A Story of Rhizome
-
0:15 - 0:18Before I begin I'd like to acknowledge
that we are gathered here -
0:18 - 0:22on the unceded territories of the Squamish,
Tsleil-Watuth and Musqueam people. -
0:22 - 0:25I do this with the utmost
respect and gratitude, -
0:25 - 0:31especially as I'm here to talk about
community and the politics of space. -
0:31 - 0:35I spend a lot of time thinking about
the role that physical spaces play -
0:35 - 0:38in building and sustaining social movements,
-
0:38 - 0:40and I've become convinced over time
-
0:40 - 0:44that the way that we create and hold space
for each other profoundly shapes our sense -
0:44 - 0:49of who we are, what we value, and what
we are capable of together. -
0:49 - 0:53Six years ago my partner Vinetta
and I created Rhizome -
0:53 - 0:55in the Mount Pleasant
neighborhood of Vancouver. -
0:55 - 1:01Rhizome is a place where people come every day
to drink coffee eat sandwiches and curry and soup; -
1:01 - 1:05but that's only part of the story
and I want to tell you the other part; -
1:05 - 1:10but in order to do that I need to tell you first
a little bit about where I come from. -
1:10 - 1:14In 2004, I moved here from San Francisco
-
1:14 - 1:17where I had worked for a decade
as a migrant rights organizer. -
1:17 - 1:23I left behind a vibrant community of struggle
and a city that's good at telling its own story. -
1:23 - 1:26Doing that work in San Francisco,
I was always reminded -
1:26 - 1:30that I was part of something
bigger than myself. -
1:30 - 1:34I think that that sense of belonging had a lot
to do with the kind of work that I was doing, -
1:34 - 1:37but it was also definitely fed by my surroundings.
-
1:37 - 1:39Every day I would walk to work past murals
-
1:39 - 1:43that silently told me that nothing is
ever won without a struggle, -
1:43 - 1:47and that collective liberation is possible.
-
1:47 - 1:49The amazing thing about these murals is that
-
1:49 - 1:52thousands of other people walked
by them every day as well, -
1:52 - 1:55and we all received that same education.
-
1:55 - 1:58Those murals tell stories of indigenous resistance,
-
1:58 - 2:02of migrant rights organizing
and of revolutionary struggles -
2:02 - 2:04for racial and economic justice.
-
2:04 - 2:08They taught us that we are all
products of a shared history. -
2:08 - 2:14So with these murals as my guide I felt
a deep sense of connection and possibility, -
2:14 - 2:16but I don't think that I fully appreciated
-
2:16 - 2:20the power of this very public and
very shared political education -
2:20 - 2:26until after I left that city and moved
to a place where I had no roots. -
2:26 - 2:30When I came to Vancouver
I felt a deep sense of loss. -
2:30 - 2:35The forces of erasure here
felt so powerful and so violent. -
2:35 - 2:38The more I talked to people here
the more I came to understand -
2:38 - 2:42how this history and the constant
rebuilding of this city -
2:42 - 2:45make it very difficult for us
to connect with each other. -
2:45 - 2:50I wondered how many stories
had been erased here. -
2:50 - 2:53My partner and I had always had
a dream of being able to create a space -
2:53 - 2:56that would welcome people
from diverse backgrounds; -
2:56 - 3:00where people would be able
to be truly seen and recognized; -
3:00 - 3:05and where we would be able
to help us connect with each other. -
3:05 - 3:07We wanted to create
a living room for all of us, -
3:07 - 3:10and especially for those who
had been pushed out of other spaces, -
3:10 - 3:13and made to feel invisible.
-
3:13 - 3:17We wanted to use space to show that
our communities face similar challenges, -
3:17 - 3:21and that we can envision solutions together.
-
3:21 - 3:24So when we first walked into the space
that would eventually become Rhizome, -
3:24 - 3:27we knew that we were
in the right place. -
3:27 - 3:31Our new landlord showed us around
and he showed us the place on the floor -
3:31 - 3:35where he had laid the floorboards
one summer back in the 1950's -
3:35 - 3:38as a teenager during his
summer break from high school. -
3:38 - 3:41He pointed out the
100 year old tin ceiling, -
3:41 - 3:44and he told us fantastic stories
-
3:44 - 3:46of things that may or may not
have happened -
3:46 - 3:48in that very room over the years.
-
3:48 - 3:52For us, all of those stories
were seeds of possibility. -
3:52 - 3:56As soon as we opened in 2006,
people started coming -
3:56 - 3:59from all walks of life
and from diverse communities, -
3:59 - 4:02and it turned out that our personal
need to create a shared living room -
4:02 - 4:05was a need that many other
people felt as well. -
4:05 - 4:08And since then we've hosted
over 1,000 events -
4:08 - 4:12in collaboration with
hundreds of community groups. -
4:12 - 4:16Many different communities
really do now consider this space their home -
4:16 - 4:18and have brought pieces
of themselves to it. -
4:18 - 4:23For example every year we host a traditional
latin-american Day of the Dead celebration, -
4:23 - 4:26and every year I watch
as people meet each other -
4:26 - 4:29while placing photos
of their ancestors on the altar. -
4:29 - 4:32Over the years in this space
we've done all of the things -
4:32 - 4:34that build community.
-
4:34 - 4:38We've been able to share our stories,
we've learned about critical issues together -
4:38 - 4:41through panel discussions
and film screenings, -
4:41 - 4:44we've argued and debated
and planned together, -
4:44 - 4:48we've celebrated our victories,
and we've done all this in a space -
4:48 - 4:53that's intentionally multi-generational,
multi-lingual and multi-racial. -
4:53 - 4:57Recently we've started hosting
courses on community organizing -
4:57 - 5:00to help grassroots groups
become more focused and strategic. -
5:00 - 5:04We've created space for all of us
to be able to imagine a better future, -
5:04 - 5:08and now to strategize
around how to get there. -
5:08 - 5:12Over time this really has
become a shared project -
5:12 - 5:16and it's way bigger than anything that
Vinetta or I could ever have imagined. -
5:16 - 5:19It's fully supported
by the people who use it. -
5:19 - 5:24We've been able to experiment with
different economic models on a small scale. -
5:24 - 5:27We created systems so that
everyone can eat here -
5:27 - 5:29regardless of how much
money they have, -
5:29 - 5:32and so that hundreds of people
can contribute what they have, -
5:32 - 5:36to be able to help maintain this
as a shared resource. -
5:36 - 5:40Most importantly Rhizome has allowed
for connections between different groups -
5:40 - 5:44that rarely come into meaningful contact
elsewhere in this city. -
5:44 - 5:47What we do at Rhizome
is explicitly anti-profit, -
5:47 - 5:52it's about re-claiming cooperative values
in a commodified culture. -
5:52 - 5:53Continuing to hold this space
-
5:53 - 5:56has started to feel absolutely vital.
-
5:56 - 5:58Every day we're reminded that the world
-
5:58 - 6:00around us is driven by market values,
-
6:00 - 6:02and that what we do at Rhizome
-
6:02 - 6:04is fundamentally different.
-
6:04 - 6:06We've come to see that our work is part
-
6:06 - 6:12of a broader struggle to define the
very soul of this ever-changing city. -
6:12 - 6:15But this struggle only
points out to me again -
6:15 - 6:19what all of those murals in San Francisco
were telling me all along: -
6:19 - 6:24it takes a community working together to
create something that's worth fighting for, -
6:24 - 6:28and then it takes a shared commitment
to hold on to that thing. -
6:28 - 6:31So we have our own mural
now on the wall, -
6:31 - 6:35and it reminds us every day
of what brings us together. -
6:35 - 6:39It reminds us that space like ours
can create cracks in the system, -
6:39 - 6:44and that those cracks can give us all
a transformative sense of possibility.
- Title:
- A Story of Rhizome
- Description:
-
Rhizome was a café, community space and social justice hub located in the Mount Pleasant neighbourhood of Vancouver, Coast Salish Territories. It was created to be a shared living room, a safe(r) space, and a support space for social justice work. It also was a full-service cafe, offering healthy, fresh food. In the time it was open, Rhizome:
- Supported social justice struggles by hosting events (like film screenings, panel discussions, performances and fundraisers) in collaboration with community groups that work to end oppression in all of its forms, and to advance youth empowerment, indigenous sovereignty, environmental justice, and a more just, sustainable world for all.
- Encouraged dialogue and mutual learning, by making its Community Meeting Room available for workshops, meetings, and other small gatherings.
- Built community by providing people with a space to socialize with each other, share our common resources, and celebrate our victories–crossing many divides including age, orientation, ability, race, and gender.
- Helped marginalized voices be heard, and highlighted visual and performing arts that can help us achieve a better understanding of our communities and our world.
- Helped develop strategic, powerful community groups and movements through the programming of the Rhizome Movement Building Centre, a pilot program to provide training for community groups on strategic campaign development, base-building, and the forging of lasting alliances.================
Captions courtesy of the Radical Access Mapping Project,
Un-ceded Coast Salish Territories of the Skwxwú7mesh, Musqueam, and Tsleil-Waututh peoples.
To learn more, see: http://radicalaccessiblecommunities.wordpress.com/subtitled-videos/
================ - Video Language:
- English
- Duration:
- 07:06
Radical Access Mapping Project edited English subtitles for A Story of Rhizome | ||
Radical Access Mapping Project edited English subtitles for A Story of Rhizome |