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Dashiell Hammett Documentary

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    Dashiell Hammett was witness to America
    of the first half of the 20th century.
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    These photographs are taken
    from these paper headlines.
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    These photographs represent
    some of the events
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    that Dashiell experienced,
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    which became the underprint
    of his perspective.
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    His outlife influenced American culture
    with as ? and immense talent.
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    He invented the American private detective
    along with his unique vocabulary.
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    He also helped formally and fully
    the American literary genre,
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    hardboiled detective fiction.
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    Troubled by health problems
    and alcoholism,
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    he proceeded very little writing
    after the 1930s.
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    Although his writing span only
    one decade, Hammett's publications
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    are some of the most influential
    and important literary creations
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    of the 20th century.
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    The Great War, prohibition, the gangster,
    racism and the Second World War.
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    These were turbulent times
    in democracy's history.
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    Dark clouds, casting shadows onto life
    as the melting pot of America's search
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    for its identity.
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    Many like Dashiell experienced
    these events as the 20th century
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    came onto its own across the USA.
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    (Book critic and ADA director
    of literature David Given)
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    Hammett was born 1894 in pre-War
    Maryland, on his grandfather's farm.
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    He spent his youth in Baltimore.
    His father was ne'er-do-well,
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    so Hammett himself left school
    after studying a year of high school.
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    He picked up on jobs,
    he was a messenger boy
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    for the Baltimore & Ohio railroad.
    But nothing really clicked
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    until he found the Pinkertons.
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    (Julie Rivett) My grandfather reponded
    to an ad and took a job
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    with Pinkertons detective agency.
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    It was the kind of job
    that was really well suited
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    to his intellectual curiosity.
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    It wasn't the one to sit behind a desk
    with the same thing day after day.
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    Pinkertons allowed him
    to go out in the world
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    and experienced things
    that he'd never experienced before.
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    He met all kinds of people: crooks, cops,
    all kinds of characters.
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    That kind of work helped him
    build his repertoire as a detective
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    and as a writer.
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    (Diane Johnson) Hammett learned a lot
    from the Pinkerton Upperton's manual,
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    what you cross through*
    in some of his earlier works.
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    He learned a lot
    about the detection,
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    the rough side of law inforcement
    and struggle.
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    (Joe Gores) : He had a bare bright.
    He knew what it was like to stay there
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    and say "am I gonna die,
    this guy is shooting at me.
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    I've been shot a few times.
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    Jesus, my god ! You scared stiff."
    And he's been that.
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    And very few writers had that.
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    In 1918, World War I
    was coming to a climax.
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    Our troops were coming home,
    bringing with them the Spanish influenza
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    and a need for volunteers.
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    Dashiell was 24 and left Pinkertons
    to enlist in the army.
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    He served as an ambulance driver.
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    Within 4 months of enlistment
    however, he felt ill.
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    The army sent Dashiell
    to recover at Cushman hospital
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    and to come to Washington.
    It was here that he met his first wife,
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    Jessie Dolan, a civilian nurse
    caring for soldiers in Cushman hospital.
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    He was diagnosed with tuberculosis
    and given an honorable discharge
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    from the army.
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    After recovering at Cushman,
    he began to strengh
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    in mounty San Francisco, California,
    upon his release.
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    Jessie Dolan joined Dashiell there
    in July of 1921.
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    There was married
    at St Mary's cathedral.
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    The first child, Mary,
    was born in October of the same year.
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    These photos were taken on the roof
    at Craftward appartments,
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    their first address in San Francisco.
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    As a small disability pensionee, ...
    from the army, with a family to support,
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    he began to think of ways
    to supplement his income.
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    After taking a career writing course,
    offered* by the Bertram's bureau,
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    he began to submit
    short stories for magazines.
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    His first published work,
    The Parthian Shot,
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    appeared in October 1922 issue
    of The Smart Set, a literary magazine.
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    Some of Hammett earlier stories
    were published
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    under the signum Peter Collison.
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    The stories continued to be published
    in The Smart Set, and most importantly,
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    in Black Mask, a magazine
    devoted to crime fiction.
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    Black Mask soon became known
    as the primor* outlet
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    for the hardboiled detective stories.
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    Several Hammett's early stories
    helped to create this fictional prototype.
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    Particularly those featuring
    this character known as
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    the Continental Op.
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    The Op worked his way
    through difficult violent cases
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    involving many of these scenarios
    and characters now associated
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    with pulp fiction.
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    double-crosses, femmes fatales,
    and detectives who operate
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    under their strict code of ethics.
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    Although his crime stories
    were successful,
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    Hammett still aspired
    to a more respectable place.
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    He considered it to be that of literature.
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    A place he achieved
    as it's often the case in history...
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    after his death.
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    The second daughter Josephine
    was born in May 1926.
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    Soon after her birth, doctors recommended
    because of his medical condition
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    that he moved away from his family
    in order to ensure
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    the health of his children and wife.
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    This separation would
    eventually become permanent.
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    After writing over 100 short stories,
    Hammett published his first novel,
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    Red Harvest in 1921,
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    The book featured The Continental Op
    working on a murder case in Poisonville.
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    a setting based in part
    on Hammett's experiences
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    while working with Pinkerton
    as a strike breaker.
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    A gangster movie, Roadhouse nights,
    released in 1930,
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    was easily based upon this novel.
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    His next novel, The dain curse,
    was published in July of 1929,
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    and also featured The Continental Op.
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    This time, in an investigation
    of stolen diamonds.
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    This novel was made into a tv miniseries
    in 1978, starring James Coburn.
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    Both of these novels resulted
    in an ever-growing fanbase
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    of Hammett's detective stories.
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    In September of 1921,
    Black Mask serialised portions
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    of what would become Hammett's 3rd novel
    The Maltese Falcon.
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    The Maltese Falcon was published
    as a full novel in February of 1930.
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    Depicted through the eyes
    of Hammett's new detective,
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    Sam Spade, is the search
    for a valuable artefact,
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    the medieval malted tribute falcon.
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    --- as a series of murders and deceptions
    on its journey to SF.
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    The Maltese Falcon was made
    into 3 different Hollywood movies.
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    The first in 1931 of the same title,
    the 2nd in 1936, titled Satan met a lady,
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    starring Bette Davies.
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    The 3rd release in 1941
    was immediately successful
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    and has become a film-noir classic.
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    Even more than The Continental Op,
    Sam Spade came to be regarded
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    as primary character type
    in the crime fiction of this era.
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    Hammett's 1930 novel
    The Maltese Falcon
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    set a new high mark
    for detective fiction.
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    One on which all serious future writers
    of the genre would aspire.
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    Not only did he introduced the readers
    to a new kind of hardboiled hero,
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    with Samuel Spade, he also gave us
    a book that crossed the line op-fiction
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    to great literature.
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    (Novelist Adrien McKitty):
    Maltese Falcon is the story
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    of a detective called Sam Spade,
    and he's part of this detective agency
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    of Spade and Archer who are partners
    and had a small ofice in San Francisco.
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    Into his office one day a lady comes in.
    We subsequently learn she's called
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    Brigid O' Shaughnessy.
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    As the story goes on,
    we discover that she's involved
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    in this nefarious scheme to get
    this beautiful medieval object
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    called the Maltese falcon.
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    (Literary critic Maury Korg):
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    Spade is also trying to sell the mystery
    of the death of his partner, Miles Archer,
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    two plots seem to intertwine here.
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    (Novelist Walter Mosley):
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    Hammett is always talking
    about heroes or flawed/fraud (?).
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    Sam Spade is having an affair
    with his partner's wife
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    and his partner gets murdered
    and Sam Spade has to figure out
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    where he stands in relation to the world
    after the murder of this partner
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    who is cuckold.
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    Spade is competing
    with this group of criminals
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    lead by a mastermind named Gutman
    to try to find the falcon first.
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    Of course also all along the way he meets
    a femme fatale, Brigid O'Shaughnessy.
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    At the start of the novel,
    the beautiful Brigid
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    enters Sam Spade's office
    with a phony story.
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    But it doesn't take him long to understand
    the real motive for seeking his help.
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    She's desperately trying to recover
    the priceless falcon
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    before the others can find it.
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    One by one Spade meets the criminals
    who work with
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    and often against Brigid.
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    (Adrian McKinty):
    This is a very motley crue.
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    These people who
    you wouldn't ordinarily see together.
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    Gutman is a man
    who is obsessed with his own image.
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    He's a bon vivant, a throwback character
    to the 19th century,
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    and Joel Cairo is anxious,
    slimy, and creepy.
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    Ned is the punk kid and a forcer.
    He's very young,
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    completely outgunned
    and outclassed by Sam.
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    (Narrator): Novelist Diane Johnson knows
    the setting of the Maltese falcon well.
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    She lives much of the year
    in Sam Spade's falcon city.
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    (D. J.) This book takes place
    in San Francisco,
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    very much of the atmosphere
    of San Francisco,
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    with the fog, hills, and the little alleys
    and the atmosphere of a port,
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    which was coming* in with sinister people.
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    It actually takes place
    between December 5 and 10, 1928.
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    (Dashiel Hammett's granddaughter
    Julie Rivett) You can walk
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    through the novel, through the streets
    of S.F., and you find the same hotels,
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    the same restaurants, the streets.
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    (Writer George Gorash lived for years
    in S. F., a detective and repo man.
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    He also wrote a novel Hammett,
    which was brought into a film in 1982).
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    San Francisco is a very interesting city
    to have a novel setting.
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    Because unlike almost
    any other major city,
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    there's very little
    organised crime in S. F.
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    It has been. Back in the 20s, the gangmen
    go the Chicago, Cough, you know.
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    In S. F. corruption was local
    and they wanted to keep it local.
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    More on Sam Spade
    and on the Maltese Falcon film in part II.
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    Hammett's 4th novel published in 1931
    was The Glass Key,
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    a tale of political corruption
    that featured a more mature style
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    than previous novels.
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    This was made into a Hollywood movie
    in 1935 starring George Raft,
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    and again in 1942, starring
    Veronica Lake and Alan Ladd.
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    The story features gambler
    and racketeerer Ned Beaumont
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    and his devotion for crooked political
    and cupboard madness.
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    These seems to investigate the murder
    of the local senator's son,
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    while a potential gang ratpack
    is in the backyard.
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    In the early 1930s Hammett
    moved to Hollywood
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    to begin a career as a screenwriter.
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    His film credits during the period
    include the story for the 1931 films
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    City streets and Woman in the dark.
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    While his family remained in S.F.,
    Hammett kept a common finance
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    and visits with his wife and children,
    sharing with them the events of the world.
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    These photos are
    from the Hammett's family album.
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    During his Hollywood phase
    he met Ernest Hemingway
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    and Scott Fitzgerald, among others,
    had several lovers in Los Angeles
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    and met the woman who he would spend
    most the rest of his life with,
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    the young playwright Lillian Hellman.
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    According to Hellman,
    she met Hammett in a restaurant
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    as he was coming off
    of a 5-day drinking pitch.
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    The type of which he became notorious.
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    Hellman had to create
    a distinctive nature self
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    during her years with Hammett.
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    She would become
    a major American playwright.
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    Their relationship continued on and on
    for many years.
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    Hammett published
    his 5th and final novel in 1934.
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    The Thin Man features
    the slightly A-wall socialite couple
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    Nick and Nora Charles, two of Hammett's
    most complex characters
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    as they attempt to solve
    a murder in NY City.
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    Important in the context
    of Hammett's work is the development
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    of his male protagonist
    away from his earlier creations.
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    Nick, a former detective
    who prefers relaxation time
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    is only reluctantly drawn
    into the mystery.
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    Hammett sold the rights
    to the Nick and Nora Charles characters
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    for 40000 in 1947.
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    The Thin Man series of films
    starring William Powell and Myrna Loy
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    managed to remain popular
    well past the 1940s.
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    Hammett never achieved
    great success in Hollywood.
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    Although he was well-paid for his efforts.
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    Several accounts of his drinking squeeze
    and the enormous amounts of money
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    that he spent on Lillian Hellman
    and their extravagant lifestyle.
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    Hellman herself described these years
    after his arrival in Hollywood
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    as ultimately happy and unhappy.
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    Despite his creative
    and physical deterioration,
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    he attempted to stop drinking
    several times but could only do so
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    for short periods.
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    Many other important American writers
    including Fitzgerald
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    and the novelist William Faulkner
    also came to Hollywood
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    during this period,
    only to see their careers falter.
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    - Did you kill her? Why not?
    You had a perfectly good motive.
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    (other film dialogue)
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    Hammett, despite his ill health and age,
    re-alisted in the army
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    during the Second World War.
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    After several postings, he was stationed
    in the Aleutian islands, Alaska,
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    and achieved the rank of sergeant.
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    His daughter Jo provided
    the personal pictures of Dashiell's life.
  • 16:25 - 16:29
    He felt this second army stand
    was one of the happiest times in his life.
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    After his return from the military,
    Hammett become involved
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    in the service of left-wing causes,
    such as the NY Civil Rights Congress.
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    This was an aid organisation
    for people accused of
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    communist-related activities
    by the US House Un-American
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    Activities Committee (HUAC).
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    HUAC was investigating
    the possible infiltration of communism
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    into influential American institutions
    and industries.
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    It considered the Hollywood
    motion picture industry
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    to be specially susceptible
    to communist tendencies.
  • 17:04 - 17:07
    Hammett was called before HUAC
    because of his involvement
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    within the Civil Rights Congress,
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    he was jailed for several months
    after refusing to report the names
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    of those who had found it
    and many of its beneficiaries.
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    Lillian Hellman was later
    blacklisted by HUAC.
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    Hammett's years as a series writer
    were far behind him.
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    An incomplete autobiographical sketch
    he wrote called Tulip
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    was eventually published
    as part of a larger collection of stories
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    edited by Hellman.
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    He fell and had a hearth attack
    in the mid-1950s,
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    Hammett stopped writing altogether.
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    Hammett lived often on
    with long-time companion Hellman
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    on Martha's vineyard
    for the last decade of his life.
Title:
Dashiell Hammett Documentary
Description:

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Video Language:
English
Duration:
18:20
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
Luis Eduardo Berdor Remón edited English subtitles for Dashiell Hammett Documentary
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