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The dangers of whitewashing black history | David Ikard | TEDxNashville

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    I am the proud father
    of two beautiful children:
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    Elijah, 15, and Octavia, 12.
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    When Elijah was in the 4th grade,
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    he came to me,
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    he came home from school
    bubbling over with excitement
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    about what he had learned that day
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    about African American history.
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    Now, I'm an African American
    and Cultural Studies professor,
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    and so, as you can imagine,
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    African American culture
    is kind of serious around my home.
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    So, I was very proud
    that my son was excited
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    about what he had learned
    that day in school.
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    So I said, "What did you learn?"
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    He said, "I learned about Rosa Parks."
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    I said, "Okay, what did you learn
    about Rosa Parks?"
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    He said, "I learned that Rosa Parks
    was this frail, old black woman
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    in the 1950s, in Montgomery, Alabama,
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    and she sat down on this bus
    and she had tired feet,
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    and when the bus driver told her
    to give up her seat to a white patron,
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    she refused because she had tired feet
    and it had been a long day,
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    and she was tired of oppression,
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    and she didn't give up her seat.
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    And she marched with Martin Luther King
    and she believed in non-violence."
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    And I guess he must have looked at my face
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    and saw that I was
    a little less than impressed
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    by his history lesson.
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    And so, he stopped and he's like,
    "Dad, what's wrong?
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    What did I get wrong?"
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    I said, "Son, you didn't
    get anything wrong,
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    but I think your teacher
    got a whole lot of things wrong.
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    (Laughter)
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    He said, "But what do you mean?"
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    I said, "Rosa Parks was not tired,
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    she was not old
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    and she certainly didn't have tired feet."
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    He said, "What?"
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    I said, "Yes!
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    Rosa Parks was only 42 years old -
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    yeah, you're shocked, right?
    You never heard that.
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    Rosa Parks was only 42 two years old,
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    she had only worked six hours that day
    and she was a seamstress.
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    And her feet were just fine.
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    The only thing that she was tired of
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    was she was tired of inequality.
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    She was tired of oppression."
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    And my son said,
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    "Well, why would my teacher, you know,
    tell me this thing, you know?
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    This is confusing for me."
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    Because he loved this teacher,
    and she was a good teacher,
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    a youngish, you know,
    twenty-something, white woman,
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    really, really smart, pushed him.
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    So I liked her as well,
    but he was confused.
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    "Why would she tell me this?" he said.
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    He said, "Dad, tell me more.
    Tell me more about Rosa Parks."
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    And I said, "Son, I'll do you one better."
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    He was like, "What?"
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    I said, "I'm going to buy
    her autobiography
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    and I'm going to let you
    read it yourself."
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    (Laughter)
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    So as you can imagine,
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    Elijah wasn't too excited about this new,
    lengthy homework assignment
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    that his dad had just given him,
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    but he took it in stride.
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    And he came back after he had read it
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    and he was excited
    about what he had learned.
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    "Dad," he said,
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    "not only was Rosa Parks
    not initially into non-violence,
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    but Rosa Parks' grandfather,
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    who basically raised her
    and was light enough to pass as white,
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    used to walk around town
    with his gun in his holster,
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    and people knew
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    that if you messed with Mr. Parks's
    children or grandchildren,
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    he would put a cap
    in your proverbial bottom.
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    (Laughter)
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    Right? He was not someone to mess with.
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    And he said, "I also learned
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    that Rosa Parks married a man in Raymond
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    who was a lot like her grandfather."
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    He was a civil rights activist,
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    he would organize events,
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    and sometimes the events would be
    at Rosa Parks's home.
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    And one time, Rosa Parks remarked
    that there were so many guns on the table,
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    because they were prepared for somebody
    to come busting into the door,
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    that they were prepared for whatever
    that was going to go down.
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    Rosa Parks said, "There were
    so many guns on the table
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    that I forgot to even offer them
    coffee or food."
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    This is who Rosa Parks was.
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    And in fact, Rosa Parks, when she was
    sitting on that bus that day,
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    waiting for those
    police officers to arrive,
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    and not knowing what
    was going to happen to her,
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    she was not thinking
    about Martin Luther King,
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    who she barely knew;
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    she was not thinking
    about non-violence or Gandhi;
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    she was thinking about her grandfather,
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    a gun-toting, take-no-mess, grandfather.
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    That's who Rosa Parks was thinking about.
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    And my son was mesmerized by Rosa Parks,
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    and I was proud of him
    to see this excitement.
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    But then, I still had a problem,
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    because I still had to go to his school
    and address the issue with his teacher.
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    because I didn't want her
    to continue to teach the kids
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    obviously false history.
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    So I'm agonizing over this,
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    primarily because I understand
    as an African American man
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    that whenever you talk
    to whites about racism
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    or anything that's racially sensitive,
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    there's usually going to be a challenge.
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    This is what white sociologist
    Robin Di Angelo calls "white fragility."
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    She argues, in fact because whites
    have so little experience
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    being challenged
    about their white privilege,
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    that whenever even the most
    minute challenge is brought before them,
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    they usually cry, get angry or run.
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    (Laughter)
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    And I have experienced them all.
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    And so, when I was contemplating
    confronting his teacher,
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    I wasn't happy about it, but I was like,
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    "This is the necessary evil
    of being a black parent
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    trying to raise self-actualized
    black children."
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    So I called Elijah to me and I said,
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    "Elijah, I'm going to tell
    your teacher, you know,
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    I'll set up an appointment
    with your teacher
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    and try and correct this,
    and maybe your principle.
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    What do you think?"
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    And Elijah said,
    "Dad, I have a better idea."
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    And I said, "Really? What's your idea?"
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    He said, "We have
    a public speaking assignment,
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    and why don't I use
    that public speaking assignment
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    to talk about debunking
    the myth of Rosa Parks?"
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    And I was like,
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    "Well, that is a good idea!"
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    (Laughter)
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    So Elijah goes to school,
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    he does his presentation,
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    he comes back home,
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    and I could see
    something positive happened.
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    I said, "Well, what happened, Son?"
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    He said, "Well, later on in that day,
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    the teacher pulled aside
    and she apologized to me,
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    for giving that misinformation."
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    And then something else
    miraculous happened the next day:
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    she actually taught
    a new lesson on Rosa Parks,
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    filling in the gaps that she had left
    and correcting the mistakes that she made,
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    and I was so, so proud of my son.
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    But then, I thought about it.
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    And I got angry.
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    And I got real angry.
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    Why? Why would I get angry?
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    Because my nine-year-old son
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    had to educate
    his teacher about his history,
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    had to educate his teacher
    about his own humanity.
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    He's nine years old!
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    He should be thinking about basketball,
    or soccer, or the latest movie ...
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    He should not be thinking about
    having to take the responsibility
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    of educating his teacher,
    his [classmates], right,
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    about himself, about his history.
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    That was the burden that I carried,
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    that was the burden
    that my parents carried,
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    and generations before them carried.
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    And now I was seeing my son
    take on that burden too.
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    You see, that's why Rosa Parks
    wrote her autobiography.
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    Because during her lifetime -
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    If you can imagine:
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    you do this amazing thing;
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    you're alive and you're talking about
    you civil rights activism,
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    and a story emerges
    in which somebody is telling the world
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    that you were old, and you had tired feet,
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    and you just were an accidental activist,
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    not that you had been an activist,
    by then for twenty years;
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    not that the boycott
    had been planned for months;
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    not that you were not even the first,
    or the second, or even the third woman
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    to be arrested for doing that.
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    Right? You become an accidental activist.
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    Even in her own lifetime!
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    So she wrote that autobiography
    to correct the record.
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    Because what she wanted
    to remind people of
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    was that this is
    what it was like in the 1950s,
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    trying to be black in America
    and fight for your rights.
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    During the year, little over a year,
    that the boycott lasted,
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    there were over four church bombings.
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    Martin Luther King's
    house was bombed twice.
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    Other civil rights leaders' houses
    were bombed in Birmingham.
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    Rosa Parks's husband
    slept at night with a shotgun,
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    because they would get
    constant death threats.
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    In fact, Rosa Parks' mother
    lived with them,
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    and sometimes she would stay
    on the phone for hours
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    so that nobody would call in
    with death threats,
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    because it was constant and persistent.
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    In fact there was so much tension,
    there was so much pressure,
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    there was so much terrorism,
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    that Rosa Parks and her husband lost
    their jobs and they became unemployable,
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    and eventually had to leave
    and move out of the South.
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    This is the civil rights reality
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    that Rosa Parks wanted to make sure
    that people understood.
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    So you say, "Well, David,
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    what does that have to do with me?
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    I'm a well-meaning person,
    I didn't own slaves, you know,
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    I'm not trying to whitewash history,
    I'm a good guy, I'm a good person."
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    Let me tell you
    what it has to do with you.
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    And I'll tell it to you
    by telling you a story
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    about a professor of mine,
    a white professor,
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    when I was in graduate school,
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    who was a brilliant, brilliant individual.
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    We'll call him Fred.
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    And Fred was writing this history
    of the Civil Rights movement,
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    but he was writing specifically
    about a moment
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    that happened to him in North Carolina,
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    when this white man shot
    this black man in cold blood,
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    in a wide open space,
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    and was never convicted.
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    And so, it was this great book,
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    and he called together
    a couple of his professor friends,
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    and he called me to read a draft of it
    before final submission.
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    And I was flattered that he called me,
    I was only a graduate student then,
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    and I was kind of, you know,
    feeling myself a little bit.
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    OK, yeah! I'm sitting around
    amongst intellectuals,
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    and I read the draft of the book.
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    And there's a moment in the book that
    struck me as being deeply problematic.
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    And so I said, "Fred," as we were
    sitting around, talking about this draft -
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    I said, "Fred, I got a real problem
    with this moment
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    that you talk about
    your maid in your book."
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    And he said -
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    I can see Fred get a little up, you know.
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    He's got a little "tight," as we say,
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    And he said, "what do you mean?
    That's a great story!
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    It happened just like I said!"
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    I said, "Hmm... can I give you
    another scenario?"
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    Now, what's the story?
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    It was 1968:
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    Martin Luther King
    had just been assassinated.
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    His maid, domestic - we'll call her
    May Belle - was in the kitchen.
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    Little Fred is eight years old;
    little Fred comes into the kitchen.
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    And May Belle, who is only seen
    as smiling and helpful and happy,
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    is bent over the sink, and she's crying.
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    And she's sobbing,
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    inconsolably.
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    And little Fred comes over
    to her and says,
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    "May Belle, what is wrong?!"
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    May Belle turns and she says,
    "They killed him!
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    They killed our leader!
    They killed Martin Luther King!
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    He's dead!
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    They are monsters!"
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    And little Fred says,
    "It'll be OK, May Belle,
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    it'll be OK, it'll be OK."
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    And she looked at him and she's,
    "No! It's not going to be OK!
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    Did you not hear what I just said?!
    They killed Martin Luther King!"
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    And Fred, son of a preacher,
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    looks up at May Belle and he says,
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    "But May Belle,
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    didn't Jesus die
    on the cross for our sins?
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    Wasn't that a good outcome?
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    Maybe this will be a good outcome.
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    Maybe the death of Martin Luther King
    will lead to a good outcome."
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    And as Fred tells the story,
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    he says that May Belle
    put her hand over her mouth,
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    she reached down
    and she gave little Fred a hug,
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    and then she reached into the ice box
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    and took out a couple of Pepsis,
    gave him some Pepsis,
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    and sent him on his way
    to play with his siblings.
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    And he said, "This was proof that even
    in the most harrowing times,
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    a race struggle, that two people
    can come together across racial lines
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    and find human commonality
    along the lines of love and affection."
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    And I said, "Fred, that is some BS."
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    (Laughter)
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    (Applause)
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    And Fred was ...
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    And Fred was like,
    "But I don't understand.
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    That's the story!"
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    I said, "Fred, may I ask you a question?"
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    I said,
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    "You were in North Carolina, 1968.
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    If May Belle would have gone
    to her community -
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    you were 8 years old -
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    what do you think 8-year-old African
    American children were calling her?
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    Do you think they were
    calling her by her first name?
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    No, they called her Ms. May Belle,
    or they called her Ms. Johnson,
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    or they called her Auntie Johnson.
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    They would have never dared
    call her by her first name,
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    because that would have been
    the height of disrespect.
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    And yet you were calling her by her first
    name every single day that she worked,
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    and you never thought about it.
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    I said, "May I ask you another question?
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    Was May Belle married?
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    Did she have children?
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    What church did she go to?
    What was her favorite dessert?"
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    Fred could not answer
    any of those questions.
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    I said, "Fred, this story is not
    about May Belle, this story is about you."
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    I said, "This story made you feel good,
    but this story is not about May Belle.
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    The reality is what probably
    happened was May Belle was crying,
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    which was not something
    she customarily did.
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    So she was letting her guard down.
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    And you came into the kitchen,
    and you caught her at a weak moment,
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    when she was letting her guard down.
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    And see, because you thought of yourself
    as just like one of her children,
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    you didn't recognize that you were
    in fact the child of her employer.
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    And she found herself yelling at you,
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    and then she caught herself realizing
    that if I'm yelling at him,
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    and he goes back and he tells
    his dad or he tells mum,
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    I could lose my job.
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    And so she tempered herself.
  • 16:10 - 16:13
    And even though she needed consoling,
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    she ended up consoling you
    and sending you on your way.
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    Perhaps so she could finish
    mourning in peace."
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    And Fred was stunned.
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    And he realized that he had actually
    misread that moment.
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    And see, this is what
    they did to Rosa Parks.
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    Because it's a lot easier to digest
    an old grandmother with tired feet,
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    who doesn't stand up
    because she wants to fight for inequality,
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    but because her feet and her back
    are tired and she's worked all day.
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    See, grandmothers,
    all grandmothers are not scary,
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    but young, radical black women,
    who don't take any stuff from anybody,
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    are very scary,
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    who stand up to power
    and are willing to die for that.
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    Those are not the kind of people
    that make us comfortable.
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    So you say,
  • 17:07 - 17:13
    "What do you want me to do, David?
    I don't know what to do."
  • 17:13 - 17:16
    Well, what I would say to you is:
  • 17:16 - 17:20
    There was a time in which
    if you were Jewish you were not white,
  • 17:20 - 17:22
    if you were Italian you were not white,
  • 17:22 - 17:25
    if you were Irish you were not
    white in this country.
  • 17:25 - 17:32
    It took a while before the Irish, the Jews
    and the Italians became white, right?
  • 17:32 - 17:34
    There was a time
    in which you were othered,
  • 17:34 - 17:37
    when you were the people on the outside.
  • 17:40 - 17:45
    Toni Morrison said, "If in order for you
    to be taller I have to be on my knees,
  • 17:45 - 17:46
    you have a serious problem."
  • 17:46 - 17:49
    She says, "White America
    has a serious, serious problem."
  • 17:51 - 17:56
    To be honest, I don't know
    if race relations will improve in America,
  • 17:56 - 17:58
    but I know that if they will improve,
  • 17:58 - 18:02
    we have to take
    these challenges on head on.
  • 18:03 - 18:05
    The future of my children depends on it.
  • 18:05 - 18:08
    The future of my children's
    children depends on it.
  • 18:08 - 18:10
    And whether you know it or not,
  • 18:10 - 18:12
    the future of your children,
  • 18:12 - 18:14
    and your children's children,
  • 18:14 - 18:16
    depends on it too.
  • 18:16 - 18:17
    Thank you.
  • 18:17 - 18:19
    (Applause)
Title:
The dangers of whitewashing black history | David Ikard | TEDxNashville
Description:

Should white people care about the whitewashing of black history? Most people will likely answer yes to this question, if only because it sounds politically correct to do so. What will hopefully become clear is that whites have as much to lose by whitewashing black history as their African American peers.

David Ikard is a Professor of African American and Diaspora Studies at Vanderbilt University. His research and teaching interests include African American Literature, black feminist criticism, hip-hop culture, black masculinity and whiteness studies. He is the author/co-author of four books, including "Breaking The Silence: Toward a Black Male Feminist Criticism" (2007), "Nation of Cowards: Black Activism in Barack Obama's Post-Racial America" (2012; co-authored with Martell Teasley and winner of the 2013 Best Scholarly Book Award by DISA), "Blinded by the Whites: Why Race Still Matters in 21st-Century America" (2013), and "Lovable Racists, Magical Negroes, and White Messiahs" (2017). His essays have appeared in African American Review, MELUS , Palimpsest, African and Black Diaspora Journal, The Journal of Black Studies, and Obsidian III.

This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx

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Video Language:
English
Team:
closed TED
Project:
TEDxTalks
Duration:
18:28

English subtitles

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