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Aşk Laftan Anlamaz 1.Bölüm ᴴᴰ

  • 19:59 - 20:01
    No, you misunderstood me.
  • 20:01 - 20:05
    You didn't understand me at all, Mister. I'm very late, let's leave, come on!
  • 20:05 - 20:06
    You walk, Miss. I'm getting in this taxi.
  • 20:06 - 20:09
    Of course, you'll get in so we can go.
  • 20:09 - 20:10
    How would you drive without getting in?
  • 20:11 - 20:12
    That's the problem anyway.
  • 20:12 - 20:14
    I'm not the driver, I'm a customer.
  • 20:21 - 20:22
    You're not anymore.
  • 20:22 - 20:23
    Why is that?
  • 20:25 - 20:28
    Because my business is very urgent. It's a life or death situation.
  • 20:29 - 20:30
    My business is also urgent.
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    Let's go together if you want.
  • 20:31 - 20:34
    He'll drop me off at my destination and then continue on with yours.
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    What for?
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    Why would I ride in a taxi with a stranger?
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    Do you know the taxi driver?
  • 20:41 - 20:42
    No.
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    You'll ride with him in the same car as well.
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    That's different and this is different, alright?
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    How so?
  • 20:49 - 20:49
    Fine!
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    I'd rather walk than ride a taxi with a man I don't know.
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    With two men you don't know. You keep missing the taxi driver.
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    Are you okay?
  • 21:04 - 21:05
    Inhumane!
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    Monument of selfishness!
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    Epitome of cruel!
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    What could you be?
  • 21:17 - 21:18
    Monument of selfishness?
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    Epitome of cruel?
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    Alright brother, get in, where are we going?
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    Do you know the Sarte building?
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    The one in Levent?
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    Precisely.
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    If you aren't answering your phone, could you switch it to mute? It's bothering me.
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    I was going to ask you the same thing.
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    But it's not my phone ringing.
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    Not mine either.
  • 21:53 - 21:54
    She must have dropped her phone.
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    Let's return it to the lady, and then leave on our way.
  • 21:58 - 21:58
    Okay.
  • 22:03 - 22:05
    Did all the problematic people agree with each other to mess with me today?
  • 22:05 - 22:07
    Is there a bet going around for who is going to make Hayat lose her mind?
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    Am I a betting coupon? Am I betting coupon?
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    Look at that man, "and do you know the taxi driver?"
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    I know him.
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    Miss!
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    He is my father's friend in the army.
  • 22:17 - 22:20
    There is logic. The man has logic. But his gentlemanliness in zero!
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    Little Miss!
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    What is going on?
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    Are you following me?
  • 22:29 - 22:29
    No, no.
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    What do you have in your hand?
  • 22:33 - 22:33
    A cellphone.
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    And trying to ask for my number without any shame.
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    Look Miss, you misunderstood me again and my patience is running out.
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    What did I misunderstand? What is it that I misunderstood?
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    His patience is running out. Look at the man.
  • 22:44 - 22:46
    You are shoving the phone in my face with the excuse of asking for my number.
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    Give me that!
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    What have you done?
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    I drew the line, enough!
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    Let's stop.
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    Have a nice day!
  • 24:47 - 24:51
    If my eye-arrest is finished, I request my acquittal and discharge.
  • 24:51 - 24:54
    What are you trying to do, Nejat?
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    Huh?
  • 24:56 - 25:00
    You've ignited a dynamite stick and placed it between the two siblings.
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    You're going to make them fight each other.
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    Of course not, I would never do that, Mom.
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    Of course you won't...but your wife will.
  • 25:10 - 25:13
    Oh mother...uff...uff
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    Why you don't get along with her, I just don't know.
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    Why should I with that slimy looking sea? (Derya means sea)
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    But she has a problem with us.
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    For god's sake, Mom, please.
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    Who is "us"? And who is Derya? What are you trying to say?
  • 25:31 - 25:36
    We are the Sarslimaz family, and she is the third party trying to break us apart.
  • 25:36 - 25:37
    Huh?
  • 25:37 - 25:40
    You're saying that our end is an open battle?
  • 25:40 - 25:48
    Joke around all you want. If Murat becomes the head, World War 3 will break out, I tell you, World War 3.
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    Mom..
  • 25:50 - 25:53
    Murat and Doruk are the same for me.
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    But you also know, that the younger one has his head in the clouds and isn't responsible.
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    I hope he will come to his senses, when he is burdened with responsibility.
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    Else, we both know...
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    That Murat will be the company's head in the end.
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    Welcome, Murat Sir.
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    I want the production quality reports on my desk at 4.
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    The reports will be ready at 4.
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    What about the statistics I asked for, for the meeting with the Milano group?
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    They are ready.
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    But...there is a small problem with that matter.
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    What's that?
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    They called to say they'd be late, 5 minutes ago.
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    Well, isn't the meeting in 10 minutes, after all?
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    Yes, they said they'd be an hour late.
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    Cancel the meeting, but don't inform them.
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    The meeting is cancelled. They won't be informed.
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    What do you mean, Sir?
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    Inform them about the cancellation when they arrive. Then they will learn not to waste the time of others.
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    The Milan meeting is cancelled. The boss is so angry.
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    Why did it slow down?
  • 27:32 - 27:36
    Something went wrong yesterday, Sir. We informed them and it shall be fixed right away.
  • 27:36 - 27:37
    Too late to say that.
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    The problem should have been fixed yesterday.
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    It's too late now. Yesterday, yesterday.
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    How is the catalog shoot going? Have you started?
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    They started it, Sir. It's going according to schedule.
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    Let's confirm.
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    I can't reach you. What happened? Did you get the job?
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    One second. Asli also called. I'll add her too.
  • 28:17 - 28:21
    Hayat I'm dying to know - please tell me that you got the job and that you won't be going back to your hometown.
  • 28:21 - 28:26
    Just admit it. You couldn't do it - we'll be sending you off from the bus terminal this evening.
  • 28:26 - 28:30
    I don't know - because, I wasn't in the job interview but a garbage dumpster.
  • 28:30 - 28:33
    Uh...what? Wasn't your job interview in Maslak?
  • 28:33 - 28:37
    Oh, Ipek please don't force me. I can't take a joke right now.
  • 28:37 - 28:42
    I couldn't catch a taxi and then I threw my phone into the garbage because of an annoying man.
  • 28:42 - 28:48
    Oh, girl, why did you take your anger out on your phone? It was pretty new - you could have used it for a long while.
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    Girls, it's not what you think. I'll explain when I get back home.
  • 28:51 - 28:53
    People would think he is a decent guy. Snob!
  • 28:54 - 28:56
    So you are saying he was handsome?
  • 28:57 - 29:01
    Look, take notes, next time you meet a handsome guy,
  • 29:01 - 29:05
    Give him your cell number, don't throw your phone in the garbage.
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    If I see him again, I know what I'll give him.
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    What will you give him?
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    I'll tell him to get lost.
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    Anyway, I am hanging up. I couldn't catch the first one, I'll try to catch the second one.
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    What's next?
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    A receptionist position for Sarte Textile Company.
  • 29:51 - 29:58
    Guys, I can see the back-cloth of the skirt. Try to hide it. Her right sleeve fell off. Fix it. Take care of the neckline cut.
  • 29:58 - 30:00
    We are waiting for Ms. Didem's fix-ups.
  • 30:00 - 30:02
    They will never end. Do what I say.
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    What is the problem, Didem?
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    I think there is shine on the left side of my chin.
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    I wish that shining part of hers fell off. That way we could do our jobs.
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    Sweetheart!
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    You have such a great figure that no one will notice your beautiful chin.
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    Can you see the mole on my foot?
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    That's no problem Ms. Didem, we can photoshop that.
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    Okay.
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    Okay.
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    We can start if you're ready.
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    Okay. That's great.
  • 30:47 - 30:49
    What now?
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    Tuval, the nail polish on my pinkie is smudged.
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    Let's think of it as a talisman, okay honey? Let's continue.
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    Okay.
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    Okay, I'm taking it.
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    That's great.
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    Gasp Murat!
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    Welcome, sweetheart.
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    I don't want to interrupt the shoot. Continue.
  • 31:14 - 31:21
    If I had the chance, I would pleat her face. I wouldn't even wait for the last ironer. I would iron her waist myself.
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    Welcome, Murat dear.
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    How is it going, Tuval?
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    We didn't have a chance to see, as we haven't begun shooting.
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    How is the decor, Murat Sir?
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    What is the theme?
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    The theme is this: Ms. Didem is a socialite, and she wears one of our dresses to a party...
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    She'll do that by lying on a sofa?
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    Pardon?
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    If she is going to a party, why is she lying on a sofa?
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    Serdar?
  • 31:52 - 31:53
    Yes, Murat Sir.
  • 31:53 - 31:54
    Why is Didem lying on the sofa?
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    It's because I look better in photos when I'm lying down.
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    We aren't trying to see Ms. Didem, but the dress, right Serdar?
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    You're right, Murat Sir.
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    We also know that.
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    Please do what needs to be done.
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    Did he say something mean to me, Tuval?
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    You are so carefree - to the extent that it's as large as bell bottoms from the 70's.
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    We must be affected by the evil eye.
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    Everyone has their eyes on Murat.
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    They are jealous of our relationship.
  • 32:53 - 32:56
    Oh, so you and Murat are in a relationship?
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    Yeah, we see each other 5 days a week.
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    Yes, you see each other weekdays because you work in the same company.
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    No, we go to launch ceremonies and meetings together.
  • 33:09 - 33:10
    Wow. So do we.
  • 33:10 - 33:12
    Whatever, ugh.
  • 33:13 - 33:16
    He replies to my messages and calls back whenever I call him.
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    You also know, sometimes I spend the night at his house.
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    It's because he is kind. Also, "cevap" and "yanit" have the same meaning - it would be better if you knew that.
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    Then what is my connection with Murat, if it isn't a relationship?
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    Having a good time.
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    Murat doesn't like commitments and expectations.
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    Look, Tuval.
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    If I say I have a relationship with a man, then it's true. If I don't have it, then I'll make it happen. If we break up, I'll fix it. It's all up to me.
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    Understand? (Italian)
  • 33:55 - 33:56
    I don't understand.
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    You are forgetting that the other party is Murat.
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    Uh-uh, Murat, Suat, doesn't matter. They are all men anyway.
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    Mocks Capiche?!
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    You finished early?
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    I waited for the Milano group but met with no one.
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    I cancelled it.
  • 34:34 - 34:38
    Ooooh...Murat Sarslimaz is spitting nails again.
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    In short, it's one of those lucky days.
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    As if that were not enough...
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    Dad called a while ago. He said he has an old friend, Kemal Sir, and that I have to hire his daughter.
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    As Cagla's assistant.
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    So what's wrong with that?
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    Her father told dad to give her a tough time and show her how the business world is.
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    You just need to be yourself. That's it.
  • 34:58 - 35:02
    It's not professional. I don't like to hire people I can't fire.
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    Is the girl at least beautiful?
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    Thanks, Cagla.
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    Enjoy, Murat Sir.
  • 35:13 - 35:14
    Enjoy.
  • 35:19 - 35:22
    So this is the cage your father wants to confine you in, my love.
  • 35:22 - 35:24
    Yes, my love, but he won't be successful.
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    I'll take the interview. Then I'll tell dad they didn't hire me.
  • 35:29 - 35:32
    But, honey, you're backed up. The job is yours already.
  • 35:32 - 35:34
    I'll try my hardest to not get hired.
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    I've lived my life just the way dad wanted until now.
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    I learned 4 languages just because he wanted me to.
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    I'm tired of it. I want to live my own life.
  • 35:43 - 35:47
    How about you tell your dad everything, Suna?
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    Dad can't tell a dove from a crow, Gokce.
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    He'll die the moment I tell him I want to watch birds with my boyfriend and live in a tent.
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    He won't understand us. Even if he does, he won't accept it. Don't worry, I'll handle it.
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    Yes, Sir.
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    Excuse me, I came for an interview.
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    Me too.
  • 36:50 - 36:51
    4th floor.
  • 36:52 - 36:54
    Thank you.
  • 37:54 - 37:56
    Some girl Suna Pektas already got the job through connections.
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    I came to where I am by working hard. They have no shame.
  • 38:05 - 38:08
    I hate backing up the most.
  • 38:08 - 38:11
    You're right, Cagla. They have no shame.
  • 38:11 - 38:16
    These girls study abroad using their dad's money and then come here to show it off.
  • 38:18 - 38:20
    Why does it take so long to reach the 4th floor?
  • 38:22 - 38:24
    Why did it slow down?
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    It's broken. It'll be fixed.
  • 38:26 - 38:29
    Murat Sir hates these kind of backups.
  • 38:30 - 38:38
    You haven't heard the best part. The girl's dad told them to do whatever they want. Murat Sir will make her life miserable.
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    Now I feel bad for her. Poor girl.
  • 38:46 - 38:48
    Aren't we getting off?
  • 39:09 - 39:12
    What the heck? I'm coming across maniacs all day long.
  • 39:27 - 39:29
    What? 4 languages?
  • 39:30 - 39:31
    Which school?
  • 39:32 - 39:34
    Michigan university?
  • 39:35 - 39:39
    Wow. Bravo, she did work hard, with God's will.
  • 39:39 - 39:41
    She even did a master's degree.
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    Japanese, Russian, Arabic, English.
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    She didn't really need a back up.
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    They'd hire her right away.
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    Excuse me, I'm here for a job interview.
  • 40:14 - 40:15
    Okay, it's the last desk on the right.
  • 40:15 - 40:16
    Thank you
  • 40:16 - 40:17
    You're welcome.
  • 40:25 - 40:26
    Hello.
  • 40:26 - 40:27
    I came for the job interview.
  • 40:27 - 40:28
    Welcome, Suna...
  • 40:30 - 40:32
    Pektas, we were waiting for you.
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    No, it's not like that.
  • 40:33 - 40:36
    Yes, yes it is. Nejat Sir told us what to do.
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    You'll be working as my assistant. But he had to leave. So you'll fill and sign this contract and bring it tomorrow.
  • 40:45 - 40:46
    Tomorrow?
  • 40:46 - 40:48
    You want to start next week?
  • 40:48 - 40:49
    What?
  • 40:50 - 40:52
    Oh, you don't like the position.
  • 40:52 - 40:54
    No, no, that's not it.
  • 40:54 - 40:56
    What?! 3,000 Turkish Liras?
  • 40:57 - 40:59
    That's the minimum wage.
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    Yes? Yes, okay, I'm coming.
  • 41:04 - 41:06
    See you tomorrow.
  • 41:07 - 41:08
    Hey!
  • 41:10 - 41:12
    She said 3,000 Turkish Liras!
  • 41:14 - 41:15
    But Suna Pektas...
  • 41:16 - 41:17
    But Mom...
  • 41:40 - 41:43
    Woah, you again?
  • 41:43 - 41:45
    I was going to ask you the same thing.
  • 41:45 - 41:49
    Let me say it from now, chasing me, following me - that doesn't fool me.
  • 41:49 - 41:50
    I'm not afraid at all.
  • 41:51 - 41:51
    This is my work place.
  • 41:52 - 41:53
    What a coincidence. Mine too.
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    I am going down, if you don't mind.
  • 42:01 - 42:05
    Just in case you have any worries about riding in the same elevator with a man you don't know.
  • 42:17 - 42:18
    Which department do you work in?
  • 42:19 - 42:20
    Why do you ask?
  • 42:21 - 42:22
    Because I have not seen you before. That's why.
  • 42:24 - 42:27
    The assistant of the Boss's personal assistant. I mean, I just became that a little while ago.
  • 42:30 - 42:32
    Then it's you.
  • 42:33 - 42:35
    What's that? You don't like it?
  • 42:36 - 42:38
    And perhaps you're the patron's errand boy.
  • 42:41 - 42:42
    It's something like that.
  • 42:43 - 42:45
    It's good that you know what you are.
  • 42:52 - 42:54
    Why did this stop?
  • 42:55 - 42:56
    It's broken.
  • 42:57 - 42:58
    Broken? How is it broken?
  • 42:58 - 43:02
    Why has it stopped? Will it stay like this? Are we stuck here like this?
  • 43:02 - 43:04
    I'm just an errand boy. I don't know anything about elevators.
  • 43:04 - 43:06
    Stop. Get me out of here.
  • 43:07 - 43:10
    Get me out of here! I'm claustrophobic, look, I can't breathe.
  • 43:10 - 43:13
    Do something. Do something, quick.
  • 43:13 - 43:14
    At your command?
  • 43:14 - 43:16
    Do something, I'm not kidding.
  • 43:16 - 43:19
    I can't breathe. I'm having a panic attack.
  • 43:19 - 43:21
    I....I...
  • 43:22 - 43:24
    I know what needs to be done for claustrophobic people. But you'll get mad again.
  • 43:25 - 43:26
    Do it, do what you know.
  • 43:26 - 43:30
    I can't breathe. I'm having a panic attack. I know myself.
  • 43:32 - 43:33
    Alright.
  • 43:33 - 44:13
    ?
  • 44:13 - 44:18
    Alright, relax, it passed, alright.
  • 44:18 - 44:21
    You're safe, alright, relax.
  • 44:21 - 44:23
    You're better, alright?
  • 44:27 - 44:28
    Relax.
  • 44:36 - 44:39
    Mmm...what's this beautiful smell?
  • 44:40 - 44:43
    What is this? You're taking advantage of the situation, let go of me!
  • 44:43 - 44:44
    I won't let go, or you'll get worse.
  • 44:44 - 44:45
    I said let go!
  • 44:45 - 44:47
    No, keep your word a little!
  • 44:47 - 44:48
    You told me to hold, so I'm holding you.
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    And now I'm telling you to let go.
  • 44:50 - 44:50
    No.
  • 44:51 - 44:53
    Let the elevator start working again, after that, I promise you.
  • 45:06 - 45:09
    Admit that I, at least, distracted you and eased the panic attack.
  • 45:14 - 45:15
    See you.
  • 45:26 - 45:29
    So shrewd. He's also a pervert.
  • 45:54 - 45:55
    What's happening?
  • 46:10 - 46:13
    Doruk, was that you? What're you doing there?
  • 46:14 - 46:16
    I was charmed by you.
  • 46:17 - 46:19
    I swear, you attract like a magnet.
  • 46:22 - 46:29
    If looking hot and attractive is a crime, they can lock me up. It's okay.
  • 46:30 - 46:33
    But you'll get a life sentence, Tuval Yanikoglu.
  • 46:33 - 46:37
    Those who touch you... burn their hands.
  • 46:37 - 46:39
    You are so hot.
  • 46:39 - 46:44
    You are so sweet. Let me smell you, too.
  • 46:45 - 46:47
    No, it's not you.
  • 46:48 - 46:51
    I'm going crazy, where does this smell come from?!
  • 46:51 - 46:52
    What smell?
  • 46:53 - 46:57
    The smell of love is in the air, honey. Can't you smell it?
  • 46:58 - 46:59
    No.
  • 47:00 - 47:03
    This body is a radar for love, alright?
  • 47:03 - 47:05
    This nose is never wrong.
  • 47:05 - 47:08
    Whenever I smell this, love blossoms.
  • 47:08 - 47:11
    Kenan, Sinem, Beren, Kenan, Halit, Berguzar (all actors/actresses)
  • 47:11 - 47:13
    I smelled them all.
  • 47:15 - 47:20
    Really, I'm so scared of you, Tuval. You are so crazy.
  • 47:23 - 47:26
    I'm not the one who is crazy. Love!
  • 47:28 - 47:31
    But what this love have to do with Sarte?
  • 47:33 - 47:41
    Don't talk like that. It appears in an unexpected time and place.
  • 47:41 - 47:46
    The moment you fall into it's hands. It'll burn you up. Don't forget it.
  • 47:47 - 47:50
    Love cannot be understood by words. (Ask Laftan Anlamaz)
  • 48:12 - 48:16
    Abi, she's beginning to talk with hard candy. We're done for.
  • 48:17 - 48:19
    Why did you call for us, grandma?
  • 48:21 - 48:23
    Just take your hard candies.
  • 48:27 - 48:29
    Put on the cologne.
  • 48:29 - 48:30
    Okay.
  • 48:32 - 48:38
    Grandma, the candy is okay. But the cologne isn't suitable. We have plans. We'll go out.
  • 48:38 - 48:41
    But if you insist so much, we can't refuse, right Abi?
  • 48:49 - 48:51
    Did we make a mistake?
  • 48:54 - 49:01
    I'm the one guilty of not marrying you off after you graduated from school.
  • 49:01 - 49:06
    Here we are. We haven't had any recent talks on grandchildren and marriage right. Great.
  • 49:06 - 49:09
    Don't try to make a joke out of it, Doruk.
  • 49:13 - 49:17
    Will I be able to take a grandchild in my arms before I die?
  • 49:17 - 49:18
    You have us.
  • 49:19 - 49:20
    It's different.
  • 49:20 - 49:23
    But why, grandma? Aren't we your grandchildren?
  • 49:23 - 49:27
    So you're acting like you don't understand, you little donkeys.
  • 49:27 - 49:32
    Grandma, for me atleast, the week has 7 days and I spend 8 days understanding this matter.
  • 49:32 - 49:34
    Just explain it to Abi.
  • 49:35 - 49:38
    You little...am I talking about that?
  • 49:39 - 49:43
    Enough with collecting flowers. It's time to make some honey!
  • 49:45 - 49:50
    When you say it like that grandma, I feel like a breeder calf.
  • 49:50 - 49:52
    It's true you are a breeder calf.
  • 49:53 - 49:56
    Also, Abi comes before me when it comes to that.
  • 49:56 - 49:59
    We have to follow the order when it comes to marriage.
  • 50:00 - 50:03
    Grandma, I don't want to break your heart but I've decided already.
  • 50:05 - 50:06
    I don't believe in marriage.
  • 50:06 - 50:07
    Really?
  • 50:07 - 50:12
    Yes. All this love, marriage stuff isn't for me. Invest in Doruk.
  • 50:13 - 50:16
    I'll throw this cologne on your heads.
  • 50:19 - 50:20
    You little...
  • 50:26 - 50:27
    Emine..
  • 50:27 - 50:28
    Look at that.
  • 50:29 - 50:30
    He is a hunk.
  • 50:30 - 50:33
    He's an architect and comes from a good family.
  • 50:34 - 50:40
    If she doesn't get a job, we'll marry her off so she doesn't have to go back to her hometown. What do you think?
  • 50:43 - 50:45
    Let it go, Fadik.
  • 50:45 - 50:50
    She told me she got a job on the phone. I don't believe her though.
  • 50:52 - 50:54
    I'll find her a good guy from back home.
  • 50:56 - 51:00
    You can't miss this guy. Looks like a gentleman. Have a look.
  • 51:02 - 51:03
    Let me see.
  • 51:07 - 51:08
    Look.
  • 51:10 - 51:14
    Hey...he isn't bad.
  • 51:15 - 51:17
    Let's introduce them to each other.
  • 51:17 - 51:19
    That'd be best.
  • 51:20 - 51:22
    It's not possible to not like him.
  • 51:22 - 51:25
    You're so funny.
  • 51:26 - 51:26
    Why're you laughing?
  • 51:29 - 51:30
    He looks like a good guy.
  • 51:30 - 51:32
    Look, look, I'll zoom in.
  • 51:38 - 51:39
    Why're you laughing?
  • 51:39 - 51:40
    I'm laughing at you.
  • 51:42 - 51:43
    Such a gentleman.
  • 51:46 - 51:50
    I just wanted a job, a JOB, I didn't want to be in the crime world.
  • 51:51 - 51:52
    What now?
  • 51:52 - 51:59
    Identity frauds get atleast five years in jails. I can't visit you everyday, I'm too busy.
  • 52:01 - 52:03
    I'll come see you, my friend, don't worry.
  • 52:03 - 52:10
    I won't sleep even on my off days. I'll come to see in anyway possible.
  • 52:10 - 52:13
    I'll bring you clean underwear, and also books.
  • 52:13 - 52:15
    Like they say, numbered days pass quickly.
  • 52:18 - 52:21
    Don't fool around. Just help me out.
  • 52:21 - 52:24
    What do I do? Do I act like Suna or Hayat? What do I do?
  • 52:25 - 52:33
    That's not a problem. You may go to jail as Suna, but you'll be on house arrest for sure if you back to your family.
  • 52:35 - 52:40
    I think you must be honest, and when you go to work tomorrow, tell them, "I'm not Suna."
  • 52:41 - 52:48
    Tell them you're not Suna, if you explain clearly, they'll definitely give you the job.
  • 52:48 - 52:51
    Why? Because you're honest.
  • 52:55 - 52:58
    Sure, and they'd give her a medal right?
  • 53:00 - 53:07
    Get a hold of yourself, Hayat. You have to work as Suna else Aunt Emine will take you back.
  • 53:07 - 53:11
    So? You can find a new job. Are there no other jobs for you?
  • 53:11 - 53:15
    And also..Aunt Emine is very understanding.
  • 53:16 - 53:16
    Uh...
  • 53:19 - 53:21
    You're hometown is very beautiful.
  • 53:22 - 53:23
    Ugh.
  • 53:24 - 53:31
    I don't want to go to jail or to my hometown. I, especially, don't want to work with that stiff man.
  • 53:33 - 53:39
    Come on, girl, you got a great job and you start tomorrow. What else do you want?
  • 53:40 - 53:42
    Come, let's arrange something for you to wear.
  • 53:43 - 53:45
    Check, please.
  • 53:49 - 53:53
    So Abi...has your assistant started yet?
  • 53:53 - 53:56
    Your sudden concern about work is making me tear up, Doruk Sir.
  • 53:56 - 53:58
    It's hard to please you.
  • 53:59 - 54:02
    I'd like to choose the assistant myself but the order came from a higher place.
  • 54:03 - 54:07
    Abi, don't exaggerate. He's our dad and he asked you to something for him in quite a while.
  • 54:07 - 54:09
    Oh boy, the problem is not dad. It's the girl.
  • 54:09 - 54:20
    The girl is moody and irrational. She is needlessly self-confident and quick at arguing. She doesn't know what she says. She's just weird.
  • 54:21 - 54:25
    How cool! That's just perfect for you.
  • 54:27 - 54:30
    By the way, you still haven't told me if she's beautiful.
  • 54:30 - 54:31
    I don't know.
  • 54:31 - 54:32
    I don't know?!
  • 54:32 - 54:34
    I don't know, I haven't looked at her like that.
  • 54:39 - 54:44
    Okay, tell me honestly, is he good-looking or not?
  • 54:44 - 54:46
    As if I care..
  • 54:46 - 54:49
    Look at what I'm worrying about, and what you're worried about, Asli.
  • 54:49 - 54:51
    I think Asli is right.
  • 54:51 - 54:54
    Besides, hot-tempered men are trendy right now.
  • 54:55 - 54:58
    If everything works out, you may go back with a boyfriend. How's that?
  • 55:00 - 55:06
    I don't want him as a boyfriend, not even a garbage can. And I can't love a stiff man like him.
  • 55:06 - 55:07
    Snob.
  • 55:07 - 55:09
    Also, she's spoiled.
  • 55:09 - 55:11
    Mr. Know-it-all
  • 55:11 - 55:13
    She's irritating.
  • 55:14 - 55:16
    Total egoist.
  • 55:18 - 55:20
    So why does it matter if she's beautiful?
  • 55:31 - 55:32
    What's his position?
  • 55:34 - 55:37
    What more could he be, than an errand boy?
  • 55:37 - 55:46
    We encountered each other in the elevator, and he said, "this is my workplace." I can't be defeated, so I said, "this is MY workplace and I'm the boss's assistant's assistant."
  • 55:47 - 55:50
    Wow...good answer.
  • 55:50 - 55:53
    What? So you hid from her that you're the boss?
  • 55:53 - 55:55
    I wasn't able to say.
  • 55:55 - 55:58
    So you plan on exploding the bomb tomorrow.
  • 56:00 - 56:02
    Why does every problem gather around me?
  • 56:02 - 56:03
    Who's that?
  • 56:03 - 56:04
    Didem!
  • 56:04 - 56:05
    Why don't you respond?
  • 56:05 - 56:09
    She doesn't understand, that's why. She know's its a men's night yet this is her 7th call.
  • 56:09 - 56:12
    Abi, I can't believe you're bothered. Let me handle this.
  • 56:14 - 56:15
    What's up, Dido?
  • 56:16 - 56:17
    I'm good too.
  • 56:18 - 56:20
    We were just talking about you.
  • 56:20 - 56:24
    A person who appears while they are being talked about is a good person. We were just going to the club.
  • 56:24 - 56:26
    Why don't you come?
  • 56:26 - 56:30
    Look, my brother is saying, he's waiting for you badly.
  • 56:31 - 56:35
    Okay. Okay, dear, kisses. Bye, bye.
  • 56:36 - 56:40
    Lots of kisses. She said you shouldn't worry she's on her way.
  • 56:40 - 56:43
    I'm truly thanking you for your efforts.
  • 56:43 - 56:46
    We can say it's payback for waking me up this morning.
  • 56:47 - 56:49
    I wouldn't want to stay under the same roof as that man...
  • 56:50 - 56:54
    neither breath the same air from the atmosphere, but I have to do it to earn a living.
  • 56:56 - 56:58
    Anyways, that's not the point.
  • 56:58 - 57:03
    Girls, I'm starting work as a secretary tomorrow. What do I wear?
  • 57:03 - 57:07
    I have only two pairs of shoes and my wardrobe is full of cheap market-place clothes.
  • 57:11 - 57:14
    Don't worry about shoes, I'll handle that.
  • 57:15 - 57:18
    I guess she'll give you her nurse slippers.
  • 57:18 - 57:19
    I said I'd deal with it.
  • 57:21 - 57:22
    Just a moment.
  • 57:39 - 57:43
    Girl, what's going on. It looks like she's been hiding a treasure in her room.
  • 57:44 - 57:47
    I love shoes and I thought I'd wear them one day so I bought all of them.
  • 57:48 - 57:49
    Wow.
  • 57:50 - 57:50
    Girl..
  • 57:51 - 57:55
    You have to get yourself a boyfriend for these shoes.
  • 57:55 - 57:57
    But you hardly leave the hospital. So how are you getting a boyfriend?
  • 57:58 - 58:01
    Maybe you can cure a patient...
  • 58:02 - 58:07
    Or, you can find someone healthy and make them love sick.
  • 58:09 - 58:12
    Stop messing with me. Am I the issue here? It's Hayat.
  • 58:14 - 58:19
    Okay, girl, I coudn't wear but you have the chance. Try them on and let's have a look.
  • 58:30 - 58:31
    How's it?
  • 58:31 - 58:32
    Good.
  • 58:32 - 58:33
    Very good.
  • 58:34 - 58:35
    Is it really good?
  • 58:36 - 58:37
    Very good.
  • 58:37 - 58:40
    Don't worry, don't worry, you can walk in them.
  • 58:54 - 58:57
    I'll admit, this season's collection is great.
  • 59:00 - 59:02
    Do you like the theme, Doruk Sir, or the stripes?
  • 59:02 - 59:05
    Abi, you know, I like it natural.
  • 59:05 - 59:10
    More than just the person's outfit, I pay attention to the person them-self.
  • 59:11 - 59:16
    Do you see the girl in red? She's so hot. Don't misunderstand, but she's mine.
  • 59:16 - 59:18
    Boy, don't you already have three?
  • 59:19 - 59:26
    Look, I look up to my brother, there isn't one face of a brand or supermodel whom he hasn't been with for four seasons.
  • 59:26 - 59:28
    I'd like to correct you. They were short liaisons.
  • 59:28 - 59:31
    Anything longer than a night is a relationship.
  • 59:32 - 59:36
    A relationship starts at promises and ends at expectations.
  • 59:36 - 59:38
    So it ends before it begins for you, then.
  • 59:38 - 59:39
    Exactly.
  • 59:44 - 59:45
    Yes.
  • 59:46 - 59:51
    I look like a secretary with a five-year old shirt and a skirt I bought for my aunt's wedding.
  • 59:52 - 59:55
    I trying to pretend the skirt doesn't exist. It's horrible.
  • 59:56 - 60:01
    It might look better if we unbuttoned your shirt.
  • 60:02 - 60:03
    No, no, not that.
  • 60:03 - 60:04
    I don't want a revealing neckline.
  • 60:04 - 60:10
    I'll climb the career ladder through my diligence and skills, if God wills, not my unbuttoned shirt.
  • 60:10 - 60:15
    Girl, men are simple creatures. You have to send signals to their brains.
  • 60:15 - 60:20
    Meaning, you have to be more open and learn how to use your femininity.
  • 60:21 - 60:27
    Why? People can succeed at work with their brains and skills, alright?
  • 60:28 - 60:30
    Sure, girls can do that, like me.
  • 60:31 - 60:35
    But, angelic, doll-like girls have priority...
  • 60:36 - 60:44
    They don't know the capital of Italy, or the number of continents in the world, but they are pros at controlling men.
  • 61:03 - 61:05
    And here comes my sister-in-law.
  • 61:05 - 61:07
    I'll get revenge when we leave.
  • 61:08 - 61:10
    Hello! Hello, darling.
  • 61:13 - 61:14
    What's up, Doruk, how are you?
  • 61:14 - 61:17
    Dido, you're blocking my view, please.
  • 61:17 - 61:22
    Doruk dear, can you let me sit next to Murat or shall we share a chair?
  • 61:23 - 61:25
    Don't be so ethical, I'll get up.
  • 61:26 - 61:29
    The purpose is to let lovebirds meet.
  • 61:36 - 61:40
    I'll die before I reach work. I'm done.
  • 61:41 - 61:51
    My girl, why can't you take shallow breaths? Say "hmph" and hold your breath. Can't you endure? Because you look so good. It suits you well.
  • 61:51 - 61:52
    Ooh.
  • 61:53 - 61:56
    Can't you see, Miss Nurse, the girl is blue?
  • 61:57 - 61:59
    She'll need an oxygen bottle attached to the back. It won't work.
  • 62:03 - 62:07
    I wonder if there's something suitable in my closet.
  • 62:08 - 62:10
    There is, no doubt.
  • 62:10 - 62:15
    There are pajamas, nurse coats, grandma clothes.
  • 62:15 - 62:19
    Girl, you're closet would only trend at old homes.
  • 62:20 - 62:22
    Wait, wait, just a moment.
  • 62:23 - 62:27
    I'll be back in a moment, in a moment.
  • 62:43 - 62:45
    Where are we going next?
  • 62:45 - 62:47
    I'm going home.
  • 62:48 - 62:49
    I don't know about Doruk.
  • 62:50 - 62:54
    Doruk dear, can you tell your brother to stay. Why is he leaving early?
  • 62:54 - 62:55
    Please, I don't want to interfere.
  • 63:03 - 63:05
    Call for a cab for Didem, please.
  • 63:05 - 63:07
    Immediately. Miss Didem?
  • 63:09 - 63:11
    I'll see you later.
  • 63:17 - 63:19
    Miss Didem, can we do an interview with you?
  • 63:19 - 63:21
    The way you shooed her away, wow.
  • 63:23 - 63:26
    I want to say that, but the girl just isn't normal.
  • 63:28 - 63:29
    Normal people don't come near me.
  • 63:33 - 63:36
    This won't work. We can't succeed.
  • 63:37 - 63:41
    I'd better go back to my hometown, wear my joggers and crawl under the blanket. Great!
  • 63:41 - 63:42
    What a pain.
  • 63:42 - 63:43
    Stand still.
  • 63:45 - 63:46
    Give that to me.
  • 63:47 - 63:50
    And this inside. This could work, it's not bad, right.
  • 63:58 - 64:01
    Ipek, are these pants yours? Yes, they are.
  • 64:03 - 64:06
    Girl, the size looks perfect for you.
  • 64:10 - 64:11
    Hold it, let's see.
  • 64:18 - 64:20
    Great, it looks like it fits her.
  • 64:20 - 64:22
    We solved it!
  • 64:43 - 64:44
    What time do I come in the morning?
  • 64:45 - 64:46
    9 am is fine.
  • 64:46 - 64:47
    So, that's all for today.
  • 64:48 - 64:48
    Yes.
  • 64:50 - 64:52
    Can I ask you something since work is over?
  • 64:52 - 64:54
    You don't need to wait till after work to ask me.
  • 64:54 - 64:56
    But still, we have to distinguish between work and friendship.
  • 64:59 - 64:59
    Are you okay?
  • 65:00 - 65:01
    I am okay.
  • 65:01 - 65:03
    I'm just a little tired.
  • 65:03 - 65:08
    Alright, if there is a problem you can tell me. Though I don't understand your affairs.
  • 65:08 - 65:10
    I'm good at listening to worries.
  • 65:10 - 65:12
    I know my friend, thank you.
  • 65:13 - 65:15
    Take care till tomorrow.
  • 65:15 - 65:16
    You too.
  • 65:16 - 65:17
    You're a gem.
  • 65:17 - 65:18
    Go.
  • 65:37 - 65:38
    Darling!
  • 65:38 - 65:39
    Didem?
  • 65:42 - 65:44
    My sweetheart.
  • 65:44 - 65:45
    What are you doing here?
  • 65:46 - 65:50
    Didn't we come in different cars so the paparazzi wouldn't catch us.
  • 65:51 - 65:55
    Look, I'm really tired. You picked he wrong night.
  • 65:55 - 65:58
    Shame on you, darling. Am I really so inconsiderate?
  • 66:00 - 66:05
    If you're tired, we can take a shower first then lie and watch a movie.
  • 66:12 - 66:13
    Okay.
  • 66:24 - 66:30
    Mom, Aunt Fadik, please let me sleep else I will be late my first day.
  • 66:30 - 66:31
    Here we go.
  • 66:32 - 66:34
    What kind of job is that?
  • 66:36 - 66:37
    Your father has said,
  • 66:39 - 66:44
    I should find out what job it is.
  • 66:46 - 66:52
    He said, be careful that Hayat doesn't lie to you about the job.
  • 66:54 - 67:03
    He said, what'll she do, how much will she earn?
  • 67:04 - 67:10
    I got that, Mom. Now ask what you want and let me sleep.
  • 67:15 - 67:17
    What's your position there?
  • 67:17 - 67:19
    I'm the boss's assistant's assistant.
  • 67:19 - 67:20
    Don't make it up.
  • 67:21 - 67:25
    What type of position is that? This to this to this to this.
  • 67:25 - 67:27
    I'm not making it up, Mom.
  • 67:28 - 67:30
    You'll understand when I get my salary.
  • 67:30 - 67:33
    Transportation, meal, insurance?
  • 67:33 - 67:34
    Insurance...
  • 67:35 - 67:38
    Included, Aunt Fadik, it's all included.
  • 67:40 - 67:44
    What do they do, meaning, what sector is it?
  • 67:44 - 67:48
    Sector is mode, textile - Mom, they make clothes.
  • 67:49 - 67:52
    How long since they were established? Are they stable?
  • 67:55 - 67:57
    This year is their 40th anniversary.
  • 67:59 - 68:02
    They will definitely be celebrating a 40th anniversary.
  • 68:03 - 68:04
    That's possible.
  • 68:09 - 68:10
    How much is the profit margin?
  • 68:12 - 68:15
    Meaning, how much are their stocks worth?
  • 68:16 - 68:26
    Meaning, do they have investments? Are they thinking of expansion? What are their dreams? Tell me of the path they are following.
  • 68:28 - 68:28
    Why are you laughing?
  • 68:30 - 68:32
    How could I not laugh, Aunt Fadik?
  • 68:32 - 68:36
    I'm not buying the company, I'm only working there.
  • 68:36 - 68:45
    Oh, my girl, my child, don't say that. You'll be jobless if the company is bankrupt.
  • 68:46 - 68:48
    That what I asked, I mean, your DAD asked.
  • 68:50 - 68:56
    He asked me about the profit margin and said we should reconsider after looking at the stock prices.
  • 68:56 - 69:07
    You tell him, that Hayat said, don't worry, she has a great job and could lose it tomorrow because of your investigation.
  • 69:07 - 69:08
    Good night.
  • 69:15 - 69:16
    She's right.
  • 71:48 - 71:50
    May God give you a clear mind, my girl.
  • 71:50 - 71:52
    Look, be heavy...
  • 71:52 - 71:53
    But don't let anyone crush you.
  • 71:53 - 71:56
    Do what your works asks of you, but don't overwork yourself.
  • 71:56 - 71:58
    Search for your rights, but don't you dare...
  • 71:58 - 71:59
    Get fired.
  • 71:59 - 72:03
    Because your father said he won't give you another chance if you get fired.
  • 72:03 - 72:04
    And he said he'll come and take you from here and that's all.
  • 72:06 - 72:08
    And what do you have to say, mom?
  • 72:10 - 72:11
    What would I say, my girl?
  • 72:11 - 72:14
    No, I mean what do you expect from me?
  • 72:15 - 72:16
    What could I expect, my girl?
  • 72:16 - 72:20
    I want you to be fine, healthy and happy.
  • 72:20 - 72:21
    What else could a mother want?
  • 72:21 - 72:22
    God forgive you.
  • 72:23 - 72:25
    But if I go back there, I won't be fine or happy, mom.
  • 72:26 - 72:28
    Don't get me wrong, I'm not saying this because I look down on that place.
  • 72:29 - 72:30
    I love my hometown.
  • 72:32 - 72:35
    But if I go back there, it is clear which life awaits me.
  • 72:41 - 72:44
    At least, that life is not the life I dream about.
  • 72:45 - 72:47
    That life is not this Hayat, mom. (Her name means life in Turkish)
  • 72:49 - 72:50
    At least you don't do it.
  • 72:54 - 72:56
    Come here.
  • 73:02 - 73:04
    My child....my child.
  • 73:09 - 73:10
    Alright, alright.
  • 73:11 - 73:12
    I promise you I won't get fired.
  • 73:13 - 73:15
    And kiss my father a lot for me, okay?
  • 73:15 - 73:15
    I'm late!
  • 73:16 - 73:17
    I'm very late!
  • 73:22 - 73:23
    May God forgive you all.
  • 73:23 - 73:24
    Why didn't you wake me?
  • 73:26 - 73:28
    What's wrong with her?
  • 73:28 - 73:29
    She slept in.
  • 73:32 - 73:33
    Come.
  • 73:36 - 73:38
    My beautiful girl. Go on.
  • 73:38 - 73:39
    See you.
  • 74:23 - 74:24
    Miss Suna?
  • 74:26 - 74:28
    Suna, I'm calling you.
  • 74:29 - 74:30
    Did you call me?
  • 74:31 - 74:33
    Are there...any other Suna's here?
  • 74:33 - 74:35
    I don't know, I guess not.
  • 74:36 - 74:38
    Nejat Sir is waiting for you in his office.
  • 74:38 - 74:39
    Nejat Sir?
  • 74:40 - 74:42
    Nejat Sarslimaz.
  • 74:42 - 74:46
    The big Boss. Your father's friend.
  • 74:46 - 74:47
    Ha!
  • 74:48 - 74:49
    Right!
  • 74:50 - 74:51
    Nejat Sir...
  • 74:52 - 74:53
    Uncle Nejat...
  • 74:53 - 74:55
    He's my fathers friend.
  • 74:55 - 74:57
    The room at the end of the corridor.
  • 74:59 - 75:05
    Wouldn't it be better to settle at my desk first, get to know my colleagues?
  • 75:06 - 75:09
    I mean, it wouldn't be a good first impression for the boss if I appeared so freely.
  • 75:10 - 75:11
    No, that won't do.
  • 75:12 - 75:15
    I mean, you can't delay. He wanted to see you as soon as you arrived.
  • 75:20 - 75:21
    So, it's a strict order.
  • 75:24 - 75:25
    There's no escape, I'm guessing.
  • 75:29 - 75:31
    Okay, I'll have to go then.
  • 75:33 - 75:33
    But...
  • 75:34 - 75:35
    This way.
  • 75:41 - 75:43
    What has she smoked?
  • 75:52 - 75:54
    Welcome, Murat Sir.
  • 75:56 - 75:57
    These the new ones?
  • 75:57 - 75:58
    Yes, Sir.
  • 76:00 - 76:02
    Have you organized a meeting with the designers?
  • 76:02 - 76:03
    I have Sir, they'll be here at 11.
  • 76:03 - 76:04
    Bring me a double espresso.
  • 76:04 - 76:06
    Before breakfast, Sir?
  • 76:06 - 76:08
    I'd have asked for breakfast if I wanted to, alright Cagla?
  • 76:12 - 76:15
    How nice, we're going to be tormented by you today.
  • 76:22 - 76:23
    Help me, God.
  • 76:26 - 76:27
    Enter please.
  • 76:30 - 76:31
    Come in, my child.
  • 76:33 - 76:36
    So you are our Kemal's daughter, Suna, right?
  • 76:37 - 76:40
    There has been something said about that..yes.
  • 76:40 - 76:42
    Exactly like her father, great!
  • 76:42 - 76:43
    Come, sit down.
  • 76:44 - 76:46
    I wouldn't want to inconvenience you.
  • 76:46 - 76:51
    Oh, what inconvenience my girl, come let's sit and talk about your father a little.
  • 76:54 - 76:54
    And...
  • 76:55 - 76:57
    We don't get to talk much on the phone.
  • 76:57 - 76:59
    Tell me how he's doing.
  • 77:00 - 77:02
    Umm...actually, I...
  • 77:02 - 77:05
    But how are you going to know it, right?
  • 77:05 - 77:08
    He stays mostly in Capetown, how great!
  • 77:14 - 77:14
    So what?
  • 77:15 - 77:17
    How much time left till his retirement?
  • 77:18 - 77:19
    Wait, what'd he say?
  • 77:20 - 77:22
    Something like, it's his last year?
  • 77:23 - 77:24
    Seems so.
  • 77:26 - 77:32
    He should have remarried. Derya and I told him that many times after your mother passed away.
  • 77:33 - 77:34
    He's lived his life alone.
  • 77:36 - 77:38
    Isn't ist normal, when the pain from losing my mom is so fresh?
  • 77:40 - 77:42
    It's been 20 years, my child.
  • 77:42 - 77:43
    Oh, is that so?
  • 77:46 - 77:48
    Has it already been so long?
  • 77:50 - 77:52
    Time flies so fast, Uncle Nejat
  • 77:53 - 77:54
    That's true, right.
  • 77:55 - 77:59
    For example, you were only 5 years old when I last saw you.
  • 78:01 - 78:03
    But you were blonde back then?
  • 78:03 - 78:06
    That's color in my hair. I'm still blonde.
  • 78:08 - 78:12
    Anyway, I don't want to bother you anymore and make your boss angry.
  • 78:14 - 78:15
    My boss?
  • 78:16 - 78:17
    Your father didn't tell you?
  • 78:19 - 78:22
    I'm slowly passing all my work to my sons.
  • 78:28 - 78:35
    Oh, so he's so grumpy again. If he doesn't throw this espresso at me, then my name is not Cagla.
  • 78:35 - 78:36
    Miss Suna!
  • 78:37 - 78:40
    Perfect, perfect, perfect timing.
  • 78:40 - 78:42
    Murat Sir expects you.
  • 78:42 - 78:44
    Come one by one.
  • 78:47 - 78:48
    Who is Murat Sir?
  • 78:48 - 78:50
    Nejat Sir's eldest son.
  • 78:50 - 78:54
    So sweet. Especially in the morning, like a marshmallow.
  • 78:55 - 78:57
    He asked for an espresso. I thought you could start from here.
  • 78:57 - 78:59
    From now, this is your job.
  • 78:59 - 79:01
    It's the opposite room. Hurry.
  • 79:02 - 79:03
    Hurry, hurry, run.
  • 79:04 - 79:05
    Run.
  • 79:16 - 79:17
    Come in.
  • 79:19 - 79:20
    You can place it on my table, Cagla.
  • 79:21 - 79:24
    Cagla, I mean Miss Cagla asked me to bring your coffee to you.
  • 79:56 - 79:58
    No way, that's too much. No way.
  • 79:58 - 80:00
    What are you doing here?
  • 80:00 - 80:02
    I told you. This is my workplace.
  • 80:02 - 80:04
    I got that. But what are you doing in Murat Sir's office.
  • 80:05 - 80:08
    What are these poses, with your hands in your pockets, in front of the window?
  • 80:09 - 80:09
    I'm Murat.
  • 80:10 - 80:14
    So what? If you asked 10 people on the street, at least two will say they're Murat.
  • 80:14 - 80:19
    Just because you have the same name, doesn't mean you can enter... the boss's room.
  • 80:23 - 80:24
    Ah.
  • 80:27 - 80:33
    You..I mean, you, are that Murat.
  • 80:37 - 80:38
    Boss Murat.
  • 80:42 - 80:44
    His very self. Can you give me my espresso now?
  • 80:47 - 80:49
    I'm so sorry.
  • 80:49 - 80:51
    I'm actually really sorry.
  • 80:51 - 80:54
    Had I known, I wouldn't have...
  • 80:55 - 80:57
    But you didn't show it either.
  • 80:59 - 81:00
    Thanks for letting me know.
  • 81:01 - 81:04
    I'll go around saying I'm Murat Sarslimaz from now on.
  • 81:06 - 81:07
    No, that's not what I meant...
  • 81:08 - 81:08
    Okay, discussion over.
  • 81:08 - 81:09
    Suna, right?
  • 81:10 - 81:10
    No, Hayat.
  • 81:12 - 81:12
    How?
  • 81:13 - 81:16
    I mean, my name is Suna Pektas on my ID only.
  • 81:17 - 81:20
    In my private life, I prefer to be called Hayat.
  • 81:21 - 81:22
    My father doesn't know.
  • 81:23 - 81:26
    I don't want him to think I don't like the name he gave me.
  • 81:28 - 81:30
    Alright, discussion over.
  • 81:30 - 81:31
    Yeah, sure.
  • 81:32 - 81:36
    The fact that you are working as a favor to your father means nothing to me.
  • 81:36 - 81:38
    Neglectfulness and carelessness are what I hate at work.
  • 81:38 - 81:42
    Thats why in my eyes, you are not Suna Pektas, but just any ordinary worker.
  • 81:42 - 81:43
    That's exactly what I am.
  • 81:43 - 81:45
    Please do not disturb me.
  • 81:50 - 81:51
    Yes.
  • 81:53 - 81:53
    Yes, what?
  • 81:54 - 81:56
    You said don't disturb me, so what do I do now?
  • 81:56 - 81:58
    Oh, so you can't understand without an order.
  • 81:59 - 82:01
    You may leave now.
  • 82:17 - 82:21
    I say that the epitome of selfishness, the ice bear, turned out to be my boss - and look what you're saying, Asli.
  • 82:21 - 82:26
    What's there to be angry about? I only said that every great love begins with a fight.
  • 82:26 - 82:30
    You know that saying turned into "you'll be chased if you run" like a hundred years ago.
  • 82:30 - 82:35
    In this case, Hayat is going to run after him. Because he's her boss.
  • 82:35 - 82:39
    Girls, you've been a great help. What can I do now, tell me?
  • 82:39 - 82:43
    There are not only lies, but suffering is connected to this job too. If I were you, I'd quit.
  • 82:43 - 82:48
    Don't even think about that. You know what'll happen if you do. Besides, what's so bad about lying?
  • 82:48 - 82:51
    Life can't go on with lies (Hayat means life).
  • 82:51 - 82:54
    Life can't go on without lies, either.
  • 82:54 - 83:00
    Also, there's no such thing as a good boss - only suffering employees. Enjoy the cruelty!
  • 83:04 - 83:07
    You're exactly an hour and a half late for the fitting.
  • 83:08 - 83:10
    And, you only care for makeup, Didem dear?
  • 83:10 - 83:13
    Look at me, Tuval, for God's sake, look at me.
  • 83:13 - 83:14
    Turn so I can see.
  • 83:14 - 83:15
    Look.
  • 83:18 - 83:19
    Yes.
  • 83:19 - 83:23
    You really look like a rotten model who was forgotten in the warehouse.
  • 83:24 - 83:27
    Thank you, Tuval, you're great with morale.
  • 83:27 - 83:30
    Uhh...I don't work in the morale team.
  • 83:30 - 83:38
    I'm the head designer of the great Sarslimaz company. I'm with you right now because I care about getting the job done in time.
  • 83:38 - 83:41
    There's no way I can face people like this, no way.
  • 83:41 - 83:44
    Don't push me, Tuval. I'm already tired, don't push me.
  • 83:45 - 83:50
    Tell me what happened? Were you carrying a heavy basket on your back till morning?
  • 83:50 - 83:55
    We were at Murat's house last night, darling. We went to be very, very late.
  • 83:55 - 83:57
    Blah, blah, blah.
  • 83:57 - 84:07
    I'm not interested in your private life, and I don't think Murat is either. If you could be back before my new creation is old, I'd be glad.
  • 84:14 - 84:17
    So, what do you plan to do?
  • 84:17 - 84:21
    Go and wash my face with cold water first. I think my blood pressure is high.
  • 84:21 - 84:27
    And tell your boss: "hmph, you may look good. But you don't have a personality."
  • 84:27 - 84:32
    Don't even think of doing that. Don't be rude. Besides, who are you to judge his personality?
  • 84:32 - 84:34
    Alright, girls, I'm hanging up.
  • 84:41 - 84:43
    Darling, could you get me two napkins, please?
  • 84:49 - 84:51
    Just place it on my neckline so I don't get powder all over.
  • 84:56 - 84:57
    Thank you (in French)
  • 85:00 - 85:02
    Slowly, don't spout it on my clothes.
  • 85:05 - 85:06
    Anything else?
  • 85:06 - 85:13
    I haven't had breakfast. Go buy me fresh orange juice and yogurt with muesli, but without fruit chunks.
  • 85:14 - 85:16
    Dear, God, look at you now.
  • 85:16 - 85:18
    I can't look, my mascara isn't dry.
  • 85:20 - 85:22
    Hurry! What're you waiting for?
  • 85:22 - 85:24
    Do you know who I am?
  • 85:26 - 85:27
    No.
  • 85:28 - 85:30
    I am Murat Sarslimaz's assistant's assistant.
  • 85:31 - 85:35
    Oh really? I am Murat Sarslimaz's girlfriend.
  • 85:36 - 85:40
    Oh, as far as I know, there is no such position as the boss's girlfriend.
  • 85:41 - 85:44
    I am also the company's face this year.
  • 85:44 - 85:46
    Ah, now the stones are falling into place.
  • 85:49 - 85:52
    What stones? What are you talking about?
  • 85:52 - 85:58
    I'm saying that serving dolls with connections, like you, isn't part of my job description.
  • 85:58 - 86:01
    Find yourself an errand boy. Have nice day.
  • 86:03 - 86:04
    What the heck?
  • 86:16 - 86:17
    Doruk.
  • 86:18 - 86:19
    Doruk, wake up.
  • 86:19 - 86:21
    Wake up, Doruk.
  • 86:21 - 86:24
    Mom, I fell asleep early this morning. Don't wake me up.
  • 86:24 - 86:28
    Everything that has happened to us is because of your sleeping in every morning.
  • 86:32 - 86:33
    What happened to us?
  • 86:33 - 86:34
    You don't see it, right.
  • 86:37 - 86:38
    You look pretty good.
  • 86:39 - 86:42
    Son, aren't you aware of anything at all?
  • 86:44 - 86:50
    Mom, wouldn't it better if you put aside the questions and spoke more openly?
  • 86:51 - 86:58
    Your brother is at work. Your father is making vacation plans for after his retirement. And you're still lying in bed.
  • 86:58 - 86:59
    Isn't it great?
  • 87:00 - 87:03
    Everything is in order. Perfect.
  • 87:04 - 87:10
    You'll get out of the bed, take a shower and go to work.
  • 87:10 - 87:15
    Look Doruk, you owe me. I swear, I won't bless you. Get out of bed right now!
  • 87:16 - 87:18
    Okay, okay, okay.
  • 87:18 - 87:19
    Calm down.
  • 87:22 - 87:23
    Just relax.
  • 87:25 - 87:27
    Are you going through menopause?
  • 87:27 - 87:28
    Doruk, you little...
  • 87:28 - 87:30
    Going through it for sure.
  • 87:42 - 87:47
    Rush the catalog shootings. The agent is waiting for the photos, to bind the magazine.
  • 87:47 - 87:48
    Catalog, speed, agent, photo.
  • 87:54 - 87:55
    Why are you waiting here?
  • 87:56 - 87:59
    If I say for a bus, we'll have to talk more.
  • 88:06 - 88:08
    I'm waiting for a task.
  • 88:09 - 88:11
    What title were you hired as?
  • 88:11 - 88:13
    Your assistant's assistant.
  • 88:13 - 88:15
    Then assist my assistant.
  • 88:30 - 88:32
    Have you announced to the sector that we're looking for young designers?
  • 88:32 - 88:33
    We advertised it, Sir.
  • 88:35 - 88:37
    If I wanted that, I would have said.
  • 88:40 - 88:42
    Advertisement is cancelled. He'd have said so.
  • 88:42 - 88:46
    I need young designers with experience who have proved themselves.
  • 88:46 - 88:48
    We know what we need.
  • 88:48 - 88:52
    Look at the staff of rival companies. Make them offers they can't refuse.
  • 88:52 - 88:53
    We're going to steal them?
  • 89:06 - 89:08
    I mean, isn't it shameful?
  • 89:11 - 89:13
    Plus, why would they work for you if they already have good jobs?
  • 89:17 - 89:22
    Miss Cagla, please tell your assistant, she's here not to question my orders but to execute them.
  • 89:24 - 89:26
    Since she can't work without orders, at least she can listen.
  • 89:28 - 89:30
    Don't question. Carry out. Listen.
  • 89:34 - 89:35
    He'd die if I gave him an order?
  • 89:43 - 89:45
    How is the winter collection coming?
  • 89:45 - 89:46
    Designs will be done soon, Sir.
  • 89:46 - 89:48
    But we are still in June.
  • 89:51 - 89:52
    What did I say?
  • 89:53 - 89:54
    How is the winter collection coming along?
  • 89:54 - 89:59
    What did we talk about along the way? You must be trusting your memory, as you aren't taking notes. You're questioning me.
  • 90:07 - 90:10
    Have you announced to the sector that we are looking for young designers?
  • 90:10 - 90:12
    If I wanted advertisements, I'd have said so.
  • 90:12 - 90:19
    I need young designers with experience who have proved themselves. Check out the rival companies' staff, and make them offers they can't refuse.
  • 90:23 - 90:25
    Let the young lady do the adaptation process.
  • 90:28 - 90:29
    What is that?
  • 90:30 - 90:37
    In short, you run errands between 4 floors. Find Odil on the second floor - she'll tell you what you to do.
  • 90:39 - 90:39
    Uff.
  • 91:18 - 91:23
    I'd give you a piece of my mind if I didn't need this job. It's all because of my parents.
  • 91:23 - 91:28
    As if backing up works - I wonder what'd happen if I wasn't backed up. What a sadist.
  • 91:29 - 91:30
    Look where you're going.
  • 91:30 - 91:31
    You're talking to me?
  • 91:33 - 91:37
    Excuse me, I got angry at someone and took it out on you.
  • 91:37 - 91:41
    Let me guess. That person is Murat Sarslimaz.
  • 91:41 - 91:44
    It's him. What a strange person.
  • 91:44 - 91:48
    I don't know what his problem is.
  • 91:48 - 91:53
    He gains strength by torturing others. He is a hard case - if they examined him, it'd take 3 years to diagnose his illness.
  • 91:53 - 91:55
    Well, he's only like that about work.
  • 91:56 - 92:01
    I don't think so. He is what he is. Whoever says differently, is a liar.
  • 92:01 - 92:05
    No one said it, I'm talking from experience.
  • 92:06 - 92:08
    Are you two friends?
  • 92:09 - 92:10
    Kind of.
  • 92:12 - 92:14
    Please don't tell me you are more than that.
  • 92:15 - 92:17
    He happens to be my big brother.
  • 92:24 - 92:26
    I wasn't expecting that.
  • 92:26 - 92:30
    No, it's okay. My brother sometimes deserves to be cursed.
  • 92:31 - 92:33
    I want to praise you on your courage, though.
  • 92:34 - 92:35
    Doruk Sarslimaz.
  • 92:36 - 92:38
    Suna Pektas, but I'm using my birth-name, Hayat.
  • 92:54 - 92:56
    How could two people be so different, Ipek?
  • 92:56 - 92:59
    I wonder how they have the same parents.
  • 92:59 - 93:02
    It seems they weren't anyway. Their moms are different.
  • 93:02 - 93:08
    One of them is humane. The other belongs to a zoo. Because of that piece of garbage, I took the stairs so much.
  • 93:08 - 93:10
    Why don't you just think of the money?
  • 93:11 - 93:16
    I won't get any money. Mom has already returned to the hometown. I'll look for another job.
  • 93:16 - 93:17
    You can't find one.
  • 93:17 - 93:21
    Girl, why can't you say anything nice? I'll find a job.
  • 93:23 - 93:29
    I, Hayat Uzun, will find another job and then "shake" that Murat Sarslimaz (his last name means unshakable) up.
  • 93:30 - 93:31
    It's over.
  • 93:32 - 93:33
    Go, Hayat!
  • 93:35 - 93:36
    Hayat, go.
  • 93:45 - 93:46
    Did Asli come early?
  • 93:47 - 93:48
    I don't know.
  • 93:57 - 93:58
    Welcome.
  • 94:02 - 94:02
    Mom?
  • 94:03 - 94:05
    Didn't we send you off this morning?
  • 94:05 - 94:13
    Your father said to. He said stay. With her sharp tongue, no one will keep her for long, he said.
  • 94:13 - 94:20
    Stay and wait, he said. Either she'll be fired or she'll resign and the next day, bring her with you he said.
  • 94:22 - 94:24
    He must have said that.
  • 94:50 - 94:53
    Have some mercy, my son. I'm an old man.
  • 94:54 - 95:00
    You could outdo all of us, Nejat Sarslimaz. We don't favor anyone, or show any mercy.
  • 95:01 - 95:04
    Wow, wow, wow, wow, look at that rascal.
  • 95:05 - 95:08
    Where did you learn that sentence?
  • 95:08 - 95:09
    In "Hababam Sinifi" (classic Turkish movies from the 70's)
  • 95:11 - 95:20
    That movie is all about you: mischief, devilish luck, escaping work. It's all there.
  • 95:25 - 95:28
    Who's winning? I'll choose my side according to that.
  • 95:28 - 95:32
    Come son, this brother of yours has beat me.
  • 95:33 - 95:35
    Surprise me just once, Nejat.
  • 95:36 - 95:41
    But dad, even with Abi, the results wont change.
  • 95:41 - 95:43
    I can beat you both.
  • 95:43 - 95:47
    Don't forget, Doruk, the one who laughs last, laughs best.
  • 95:47 - 95:51
    Oh, look at that bet. But for once, forget about betting Abi and come play the game.
  • 95:51 - 95:53
    You can't win every game, right.
  • 95:54 - 95:55
    I can.
  • 96:04 - 96:05
    But it depends on one thing.
  • 96:06 - 96:08
    What's that I wonder?
  • 96:09 - 96:11
    Only if the winner is not my brother.
  • 96:14 - 96:16
    Oh!
  • 96:20 - 96:24
    Boys, then, the one who catches it will win.
  • 96:29 - 96:34
    If my mom discovered what I'm doing, she'd crush me like these nuts, without any mercy.
  • 96:37 - 96:39
    To be honest, my dear, I think you should tell the truth.
  • 96:40 - 96:46
    I mean, when you explained this morning, she softened. She listened to you.
  • 96:47 - 96:50
    That's Aunt Emine, she won't soften even if you marinate her for 3 days.
  • 96:52 - 96:53
    Who died from honesty?
  • 96:54 - 96:56
    The truth can't always be told.
  • 96:56 - 97:02
    Girls, don't start again. Anyway, it doesn't matter if I tell them or not, they'll find out soon.
  • 97:03 - 97:03
    Exactly.
  • 97:06 - 97:07
    They wont.
  • 97:07 - 97:12
    The girl knows 4 languages! 4! My English is this: Alright, Okay, Yes, No.
  • 97:12 - 97:15
    There's nowhere she hasn't been, and I don't even have a passport.
  • 97:17 - 97:24
    That human mess won't ask for anything but work, but if stumble into Nejat Sir, I don't know what to do.
  • 97:24 - 97:29
    I mean, they can just check her social media accounts, and I'll be done for.
  • 97:29 - 97:37
    You're lucky, you don't need plastic surgery. She doesn't have any selfies, and her accounts are private.
  • 97:38 - 97:43
    You sly fox, you were investigating her social media accounts?
  • 97:43 - 97:47
    Exactly. I think its more helpful than cracking hazelnuts.
  • 97:47 - 97:49
    I could eat you. Any other news?
  • 97:49 - 97:50
    Well, I mean,
  • 97:51 - 97:55
    From now on you're a complete animal lover and nature addict.
  • 97:55 - 97:58
    Your accounts are full of wings and beaks.
  • 97:58 - 98:03
    I don't know why, but you're really into birds. Girls, I don't think her brain is normal.
  • 98:05 - 98:07
    This is an unknown bird, Suna.
  • 98:07 - 98:10
    We must see it. We must.
  • 98:11 - 98:16
    It comes once every five years and stays for 3 days. It is so unknown, that it doesn't even have a name.
  • 98:17 - 98:20
    There is only one thing I know: I'm finished.
  • 98:21 - 98:23
    How am I going to tell Dad I didn't get the job.
  • 98:25 - 98:27
    Maybe you should leave a voice mail.
  • 98:27 - 98:31
    Until today, I've lived like my dad wished.
  • 98:31 - 98:38
    But I'm fed up. Just to teach me a lesson, he sent me with the CV to be the head's assistant's assistant.
  • 98:40 - 98:43
    I'll go now and tell him, that's it dad. He can also be the sad one from time to time.
  • 98:44 - 98:45
    But his heart...
  • 98:45 - 98:46
    No, Gokce, he doesn't have a heart.
  • 98:46 - 98:50
    No, I mean because he has a stent.
  • 98:50 - 98:57
    What about my broken heart, Gokce? Who will think of it? I made my mind, this matter will be closed tonight.
  • 99:09 - 99:09
    Murat.
  • 99:10 - 99:13
    I want to gain back the calories that I burned.
  • 99:14 - 99:17
    This good for nothing sport makes me gain weight, my son.
  • 99:19 - 99:22
    I'm as hungry as a wolf. What should we let them prepare?
  • 99:22 - 99:26
    Later, okay, Dad? I have to go home now and prepare for an important meeting tomorrow.
  • 99:26 - 99:28
    I was waiting to say goodbye.
  • 99:28 - 99:33
    Don't go, my son. Work can wait. Life won't pass like this.
  • 99:33 - 99:34
    Work can wait?
  • 99:35 - 99:38
    Nejat Sir, work can't wait. I learned that from you.
  • 99:39 - 99:43
    That's true but when you're older, your priorities change, son.
  • 99:44 - 99:46
    That's why I must retire.
  • 99:48 - 99:53
    Ok, then go. But I also wanted to call Kemal. Maybe you'd want to chat with him before you go.
  • 99:53 - 99:56
    You could share your observations of the girl with him.
  • 99:56 - 100:01
    It's better if I don't share them. And you know I don't like to lie.
  • 100:02 - 100:03
    It's so bad you say.
  • 100:04 - 100:08
    The girl just started. And her CV was quite good.
  • 100:08 - 100:13
    Well her first performance showed me that I have to keep my expectations low.
  • 100:14 - 100:15
    Now, excuse me, I must go.
  • 100:15 - 100:17
    Alright, bye.
  • 100:17 - 100:18
    But..
  • 100:20 - 100:23
    Stay true to your word. You promised me a meal.
  • 100:26 - 100:30
    And I'm aware that the student has become the master, Murat.
  • 100:31 - 100:34
    I'm proud of you, don't forget.
  • 100:42 - 100:49
    My pride, my tableau of gratification, I can't tell you how proud I am as a father.
  • 100:49 - 100:50
    Dad, I...
  • 100:50 - 100:58
    No, no, it is me that is happy. My little girl is grown and has begun to work.
  • 100:58 - 100:59
    Yes, work, well...
  • 100:59 - 101:00
    You loved it, right?
  • 101:00 - 101:03
    Textile is a colorful sector.
  • 101:05 - 101:05
    Dad.
  • 101:06 - 101:07
    We have to talk.
  • 101:12 - 101:17
    Ah, see who is calling, your Nejat Uncle.
  • 101:20 - 101:22
    Oh, Nejat, how are you?
  • 101:23 - 101:28
    Thank god. I was just talking with Suna about you.
  • 101:30 - 101:34
    Oh, very nice, very nice, God has willed it.
  • 101:35 - 101:43
    Look, that's good, now I feel relieved. No I will arrange it before I go, then bye. Take care.
  • 101:47 - 101:48
    You're not sad?
  • 101:48 - 101:50
    The opposite, I'm glad.
  • 101:50 - 101:53
    Uncle Nejat liked you a lot.
  • 101:53 - 101:54
    Nejat Uncle...
  • 101:55 - 101:56
    Me?
  • 101:56 - 102:04
    He said I raised you well. Such a respectful girl. And he liked your little talk.
  • 102:04 - 102:06
    "Our" talk?
  • 102:06 - 102:07
    Yes, your talk in the morning.
  • 102:21 - 102:25
    I have to leave for 30 minutes. Until I return, stay away from things that need initiatives.
  • 102:25 - 102:29
    Answer the phone, but don't make promises.
  • 102:30 - 102:32
    And Murat Sir wanted to see you. I'm gone.
  • 102:37 - 102:39
    May our war by blessed.
  • 102:54 - 102:57
    It won't take long. As soon as I figure out what's going on, I'll be back.
  • 102:57 - 103:00
    What be going on, dear, maybe your Dad misunderstood.
  • 103:01 - 103:06
    I left without meeting anyone that day. So who was that person that Nejat Uncle met, Gokce?
  • 103:08 - 103:10
    Yes, that's a little mysterious.
  • 103:10 - 103:13
    I'll be back after solving that mystery.
  • 103:23 - 103:24
    Come in.
  • 103:27 - 103:28
    Take this.
  • 103:30 - 103:31
    What is this?
  • 103:32 - 103:34
    I don't know. Looks like a key.
  • 103:34 - 103:37
    I got that. I meant, what I do do with it?
  • 103:39 - 103:40
    Ah...
  • 103:41 - 103:43
    But I guess, this opens doors, etc.
  • 104:49 - 104:52
    This is the key of the archive where past creations are stored.
  • 104:53 - 104:54
    So it stays with me?
  • 104:55 - 104:56
    No, you will stay there.
  • 104:57 - 105:00
    Am I going to be on a shelf after the stairs punishment yesterday?
  • 105:00 - 105:04
    You're seeing work as punishment, interesting. I suggest you get therapy.
  • 105:23 - 105:25
    I was looking for Suna Pektas.
  • 105:25 - 105:28
    I saw her go into Murat Sir's room You can wait here if you want to.
  • 105:28 - 105:29
    Okay, thanks.
  • 105:46 - 105:47
    You have to clean the archive.
  • 105:47 - 105:48
    Clean up?
  • 105:50 - 105:52
    Maybe you should see an ear specialist after therapy.
  • 105:54 - 105:58
    The drawings and documents from the first 20 years are in the files. You have to screen them and enter them into the system.
  • 105:58 - 105:59
    One by one?
  • 106:00 - 106:01
    If you can, do it ten by ten.
  • 106:06 - 106:08
    What's your problem with me?
  • 106:09 - 106:11
    Ok, my father may have said to not show me mercy.
  • 106:13 - 106:15
    This has nothing to do with your dad.
  • 106:15 - 106:18
    Huh, I see. You say this is my general attitude.
  • 106:19 - 106:23
    Look, I don't see your point. But when it comes to work I only have one attitude: professionalism.
  • 106:24 - 106:26
    If you want to be my assistant, you have to know what we work on.
  • 106:26 - 106:30
    I tell you to enter files into the system, but you have absolutely no clue about it.
  • 106:31 - 106:34
    I repeat: don't question, carry out.
  • 106:39 - 106:39
    Alright.
  • 106:51 - 106:54
    Don't question, act, you have no clue about the job.
  • 106:54 - 106:57
    You have no idea how to be a human, what can we do?
  • 106:57 - 107:00
    It's like I'm not an assistant but a torture victim.
  • 107:00 - 107:02
    He's not a boss, but a demon from hell.
  • 107:03 - 107:06
    What sins did I commit to enter the hands of this beastly creature?
  • 107:07 - 107:10
    But Suna must have sensed it, that's why she fled.
  • 107:12 - 107:13
    Hello.
  • 107:13 - 107:15
    I'm looking for Suna Pektas.
  • 107:15 - 107:16
    I am Suna Pektas.
  • 107:26 - 107:29
    What a coincidence. Me too.
  • 107:39 - 107:39
    Miss Suna?
  • 107:39 - 107:41
    Yes, Sir.
Title:
Aşk Laftan Anlamaz 1.Bölüm ᴴᴰ
Description:

more » « less
Video Language:
Turkish
Team:
Film & TV
Duration:
01:50:17

Czech subtitles

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