The Last Farewell - Hiroshi Ishii at TEDxTokyo
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0:10 - 0:11Hey, good morning.
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0:11 - 0:15It’s really great pleasure
for me to come back -
0:15 - 0:19because I’ve been here
almost 20 years ago. -
0:19 - 0:20TED 4 KOBE.
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0:20 - 0:22How many of you guys
were in Kobe? -
0:22 - 0:24Plentiful. Great!
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0:24 - 0:27It’s a great place
to share ideas, -
0:27 - 0:29learn so many stuff,
but also connecting people. -
0:29 - 0:33In this event 1993,
I met Nicholas Negroponte. -
0:33 - 0:35I often call him Nikochan Daio.
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0:35 - 0:39The next year,
he headhunted me in Atlanta, -
0:39 - 0:41then I moved to MIT.
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0:42 - 0:46Today, I’d like to share
some reflection about 3.11. -
0:46 - 0:50Kondo-san gave great perspectives
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0:50 - 0:52from social media point of views.
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0:52 - 0:55Also I thought a lot
what really happened. -
0:55 - 0:56What could be learned?
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0:56 - 0:59What could be shared
to the next generations? -
0:59 - 1:03March 11th, 14:46,
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1:03 - 1:05the series of earthquakes hit,
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1:05 - 1:08then some sequence of Tsunamis,
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1:08 - 1:11then resulting a nuclear crisis,
as many of you know. -
1:11 - 1:15How to respond to these crises
is really important question. -
1:15 - 1:19And as all you saw,
so many new hash tags, -
1:19 - 1:21so many people’s good will,
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1:21 - 1:24good mind tried to help each other.
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1:24 - 1:27But this, all the timeline is
so rapid a stream. -
1:27 - 1:30Nobody can really manage
or catch up. -
1:30 - 1:33So how to make these information
manageable? -
1:33 - 1:35How to organize information?
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1:35 - 1:37How to decrease entropy?
Usable? -
1:37 - 1:41It’s really a challenge from
information technology point of view. -
1:41 - 1:46So, for me, connecting people and people,
beloved ones who are missed, -
1:46 - 1:48connecting people information,
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1:48 - 1:50"I know somebody brings water.
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1:50 - 1:51Where can I get the water?
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1:51 - 1:53Where should I be there?"
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1:53 - 1:55"I need medicines.
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1:55 - 1:56I’m here.
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1:56 - 1:57Who can deliver it?"
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1:57 - 1:59"I have a truck
but I don’t have gasoline." -
1:59 - 2:02"I have gasoline
but I don’t have permission." -
2:02 - 2:04"I don’t know which road I can go."
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2:04 - 2:08All these information have
to be connected together. -
2:08 - 2:13So that connecting people, information and resources
seems to be one of important challenges. -
2:13 - 2:16I’d like to shed a light
for crisis mapping. -
2:16 - 2:17Mapping is important.
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2:17 - 2:19If information is geotagged,
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2:19 - 2:23you can really anchor all information
to the geographical information system. -
2:23 - 2:27That dramatically decreases the entropy.
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2:27 - 2:32Crisis mapping and also crowdsourcing
and, in large, collective intelligence -
2:32 - 2:37that's ground vision of my hero Doug Engelbart
came out many many years ago. -
2:37 - 2:40So I’d like to show quickly
some of the examples. -
2:40 - 2:42The great news is I’m here.
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2:42 - 2:44Bad news is I have
only ten minutes. -
2:44 - 2:49So, Ushahidi is one of the great infrastructures
of open source crisis mapping. -
2:49 - 2:53It not only demonstrated the power
in the Sumatra Tsunami, -
2:53 - 2:55but the Haiti earthquake.
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2:55 - 2:57Then people worked together hard.
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2:57 - 3:00So, on the next day,
all the sinsai.info, -
3:00 - 3:03using the same infrastructure
Ushahidi, -
3:03 - 3:07started collecting all the information
automatically or manually. -
3:07 - 3:09This is a great accomplishment.
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3:09 - 3:11Speed is the key.
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3:12 - 3:14Also Google did a remarkable job.
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3:14 - 3:16They have a crisis response team
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3:16 - 3:19and for me,
most impressive part is, -
3:19 - 3:24people need information about
where my loved one is. -
3:24 - 3:27But all the network,
telephone is dead. -
3:27 - 3:32So, the last thing they did is
using hand-written list of the roster, -
3:32 - 3:36of the people
who safely evacuated into shelters. -
3:36 - 3:38But there’s no way
to really share this information. -
3:38 - 3:44Everybody have to visit all the shelters to see
if my loved one, family is there. -
3:44 - 3:49So, Google encourage people
grab your cellular phones, -
3:49 - 3:51charge up your batteries,
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3:51 - 3:54then go to these shelters from the area
who have not really suffered. -
3:54 - 3:59They shoot photos, upload to Picasa,
then share it. -
3:59 - 4:01Then next, crowdsourcing.
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4:01 - 4:04You guys, stop watching TV.
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4:04 - 4:07Please donate your time,
cognitive surplus. -
4:07 - 4:12Why don’t you help us to transcribe Japanese language
if you know Japanese language? -
4:12 - 4:14Then turn into the text.
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4:14 - 4:17Code EUC, EBCDIC or Shift-JIS, whatever
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4:17 - 4:20which machine can search for you.
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4:20 - 4:24So now, all information
went to this Person Finder. -
4:24 - 4:28This stream of the information
many people worked together -
4:28 - 4:30is so important.
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4:30 - 4:32Radiations.
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4:32 - 4:34Now, many people are
having Geiger counters, -
4:34 - 4:37then measuring,
then uploading and sharing. -
4:37 - 4:40This is a data
from Fukushima Prefecture. -
4:40 - 4:46Pachube is another great open source
platform of all the sensor data. -
4:46 - 4:48But I think this is the first time
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4:48 - 4:53they used to aggregate all the data
from Geiger counters about the radiation. -
4:53 - 4:59Now, you can see in Fukushima area
near nuclear power plant is deadly blood. -
4:59 - 5:01But Tokyo is OK.
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5:01 - 5:03But many people
do not see this difference, -
5:03 - 5:07don’t understand
how wind or water may work. -
5:07 - 5:08So, they just panicked.
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5:08 - 5:10Then asked all the people
to evacuate from Japan. -
5:10 - 5:12So, we lost many people.
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5:12 - 5:16So, scientific communication,
crowdsourcing, sharing are so important. -
5:16 - 5:20This is another variation of 3D view
mapped with Google Earth. -
5:20 - 5:24Infrastructures like maps
are so important. -
5:24 - 5:28Also crowdsourcing, connecting,
making information manageable. -
5:28 - 5:31So, connecting people
and information, resources. -
5:31 - 5:33So many lessons we can learn.
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5:33 - 5:35This is only a tiny portion.
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5:35 - 5:37I learned so much
in the past 3 months. -
5:37 - 5:39I collected so much data to Evernote.
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5:39 - 5:41How many of you are using Evernote?
It’s great. -
5:41 - 5:44But I have to ask Evernote guy,
"Oh, I used up 1 GB. -
5:44 - 5:47Can you give me more?
Because it's so important." -
5:47 - 5:49So, don’t miss this opportunity of lessons.
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5:49 - 5:51So many things you can learn,
digest later. -
5:51 - 5:57But important thing is got to be open
in the meaning of radical openness claims. -
5:57 - 5:59If it's not open it's dead,
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5:59 - 6:02all your supply chain in your company
is corporate secret. -
6:02 - 6:05But in a crisis of supply chain,
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6:05 - 6:09because if all the companies try to keep
key materials, everything stuck. -
6:09 - 6:14Unless you make open,
you cannot restructure, repair, -
6:14 - 6:18the new kind of global supply chain,
for example. -
6:18 - 6:19Crowdsourcing.
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6:19 - 6:22Human is the most powerful entities.
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6:22 - 6:25It’s not necessarily computationally readable,
machine readable. -
6:25 - 6:27Human readable.
Photo is great. -
6:27 - 6:28Photo is great.
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6:28 - 6:30Photo sharing is great.
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6:30 - 6:33But then, we need to translate
for the machine. -
6:33 - 6:34Dumb machine can still search.
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6:34 - 6:37Crowdsourcing, mashup
and curation are so important. -
6:37 - 6:40So many volunteers started
to connect similar information. -
6:40 - 6:43But then, you have to really aggregate.
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6:43 - 6:45Also beautifully lay out.
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6:45 - 6:49How many of you are using
Flipboard on the iPad? -
6:49 - 6:51So, you know what I mean.
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6:51 - 6:55So many sources of information
but you need consistent experiences, -
6:55 - 6:59seamless experiences
to digest all this information. -
6:59 - 7:01Also filtering, prioritization.
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7:01 - 7:03So, curation is the key.
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7:03 - 7:06Then, market of supply and demand.
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7:06 - 7:08Somebody displays needs of medicines.
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7:08 - 7:11Somebody has a truck.
Somebody has gasoline. -
7:11 - 7:14How to connect those people
is so important. -
7:14 - 7:20Amazon used Wish List for the gift
to help those kinds of entity. -
7:20 - 7:22They have infrastructure.
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7:22 - 7:26But also they need volunteers
like us or you guys. -
7:26 - 7:31So many Twitter volunteers
appeared in the Twittersphere. -
7:31 - 7:36So, there is a certain sign of hope
towards the reconstruction. -
7:37 - 7:42So, the keyword came from the bamboo talk
of Garr Reynolds is "resilient." -
7:42 - 7:47How to make the world resilient
to another series of crises? -
7:47 - 7:48They don’t stop.
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7:48 - 7:50They keep coming.
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7:50 - 7:54Energy, financial, natural disaster,
environmental crises. -
7:54 - 7:59So, it’s nice to make the world
fun, happy, wealthy, -
7:59 - 8:02but most importantly,
how to make the world resilient, -
8:02 - 8:09how to quickly make world recover from
the next series of disasters seem important goals. -
8:09 - 8:14In that context, the role of connecting
chains is much more bigger. -
8:14 - 8:15That’s great.
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8:15 - 8:16But time is running out.
Oh my gosh! -
8:16 - 8:18(Laughter)
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8:18 - 8:22One of my most favorite poets,
Kenji Miyazawa, -
8:22 - 8:24came from Tohoku area,
Iwate Prefecture -
8:24 - 8:28where I travel a lot
using night trains. -
8:28 - 8:31And I read his poems
so many times. -
8:31 - 8:37I follow lot of the people, but most favorite people
are deceased poets, the bots. -
8:37 - 8:43Because their tweets are so condensed
and so stimulating like Kenji Miyazawa's -
8:43 - 8:45(Japanese): fetch me the rainlike snow.
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8:45 - 8:47(Japanese): Thank you,
my brave little sister. -
8:47 - 8:50Every word strikes me,
makes me think. -
8:50 - 8:51Why I received this message?
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8:51 - 8:53There must be some meaning.
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8:53 - 8:55So there’s no random stuff.
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8:55 - 8:57Everything has reason,
necessity. -
8:57 - 8:59So I have to decode the meaning.
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8:59 - 9:01That is my training
of the creativity. -
9:01 - 9:07But problem is, this is
all 12 pt. font beautiful stuff. -
9:07 - 9:12But real poems I saw in Hanamaki,
his museum, are amazing. -
9:12 - 9:14Hand-written manuscripts
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9:14 - 9:20which capture all the traces
of his body, spirit, struggles. -
9:20 - 9:22Write and rewrite and rewrite.
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9:22 - 9:24Yellow papers and spread ink.
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9:24 - 9:29He couldn’t really come up
the way to express his grief -
9:29 - 9:33of losing beloved, his
young sister Toshiko. -
9:33 - 9:38But then, his poem went to
not a personal grief, -
9:38 - 9:40but the level of religious level.
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9:40 - 9:41It’s amazing.
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9:41 - 9:45But seeing these processes,
is such a pleasure for me. -
9:45 - 9:47But before seeing this one,
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9:47 - 9:50I only knew
the beautifully printed book. -
9:50 - 9:53Book is great, font is great
for mass production -
9:53 - 9:56and standardization,
also Internet, -
9:56 - 9:59but something missing is this:
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10:00 - 10:03traces of physical presence
or struggle of the spirit. -
10:03 - 10:06Sometimes it’s so important for the art.
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10:06 - 10:09So, I want to see artists
stand up and complain. -
10:09 - 10:12Why do you remove
all the most important stuff? -
10:12 - 10:14Why you only put
the clean final stuff? -
10:14 - 10:18Also the consumers like me
should really stand up. -
10:18 - 10:23So, these traces stimulate imagination,
then art is completed. -
10:23 - 10:26With your imagination,
art piece complemented. -
10:26 - 10:32So, Haiku, Tanka is much more powerful
than the perfect HDTV movie. -
10:32 - 10:33That’s my point.
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10:33 - 10:39So, I want to show one piece I did
for my most loved woman, -
10:39 - 10:40my mom.
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10:41 - 10:45(Classical music)
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10:53 - 10:56So, this is a piece
called musicBottles. -
10:56 - 10:59I want to show how it can
extend the affordance -
10:59 - 11:03of the simple bottle opening and closing
to the digital domain. -
11:03 - 11:06Now, you can put anything
you imagine, speech or poems. -
11:07 - 11:08So, it’s nice music.
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11:08 - 11:12Also oriental glass blowing studio
to make the perfect glass. -
11:12 - 11:14But the beauty is one of a kind.
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11:14 - 11:16Once it drops, it’s broken.
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11:16 - 11:18You can’t reboot.
It’s not a game. -
11:18 - 11:19It’s a real stuff.
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11:19 - 11:24This brings esthetic pleasure,
emotional pleasure. -
11:24 - 11:25That’s so critical.
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11:25 - 11:29But the reason I did this project
is not for the music. -
11:29 - 11:31This is for my mom.
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11:31 - 11:39I had a dream to gift to my mom which has
a weather forecast of Sapporo City, our hometown. -
11:40 - 11:44So, when she wakes up,
she opens up the bottles. -
11:46 - 11:48(Chirps of birds)
So, today’s a fine day. -
11:48 - 11:53She cooked for me and my young sister
thousands times opening soy sauce bottles. -
11:53 - 11:56Opening soy sauce bottles,
a fragrance comes. -
11:56 - 11:58That is what she understand,
beautiful art. -
11:58 - 12:03Why we have to ask old people
to learn cellular phone or computers, -
12:03 - 12:08forcing them to learn Emacs-ESC-sequence-like
stupid artificial language? -
12:08 - 12:09Which is nothing to do with her.
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12:09 - 12:11She never uses any machines,
cellular phones, -
12:11 - 12:14but she has a beautiful world
and she took care of me. -
12:14 - 12:18She passed away 1998.
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12:18 - 12:21But so many things
about what I learned from her. -
12:21 - 12:23So, future is very important.
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12:23 - 12:26So, I’m so happy
to be with you guys. -
12:26 - 12:29But in 2050, I’m gone
somewhere else. -
12:29 - 12:31My students say,
my coordinate might be wrong. -
12:31 - 12:37But wonderful news is, altogether 2100
nobody can survive. -
12:37 - 12:39(Laughter)
(Applause) -
12:39 - 12:42But the future continues.
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12:42 - 12:43Future never stops.
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12:43 - 12:47It’s not the next quarter,
not retirement, not your death. -
12:47 - 12:49But to the people in 2200,
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12:49 - 12:52if you are creators or visionaries,
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12:52 - 12:54how do you want
to be remembered by people? -
12:54 - 12:56Your idea, not name.
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12:56 - 12:58What do you leave for them?
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12:58 - 13:01That’s a question
I’ve been asking to myself, -
13:01 - 13:03my students and my collegues.
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13:03 - 13:04Memento Mori.
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13:04 - 13:05After the lights,
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13:05 - 13:08infinite eternal future
is waiting for us. -
13:08 - 13:09Thank you very much.
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13:09 - 13:11(Applause)
- Title:
- The Last Farewell - Hiroshi Ishii at TEDxTokyo
- Description:
-
Hiroshi Ishii, Media Lab researcher known as a pioneer of tangible user interfaces talks about how infrastructures on the Internet connected people, information and resources and helped sufferers of huge natural disasters. And then, he shows beautiful examples of traces of physical presence and extended affordances of daily objects.
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDxTalks
- Duration:
- 13:15
Leonardo Silva edited English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Yasushi Aoki commented on English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Yasushi Aoki commented on English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Ivana Korom approved English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Ivana Korom edited English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Ivana Korom edited English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Emma Gon accepted English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo | ||
Emma Gon edited English subtitles for The Last Farewell - Hiroshi Ishii at TEDxTokyo |
Yasushi Aoki
“fetch me the rainlike snow”
Here I used the English translation by Roger Pulvers. The translator intentionally made the line uncapitalized because the original text is somewhat childish (words of a small girl).
See http://translations.ted.org/wiki/The_Last_Farewell_-_Hiroshi_Ishii_at_TEDxTokyo
(I think I wrote this comment previously, but I'm not sure. Anyway, Amara lost all the comments before 2013 Jun. I write this again.)
Yasushi Aoki
Correction:
My students say, [unclear].
My students say my coordinate might be wrong.
# Students are saying, "You might go to Hell instead of Heaven."