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(tape rewinding)
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(funky music)
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- [George Michael] I've always had
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a very strange sense of my own future.
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And as a child, even though I had no idea
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that I could write or
sing, I was convinced
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that I was going to be a pop star.
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I had no real inclination
to shout about it,
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because I just felt it
was going to happen.
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I don't think it was until
we made the album Make It Big
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that I actually accepted
that I was a singer,
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I was gonna be a singer
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that could actually get
some respect from people.
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(cheering)
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("Everything She Wants" by Wham)
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♫ Oh
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♫ Oh yeah
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- [Joe Smith] When the decision
was made that you wanted
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to go on your own, what do want to be?
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- [George] We could've just
kind of kept on being Wham
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and me gradually making
George Michael records,
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but that would've been
a real sham, you know.
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Everyone is right now expecting me
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to move into the kind of artist
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that they've been comparing me to
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for the last couple
years, i.e. another Elton.
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But I do have the advantage of youth.
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I'm gonna make two types of music.
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One is the type that people
are expecting me to make,
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because it's really what I'm best at.
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And well, I would imagine
whatever happens from now on,
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I'll probably be remember the most for
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is my songs in terms of structured balance
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and stuff like that, with strong melodies.
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("Careless Whisper" by George Michael)
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♫ The way I danced with you
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♫ Oh
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You know, I've done that.
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I've done Careless Whisper.
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But also, there's a kind of sexuality
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that I haven't really made the most of
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with the first part of my career.
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I suppose, obviously, as a
22 year old, 23 year old,
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obviously I'm more experienced sexually
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than I was as an 18 year
old, so maybe it's time
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for that to start reflecting in the music.
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(funky dance music)
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- [Joe Smith] What was the
China experience like?
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- [George] It was pretty
horrendous, actually.
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The idea of playing to those people,
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being the first people to
play real Western pop music
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to those people, was a great privilege.
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It was just that the
place is so oppressive,
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you know, the actual atmosphere.
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We played two concerts, that's all we did.
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One in Beijing, which is in, or Peking.
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And what happened, basically,
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was that we opened with a black dj.
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And this guy did just about
everything that a dj could do.
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He did break dancing, he spun the records,
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and scratching, and everything.
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People were jumping, and
then they're out their seats.
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He ran around the auditorium
dancing and stuff to our music.
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The people were kissing him
and tryin' to dance like him.
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It was absolutely brilliant.
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And there was about a 15
minute break before we came on.
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There was an announcement,
obviously in Chinese,
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so we didn't understand it at
the time, made to the audience
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that there was to be no dancing
for the rest of the evening,
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they want people to remain in their seats.
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So we went out and played
to nothing, you know.
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We went out and played to
13,000 people sitting down.
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("Everything She Wants" by Wham)
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♫ Tell me why all I need is you, you, you
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There was one funny thing,
(cheering)
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actually, is that when you actually tried
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to get the audience to clap,
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they have no perception
of clapping in rhythm.
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So you'd clap,
(clapping)
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and they would just applaud you.
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(laughing)
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Everyone was smiling,
but basically we just,
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first, the first feeling was of failure,
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that there was no way
we could communicate.
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Then, there was, when
we actually found out
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what had gone on, I was just furious.
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I mean obviously I felt
responsibility at the time
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to represent my generation
from the West in a good light,
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and pop music in a good light.
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I felt that was what we were there to do.
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And after that, realizing that
they had no real intention
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of allowing people to
absorb what we were doing,
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I just felt really betrayed.
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(funky dance music)
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I suppose what I really want is to be able
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to do what I want creatively,
succeed publicly, and be able
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to progress without screwing
the rest of my life up.
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That's the way I see it, really.
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In 10 years time, I think I could be
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a very, very big star, as
opposed to just a star.
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And although there is that
half of me that wants it,
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there is another half of
me that's very frightened
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of it as well, because I don't think
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it has a good effect on people's lives.
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I don't want to be dragged
into the kinda down sides
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of this business that
are so easy to fall into.
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I mean, I'm very excited about the future,
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but at the same time it worries me.
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(fun dance music)
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I've had songs swimming around
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in my head for about two years.
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I just keep the songs and
the arrangements in my head.
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And it's very, very silly in
one sense, 'cause, I mean,
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I might go and bang my
head tomorrow or something.
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And I, where's wood?
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There's no wood to touch.
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(murmuring)
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(knocking)
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Touch wood! (laughing)
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I don't, but, I mean, I might go
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and have a nasty fall
or somethin' and lose,
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you know, an album's worth of material.
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But I have this thing
that if it's in my head
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and it's still there,
it's because it's meant
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to be there, you know.
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I have kind, it's like a superstition.
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(tape rewinding)