Always folding - how origami changed my life | Ilan Garibi | TEDxPaloAltoSalon
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0:08 - 0:10I named this model "Childhood."
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0:10 - 0:14Like most of my works,
it is made out of a single sheet of paper. -
0:14 - 0:16Just folded, no cuts or glue.
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0:16 - 0:21When I was a child,
I always wanted to be a fighter pilot. -
0:21 - 0:26Yet 10 years ago,
after 25 years of military service, -
0:26 - 0:30I retired from the intelligence forces
at the rank of lieutenant colonel. -
0:30 - 0:36And this was about the time I decided
I'm going to be an origami artist. -
0:37 - 0:39Now, origami is about the ability
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0:39 - 0:45to change a square sheet of paper
into almost anything. -
0:46 - 0:47It's a rare form of art
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0:47 - 0:50in which you add nothing
and you take nothing from the paper. -
0:50 - 0:53You end with exactly
what you started with. -
0:55 - 0:58Look at the example
of the works of Eric Joisel, -
0:58 - 1:02for me, maybe the greatest
origami artist who ever lived. -
1:02 - 1:06From one paper, he made the pangolin,
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1:06 - 1:10and from the other, he made the tree
the pangolin stands on. -
1:10 - 1:15Unfold this pangolin, and you will get
the same square sheet Eric started with. -
1:18 - 1:21My first encounter
with origami was with this. -
1:24 - 1:31At 11 years old, 1977,
a classmate went into class holding this, -
1:31 - 1:35and at the moment he pulled the tail,
the wings flapped, -
1:35 - 1:37and just like the butterfly effect,
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1:37 - 1:39my life changed.
-
1:39 - 1:43And this was the exact moment
I was hooked on origami, -
1:44 - 1:46and ever since, I'm always folding.
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1:46 - 1:52Now, my mother was trying
every possible workshop there was, -
1:52 - 1:56from macramé to stained glass,
even painting with ropes, -
1:56 - 2:00and from her, I believe
I got my artistic side. -
2:00 - 2:03My father, well, he was
the best handyman ever. -
2:03 - 2:06He was capable of dismantling the oven,
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2:06 - 2:10take out the heating component,
replace it with a new one, -
2:10 - 2:12and when he put everything back together,
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2:12 - 2:15the oven started to work again,
and there was no screw left outside. -
2:16 - 2:18From him I got the sense
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2:18 - 2:22that if I have a packing knife in one hand
and superglue in the other, -
2:22 - 2:23I can do anything.
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2:26 - 2:29Now, for many years,
I was a passive folder, -
2:29 - 2:32following instruction from books.
-
2:32 - 2:36I did try my hand
with creating my original models, -
2:36 - 2:38but I failed quite miserably, I must say.
-
2:38 - 2:43I once tried to make a hummingbird
and showed it to my wife, and she said: -
2:43 - 2:45"Frankly, my dear husband,
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2:45 - 2:48this is kind of an ugly head
of an elephant." -
2:48 - 2:50(Laughter)
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2:50 - 2:53So I was afraid to fail again
and stopped trying. -
2:54 - 2:56But still,
-
2:56 - 3:01this is partly a collection
of original models from my recent years. -
3:02 - 3:05So how does a folder become a creator?
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3:07 - 3:09My breakthrough was after a mistake.
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3:09 - 3:12What you see here
is the "Star Puff Tessellation" -
3:12 - 3:13by Ralph Conrad.
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3:13 - 3:15And when I tried to refold it -
-
3:15 - 3:19because we origami people,
we remember with our fingers - -
3:19 - 3:22I got this mutation.
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3:23 - 3:26Now, while he has
six-point stars in the center, -
3:26 - 3:30my variation had hexagonal
towers spread all over. -
3:30 - 3:34So, annoyed, I called Gilla,
the lady who taught me the model, -
3:34 - 3:37and I asked her, "What did I do wrong?"
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3:37 - 3:41And she said, "You did nothing wrong.
You actually made a new tessellation." -
3:41 - 3:44That was a moment of revelation for me
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3:44 - 3:47because I realized
I can easily make more mistakes. -
3:47 - 3:48(Laughter)
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3:51 - 3:53So my fear of trying to create was over.
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3:55 - 4:00Now, at the age of 38,
I was promoted to a lieutenant colonel, -
4:01 - 4:04and just like any other
officer at this rank, -
4:04 - 4:07my vision was to become a full colonel.
-
4:08 - 4:12I was appointed as a unit commander
with about 300 soldiers and officers, -
4:13 - 4:17and although my day was fully packed
with discussions, meetings, -
4:17 - 4:20decision-making, drills and exercise,
-
4:20 - 4:22I realized that the best moment of my day
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4:22 - 4:25was when I logged in
into my Flickr account -
4:25 - 4:28and saw that a 13-year-old from Wisconsin
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4:28 - 4:32gave me a star on one
of my latest models I just posted. -
4:32 - 4:34"Well done, Ilan!" he wrote in the notes,
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4:34 - 4:36and I felt so proud.
-
4:36 - 4:37(Laughter)
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4:39 - 4:42Four years later,
I sat in front of my commander, -
4:42 - 4:44and he told me, quite dryly,
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4:44 - 4:47"Garibi, you will never be promoted."
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4:48 - 4:53So my stomach clenched,
but my face showed nothing of it. -
4:54 - 4:57I realized it is time for me to retire.
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4:57 - 5:03Now, for an officer in the army,
retirement can evoke fear. -
5:03 - 5:05It's a major blow to your ego:
-
5:05 - 5:07you lose your post,
-
5:07 - 5:10you lose your stature,
you lose half of your salary. -
5:10 - 5:11Moreover,
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5:11 - 5:16high-ranking officers get the impression
that anything they say will happen. -
5:16 - 5:18Well, they are wrong.
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5:18 - 5:21When you retire,
if you want anything to happen, -
5:21 - 5:24you have to actually do it yourself.
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5:24 - 5:25(Laughter)
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5:25 - 5:29But for me, the retirement
was just like origami: -
5:29 - 5:32you get a clean, fresh,
square sheet of paper, -
5:32 - 5:35and you have endless opportunities.
-
5:35 - 5:37Now, please look at this slide.
-
5:38 - 5:41This image shows the other side
of the model you just saw before. -
5:42 - 5:47And when I saw this other side,
I was much more excited than you are -
5:47 - 5:51because, first, I designed
only the first side, -
5:51 - 5:53so I got this side for free,
which is always nice: -
5:53 - 5:55you make one, you get two.
-
5:56 - 5:57But more importantly,
-
5:57 - 6:03I felt so much joy out of the fact
that this is my creation - I did this - -
6:04 - 6:11and from that joy, I decided
that I'm going to be an origami artist. -
6:11 - 6:16Now as an officer, we were trained,
when we start a new course, -
6:16 - 6:18to set a vision, far ahead,
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6:18 - 6:20and just like the North Star,
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6:20 - 6:23it's just supposed to guide you
through your new journey. -
6:24 - 6:27But you are not really
supposed to reach this vision. -
6:27 - 6:31It's only main function
is to keep you in the right direction. -
6:32 - 6:37But I decided I'm going to set my vision
as far and high as possible. -
6:37 - 6:40I decided that within 10 years,
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6:40 - 6:43I'm going to be no less
than the invited guest -
6:43 - 6:46of the annual Japanese origami convention.
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6:48 - 6:53So how does a folder
become an origami artist? -
6:54 - 6:58The first step is to create -
as many as you can - models, -
6:58 - 6:59which I did.
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6:59 - 7:01That was the easy part.
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7:01 - 7:05Second step on my program was recognition.
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7:06 - 7:10I was aiming to get the recognition
of the origami world. -
7:10 - 7:12Now, origami is about sharing,
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7:12 - 7:16so I started to share
diagrams of my designs. -
7:16 - 7:21I started to attend conventions
and teach models through workshops. -
7:21 - 7:24I published articles in online magazines.
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7:24 - 7:29I did everything I could
to become famous in the origami world -
7:29 - 7:32and get one step closer to my vision.
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7:33 - 7:35But life had other plans for me.
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7:36 - 7:38This is the pineapple tessellation
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7:38 - 7:40with front light.
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7:40 - 7:44Step three on my program was exhibitions.
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7:44 - 7:47I started small in the library
in my hometown -
7:47 - 7:48and then in the city nearby,
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7:49 - 7:52but I knew I have to aim higher,
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7:52 - 7:56and I have to reach the cultural center
of Israel, which is Tel Aviv. -
7:57 - 8:01Luckily, my brother knew a guy -
this is how it works in Israel. -
8:01 - 8:02(Laughter)
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8:02 - 8:05So his name was Gal Gaon,
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8:05 - 8:08and he just opened
a design gallery in Tel Aviv. -
8:08 - 8:13And the day we met was the day
I appointed him as my mentor, -
8:13 - 8:15which he still is until today.
-
8:16 - 8:19And he explained to me,
because I knew nothing about it, -
8:19 - 8:21that the design gallery,
unlike an art gallery, -
8:21 - 8:23is more into useful items,
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8:23 - 8:27like a table, a ball, maybe a lamp.
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8:28 - 8:31This is the same tessellation
you saw before, -
8:31 - 8:33but this time with backlight.
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8:33 - 8:35This is not a computer-generated image:
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8:35 - 8:37it's just paper.
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8:37 - 8:41So although paper is totally unuseful
to become a table, -
8:41 - 8:46it is very suitable to be a lampshade,
as you can see the effect of light. -
8:46 - 8:51So he asked me if I can design
and make four lamps -
8:51 - 8:52in two months' time
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8:52 - 8:54for the opening of the gallery.
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8:54 - 8:57Although I never did it before,
-
8:58 - 9:00but I knew that I had
a packing knife at home -
9:00 - 9:01and some superglue,
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9:01 - 9:03so I said, "Yes, of course."
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9:04 - 9:06And while getting home,
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9:06 - 9:08I remembered my father teaching me
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9:08 - 9:12that the first tool you took to your hands
when you start to make something -
9:12 - 9:13is a pencil.
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9:13 - 9:17So I drew my program,
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9:17 - 9:19and within two months,
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9:19 - 9:22I was able to show
four lamps such as this. -
9:25 - 9:27On the evening of the opening night,
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9:27 - 9:31Albi Zerfati, the owner of Aqua Creations,
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9:31 - 9:36which is a highly esteemed
lighting studio in Israel, -
9:36 - 9:41came and was very impressed
by the beauty of the lampshades, -
9:41 - 9:46and he was smart enough to ignore
the craftsmanship of everything beside it, -
9:46 - 9:50and he asked me if I wanted to join hands
and design a lamp for him, -
9:50 - 9:55to be presented five months later
in Milan Design Week. -
9:56 - 10:00Now, I didn't really know
what Milan Design Week means, -
10:00 - 10:02but I said, "Yes, of course,"
-
10:04 - 10:05and five months later,
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10:05 - 10:08I was standing by this lamp
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10:08 - 10:12in what should be considered
as the pinnacle of the design world, -
10:12 - 10:14in Milan,
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10:14 - 10:17highly proud, but also quite confused.
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10:17 - 10:20Because, you see,
when you stand in Tel Aviv, -
10:21 - 10:24Milan is to the west,
but Japan is to the east. -
10:24 - 10:29So will this lamp take me
any closer to my vision? -
10:29 - 10:31What is my vision now?
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10:33 - 10:34Just to close a circle -
-
10:34 - 10:38three years ago, a new Japanese
restaurant in Tokyo -
10:38 - 10:41decided to decorate the place
with those lamps. -
10:42 - 10:44But back to Milan,
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10:44 - 10:47I decided it is time
to embrace a powerful concept, -
10:48 - 10:50the concept of "and."
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10:50 - 10:54I'm going to be an origami
artist "and" a designer. -
10:56 - 10:59Now, at a certain point,
there will be an unavoidable question. -
10:59 - 11:02You will ask me, "Where is the money?"
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11:02 - 11:03(Laughter)
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11:04 - 11:07"Can you make a living out of origami?"
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11:07 - 11:13Now, for the origami world,
paper is almost everything. -
11:13 - 11:17But for the design world,
paper is not so useful. -
11:17 - 11:20It's too weak, it's too common,
it's too cheap. -
11:22 - 11:27But since I'm a designer now, I realized
maybe I should redefine what folding is. -
11:28 - 11:33Instead of trying to reinforce paper
to be strong enough to become a table, -
11:33 - 11:37maybe I can fold materials
that are used to make tables from. -
11:37 - 11:39So I started to research
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11:39 - 11:42every possible material
that came in a sheet form. -
11:43 - 11:48I started with wood because wood
is premature paper, after all. -
11:49 - 11:53And I realized that if you used
thin enough layers of wood, -
11:53 - 11:57with the help of laser engraving,
I can fold it just like paper. -
11:57 - 12:03I also tried my hand with fabric,
leather, plastic, cement, -
12:03 - 12:05even clay, even glass.
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12:05 - 12:07But what about metal?
-
12:12 - 12:16When I was a kid, I was smaller,
thinner and weaker than most, -
12:16 - 12:20but I knew, I just knew,
that I have superpowers -
12:20 - 12:22that will be released
when I am in a dire need, -
12:22 - 12:26like I'm under an upside-down bus,
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12:26 - 12:30and I will suddenly have the power
to bend the rods, the metal rods, -
12:30 - 12:33and free myself and all the others.
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12:33 - 12:37Now, as you can see,
I never grew any formidable muscles, -
12:38 - 12:41so I realized that
if I want to fold metal, -
12:41 - 12:43I have to outsmart the metal.
-
12:43 - 12:46I have to use my wits.
-
12:47 - 12:50So instead of trying to become
stronger than the metal, -
12:50 - 12:55all I need to do is to make sure
that the crease lines are weaker than me. -
12:57 - 13:01So in a way, I'm folding
metal with my mind. -
13:01 - 13:05This is a nice case of mind over matter,
if you think of about it. -
13:07 - 13:10I started on a small scale with jewelries.
-
13:10 - 13:12I never did make any jewelries before,
-
13:12 - 13:16but you know me by now -
I like to stand for a challenge. -
13:17 - 13:18Those jewelries that you see,
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13:18 - 13:21each of them is hand folded
from a single sheet of brass, -
13:21 - 13:23based on my paper designs.
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13:26 - 13:28On a larger scale, I fold stainless steel
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13:29 - 13:33that has a substantial thickness
of one millimeter with mirror finishing. -
13:33 - 13:38And I fold it only slightly, so you get
so many reflections from the surfaces. -
13:40 - 13:42My work is kind of invisible
-
13:42 - 13:44because when you look at it,
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13:44 - 13:47you don't see the work itself,
you see the reflections. -
13:47 - 13:48In a way, it's a kind of cheating
-
13:48 - 13:50because every time you look at my work,
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13:50 - 13:53all you see is yourself
from so many angles. -
13:54 - 13:55So you have to love that, of course.
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13:55 - 13:57(Laughter)
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13:58 - 14:01And since I am a guy
who likes to stand for a challenge, -
14:01 - 14:05finally, after seven years,
my mentor asked me to make tables. -
14:05 - 14:09Here are some tables, each made
from a single sheet of stainless steel, -
14:09 - 14:12just folded, using my hands.
-
14:15 - 14:16(Applause)
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14:16 - 14:19We are not finished. Thank you.
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14:21 - 14:26Please take a look at the far end
of this two-Michelin-star restaurant. -
14:27 - 14:28Ten years ago,
-
14:28 - 14:33I dreamt of becoming the invited guest
of the Japanese annual origami convention. -
14:33 - 14:38Six years after,
I was invited as an artist -
14:39 - 14:41to install a commissioned work
of metal origami -
14:41 - 14:44at the bar of this restaurant.
-
14:45 - 14:48Now, as we get closer to the bar
to see its beauty, -
14:48 - 14:51I realized that getting
too close to your vision -
14:51 - 14:55means it doesn't function
as your North Star anymore, -
14:55 - 14:57and you have to push it away,
-
14:57 - 14:58farther away.
-
14:58 - 15:00Now, I'm the achiever type,
-
15:00 - 15:03and when I climb a mountain,
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15:03 - 15:06I have to make sure it is higher
than the one I climbed yesterday, -
15:06 - 15:13so it is time for me to find and reach
a higher peak to conquer. -
15:15 - 15:18I call this model "Adulthood."
-
15:19 - 15:23Like most of my works, it is made
out of a single sheet of paper, -
15:23 - 15:25just folded, no cuts or glue.
-
15:26 - 15:30When I was a child,
I always wanted to be a fighter pilot. -
15:30 - 15:32Today, I'm a teacher:
-
15:32 - 15:35I teach origami for industrial designers.
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15:35 - 15:39I'm the author of four books
about origami and paper puzzles. -
15:40 - 15:45I'm a jewelry maker, a designer,
and an origami artist. -
15:45 - 15:49In 2014, I was the invited guest
at the Polish convention; -
15:50 - 15:52a year later, in Italy;
-
15:52 - 15:55in 2017, it was France;
-
15:55 - 15:57last year, Mexico.
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15:58 - 16:03And this is how far
a square sheet of paper can take you -
16:03 - 16:08if you are fearless,
flexible and follow your vision. -
16:08 - 16:14So just imagine how far
your square sheet of paper can take you. -
16:15 - 16:17(Applause)(Cheering)
-
16:17 - 16:18Thank you.
-
16:18 - 16:20(Applause)
- Title:
- Always folding - how origami changed my life | Ilan Garibi | TEDxPaloAltoSalon
- Description:
-
After 25 years of military service, Ilan Garibi retired at the rank of lieutenant colonel and decided to change his life's course. Today, he is a full-time origami artist and instructor, specializing in origami tessellations, with around 200 original models. Garibi is one of the very few people who can fold metal into a tessellation as well as wood, fabric, glass and much more.
Garibi has been teaching origami for industrial designers at the Holon Institute of Technology for the last five years. He is also the founder and CEO (volunteering) of OrigamIsrael, the promoter and manager of the first-ever international convention for origami creators - CfC (July 2016, Lyon), co-editor of the Origami USA online magazine and the author of "Origami Tessellations for Everyone," presenting instructions for 30 of his original models.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDxTalks
- Duration:
- 16:26