Return to Video

My life as a work of art

  • 0:01 - 0:04
    My day starts just like yours.
  • 0:06 - 0:11
    (Laughter)
  • 0:11 - 0:13
    When I wake up in the morning,
  • 0:13 - 0:15
    I check my phone,
  • 0:15 - 0:16
    and then, I have a cup of coffee.
  • 0:18 - 0:20
    But then my day truly starts.
  • 0:21 - 0:26
    It may not be like yours,
    because I live my life as an artwork.
  • 0:28 - 0:33
    Picture yourself in a giant jewelry box
  • 0:33 - 0:36
    with all the beautiful things
    that you have ever seen in your life.
  • 0:37 - 0:41
    Then imagine that your body is a canvas.
  • 0:43 - 0:44
    And on that canvas,
  • 0:44 - 0:49
    you have a mission to create a masterpiece
  • 0:49 - 0:52
    using the contents
    of your giant jewelry box.
  • 0:54 - 0:57
    Once you've created your masterpiece,
  • 0:57 - 1:00
    you might think, "Wow, I created that.
  • 1:00 - 1:02
    This is who I am today."
  • 1:03 - 1:05
    Then you would pick up your house keys,
  • 1:05 - 1:07
    walk out the door into the real world,
  • 1:07 - 1:10
    maybe take public transport
    to the center of the town ...
  • 1:12 - 1:15
    Possibly walk along the streets
    or even go shopping.
  • 1:16 - 1:17
    That's my life, every day.
  • 1:19 - 1:20
    When I walk out the door,
  • 1:20 - 1:22
    these artworks are me.
  • 1:22 - 1:24
    I am art.
  • 1:26 - 1:30
    I have lived as art my entire adult life.
  • 1:30 - 1:33
    Living as art is how I became myself.
  • 1:34 - 1:38
    I was brought up in a small village
    called Fillongley, in England,
  • 1:39 - 1:41
    and it was last mentioned
    in the "Domesday Book,"
  • 1:41 - 1:42
    so that's the mentality.
  • 1:42 - 1:44
    (Laughter)
  • 1:44 - 1:46
    I was raised by my grandparents,
  • 1:46 - 1:48
    and they were antiques dealers,
  • 1:48 - 1:52
    so I grew up surrounded
    by history and beautiful things.
  • 1:53 - 1:54
    I had the most amazing dress-up box.
  • 1:55 - 1:58
    So as you can imagine, it started then.
  • 2:02 - 2:04
    I moved to London when I was 17
    to become a model.
  • 2:06 - 2:08
    And then I went to study photography.
  • 2:09 - 2:11
    I wasn't really happy
    with myself at the time,
  • 2:11 - 2:13
    so I was always looking for escapism.
  • 2:14 - 2:17
    I studied the works of David LaChappelle
  • 2:17 - 2:18
    and Steven Arnold,
  • 2:18 - 2:21
    photographers who both curated
    and created worlds
  • 2:21 - 2:24
    that were mind-blowing to me.
  • 2:24 - 2:30
    So I decided one day to cross over
    from the superficial fashion world
  • 2:30 - 2:32
    to the superficial art world.
  • 2:32 - 2:33
    (Laughter)
  • 2:33 - 2:36
    I decided to live my life
    as a work of art.
  • 2:38 - 2:41
    I spend hours, sometimes
    months, making things.
  • 2:42 - 2:45
    My go-to tool is a safety pin,
    like this --
  • 2:45 - 2:46
    (Laughter)
  • 2:46 - 2:47
    They're never big enough.
  • 2:48 - 2:49
    (Laughter)
  • 2:49 - 2:51
    And I use my fabrics time and time again,
  • 2:51 - 2:53
    so I recycle everything that I use.
  • 2:55 - 2:58
    When I get dressed I'm guided
    by color, texture and shape.
  • 2:59 - 3:00
    I rarely have a theme.
  • 3:01 - 3:03
    I find beautiful objects
    from all over the world
  • 3:03 - 3:06
    and I curate them into 3D tapestries
  • 3:06 - 3:09
    over a base layer that covers
    my whole body shape ...
  • 3:09 - 3:11
    because I'm not very happy with my body.
  • 3:11 - 3:12
    (Laughs)
  • 3:12 - 3:14
    I ask myself, "Should I take something off
  • 3:14 - 3:16
    or should I put something on?
  • 3:16 - 3:18
    100 pieces, maybe?"
  • 3:18 - 3:19
    And sometimes, I do that.
  • 3:21 - 3:24
    I promise you it's not
    too uncomfortable --
  • 3:24 - 3:25
    well, just a little --
  • 3:25 - 3:26
    (Laughter)
  • 3:26 - 3:29
    I might have a safety pin
    poking at me sometimes
  • 3:29 - 3:31
    when I'm having a conversation with you,
  • 3:31 - 3:32
    so I'll kind of go off --
  • 3:32 - 3:34
    (Laughter)
  • 3:35 - 3:39
    It usually takes me
    about 20 minutes to get ready,
  • 3:39 - 3:41
    which nobody ever believes.
  • 3:42 - 3:43
    It's true --
  • 3:43 - 3:44
    sometimes.
  • 3:45 - 3:48
    So, it's my version
    of a t-shirt and jeans.
  • 3:48 - 3:50
    (Laughter)
  • 3:50 - 3:52
    When I get dressed,
    I build like an architect.
  • 3:53 - 3:56
    I carefully place things
    till I feel they belong.
  • 3:56 - 3:59
    Then, I get a lot of my ideas
    from lucid dreaming.
  • 3:59 - 4:02
    I actually go to sleep
    to come up with my ideas,
  • 4:02 - 4:04
    and I've taught myself to wake up
    to write them down.
  • 4:06 - 4:08
    I wear things till they fall apart,
  • 4:08 - 4:10
    and then, I give them a new life.
  • 4:11 - 4:12
    The gold outfit, for example --
  • 4:12 - 4:16
    it was the outfit that I wore
    to the Houses of Parliament in London.
  • 4:17 - 4:20
    It's made of armor,
    sequins and broken jewelry,
  • 4:20 - 4:23
    and I was the first person
    to wear armor to Parliament
  • 4:23 - 4:26
    since Oliver Cromwell
    banned it in the 17th century.
  • 4:27 - 4:30
    Things don't need
    to be expensive to be beautiful.
  • 4:30 - 4:35
    Try making outfits out of bin liners
    or trash you found out on the streets.
  • 4:35 - 4:36
    You never know,
  • 4:36 - 4:39
    they might end up on the pages of "Vogue."
  • 4:40 - 4:42
    There's over 6,000 pieces
    in my collection,
  • 4:42 - 4:46
    ranging from 2,000-year-old Roman rings
    to ancient Buddhist artifacts.
  • 4:47 - 4:50
    I believe in sharing what I do
    and what I have with others,
  • 4:50 - 4:53
    so I decided to create an art exhibition,
  • 4:53 - 4:56
    which is currently traveling
    to museums around the world.
  • 4:57 - 4:59
    It contains an army of me --
  • 4:59 - 5:01
    life-size sculptures
    as you can see behind me,
  • 5:02 - 5:03
    they're here --
  • 5:03 - 5:04
    they are my life, really.
  • 5:04 - 5:07
    They're kind of like 3D tapestries
    of my existence as living as art.
  • 5:07 - 5:10
    They contain plastic crystals
    mixed with diamonds,
  • 5:10 - 5:12
    beer cans and royal silks all in one look.
  • 5:13 - 5:16
    I like the fact that the viewer
    can never make the assumption
  • 5:16 - 5:17
    about what's real and what's fake.
  • 5:18 - 5:22
    I find it important to explore and share
    cultures through my works.
  • 5:24 - 5:26
    I use clothing as a means to investigate
  • 5:26 - 5:29
    and appreciate people
    from all over the world.
  • 5:30 - 5:35
    Sometimes, people think
    I'm a performer or a drag queen.
  • 5:36 - 5:37
    I'm not.
  • 5:37 - 5:41
    Although my life appears
    to be a performance,
  • 5:41 - 5:42
    it's not.
  • 5:42 - 5:44
    It's very real.
  • 5:45 - 5:48
    People respond to me as they would
    any other type of artwork.
  • 5:48 - 5:51
    Many people are fascinated and engaged.
  • 5:52 - 5:55
    Some people walk around me,
    staring, shy at first.
  • 5:55 - 5:59
    Then they come up to me and they say
    they love or absolutely hate what I do.
  • 6:00 - 6:04
    I sometimes respond and other times
    I let the art talk for itself.
  • 6:06 - 6:10
    The most annoying thing in the world
    is when people want to touch the artwork.
  • 6:11 - 6:12
    But I understand.
  • 6:13 - 6:15
    But like a lot of contemporary art,
  • 6:15 - 6:16
    many people are dismissive.
  • 6:16 - 6:18
    Some people are critical,
  • 6:18 - 6:19
    others are abusive.
  • 6:20 - 6:23
    I think it comes from
    the fear of the different --
  • 6:23 - 6:24
    the unknown.
  • 6:24 - 6:27
    There are so many reactions to what I do,
  • 6:27 - 6:30
    and I've just learned
    not to take them personally.
  • 6:31 - 6:33
    I've never lived
    as Daniel Lismore, the person.
  • 6:33 - 6:35
    I've lived as Daniel Lismore, the artwork.
  • 6:36 - 6:39
    And I've faced every
    obstacle as an artwork.
  • 6:40 - 6:42
    It can be hard ...
  • 6:42 - 6:46
    especially if your wardrobe
    takes up a 40-foot container,
  • 6:46 - 6:49
    three storage units
    and 30 boxes from IKEA --
  • 6:49 - 6:51
    (Laughter)
  • 6:51 - 6:55
    and sometimes, it can be
    very difficult, getting into cars,
  • 6:55 - 6:56
    and sometimes --
  • 6:56 - 6:59
    well, this morning I didn't fit
    through my bathroom door,
  • 6:59 - 7:00
    so that was a problem.
  • 7:00 - 7:02
    (Laughter)
  • 7:02 - 7:04
    What does it mean to be yourself?
  • 7:04 - 7:06
    People say it all the time,
  • 7:06 - 7:08
    but what does it truly mean,
  • 7:08 - 7:09
    and why does it matter?
  • 7:10 - 7:14
    How does life change when you choose
    to be unapologetically yourself?
  • 7:17 - 7:20
    I've had to face struggles
    and triumphs whilst living my life as art.
  • 7:20 - 7:23
    I've been put on private jets
  • 7:23 - 7:24
    and flown around the world.
  • 7:25 - 7:27
    My work's been displayed
    in prestigious museums
  • 7:27 - 7:28
    and I've had the opportunity --
  • 7:28 - 7:31
    that is my grandparents, by the way --
  • 7:31 - 7:33
    they're the people that raised me --
  • 7:33 - 7:34
    and there I am --
  • 7:34 - 7:35
    (Laughs)
  • 7:35 - 7:41
    (Applause)
  • 7:41 - 7:44
    So I've been put on private jets,
    flown around the world,
  • 7:44 - 7:46
    and yet, it's not been that easy
  • 7:46 - 7:49
    because at times, I've been homeless,
  • 7:49 - 7:50
    I've been spat at,
  • 7:50 - 7:52
    I've been abused, sometimes daily --
  • 7:52 - 7:54
    bullied my entire life,
  • 7:54 - 7:56
    rejected by countless individuals,
  • 7:57 - 7:58
    and I've been stabbed.
  • 7:58 - 8:00
    But what hurt the most
  • 8:00 - 8:03
    was being put on the "Worst Dressed" list.
  • 8:03 - 8:06
    (Laughter)
  • 8:06 - 8:08
    It can be hard, being yourself,
  • 8:08 - 8:10
    but I've found it's the best way.
  • 8:10 - 8:11
    There's the "Worst Dressed."
  • 8:11 - 8:13
    (Laughs)
  • 8:14 - 8:16
    As the quote goes,
    "Everyone else is already taken."
  • 8:17 - 8:20
    I've come to realize that confidence
    is a concept you can choose.
  • 8:21 - 8:25
    I've come to realize that authenticity
    is necessary and it's powerful.
  • 8:26 - 8:29
    I've tried to spend time
    being like other people.
  • 8:30 - 8:31
    It didn't work.
  • 8:31 - 8:34
    It's a lot of hard work,
    not being yourself.
  • 8:36 - 8:37
    I have a few questions for you all.
  • 8:39 - 8:40
    Who are you?
  • 8:41 - 8:43
    How many versions of you are there?
  • 8:44 - 8:46
    And I have one final question:
  • 8:47 - 8:50
    are you using them all to your advantage?
  • 8:52 - 8:55
    In reality, everyone is capable
    of creating their own masterpiece.
  • 8:56 - 8:58
    You should try it sometime.
  • 8:58 - 8:59
    It's quite fun.
  • 8:59 - 9:01
    Thank you.
  • 9:01 - 9:06
    (Applause and cheers)
Title:
My life as a work of art
Speaker:
Daniel Lismore
Description:

more » « less
Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
09:19
Oliver Friedman edited English subtitles for My life as a work of art
Oliver Friedman edited English subtitles for My life as a work of art
Brian Greene approved English subtitles for My life as a work of art
Brian Greene edited English subtitles for My life as a work of art
Krystian Aparta accepted English subtitles for My life as a work of art
Krystian Aparta edited English subtitles for My life as a work of art
Krystian Aparta edited English subtitles for My life as a work of art
Leslie Gauthier edited English subtitles for My life as a work of art
Show all

English subtitles

Revisions Compare revisions