forty dollars
  • 68:07 - 68:10
    to include a permanent embedded reference to someone that I cared about?
  • 68:10 - 68:14
    What does it mean that coincidentally this whole weird journey happened
  • 68:14 - 68:17
    within 24 hours of the anniversary of a nightmarish day in my life
  • 68:17 - 68:19
    and was kicked off by me researching gay fanfiction
  • 68:19 - 68:22
    of people who play video games online for a living?
  • 68:22 - 68:25
    I stopped crying and went back after my whole bizarre
  • 68:25 - 68:29
    emotional death-game-cancer roller coaster and finished the compilation video.
  • 68:29 - 68:32
    It ends with a clip from this video-
  • 68:32 - 68:34
    [Jack] I'm gonna talk to you. *laughs*
  • 68:34 - 68:37
    'the character you got in the bad end was inspired by what I saw
  • 68:37 - 68:40
    in a lot of messsages of the fans who are in this game,
  • 68:40 - 68:43
    and by people I see in the comments of not only your videos,
  • 68:43 - 68:46
    but on tumblr, twitter, deviantart, facebook...
  • 68:46 - 68:50
    "I know you will never see this message" "I'm sorry if this message bothers you"
  • 68:50 - 68:55
    Some people feel like they do not contribute at all to any community,
  • 68:55 - 69:00
    or they are insignificant to a. the youtuber, and b. the fanbase,
  • 69:00 - 69:03
    because they never made it into a vlog or never got to talk to you
  • 69:03 - 69:07
    ther inspirations face to face... they think they don't matter,
  • 69:07 - 69:10
    and that is one of the saddest things ever, or at least to me.'
  • 69:11 - 69:14
    I-It also it- Sorry...
  • 69:14 - 69:19
    It also gets to me in a big way as well, because I get so many messages from people
  • 69:19 - 69:21
    saying 'You're never gonna read this message'
  • 69:21 - 69:26
    or... 'You never reply to my messages' or them feeling like they don't matter
  • 69:26 - 69:31
    to anybody, and that really breaks my heart because you guys really do matter...to me-
  • 69:31 - 69:33
    not just to me, but to the community as a whole.
  • 69:33 - 69:37
    Like just being here, being on the channel watching every day, commenting,
  • 69:37 - 69:39
    liking, sharing with your friends,
  • 69:39 - 69:42
    just being on Tumblr, Twitter, or anything, interacting with everybody else,
  • 69:42 - 69:46
    it means so much more then you think it does.
  • 69:46 - 69:47
    You might feel like it doesn't-
  • 69:47 - 69:50
    and I'm so sorry if I never reply to your messages
  • 69:50 - 69:53
    or you've been subscribed since I had ten subscribers
  • 69:53 - 69:56
    and I've never, like, replyed to anything.
  • 69:56 - 70:00
    I try my very best to get to as many people as I can,
  • 70:00 - 70:03
    it's so hard...a lot of the time,
  • 70:03 - 70:06
    because there's so many of you, and I'm very happy about that
  • 70:06 - 70:09
    but just please know that I never ignore people,
  • 70:09 - 70:13
    it's never a case of seeing the messages and purposefully not replying.
  • 70:13 - 70:16
    I read as many as I can, I read a lot more
  • 70:16 - 70:18
    then I actually get time to reply to,
  • 70:18 - 70:23
    so just know that I've likely seen your message, I just can't reply to it, so...
  • 70:23 - 70:26
    thank you to everybody who's ever done anything for me,
  • 70:26 - 70:30
    whether- even the people who hate me, who have just come to the channel
  • 70:30 - 70:32
    and watched for five seconds, just thank you
  • 70:32 - 70:35
    for at least clicking on the channel or anything at all.
  • 70:35 - 70:37
    Thank you all for being here, I really...
  • 70:37 - 70:41
    I really don't know what I'd ever do without any of you any more,
  • 70:41 - 70:44
    because I'm so used to like waking up every day
  • 70:44 - 70:47
    and like going on Tumblr, going on Twitter, Facebook, Instagram,
  • 70:47 - 70:50
    and just seeing messages from people, on Youtube as well.
  • 70:50 - 70:53
    I've gotten so accustomed to that...that...
  • 70:53 - 70:56
    I dunno, I don't take it for granted-
  • 70:56 - 71:00
    I mean I guess I do in a small bit, like, if that ever just disappeared
  • 71:01 - 71:02
    I'd be so lost.
  • 71:02 - 71:05
    I wouldn't know what to do, I'd feel so alone,
  • 71:05 - 71:10
    because...I don't interact with people on a day-to-day basis in real life,
  • 71:10 - 71:14
    I go out, I go to the shop or whatever, I...like buy food,
  • 71:14 - 71:18
    but I never actually like... sit down with friends any more,
  • 71:18 - 71:22
    I don't have any friends that I meet like day-to-day or talk to or anything like that
  • 71:22 - 71:25
    all my interactions are based online through you guys
  • 71:25 - 71:27
    or through other Youtube friends, so...
  • 71:27 - 71:30
    just thank you for being there for me, like...
  • 71:30 - 71:32
    you guys say that I'm there for you all the time
  • 71:32 - 71:37
    and I really am very happy about that, but you guys are there for me as well every day
  • 71:37 - 71:41
    and you say so much nice things to me, even like in this
  • 71:41 - 71:43
    there were so many nice messages for me-
  • 71:43 - 71:46
    [Shannon] At the risk of sounding cruel and of sounding dismissive,
  • 71:46 - 71:49
    that clip is also profoundly sad but it’s uniquely tragic
  • 71:50 - 71:53
    in that what it depicts is, unlike cancer, preventable.
  • 71:53 - 71:56
    I’ve had some online friends for over a decade and I don’t mean “tragic”
  • 71:56 - 71:59
    in a way that devalues online versus face-to-face relationships.
  • 71:59 - 72:03
    I mean tragic in that Jacksepticeye- real name Sean McLaughlin-
  • 72:03 - 72:07
    has from my limited viewership of his videos seemed like a perfectly kind
  • 72:07 - 72:09
    and positive and funny person.
  • 72:09 - 72:11
    The fact that he feels this horrific weight,
  • 72:11 - 72:15
    this pull of these pseudo-relationships with millions of people,
  • 72:15 - 72:18
    that keep him from real-life relationships and, really,
  • 72:18 - 72:22
    any meaningful relationships outside of his Youtube circle, is horrific.
  • 72:22 - 72:24
    [Jack] Thank you so much.
  • 72:24 - 72:28
    You'll never know how grateful I am because I can never put it into words
  • 72:28 - 72:31
    as long as I live, I'll never be able to put it into words,
  • 72:31 - 72:33
    how grateful I am for this stuff, and I'm sorry...
  • 72:33 - 72:37
    if I've kinda got off the rails lately, with, um...
  • 72:37 - 72:39
    certain types of games and certain types of commentary.
  • 72:39 - 72:41
    I'll try to bring it back to these kind of things
  • 72:41 - 72:45
    where it's longer and... just, more in touch with me
  • 72:45 - 72:49
    where you get to know more about me, you get to listen to me a lot longer,
  • 72:49 - 72:54
    it's not just all about d*** jokes and like super highly edited stuff all the time.
  • 72:54 - 72:58
    Um...I know a lot of you really like these longer videos that are uncut and...
  • 72:58 - 73:02
    I'm sorry if I...like, let some of you down-
  • 73:02 - 73:04
    *cough* Sorry!
  • 73:04 - 73:05
    *exhales*
  • 73:05 - 73:08
    Why does McLaughlin feel the need to cater to millions of people?
  • 73:08 - 73:10
    Most of the comments on this compilation video
  • 73:10 - 73:12
    are about cancer and death,
  • 73:12 - 73:14
    or about the Walking Dead game segment in the middle of it.
  • 73:14 - 73:17
    It seems like the fact that it ends with McLaughlin crying his heart out
  • 73:17 - 73:21
    over not being able to please and connect with millions of people,
  • 73:21 - 73:25
    who are also his primary social interaction and his primary source of affirmation
  • 73:25 - 73:29
    and of income, without him actually knowing or being close with them,
  • 73:29 - 73:31
    is largely ignored, it's fine.
  • 73:31 - 73:34
    The fan made game he’s playing and reacting to so strongly
  • 73:34 - 73:36
    is called Jacksepticeye’s Paradox.
  • 73:36 - 73:39
    He published that video in April of 2015.
  • 73:39 - 73:43
    According to socialblade, he had about four million subs at that time.
  • 73:43 - 73:45
    That’s around the population of Los Angeles.
  • 73:45 - 73:49
    It’s eight or nine times the size of Atlanta, the city I live in.
  • 73:49 - 73:51
    I don’t know if you’ve ever been to Los Angeles, but if you have,
  • 73:51 - 73:55
    can you imagine being beholden to the whims of the numerical equivalent
  • 73:55 - 73:57
    of every single resident of that city?
  • 73:57 - 73:59
    McLaughlin is Irish.
  • 73:59 - 74:02
    The current population of Ireland is less than five million people.
  • 74:02 - 74:05
    That’s like him feeling beholden to his ENTIRE COUNTRY
  • 74:05 - 74:09
    and upset he can’t have a close friendship with every other person in that country.
  • 74:09 - 74:12
    I openly make fun of insincere, manipulative attempts
  • 74:12 - 74:15
    to garner audience trust because I find them abhorrent.
  • 74:15 - 74:17
    Maybe I’m naive, but I don’t think McLaughlin crying
  • 74:17 - 74:20
    about how much his subscribers mean to him is insincere.
  • 74:20 - 74:24
    A lot of let’s players overreact to jump scares in horror games, sure,
  • 74:24 - 74:28
    but them crying while playing video games or talking about how much fans mean to them
  • 74:28 - 74:31
    always reads as much more sincere because it’s easier to fake yelling at a video game
  • 74:31 - 74:33
    than it is to fake vulnerability.
  • 74:33 - 74:36
    You can see the mask going right back up at the end of his video-
  • 74:36 - 74:37
    the high energy and positivity,
  • 74:38 - 74:40
    the “smash that like button”-style brand cognizance.
  • 74:40 - 74:42
    [Jack] Just thank you so much, but also...
  • 74:42 - 74:44
    THANK YOU GUYS so much for watching this video,
  • 74:44 - 74:47
    if you liked it, PUNCH THE LIKE BUTTON IN THE FACE
  • 74:47 - 74:49
    LIKE A BOSS!!!!
  • 74:49 - 74:50
    and...high fives all 'round.
  • 74:50 - 74:52
    *Jack makes high-five noises*
  • 74:52 - 74:54
    but thank you guys AND I WILL SEE ALL YOU DUDES
  • 74:55 - 74:56
    IN THE NEXT VIDEOOOO!!!
  • 74:56 - 75:00
    [Shannon] Also, it's worth noting that the compilation video I saw this clip in
  • 75:00 - 75:03
    is a cynical remix of the same clips used in another compilation video
  • 75:03 - 75:06
    that was obviously thrown together by someone completely unrelated to him
  • 75:06 - 75:08
    or to the That Dragon Cancer developers to milk ad revenue.
  • 75:08 - 75:13
    Jacksepticeye’s emotional response to fans wanting more of him than he can give
  • 75:13 - 75:17
    reminds me of the Decemberists song 'A Singer Addresses His Audience'.
  • 75:18 - 75:25
    ♫ 'Cause we know, we know, we belong to ya ♫
  • 75:25 - 75:32
    ♫ We know you built your life around us ♫
  • 75:32 - 75:40
    ♫ And would we change, we had to change some ♫
  • 75:40 - 75:45
    ♫ You know, to belong to you ♫
  • 75:45 - 75:47
    [Shannon] Here’s an excerpt from a Salon interview
  • 75:47 - 75:49
    with lead vocalist and songwriter Colin Meloy-
  • 75:49 - 75:53
    "I mean, of course, it is a reflection of my trying to make sense of the relationship
  • 75:53 - 75:56
    between singers or entertainers and their audience,
  • 75:56 - 76:00
    but I also wanted to try and write in the voice of what I imagined was, like,
  • 76:00 - 76:03
    the lead singer of a boy band who was just trying to figure it all out —
  • 76:03 - 76:06
    who had never known any other life other than being onstage
  • 76:06 - 76:08
    and being the sort of property of a fan base.
  • 76:08 - 76:12
    How would they sort of view their lives and live their lives?
  • 76:12 - 76:15
    But then, you know, of course its populated with my own weird ideas
  • 76:15 - 76:17
    about what that relationship is.
  • 76:17 - 76:20
    But in the end, it’s a different character as opposed to myself,
  • 76:20 - 76:23
    and it’s an exploration of the loneliness of the singer,
  • 76:23 - 76:25
    and why did they do this in the first place —
  • 76:25 - 76:28
    sacrifice or give themselves up to the needs and the expectations
  • 76:28 - 76:31
    of people who don’t know them, complete strangers —
  • 76:31 - 76:34
    and construct their lives and the decisions they make creatively
  • 76:34 - 76:36
    around what those expectations might be.
  • 76:36 - 76:41
    And in the end, they do belong to them — it’s kind of this idea of possessiveness.
  • 76:41 - 76:43
    They don’t necessarily belong to themselves.
  • 76:43 - 76:46
    But the reason the singer was even doing it in the first place
  • 76:46 - 76:48
    was just really like the refrain in the end:
  • 76:48 - 76:54
    ♫ To belong, to belong, to belong ♫
  • 76:54 - 76:56
    "to belong, to belong.”"
  • 76:56 - 77:00
    In a Rolling Stone interview, when talking about the same song, he said
  • 77:00 - 77:03
    "That relationship between bands or singers and their audience,
  • 77:03 - 77:06
    it’s kind of a funny relationship and abusive in its own right,
  • 77:06 - 77:07
    going both ways.
  • 77:07 - 77:10
    I shouldn’t say abusive, but it can be antagonistic.
  • 77:10 - 77:14
    I think that it’s an odd relationship, and it’s just that particular singer
  • 77:14 - 77:17
    trying to come to terms with that aspect of it.
  • 77:17 - 77:20
    Having an audience, you may want to continue doing things on your own terms,
  • 77:20 - 77:23
    but that becomes more challenging when there are expectations.
  • 77:23 - 77:27
    And audiences have more of a voice than ever with the advent of the Internet.
  • 77:27 - 77:29
    While I may not be cowed by it,
  • 77:29 - 77:32
    I can imagine a singer with thinner skin would be terrified by that.
  • 77:32 - 77:37
    ♫ We're aware that you cut your hair ♫
  • 77:37 - 77:41
    ♫ In a style that our drummer wore ♫
  • 77:42 - 77:44
    ♫ In the video ♫
  • 77:47 - 77:51
    ♫ But with fame came a mounting claim ♫
  • 77:51 - 77:57
    ♫ For the evermore, y'know? ♫
  • 77:57 - 78:01
    ♫ So when your bridal processional ♫
  • 78:01 - 78:04
    ♫ Is a televised confessional ♫
  • 78:04 - 78:09
    ♫ To the benefits of Axe shampoo ♫
  • 78:09 - 78:13
    ♫ Y'know, we did it for you... ♫
  • 78:13 - 78:16
    ♫ ...we did it all for you! ♫
  • 78:16 - 78:19
    I’ve always been humbled and flattered
  • 78:19 - 78:22
    that people have attached themselves to certain aspects of the Decemberists."
  • 78:22 - 78:26
    A less serious portrayal of similar sentiments to Stan
  • 78:26 - 78:30
    or the Decemberists song would be Kanye West’s I Love Kanye.
  • 78:30 - 78:33
    ♫ I miss the sweet Kanye, chop up the beats Kanye ♫
  • 78:33 - 78:36
    ♫ I gotta say, at that time I'd like to meet Kanye ♫
  • 78:36 - 78:39
    ♫ See, I invented Kanye, there wasn't any Kanyes ♫
  • 78:39 - 78:42
    ♫ And now I look and look around and there's so many Kanyes ♫
  • 78:42 - 78:45
    ♫ I used to love Kanye, I used to love Kanye ♫
  • 78:45 - 78:48
    ♫ I even had the pink polo, I thought I was Kanye ♫
  • 78:48 - 78:51
    ♫ And I love you like Kanye loves Kanye ♫
  • 78:51 - 78:52
    *Kanye laughs*
  • 78:52 - 78:55
    [Shannon] Bo Burnham’s song that I use clips of in this video
  • 78:55 - 78:57
    is called 'Can’t Handle This (Kanye Rant)'
  • 78:57 - 79:02
    and it’s in part a parody of Kanye West’s self-obsessed theatrical ranting style-
  • 79:02 - 79:04
    [Bo] He talked about his problems,
  • 79:05 - 79:06
    race,
  • 79:07 - 79:08
    power,
  • 79:09 - 79:13
    his $90 T-shirts weren't selling very well, that was most of it.
  • 79:13 - 79:16
    I'll be honest my problems are not as high-stakes as Kanye's
  • 79:16 - 79:17
    but I have problems.
  • 79:17 - 79:20
    [Shannon] -and in part Burnham using that as template for a painful,
  • 79:20 - 79:23
    vulnerable exploration of his own issues.
  • 79:23 - 79:26
    ♫ I don't think that I can handle this right ♫
  • 79:26 - 79:28
    ♫ I don't think that I can handle this right- ♫
  • 79:29 - 79:31
    ♫ Look at them, they're just staring at me, like, ♫
  • 79:31 - 79:34
    ♫ "Come and watch the skinny kid with the ♫
  • 79:34 - 79:38
    ♫ Steadily declining mental health ♫
  • 79:38 - 79:40
    ♫ And laugh as he attempts ♫
  • 79:40 - 79:43
    ♫ To give you what he cannot give himself!" ♫
  • 79:43 - 79:45
    ♫ -Think that I can handle this right- ♫
  • 79:45 - 79:48
    ♫ I don't think that I can handle this right- ♫
  • 79:48 - 79:51
    ♫ They don't even know the half of this right- ♫
  • 79:51 - 79:53
    ♫ They don't even know the half of it ♫
  • 79:53 - 80:00
    ♫ But I know I'm not a doctor, I'm a p****, I put on a silly show ♫
  • 80:00 - 80:02
    ♫ I should probably just shut up ♫
  • 80:02 - 80:03
    ♫ And do my job ♫
  • 80:03 - 80:05
    ♫ So here I go! ♫
  • 80:05 - 80:08
    ♫ I wouldn't have got the lettuce if I knew it wouldn't fit ♫
  • 80:08 - 80:10
    ♫ I wouldn't have got the cheese if I knew it wouldn't fit ♫
  • 80:10 - 80:13
    ♫ I wouldn't have got the peppers if I knew it wouldn't fit ♫
  • 80:13 - 80:15
    ♫ I wouldn't have got half- ♫
  • 80:15 - 80:18
    ♫ You can tell them anything if ♫
  • 80:18 - 80:22
    ♫ You just make it funny, make it rhyme ♫
  • 80:22 - 80:24
    ♫ And if they still don't understand you ♫
  • 80:24 - 80:27
    ♫ then you run it one more time ♫
  • 80:27 - 80:28
    [Shannon] The movie Ingrid Goes West
  • 80:29 - 80:31
    is a great example of a parasocial relationship gone wrong.
  • 80:31 - 80:33
    As Red Letter Media describe in their review,
  • 80:33 - 80:36
    Ingrid is obsessed with the Instagram of a woman named Taylor
  • 80:36 - 80:39
    and from there with enough time and money
  • 80:39 - 80:42
    and stalking and manipulation she worms her way into Taylor’s life.
  • 80:42 - 80:45
    [Jay] Y'know, there's like a pressure to kind of keep posting photos
  • 80:45 - 80:47
    and keeping up this facade
  • 80:47 - 80:52
    and then um Audrey Plaza's side of wanting to achieve
  • 80:52 - 80:55
    -what is essentially fake. -Yeah.
  • 80:55 - 80:57
    [Shannon] Of note also is Ingrid’s landlord,
  • 80:57 - 81:00
    who has an obsession and parasocial relationship with...Batman.
  • 81:00 - 81:04
    [Jay] There's a very odd sex scene with her dressed up as Catwoman. *laughs*
  • 81:04 - 81:07
    [Shannon] Ingrid Goes West reminded me of World's Greatest Dad, which,
  • 81:07 - 81:11
    without spoiling either movie, is a darkly funny exploration
  • 81:11 - 81:14
    of who someone is versus who their fans like to believe they are.
  • 81:14 - 81:17
    My absolute favorite depiction of an obsessive fan, though,
  • 81:17 - 81:20
    because of how fun it is and how much it defies convention,
  • 81:20 - 81:22
    is Bartolomeo from One Piece.
  • 81:22 - 81:26
    One Piece is huge- it’s been going over 20 years and is a cultural juggernaut-
  • 81:26 - 81:29
    and I’m sure its author, Eiichiro Oda, is aware of the impact
  • 81:29 - 81:33
    his comic has had on millions and millions of people around the world.
  • 81:33 - 81:35
    Super far into the series during a tournament arc,
  • 81:35 - 81:37
    Bartolomeo the Cannibal is introduced.
  • 81:37 - 81:41
    He’s disrespectful and frightening and an over-the-top HEEL.
  • 81:41 - 81:43
    [English Subtitles] He ranked No.1
  • 81:43 - 81:47
    in the "most annoying pirate who should just go away" competition!
  • 81:47 - 81:49
    A pirate -
  • 81:49 - 81:54
    Bartolomeo!
  • 81:54 - 81:56
    All of you!
  • 81:56 - 82:01
    Go to hell!
  • 82:01 - 82:03
    [Shannon] He even throws a fake bomb into the audience.
  • 82:04 - 82:08
    *suspenseful music plays*
  • 82:12 - 82:13
    [English Subtitles] A ball...
  • 82:13 - 82:15
    [Shannon] He’s strong and scary and disrespectful
  • 82:15 - 82:18
    and doesn’t remotely care about his own reputation.
  • 82:18 - 82:22
    Fans are often portrayed as obsessive, neurotic, subservient, and effeminate-
  • 82:22 - 82:24
    either an Ingrid-type stalker character
  • 82:24 - 82:27
    or a Comic Book Guy-type miserable pedant nerd.
  • 82:27 - 82:30
    Bart is so fun because he is intense and intimidating
  • 82:30 - 82:32
    and his own person completely
  • 82:32 - 82:36
    and also a huge, huge nerd for and fan of the main characters.
  • 82:37 - 82:39
    *Bart yells*
  • 82:39 - 82:41
    [English Subtitles] L-L-L-L....
  • 82:41 - 82:42
    *eye sparkle sfx*
  • 82:42 - 82:45
    Luffy-senpai!
  • 82:47 - 82:48
    Awesome! You saved us a lot of trouble!
  • 82:48 - 82:51
    Please use it, Luffy-senpai!
  • 82:51 - 82:52
    Why're you looking the other way?
  • 82:52 - 82:54
    Thank you, Crest Head!
  • 82:54 - 82:58
    Th......a......n......k......you?!
  • 82:59 - 83:06
    *angelic music plays*
  • 83:15 - 83:18
    Thank you! Thank you! Thank you! Thank...
  • 83:22 - 83:24
    Not at all!
  • 83:24 - 83:29
    I'm the one who has to thank you for being born!
  • 83:29 - 83:31
    All right!
  • 83:31 - 83:33
    C-Can I have your autograph?!
  • 83:33 - 83:35
    --I said it! --My autograph?
  • 83:35 - 83:39
    If I bring Luffy-senpai here, can I have your autograph?
  • 83:39 - 83:42
    You can do that for me? I'll be counting on you!
  • 83:42 - 83:44
    Wait for me there!
  • 83:44 - 83:47
    I'm gonna bring him at the risk of my life!
  • 83:47 - 83:51
    *Bart yells and runs off*
  • 83:52 - 83:53
    He doesn't have to risk his life for it...
  • 83:53 - 83:55
    [Shannon] What sets this specific example apart
  • 83:55 - 83:59
    and why I like it so much is that 1) Bart is treated neither with disdain
  • 83:59 - 84:03
    nor reciprocative obsession, but instead with bemused yet friendly indifference,
  • 84:03 - 84:05
    which, to me, is much healthier,
  • 84:06 - 84:08
    [English Subtitles] Is this right, guys?!
  • 84:08 - 84:11
    It looks like Luffy's on this ship more than ours!
  • 84:11 - 84:13
    I'm so happy to hear that!
  • 84:13 - 84:14
    It's not a compliment!
  • 84:14 - 84:18
    I duplicated its bow as a homage!
  • 84:18 - 84:20
    It has evil eyes.
  • 84:20 - 84:24
    I'm sooo moved!
  • 84:24 - 84:26
    Look how nerdy those details are!
  • 84:26 - 84:28
    *gong hit*
  • 84:28 - 84:31
    Boss! He's so dazzling! I can barely see him!
  • 84:31 - 84:34
    Me, too!
  • 84:34 - 84:37
    *Luffy laughs*
  • 84:37 - 84:39
    So they're all like that...
  • 84:40 - 84:43
    [Shannon] and 2) he has his own stuff going on.
  • 84:43 - 84:46
    He isn’t trying to control or even really be a part of what he’s a fan of
  • 84:46 - 84:49
    and he has his own life and his own goals and his own friends
  • 84:49 - 84:52
    completely separate from what he’s a fan of while still maintaining his enthusiasm.
  • 84:52 - 84:56
    [English Subtitles] Yes! Yes! Oh, yes!
  • 84:56 - 85:00
    What are you excited for?! You geek! Shut your mouth!
  • 85:05 - 85:07
    I got my arm broken by this fool?!
  • 85:07 - 85:10
    [Shannon] I definitely think that all the Youtube comments here are accurate
  • 85:10 - 85:12
    and that Bart is an insight into how Oda sees his fans
  • 85:12 - 85:14
    and how he would like his fans to be.
  • 85:14 - 85:15
    Game designer Patrick Miller
  • 85:15 - 85:18
    was talking about a development conference recently and said
  • 85:18 - 85:20
    "the best networking advice i’ve ever heard
  • 85:20 - 85:24
    was to spend less time trying to win the approval of the folks you look up to
  • 85:24 - 85:26
    and more time cultivating relationships with your peers.
  • 85:26 - 85:28
    networking is a long game and the ppl who f*** with you
  • 85:28 - 85:30
    when you aint s*** are the ones you keep close"
  • 85:30 - 85:33
    To which animator and artist Aura Triolo responded-
  • 85:33 - 85:37
    "This and also I just wanna say ftr that in my experience,
  • 85:37 - 85:39
    if you exist in a space long enough making cool stuff
  • 85:39 - 85:42
    the peeps whose approval you want will naturally notice you
  • 85:42 - 85:44
    in a much healthier and less one-sided way.
  • 85:44 - 85:48
    Looking up to and worshipping ppl you interact with is :////
  • 85:48 - 85:51
    Mutual admiration is *ding sound*"
  • 85:51 - 85:54
    The central tragedy of Ingrid is that if she’d just been kind
  • 85:54 - 85:57
    and respectful of boundaries then she would have absolutely been able
  • 85:57 - 85:59
    to be friends with Taylor, no problem.
  • 85:59 - 86:01
    (I don’t think it’s any shocking spoiler to say
  • 86:01 - 86:03
    that their friendship has some problems).
  • 86:03 - 86:05
    Syndrome from The Incredibles is also an example
  • 86:05 - 86:07
    of a sort of dark inverse of Bartolomeo-
  • 86:07 - 86:11
    bitterness at rejection by his hero turned him into something much worse
  • 86:11 - 86:13
    than he would have been otherwise.
  • 86:13 - 86:16
    [Syndrome] After all...I am your biggest fan.
  • 86:16 - 86:19
    [Shannon] Grape-kun’s story is similar to the story of Nigel the Gannet,
  • 86:19 - 86:22
    who garnered headlines like 'Nigel, the world’s loneliest bird,
  • 86:22 - 86:25
    dies next to the concrete decoy he loved'.
  • 86:25 - 86:28
    Nicknamed “no mates Nigel”, the ranger who found his corpse
  • 86:28 - 86:30
    said the experience was “incredibly sad,”.
  • 86:30 - 86:34
    Nigel’s story is particularly tragic because it happened less than a month
  • 86:34 - 86:38
    after three real gannets arrived on his island after years of him being alone.
  • 86:38 - 86:39
    He mostly ignored them.
  • 86:39 - 86:41
    From the Washington Post-
  • 86:41 - 86:44
    "In the absence of a living love interest, Nigel became enamored
  • 86:44 - 86:46
    with one of the 80 faux birds.
  • 86:46 - 86:47
    He built her… a nest.
  • 86:47 - 86:51
    He groomed her “chilly, concrete feathers...year after year after year,”
  • 86:51 - 86:54
    He died next to her in that unrequited love nest,
  • 86:54 - 86:58
    the vibrant orange-yellow plumage of his head contrasting, as ever,
  • 86:58 - 87:00
    with the weathered, lemony paint of hers.
  • 87:00 - 87:04
    “Whether or not he was lonely, he certainly never got anything back,
  • 87:04 - 87:06
    and that must have been [a] very strange experience,"
  • 87:06 - 87:09
    conservation ranger Chris Bell, who also lives on the island, told the paper.
  • 87:09 - 87:11
    “I think we all had a lot of empathy for him,
  • 87:11 - 87:14
    because he had this fairly hopeless situation.”"
  • 87:14 - 87:15
    Nigel's story resonated enough
  • 87:15 - 87:18
    that's there's a puzzle game you can play based on it,
  • 87:18 - 87:22
    and, like Cicierega, his story became a weird lightning rod for distorted takes,
  • 87:22 - 87:26
    such as journalist Nicole Serratore using Nigel to talk about r*** culture.
  • 87:26 - 87:29
    There are plenty of other opportunities for us to use parasocial relationships
  • 87:29 - 87:32
    as a way to talk about r*** culture that may be more appropriate.
  • 87:32 - 87:35
    When Aziz Ansari was accused of forcing himself on a woman
  • 87:35 - 87:38
    ten years younger than him, the babe piece discussing the incident read-
  • 87:38 - 87:42
    "Speaking to babe, Grace mentioned the glaring gap between Ansari’s comedy persona
  • 87:42 - 87:44
    and the behavior she experienced in his apartment
  • 87:44 - 87:46
    as a reason why she didn’t get out earlier.
  • 87:46 - 87:49
    “I didn’t leave because I think I was stunned and shocked,” she said.
  • 87:49 - 87:51
    This was not what I expected.
  • 87:51 - 87:53
    I’d seen some of his shows and read excerpts from his book
  • 87:53 - 87:55
    and I was not expecting a bad night at all,
  • 87:55 - 87:58
    much less a violating night and a painful one.""
  • 87:58 - 88:00
    And one of the angry facebook comments in response
  • 88:00 - 88:02
    talks about how Ansari is a GOOD PERSON.
  • 88:02 - 88:04
    As if the commenter knows him or has any idea
  • 88:04 - 88:06
    what kind of person he actually is.
  • 88:06 - 88:09
    From Victoria Sands’ '“THE SWIFT LIFE” MONETIZES AND EXPLOITS FANDOM'
  • 88:09 - 88:13
    in B*tch media, a piece about an exploitative app Taylor Swift released-
  • 88:13 - 88:15
    "Swift’s actions are deliberate and well-crafted
  • 88:15 - 88:19
    to develop the parasocial relationship between herself and her devoted followers"
  • 88:19 - 88:20
    And
  • 88:20 - 88:22
    "These days, most celebrities speak to fans directly
  • 88:22 - 88:24
    on various social media platforms.
  • 88:24 - 88:28
    But Swift, in particular, has developed a specific strategy of friendship
  • 88:28 - 88:30
    that goes beyond simple connection or contact.
  • 88:30 - 88:34
    Her presence online is less “here’s special access for you to watch my life”
  • 88:34 - 88:39
    and more “trust me, see me as a friend, and then become a part of my life.”
  • 88:39 - 88:41
    When Swift, as fans report after meet and greets,
  • 88:41 - 88:43
    appears to have remembered their first names
  • 88:43 - 88:45
    and some measure of their online persona;
  • 88:45 - 88:49
    buys them personalized gifts; and indulges in their inside jokes,
  • 88:49 - 88:51
    she is partaking in the realm of online friendship
  • 88:51 - 88:55
    and emotional investment that explodes through pop culture sites like Tumblr.
  • 88:55 - 88:59
    With The Swift Life, fans of Taylor who have proven to be unfailingly active
  • 88:59 - 89:02
    and supportive online can be successfully ushered
  • 89:02 - 89:05
    into a platform controlled by Swift, through which she profits."
  • 89:05 - 89:06
    Plus
  • 89:06 - 89:08
    "With Swift’s public standing in serious question,
  • 89:08 - 89:11
    it is her quiet, personal, and direct appeals to her loyal fans
  • 89:11 - 89:14
    that stokes their protectiveness over the “real Taylor.”
  • 89:14 - 89:17
    And the anger and resentment from fans inside the bubble
  • 89:17 - 89:19
    is often directed at the “media” who they believe
  • 89:19 - 89:21
    have been deeply unfair to Swift.
  • 89:21 - 89:24
    As Tumblr user ---- wrote, Swift’s new music video
  • 89:24 - 89:28
    “illuminates how the media/society have so tirelessly tried
  • 89:28 - 89:32
    to absolutely sabotage Taylor Swift’s soul, ravage her kind disposition
  • 89:32 - 89:35
    and quite overtly vandalize her reputation.”
  • 89:35 - 89:36
    Swift liked the post."
  • 89:36 - 89:38
    [Bo] I, uh...
  • 89:38 - 89:39
    I don't love my fans.
  • 89:40 - 89:43
    I don't, you don't want that.
  • 89:43 - 89:46
    You don't want that desperate sort of coying thing from an entertainer.
  • 89:46 - 89:50
    "My fans, ahh, they stick with me through everything, through thick and thin-".
  • 89:50 - 89:51
    Do not stick with me, through thick.
  • 89:51 - 89:53
    If I stop entertaining you, throw me to the curb.
  • 89:53 - 89:56
    I- You wouldn't stick with your mechanic if he stopped fixing your car,
  • 89:56 - 89:59
    I'm in a service industry, I'm just overpaid, ok?
  • 89:59 - 90:00
    *audience laughs*
  • 90:00 - 90:03
    And a lot of- I feel a lot of artists, pop artists especially,
  • 90:03 - 90:05
    sort of infringe upon...
  • 90:05 - 90:08
    responsibilities that just aren't theirs in terms of their audience,
  • 90:08 - 90:11
    maintaining their audience at an emotional level.
  • 90:11 - 90:14
    Some of you might be sad and going through things,
  • 90:14 - 90:16
    I feel for that, life is tough.
  • 90:16 - 90:18
    I'm not gonna fix that with a song.
  • 90:18 - 90:20
    [Shannon] I understand the impulse to shy away from romanticizing
  • 90:20 - 90:23
    “bird loves cold fake bird who will never love him back”
  • 90:23 - 90:25
    because we do have a culture that prioritizes lovesick men
  • 90:25 - 90:27
    over the agency of women,
  • 90:27 - 90:29
    but analyzing celebrities who leverage their power
  • 90:29 - 90:32
    (and, in the case of Ansari, their nice guy image)
  • 90:32 - 90:36
    may be a more valuable use of time than getting angry at a dead bird.
  • 90:36 - 90:38
    Also generally it’s good to keep a safe distance
  • 90:38 - 90:41
    and a layer of emotional separation with these relationships
  • 90:41 - 90:45
    so you don’t end up insisting someone who you’ve never met is a “good person”,
  • 90:45 - 90:47
    or pretend you know the “real” them.
  • 90:47 - 90:50
    This is especially true of personas who children are a fan of.
  • 90:50 - 90:52
    I saw plenty of 13-year-olds defending Logan Paul
  • 90:52 - 90:55
    during the suicide forest fiasco, and I would hate to think
  • 90:55 - 90:58
    of how I would have handled that, let alone Daniel Kyre’s suicide
  • 90:58 - 91:01
    or JonTron’s turn toward white supremacist gibberish, at that age.
  • 91:01 - 91:04
    Not that struggling with mental illness is at all equivalent
  • 91:04 - 91:07
    to having a lot of opinions on crime statistics and ethnostates-
  • 91:08 - 91:10
    just that I would hate to be so emotionally tangled up
  • 91:10 - 91:13
    in the lives of people that I don't know that their pain or controversy
  • 91:13 - 91:15
    or racist opinions had a significant impact
  • 91:15 - 91:18
    on my emotional development and my psychological well-being.
  • 91:18 - 91:22
    There are too many great examples of parasocial relationships
  • 91:22 - 91:24
    for me to go deep into detail with all of them.
  • 91:24 - 91:26
    Best Worst Movie is one of my favorite documentaries
  • 91:26 - 91:29
    because it interrogates how poisonous “ironic” fandom and ironic love are
  • 91:29 - 91:31
    and how you shouldn’t turn away from real people
  • 91:31 - 91:33
    who know the real you to bask in them.
  • 91:33 - 91:36
    Davey Wreden’s game The Beginner’s Guide is another great example
  • 91:36 - 91:38
    of how poisonous and invasive fans can be.
  • 91:38 - 91:39
    [Davey Wreden] And I have to be honest with you,
  • 91:39 - 91:41
    this idea is really seductive to me!
  • 91:41 - 91:46
    That I could just play someone's game and see the voices in their head
  • 91:46 - 91:48
    and get to know them better and have to do less
  • 91:48 - 91:52
    of the messy in-person socializing.
  • 91:52 - 91:55
    I could just get to know you through your work.
  • 91:56 - 91:57
    [Jack] That message is sad.
  • 91:57 - 92:01
    I hated mother! but I do have to admit that there’s a moment in that film that,
  • 92:01 - 92:03
    as comically over-the-top as it is, lands pretty well
  • 92:03 - 92:06
    how Aronofsky feels about clawing, entitled fans.
  • 92:06 - 92:10
    Chapo Trap House is a popular irreverent leftist comedy podcast
  • 92:10 - 92:11
    and in one episode Matt Christman,
  • 92:11 - 92:14
    in the context of the 2016 presidential election,
  • 92:14 - 92:16
    brought up the Harry Harlowe Rhesus monkey experiments.
  • 92:16 - 92:18
    I have known about the experiments for a long time
  • 92:18 - 92:21
    but I had never considered them in the context of parasocial relationships
  • 92:21 - 92:23
    until hearing Matt’s rant.
  • 92:23 - 92:26
    [Matt] It's only gonna get worse, folks, because I have realized that this campaign
  • 92:26 - 92:29
    the closest analogue I can think of is that
  • 92:29 - 92:32
    in the 1930's there was a psychologist named Harry Harlowe
  • 92:32 - 92:36
    who did a series of experiments to find out what the source of...
  • 92:36 - 92:38
    a child's appreciation for their parents was.
  • 92:38 - 92:42
    So he set up a tank with infant rhesus monkeys
  • 92:42 - 92:45
    and he gave them two mother figures in his tank.
  • 92:45 - 92:51
    One of them was just a bare wire structure, but it also contained inside of it
  • 92:51 - 92:53
    the milk that the monkey needed to live.
  • 92:53 - 92:57
    The other one didn't have any milk, but had-was covered in sort of a carpeting
  • 92:57 - 93:00
    to give the monkey, like, solice.
  • 93:00 - 93:03
    The test was to find out which one he preferred,
  • 93:03 - 93:07
    was he just going where the food was, or was he looking for something more.
  • 93:07 - 93:13
    And for our purposes let's just say that the Trump campaign is the carpet mother,
  • 93:13 - 93:16
    and the carpet is, y'know, the hair, obviously,
  • 93:16 - 93:18
    and the wire mother is Hillary
  • 93:18 - 93:22
    and the milk bottle is nonrefundable tax credits
  • 93:22 - 93:24
    and Beyoncé GIFS.
  • 93:24 - 93:28
    And...now, it doesn't really matter for our purposes
  • 93:28 - 93:30
    which the monkeys preferred,
  • 93:30 - 93:35
    but, I think what's important to remember is that in the actual experiment
  • 93:35 - 93:38
    the monkeys who for our purposes are the American electorate
  • 93:38 - 93:40
    ALL WENT INSANE.
  • 93:40 - 93:43
    [Shannon] You might turn from an uncaring and alienating and stratified culture
  • 93:43 - 93:45
    that's technically real and tangible-
  • 93:45 - 93:48
    a wire mother that feeds you but offers scorn and rejection
  • 93:48 - 93:49
    and toward a carpet mother-
  • 93:49 - 93:54
    a concrete gannet, an anime cutout, a GateBox waifu, a “friend simulator”.
  • 93:54 - 93:57
    We’re not monkeys trapped in a experiment doomed to die, though.
  • 93:57 - 94:00
    Nigel finally had company in the last months of his life
  • 94:00 - 94:03
    and he spurned them for a cold, concrete facsimile.
  • 94:03 - 94:06
    I got a handful of defensive comments on my first parasocial video
  • 94:06 - 94:08
    about how fake friends are better than no friends.
  • 94:08 - 94:11
    Fake friends are good when you have NO OTHER OPTION
  • 94:11 - 94:14
    but there’s a third option available of putting in the time and the effort
  • 94:15 - 94:17
    to meet actual people, form actual relationships,
  • 94:17 - 94:21
    live your own life, rather than obsessing over and living vicariously
  • 94:21 - 94:22
    through someone intangible.
  • 94:22 - 94:26
    Parasocial relationships can be healthy, but they should never be your focus.
  • 94:26 - 94:28
    Not for fans and certainly not for personas.
  • 94:28 - 94:31
    What kind of shonen protagonists would the straw hat pirates be
  • 94:31 - 94:34
    if they went on adventures just so they’d get affirmation and attention?
  • 94:34 - 94:38
    They’re great characters because they reject being seen as heroes.
  • 94:38 - 94:40
    And I don’t want to watch the Red Letter Media guys
  • 94:40 - 94:42
    open fanmail or see them do vlogs.
  • 94:42 - 94:45
    Jay Bauman actually did a whole series of fake vlogs on his own channel,
  • 94:45 - 94:49
    where clickbait thumbnails led to nothing but strange timelapses with ambient music.
  • 94:49 - 94:52
    I totally understand the appeal of Critical Role but,
  • 94:52 - 94:56
    since I have the option, I would honestly rather spend those four or five hours
  • 94:56 - 94:59
    playing D&D with my friends rather than watching strangers play.
  • 94:59 - 95:03
    I get that not everyone has that option and that you can have a healthy social life
  • 95:03 - 95:05
    and still enjoy something like Critical Role,
  • 95:05 - 95:08
    but I hate the idea of someone giving up time that could have been spent
  • 95:08 - 95:10
    having their own adventure obsessing over it.
  • 95:10 - 95:14
    My friend JP, who has worked for a long time as a game designer
  • 95:14 - 95:16
    and has had plenty of experience dealing with the industry,
  • 95:16 - 95:17
    tweeted this recently-
  • 95:17 - 95:21
    "At the center of celebrity culture there is no humanity,
  • 95:21 - 95:26
    no kindness or insight, no “dragon energy”, but an insatiable void,
  • 95:26 - 95:30
    a pure and pathologically self-justifying will to power
  • 95:30 - 95:33
    that feeds on attention and grasps for more.
  • 95:33 - 95:35
    Have dreams, not heroes."
  • 95:36 - 95:39
    [Gabriel Gundacker] You know, Richard, I never thought it would end this way.
  • 95:40 - 95:43
    Shaking your hand at the Eckerd Hall in Clearwater, Florida.
  • 95:44 - 95:47
    I was the only one there under sixty-five.
  • 95:47 - 95:49
    I guess that's how it goes.
  • 95:51 - 95:54
    ♫ So, I've met the man ♫
  • 95:55 - 95:58
    ♫ I went onstage and shook his hand ♫
  • 95:59 - 96:01
    ♫ but I feel unfulfilled... ♫
  • 96:02 - 96:04
    ♫ (There is something still wrong) ♫
  • 96:05 - 96:09
    ♫ Was this a good life goal? ♫
  • 96:09 - 96:13
    ♫ I should have probably focused more on school ♫
  • 96:13 - 96:16
    ♫ Or learned a marketable skill ♫
  • 96:16 - 96:19
    ♫ (Instead of writing celebrity songs) ♫
  • 96:19 - 96:22
    [Shannon] I am tremendously grateful for and humbled by
  • 96:22 - 96:25
    all the support I’ve gotten and messages I’ve received
  • 96:25 - 96:27
    about how I changed someone’s perspective
  • 96:27 - 96:29
    or helped them feel better during a rough time in their life.
  • 96:29 - 96:34
    All of that has profoundly impacted me. But I also try to keep a strong barrier up.
  • 96:34 - 96:36
    I think someone like McLaughlin would be happier
  • 96:36 - 96:38
    if he had better boundaries.
  • 96:38 - 96:40
    Or any boundaries.
  • 96:40 - 96:43
    The more I researched his work the more he seemed genuinely kind
  • 96:43 - 96:46
    and humble and understanding of the impact his videos have on viewers,
  • 96:46 - 96:50
    including viewers who are isolated or viewers who can’t play games themselves
  • 96:50 - 96:51
    because of disabilities.
  • 96:51 - 96:52
    [Jack] Awesome, I love letters
  • 96:52 - 96:56
    because people... people really open up in text
  • 96:56 - 96:59
    because a lot of people are very afraid to say stuff to you face-to-face
  • 96:59 - 97:03
    and I did meet a lot of people who I could tell really wanted to say stuff
  • 97:03 - 97:04
    and then they couldn't because,
  • 97:04 - 97:07
    I don't know anxiety or whatever kind of took over
  • 97:07 - 97:11
    so they couldn't really say anything and then they give you letters, so...
  • 97:11 - 97:12
    that kind of stuff then really hits home
  • 97:12 - 97:15
    because they open up a lot more in their letters, so thank you.
  • 97:15 - 97:19
    These guys were making really cool ways for disabled people to play games.
  • 97:19 - 97:23
    There was one that, erm, paraplegics could play Mario Kart
  • 97:23 - 97:26
    and it was controlled with your chin, or your nose or your face
  • 97:26 - 97:28
    or whatever you wanted to control it with.
  • 97:28 - 97:30
    It was like a knob that you would like stick your face to
  • 97:30 - 97:33
    or a little, like, joystick that you stick your face to
  • 97:33 - 97:36
    and then you'd move around with your face, which was so cool a-
  • 97:36 - 97:39
    there was other ones for um, like hearing impaired
  • 97:39 - 97:44
    and visually impaired stuff, so... those guys were doing a really great thing
  • 97:44 - 97:46
    because everyone should get a chance to play games,
  • 97:46 - 97:50
    everyone should be able to play video games and I'm very privileged and very lucky
  • 97:50 - 97:53
    to like live where I am, in the society that I live in
  • 97:53 - 97:56
    to be able to do this, to even have internet to be able to upload the games,
  • 97:56 - 97:57
    to be able to afford to buy the games...
  • 97:57 - 97:59
    Not everyone has those luxuries,
  • 97:59 - 98:02
    so I'm really fortunate and I'm very very...
  • 98:02 - 98:04
    um, lucky to be able to do that kind of thing.
  • 98:04 - 98:07
    So, and not everyone is, so I'm really glad that there's people out there
  • 98:07 - 98:12
    working towards actually helping gamers of-of all, like, abilities
  • 98:12 - 98:15
    um, disabilities, ages, genders, anything at all!
  • 98:15 - 98:18
    Anything you can think of, you guys are doing great work, so thank you.
  • 98:18 - 98:21
    From everyone in the gaming community.
  • 98:21 - 98:23
    Like really blown away by...
  • 98:23 - 98:26
    I'm...I'm so happy with all this, I'm so lucky to have
  • 98:26 - 98:30
    people who wanna make stuff for me, or just wanna buy stuff and give it to me.
  • 98:30 - 98:34
    Not everyone gets to say that, not everyone gets to do that, I'm so lucky.
  • 98:34 - 98:39
    Again, privileged is what I'd say 'cuz not everyone...
  • 98:39 - 98:42
    is even able to like have the opportunities to be able to do Youtube in general,
  • 98:42 - 98:45
    or play games, or anything like that,
  • 98:45 - 98:49
    a lot of people just have the internet on their phones, their really old phones
  • 98:49 - 98:51
    and they come to you as an outlet to be able to play these games,
  • 98:51 - 98:53
    to be able to see these games,
  • 98:53 - 98:55
    to be able to experience these things vicariously.
  • 98:55 - 98:58
    So...I'm just really glad that I can bring that-
  • 98:58 - 99:00
    bridge that gap between people.
  • 99:00 - 99:05
    That some people do Youtube as well and they watch this as like...
  • 99:05 - 99:08
    wh-what could be your inspiration or anything.
  • 99:08 - 99:11
    God, that makes me sound pretentious. Sorry. Um...
  • 99:11 - 99:13
    but then you've other people who can't afford a lot of these things
  • 99:13 - 99:16
    or can-don't have the luxuries for all these things.
  • 99:16 - 99:18
    some people don't even have internet, um...
  • 99:18 - 99:20
    which I guess they wouldn't be able to see this video.
  • 99:20 - 99:24
    But a lot of people who can't afford to play games or their...
  • 99:24 - 99:27
    they don't have the ability to play games, like, they might have disabilities.
  • 99:28 - 99:30
    Again, like that charity- or that organization
  • 99:30 - 99:32
    who were helpin' people play games, but...
  • 99:32 - 99:35
    they can all experience it through these videos
  • 99:35 - 99:37
    and that makes me so happy, it makes me feel like
  • 99:37 - 99:40
    I'm doing something proper with my time, with my life, with my...
  • 99:40 - 99:42
    wit-*scoffs* I was gonna say my skills,
  • 99:42 - 99:46
    I don't know if I have any skills, but thank you guys so much for being here,
  • 99:46 - 99:48
    thank you for wanting to come out to meet me,
  • 99:48 - 99:51
    'cuz I want to meet all you guys just as much as you want to meet me,
  • 99:51 - 99:54
    and...like all these gifts, I don't deserve them.
  • 99:54 - 99:55
    I really don't.
  • 99:55 - 99:57
    A lot of you will say "Yes Jack, you do deserve them,
  • 99:57 - 100:00
    you helped me so much" but really, no, I don't.
  • 100:00 - 100:02
    [Shannon] I don’t know him personally of course
  • 100:02 - 100:05
    but judging solely on what’s publicly available he seems great,
  • 100:05 - 100:07
    especially when compared to other big Youtube personalities
  • 100:07 - 100:09
    and let's players that kids watch.
  • 100:09 - 100:12
    I know my intro contrasting him and Burnham can be read as harsh
  • 100:12 - 100:16
    but it comes from a place of wishing he saw value in himself outside of his audience
  • 100:16 - 100:18
    and spent time on something else.
  • 100:18 - 100:21
    Since the Paradox clip I used was from 2015,
  • 100:21 - 100:23
    I hope his outlook has evolved some since then
  • 100:23 - 100:24
    and that he’s in a better place.
  • 100:24 - 100:27
    [Jack] There's a lot of stuff in my life that's kind of getting to me
  • 100:27 - 100:30
    and weighing me down, and in the last couple of weeks
  • 100:30 - 100:33
    I just...haven't been happy, in general.
  • 100:33 - 100:35
    As I said, just so many of my friends are over there,
  • 100:35 - 100:39
    and I want to hang out with them day-to-day and do stuff with them
  • 100:39 - 100:42
    outside of Youtube, just in general I want to go out and hang out
  • 100:42 - 100:45
    and go to a movie with people, go to the beach and hang out
  • 100:45 - 100:50
    and just chat, go to dinner, go play bowling or somethin'.
  • 100:50 - 100:53
    Anything like that, I just miss my friends a lot, and a lot of them are over there.
  • 100:53 - 100:58
    I've for the last two weeks I don't think I've left my house, at all,
  • 100:58 - 100:59
    to go do anything,
  • 100:59 - 101:02
    maybe to like go to the movies once or something like that,
  • 101:02 - 101:05
    but I just don't go outside day-to-day, I'm inside all the time,
  • 101:05 - 101:08
    and I don't really like doing that, and it gets to you after a while
  • 101:08 - 101:10
    and doing the same videos over and over again
  • 101:10 - 101:13
    kind of weighs you down, so my-my mental health
  • 101:13 - 101:15
    has not been in the best place recently.
  • 101:15 - 101:19
    [Shannon] I don't talk a whole lot publicly or in my videos about my personal life
  • 101:19 - 101:22
    or my friendships with other artists and content creators
  • 101:22 - 101:23
    because that isn’t the world’s business
  • 101:23 - 101:26
    but I am pretty obviously friends with hbomberguy.
  • 101:26 - 101:28
    I’ve been on his streams and we make videos together.
  • 101:28 - 101:31
    I became friends with Hbomb in a roundabout way through my work.
  • 101:31 - 101:34
    I can’t speak for Harris but I somehow doubt we would be friends now
  • 101:34 - 101:38
    if I had spent all of my time pouring over the minutiae of his personal life
  • 101:38 - 101:41
    and obsessing over his appearance when he’s clearly just a person
  • 101:41 - 101:43
    trying to just make good video essays on games and politics.
  • 101:43 - 101:46
    Not that you only have value if you make content,
  • 101:46 - 101:47
    that’s obviously ludicrous-
  • 101:47 - 101:50
    I just mean that I’ve worked to establish my own identity
  • 101:50 - 101:53
    on top of being respectful of the boundaries of people I’m a fan of.
  • 101:53 - 101:56
    And whenever I work with or post photos of Harris and myself,
  • 101:56 - 102:00
    or of my friend Devon and myself, I get weird comments and messages
  • 102:00 - 102:03
    asking if we’re dating, because 1) if I work with a dude creatively
  • 102:03 - 102:08
    we’re OBVIOUSLY dating and 2) that’s definitely a normal,
  • 102:08 - 102:10
    non-invasive thing to ask someone.
  • 102:10 - 102:13
    Even at my relatively low level of attention
  • 102:13 - 102:15
    and with my repeated establishment of boundaries
  • 102:15 - 102:18
    I get weird invasive questions and I know as my audience grows
  • 102:18 - 102:20
    it will probably only get worse.
  • 102:20 - 102:24
    I do attach on some level the worth of my work to the people who tell me
  • 102:24 - 102:27
    I changed their minds and made them less elitist or less of an edgelord
  • 102:27 - 102:31
    or inspired a passion for film in them or helped them through a difficult time.
  • 102:31 - 102:34
    That’s AMAZING. That means a lot to me.
  • 102:34 - 102:36
    I cannot begin to imagine what it means to Markiplier
  • 102:36 - 102:38
    when he does a Make-A-Wish fulfillment,
  • 102:38 - 102:41
    or what that connection means to the parents of a dying child.
  • 102:41 - 102:43
    I have a very close friend who quit drinking
  • 102:43 - 102:46
    in part because of an episode of Cracked’s podcast that David Wong did
  • 102:46 - 102:49
    and it was a huge turning point in his life.
  • 102:49 - 102:52
    I’ve certainly been helped out by feeling a connection with media figures,
  • 102:52 - 102:55
    that I’ll talk about in episode four, but OBVIOUSLY,
  • 102:55 - 102:59
    from the very first video essay I published on this channel over three years ago,
  • 102:59 - 103:02
    Youtube channels like Every Frame a Painting and Red Letter Media
  • 103:02 - 103:03
    inspired and encouraged me.
  • 103:03 - 103:06
    One Piece has meant a lot to me for fifteen years.
  • 103:06 - 103:10
    But past the self-evident issues when you get sucked into a parasocial fantasy
  • 103:10 - 103:11
    from an audience point of view,
  • 103:11 - 103:14
    from the creator point of view I know that I have to be careful
  • 103:14 - 103:18
    because once the attention leaves the work that I willingly put out there
  • 103:18 - 103:19
    and starts being about me-
  • 103:19 - 103:22
    if I let it affect how I look at myself or let people I don’t know
  • 103:22 - 103:25
    start to try to grasp at more of me than I’m willing to give-
  • 103:25 - 103:29
    if I let view counts and fan attention determine my self-worth-
  • 103:29 - 103:31
    that's dark. It’s poison.
  • 103:31 - 103:34
    So please understand that every harsh moment in this essay
  • 103:34 - 103:36
    comes from personal experience.
  • 103:36 - 103:39
    I cannot deny the value that parasocial relationships can hold
  • 103:39 - 103:43
    but I’ve seen their dark side, both for fans and personas, close up,
  • 103:43 - 103:46
    and I think that, collectively, we can do better.
  • 103:49 - 103:50
    "He's living the dream,
  • 103:50 - 103:52
    and we get to come along and live it with him."
  • 103:52 - 103:56
    "I like this it makes me feel like I have friends."
  • 103:56 - 103:58
    "patheticccc"
  • 103:58 - 104:04
    "A safe space for Fictoromantics, Fictosexuals,
  • 104:04 - 104:09
    or anyone attracted to any type of fictional characters!"
  • 104:09 - 104:12
    "You do more for my positive emotions in one video
  • 104:12 - 104:14
    than most people can do in a month."
  • 104:14 - 104:19
    "welp time to end it all..... OH..!! ill just delay it 57 mins"
  • 104:19 - 104:22
    "I've been single for 4 years now and I feel alone.
  • 104:22 - 104:25
    All my friends have boyfriends and my crush doesn't feel the same.
  • 104:25 - 104:27
    But your videos are the closest thing I have
  • 104:27 - 104:30
    to a relationship and I'm so glad that you make them.
  • 104:30 - 104:31
    Thank you so much."
  • 104:31 - 104:35
    "You mean more to some of us than we matter to ourselves.
  • 104:35 - 104:37
    Stay strong. For us."
  • 104:37 - 104:40
    "Yay! I have friends again! Very briefly!!!
  • 104:40 - 104:43
    ::Collapses in helpless sobbing, clutching the monitor tight::
  • 104:43 - 104:45
    "HELL YEAH, Sanji's my f***in dude."
  • 104:45 - 104:47
    *laughs*
  • 104:47 - 104:49
    "Zoro *clap* is *clap* a *clap* savage"
  • 104:49 - 104:51
    "I just want one day with Bo.
  • 104:51 - 104:54
    Maybe I'll get cancer and can have Make-A-Wish ask him so he can say no."
  • 104:54 - 104:58
    "I wanna drink with Mike and Jay so bad."
  • 104:58 - 104:59
    "My friends are here!"
  • 104:59 - 105:02
    "This seriously the only Youtube channel
  • 105:02 - 105:04
    that makes me immediately click on their new content.
  • 105:04 - 105:07
    The only thing in my life that excites me, really."
  • 105:07 - 105:10
    "You guys are my parasocial friends."
  • 105:10 - 105:12
    67 upvotes.
  • 105:12 - 105:16
    "it really is like having friends for an hour."
  • 105:16 - 105:19
    "Each new upload is as if senpai noticed you."
  • 105:19 - 105:23
    "Adrian Taylor was diagnosed with Adrenal cancer when she was 16 years old.
  • 105:23 - 105:27
    With her life on the line and not much hope, her sister Sofie;
  • 105:27 - 105:30
    who had shared a profound love for Markiplier as much as her sister did,
  • 105:30 - 105:34
    set her up with Make-A-Wish foundation to meet her well known hero.
  • 105:34 - 105:36
    But will it end up being more than a one time thing?
  • 105:36 - 105:40
    Will her bigger with of being with him come true?"
  • 105:40 - 105:43
    "This actually felt like I was personally with Jack!"
  • 105:43 - 105:45
    "Then mission accomplished."
  • 105:45 - 105:49
    "Jack, you do this once to twice a month to really connect with us
  • 105:49 - 105:52
    as we all are feeling we are personally with you.
  • 105:53 - 105:55
    LIKE TO GET THIS TO JACK"
  • 105:55 - 105:59
    "a day with jack a day with jack this is more important
  • 105:59 - 106:01
    that anything else in your life."
  • 106:01 - 106:03
    Jack? *chuckles*
  • 106:04 - 106:05
    "Jack is a cuck."
  • 106:05 - 106:09
    "You know, Septiplier used to make me smile all the time, it was my sunshine,
  • 106:09 - 106:10
    they were so perfect.
  • 106:10 - 106:12
    I mean, I know that they would never be together,
  • 106:12 - 106:13
    but seeing them play around
  • 106:13 - 106:16
    and being the goofballs they are together made me smile.
  • 106:16 - 106:18
    AND NOW THEY DON'T EVEN TALK ANYMORE.
  • 106:18 - 106:22
    You don't feel the bright sunny energy you used to when they are in a room together.
  • 106:22 - 106:26
    Jack moved on to Felix, people are making a new love story for them
  • 106:26 - 106:29
    and I'm sitting here at 3 in the morning crying over the red and green beans
  • 106:29 - 106:31
    that used to make me happy.
  • 106:31 - 106:35
    Septiplier is gone, we all know that, and I want it back more than anything...
  • 106:35 - 106:37
    I just want my sunshine back..."
  • 106:37 - 106:40
    5.6 thousand people liked this POST.
  • 106:40 - 106:42
    "do you think it would be healthy or unhealthy of me
  • 106:42 - 106:44
    to develop a parasocial relationship
  • 106:44 - 106:46
    with the hosts of the Trap and the wider Chapo-verse?"
  • 106:47 - 106:49
    "It's honestly the healthiest thing you can do."
  • 106:49 - 106:51
    "but when i was around 11 or possibly 12
  • 106:51 - 106:54
    the episode where bulma and vegeta begin their relationship
  • 106:54 - 106:55
    was broadcast in my country.
  • 106:55 - 106:58
    i immediately sunk in a deep deep depression.
  • 106:58 - 107:00
    the first time I had been betrayed by a woman.
  • 107:00 - 107:02
    not just any woman. the woman of my dreams.
  • 107:02 - 107:06
    dont say a 2D girl cant hurt you. they can. take it from me.
  • 107:06 - 107:09
    this all really happened and it happened because of anime."
  • 107:09 - 107:12
    "One Piece has a lot of flashback scenes, but they're there for one reason.
  • 107:12 - 107:15
    They started when I thought that by acquainting you all
  • 107:15 - 107:17
    with even the childhoods of these characters,
  • 107:17 - 107:20
    you'd feel like you've been with them since they were children.
  • 107:20 - 107:24
    Things like "Oh, Luffy's been terrible at telling lies since he was a kid,"
  • 107:24 - 107:27
    or "He used to be such a crybaby,"
  • 107:27 - 107:29
    or "He's grown up so much,"
  • 107:29 - 107:32
    or "He hasn't changed at all."
  • 107:32 - 107:37
    I feel like a deep bond has developed between you all and Luffy and his friends."
  • 107:37 - 107:40
    "RLM is the reason I haven't killed myself
  • 107:41 - 107:42
    yet."
  • 107:42 - 107:43
    "Relationship status?"
  • 107:43 - 107:45
    "Who's that guy in your pics then?"
  • 107:45 - 107:46
    "Who's Devon?"
  • 107:46 - 107:51
    "Ah thanks for the clarification, you look...really happy together,
  • 107:51 - 107:54
    that's tHe mAiN rEaSoN i AsKeD tHe QuEsTiOn TbH."
  • 107:54 - 107:58
    "Even as Jack makes a general statement about the fact that we matter,
  • 107:58 - 108:05
    I just feel so grateful, as if he's talking to me in particular.
  • 108:05 - 108:07
    I have such an awful pain in my chest right now."
  • 108:11 - 108:14
    [Jack] I've... spent the last five years of my life...
  • 108:14 - 108:19
    being so bombarded by opinions of other people, good, bad, or indifferent,
  • 108:20 - 108:23
    that...like you don't realize what that's doing to you
  • 108:23 - 108:25
    until you're actually away from it.
  • 108:25 - 108:27
    And it wasn't until I sat down and thought about it that...
  • 108:28 - 108:30
    when I started off doing my channel, it was...
  • 108:31 - 108:34
    it was something I loved doing because...
  • 108:34 - 108:36
    I-I had felt left out in life.
  • 108:37 - 108:40
    I felt like I was an outcast in a lot of the things I was doing
  • 108:40 - 108:44
    and...I wanted to start it because I saw other people do it
  • 108:44 - 108:48
    and I saw...people inviting all these-these people on the internet
  • 108:48 - 108:51
    to join in and be part of this community and family,
  • 108:51 - 108:53
    that they were creating cool stuff together
  • 108:53 - 108:57
    and I thought "You know what, I'm lonely, I'm sad.
  • 108:57 - 109:00
    Being part of these communities makes me feel happy
  • 109:00 - 109:02
    so I wanted to go out there and...
  • 109:02 - 109:03
    do that for other people,
  • 109:04 - 109:06
    and I wanted to try and help people achieve their best
  • 109:06 - 109:08
    and just lead them in a good direction.
  • 109:08 - 109:10
    That version of myself when I started off like that,
  • 109:10 - 109:15
    energetic, bubbly, loud, sweary kind of person- that was just what I was,
  • 109:15 - 109:18
    that's who I was, and it was an extension of myself-
  • 109:18 - 109:21
    obviously that's not the way I am all the time,
  • 109:21 - 109:24
    nobody can be turned up to 11 all the time,
  • 109:24 - 109:28
    but playing video games and interacting with them and interacting with you guys
  • 109:28 - 109:30
    was where I felt most at home
  • 109:30 - 109:35
    and felt like the best version of myself so that-it brought out that side of me
  • 109:35 - 109:36
    so much more then anything else.
  • 109:36 - 109:40
    I hadn't realized that after a while that kind of became...
  • 109:40 - 109:41
    like a caricature of me.
  • 109:41 - 109:44
    And then I ended up becoming that version of myself
  • 109:44 - 109:48
    by just turning on the camera and just *snap* turning it on.
  • 109:48 - 109:52
    It was dishonest to do it that way because I wasn't being myself,
  • 109:52 - 109:56
    and freaking out about my schedule and freaking out about letting people down
  • 109:57 - 110:01
    just built up this well of anxiety and sadness in me
  • 110:01 - 110:02
    that I didn't know was there,
  • 110:02 - 110:04
    and it just kept building and building and building.
  • 110:05 - 110:08
    I-I was worried about admitting that stuff to myself
  • 110:08 - 110:10
    and I was worried about admitting it to other people
  • 110:10 - 110:15
    because...I felt like if I did that, then it would become true.
  • 110:16 - 110:18
    Even though it was already true anyway,
  • 110:18 - 110:22
    but I was-I was afraid that it would change something about myself
  • 110:22 - 110:25
    and I was-I was so worried that...
  • 110:25 - 110:28
    this like positive energy that I was giving off that...
  • 110:28 - 110:33
    if I admitted that... I'm not happy all the time
  • 110:33 - 110:38
    that other people... would stop believing in that cause.
  • 110:38 - 110:42
    So I always tried to... I always tried to lead by example
  • 110:42 - 110:45
    and be as positive as I could be and to give off a good message
  • 110:45 - 110:49
    and it's something that I wholeheartedly believe in.
  • 110:49 - 110:54
    But, at some point I realized that I had built all this stuff onto a pedestal
  • 110:54 - 110:57
    so high that I could never actually get there
  • 110:57 - 111:01
    and I could never keep that up for a really long time, so...
  • 111:02 - 111:05
    instead of it chipping away it all just came crumbling down at one point.
  • 111:05 - 111:08
    [Bo] They say it's- it's like the 'Me' generation, it's not.
  • 111:08 - 111:12
    it's not a- the arrogance is taught or it was cultivated,
  • 111:12 - 111:14
    it's-it's self-conscious.
  • 111:14 - 111:19
    [Jack] So many people are feeling the burnout of doing this type of Youtube
  • 111:19 - 111:25
    because Youtube shifted in such a direction that...the grind is stronger than ever.
  • 111:25 - 111:29
    The-the need to constantly be updating people on what you're doing-
  • 111:29 - 111:32
    [Bo] Social media, it's just the market's answer
  • 111:32 - 111:34
    to a generation that demanded to perform-
  • 111:34 - 111:36
    -To constantly be making content-
  • 111:36 - 111:39
    -So the market said here, perform everything-
  • 111:39 - 111:42
    -To constantly be pushing it out into your faces-
  • 111:42 - 111:44
    -to each other, all the time, for no reason-
  • 111:44 - 111:46
    -because that's just what the machine likes,
  • 111:46 - 111:47
    the machine likes quantity.
  • 111:47 - 111:50
    But a lot of people are starting to realize that that's just...-
  • 111:50 - 111:51
    -it's prison-
  • 111:51 - 111:52
    -unsustainable after a while-
  • 111:52 - 111:56
    -it's horrific, it is performer and audience melded together,
  • 111:56 - 111:59
    what do we want more then to lie in our bed at the end of the day
  • 111:59 - 112:02
    and just watch our life as a satisfied audience member?
  • 112:02 - 112:05
    I-I know very little about anything,
  • 112:05 - 112:09
    but what I do know is that if you can... live your life without an audience...
  • 112:11 - 112:12
    you should do it.
  • 112:18 - 112:22
    [Shannon] Thank you so much to all of the people listed here,
  • 112:22 - 112:25
    either for voice acting, notes on the script or the edit,
  • 112:25 - 112:29
    research help, moral support, or some combination of the above.
  • 112:29 - 112:32
    And additional thanks to Harris, Devon, and Graham
  • 112:32 - 112:35
    for their tireless support of my creative endeavors
  • 112:35 - 112:39
    which has always gone above and beyond and which I appreciate immensely.
  • 112:39 - 112:40
    So, there was part two!
  • 112:40 - 112:43
    Part three is going to be focused on academic research
  • 112:43 - 112:45
    surrounding parasocial relationships
  • 112:45 - 112:47
    and part four will deal with my own experiences with them
  • 112:47 - 112:49
    and my own personal take on them.
  • 112:49 - 112:53
    Also I’m definitely not an expert on some of the topics I covered in this video
  • 112:53 - 112:55
    and I struggled with pronunciation here and there
  • 112:55 - 112:59
    so I’m 100% open to corrections and suggestions for further research.
  • 112:59 - 113:02
    I also think everything in this video is up-to-date
  • 113:02 - 113:04
    but I’ve been working on it for around a year
  • 113:04 - 113:06
    so I’m open to corrections for anything I missed there as well.
  • 113:06 - 113:09
    This was sort of an experiment and a challenge to myself
  • 113:09 - 113:12
    to see if I could pull off a feature-length video essay.
  • 113:12 - 113:14
    I am very grateful for my Patrons
  • 113:14 - 113:17
    but I can’t sustain doing this again at my current level-
  • 113:17 - 113:21
    I can’t rationalize making what is essentially a feature-length documentary
  • 113:21 - 113:23
    for a few hundred dollars.
  • 113:23 - 113:26
    So, if you enjoyed this, and you want to see more of this,
  • 113:26 - 113:28
    please sign up and become a Patron of mine,
  • 113:28 - 113:31
    because if I get to the level of Patreon backing
  • 113:31 - 113:34
    where I can be more financially stable and not have to rely on freelance,
  • 113:34 - 113:38
    I’d love to make more in-depth feature-length videos,
  • 113:38 - 113:40
    and, in the future, maybe not take a whole year to finish one.
  • 113:40 - 113:42
    Uh, here's most of the music that I used:
  • 113:42 - 113:45
    An instrumental version of Kendrick Lamar’s King Kunta,
  • 113:45 - 113:48
    lots of Lemon Demon music, mostly off of Spirit Phone,
  • 113:48 - 113:50
    lots of Lyricwulf’s Bo Burnham piano covers
  • 113:50 - 113:51
    which you can find on Youtube,
  • 113:52 - 113:54
    and Taylor Davis Binks’ Sake cover.
  • 113:55 - 114:00
    And thanks, as always, for watching!
  • 114:01 - 114:04
    ♫ Email me, Richard. FaceTime me, Richard. ♫
  • 114:04 - 114:06
    ♫ Call on me, Richard. ♫
  • 114:06 - 114:10
    ♫ Get some...damn lunch with me, Richard. ♫
  • 114:10 - 114:14
    ♫ Ok so, there should be links in the video. ♫
  • 114:15 - 114:22
    ♫ So that's the place to go if you by any chance happen to know any way to meet ♫
  • 114:22 - 114:24
    ♫ Richard Dreyfuss ♫
  • 114:24 - 114:27
    ♫ I would kill you all to meet Richard Dreyfuss ♫
  • 114:27 - 114:32
    ♫ I would kill you all to meet Richard Dreyfuss ♫
Title:
FAKE FRIENDS EPISODE TWO: parasocial hell
Description:

more » « less
Video Language:
English
Duration:
01:54:35

English subtitles

Revisions