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Kameelah Janan Rasheed: The Edge of Legibility | Art21 "New York Close Up"

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    (suspenseful music)
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    - I think so, but what does done mean?
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    (laughs)
    - Yeah.
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    - Text has this illusion
    of comprehensiveness.
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    (paper flipping)
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    Even if you've read something once,
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    it doesn't mean that you understand it.
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    So I sort of like to play with language
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    and making something
    either very, very legible
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    or making something very, very opaque.
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    And encouraging people to do
    the work of understanding it,
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    it's really an invitation,
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    come think with me.
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    (paper rustling)
    - Oh yeah.
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    Of all the family members,
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    I'm the most organizationally inclined.
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    So I have taken, whenever I go home,
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    steal a few more photos each time.
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    So my dad was converted to
    Islam in the early 1980s.
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    He basically was learning Islam
    by typewriting these notes.
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    (typewriter keyboard thumping)
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    He would photocopy pieces
    of religious texts,
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    and he would then paste
    them on a sheet of paper,
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    and they he would annotate them.
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    He came to make sense
    of things through this
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    repeated reading and rereading process.
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    I thought this was so lovely
    because I was thinking
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    about this idea of talking back to a text.
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    A text itself is never finished,
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    each time we read something new,
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    we're either annotating on the page
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    or annotating in our brain,
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    and we're creating what
    literally are new texts.
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    This active collaboration between
    the reader and the writer,
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    the text is there not to
    offer us a final meaning,
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    but it's actually there as an invitation
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    for us to actively engage with it.
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    (papers rustling)
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    If you look at (laughs)
    my dad and I's notes,
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    what he did as a study tool
    is basically my art practice.
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    (suspenseful music building)
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    (papers rustling)
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    Huh, that's literally exactly what I do
    now, I read a lot and do arts. (laughs)
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    Feel like our young selves
    know exactly what we wanna do.
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    (bright electronic music)
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    There's nothing that I've done in my life
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    that hasn't been focused on text.
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    I'm really interested
    in what words convey,
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    but also how they appear on the page,
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    on walls,
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    and public space.
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    What might it mean to see this
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    every Tuesday when you walk by?
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    What it means to sort
    of engage with the text
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    over and over and over?
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    Rereading as this ritual.
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    I'm really interested in
    the concept of the word
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    and what it carries,
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    as well it's actually trying to say or do.
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    (papers rustling)
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    When I'm looking for texts,
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    I'm usually not looking
    for a particular sentence.
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    I'm looking for a
    particular shape of a letter
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    or a shape of a word.
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    So I'll flip through any
    texts on my bookshelf
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    looking for the perfect
    A or the perfect B.
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    In a lot of ways I'm trying to figure out
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    the individual letter and
    then start piecing letters
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    and words together from there.
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    (suspenseful music)
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    So the one that I'm writing
    now from all these pieces
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    is "Should they be circling the echo mouth
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    that's sloped upward?"
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    Do I know what that means
    at this particular moment?
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    No, but there is something
    interesting to me
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    about the idea of circling an echo.
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    How do I take something that could be said
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    very, very plainly, and
    code it or use cryptography
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    to make it harder to understand?
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    We circle ambulate the
    affiliate's solution.
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    Sort of inviting people to go slow
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    instead of trying to
    rush to understanding.
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    If you read a sentence that
    immediately doesn't make sense,
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    you have two options, right?
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    You can ignore the sentence and move on,
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    or you can spend a bit
    of time unpacking it.
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    (gentle music)
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    It's almost a proxy for thinking
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    about how we can move through other ways
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    of reading the world with a
    bit more care and slowness.
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    Would ask that we spend a
    bit more time with things
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    that are confusing instead
    of writing them off.
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    I think a lot about what it actually means
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    to make myself legible, invisible.
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    When am I being intentionally opaque
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    and ensuring that not everyone can get in,
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    and when am I being very open and wanting
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    for more people to have access?
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    How you present yourself
    to the world that's legible
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    and appeasing to people,
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    versus I'm not gonna make
    myself known until I'm ready?
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    (gentle music)
Title:
Kameelah Janan Rasheed: The Edge of Legibility | Art21 "New York Close Up"
Description:

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Video Language:
English
Team:
Art21
Project:
"New York Close Up" series
Duration:
07:56

English subtitles

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