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Nancy Drew... Reporter (1939)

  • 0:42 - 0:46
    Listen, let me be wrong for once.
    Write a new head.
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    Hey, boy.
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    - Yes, sir?
    - Did you find Tracy yet?
  • 0:57 - 0:59
    No, sir. He's still out.
  • 0:59 - 1:02
    When you find Mr. Tracy, would you
    ask him if he'd condescend...
  • 1:02 - 1:05
    ...to undertake a reportorial chore
    for me this afternoon?
  • 1:05 - 1:07
    If you don't mind.
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    Oh, no, sir. I don't mind.
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    Don't stand there like an imbecile.
    Round him up.
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    Yes, sir.
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    - Well, they're here, Mr. Bostwick.
    - Who's here?
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    - The students.
    - What are they doing here?
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    Mr. Bostwick, don't you remember?
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    It was a promotion tie... up
    to increase circulation.
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    And what did I promise them?
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    Well, they were to work for you
    for three days as real reporters.
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    And the one who submits
    the best story during that time...
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    ...was to receive $50.
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    - And a gold medal.
    - Oh, I might have guessed it.
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    I don't know why I let you
    talk me into these things.
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    You had the place filled
    with a lot of champion potato pickers.
  • 1:42 - 1:45
    Now, the place will be over... crowded
    with a lot of crazy cubs.
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    - I won't see them.
    - Mr. Bostwick, they're right beside you.
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    Mr. Bostwick,
    these are the young people...
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    ...you've been so anxious to meet.
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    Nancy Drew from the Brinwood
    School for Young Ladies.
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    - I'm very pleased to meet you.
    - How are you?
  • 2:00 - 2:01
    Miss Phyllis Kimble of...
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    - How are you?
    - How do you do?
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    Are we really going to have
    real assignments just like real reporters?
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    - I know all about fashions.
    - I'm dying to find out.
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    Can I cover a scandal?
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    Girls, boys.
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    Mr. Bostwick, won't you say
    a few words to the contestants?
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    Yeah. Very few.
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    Why anyone is simple... minded enough
    to want to work on a newspaper...
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    ...I’ve never been able to find out.
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    Why, Mr. Bostwick. Journalism
    is a very noble and glorious career.
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    With the adventure, romance and
    everything, I should think you'd love it.
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    I do love it, I love every minute of it.
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    I love my employees too.
    Here, take one.
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    All right. I won' t look.
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    What did you get?
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    I've gotta write a story about a squirrel
    in the park.
  • 2:49 - 2:50
    - Where's the mayor live?
    - Why?
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    I gotta find out how many babies
    he kissed.
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    "A human... interest story
    about a goldfish"?
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    "Ladies' Amateur Poetry Club,
    Cozy Nook Tea Room, 1 p.m."
  • 2:59 - 3:02
    - All right, now. Come on. Get going.
    - All right, children. Come on.
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    And if it isn't news,
    you needn't bother coming back.
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    - Clever idea?
    - We'll go into that later.
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    Mr. Bostwick, I don't believe
    you take us seriously.
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    My dear Miss Whoosis,
    in regard to your supposition...
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    ...I see you're not without perspicacity.
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    I still haven't been able to find
    Mr. Tracy.
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    Every time I depend upon a reporter,
    I'm double... crossed.
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    Oh, all right,
    leave a memo on his desk.
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    Tell him to hurry over
    to the courthouse.
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    They're holding an inquest
    on that woman.
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    - Yes, sir.
    - Yes, sir. Imbecile school children.
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    Are you satisfied with your assignment,
    Miss Drew?
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    Oh, I think it will do, for a start.
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    Dr. Carey, please.
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    Raise your right hand.
    Do you swear the testimony you give...
  • 4:21 - 4:23
    ...will be nothing but the truth?
    - I do.
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    Dr. Carey, as autopsy surgeon, you
    examined the body of Kate Lambert?
  • 4:29 - 4:32
    - I did.
    - And what did you find?
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    That Miss Lambert' s death was not
    caused by heart failure...
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    ...as Dr. Hibbard certified.
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    Her death was caused by a poison.
    Sodium ferranide.
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    What is sodium ferranide?
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    It's a chemical used in photography.
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    Is such a chemical easily obtained?
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    Oh, no. Only on special order
    from the manufacturer.
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    It's a new agent
    not yet on the open market.
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    In fact, only those who are well
    advanced in photography know about it.
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    Miles Lambert.
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    Mr. Lambert, you're the first to suspect
    your aunt had not met a natural death?
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    I was.
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    What aroused your suspicions?
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    For years, Dr. Hibbard had assured me...
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    ...that my aunt's heart condition
    was nothing to worry about.
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    And when she died so suddenly, I was
    naturally very shocked and surprised.
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    But even so, I didn't suspect anything...
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    ...until I happened to run across a
    scientific magazine in my aunt's library.
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    There was an article, which had
    a great deal of significance to me...
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    ...in view of the circumstances.
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    The article was about sodium ferranide...
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    ...and the portions of it dealing with
    the chemical's poisonous properties...
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    ...had been carefully marked in pencil.
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    To whom does this magazine belong?
  • 5:46 - 5:49
    It's addressed to Eula Denning.
  • 5:49 - 5:52
    - Did you mark this article, Miss Denning?
    - Well, l...
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    - I must have
    - Why?
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    I keep a file of all chemicals I work with.
  • 5:58 - 6:00
    Especially poisonous ones
    and their antidotes.
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    Then you are interested in photography?
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    Yes.
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    How familiar are you
    with sodium ferranide?
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    Well, I know something about it.
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    Miss Denning, what was your
    relationship to Kate Lambert?
  • 6:14 - 6:16
    My mother was her companion
    for many years.
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    After mother died,
    Miss Lambert took care of me.
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    Isn't it true that in Miss Lambert's will,
    you were the sole beneficiary?
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    Yes.
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    But I didn't kill her.
  • 6:29 - 6:32
    Why, Kate Lambert
    was the best friend I ever had.
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    She put me through school,
    treated me as her own child.
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    Yet you coerced her into making a will
    leaving all her property to you.
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    - No.
    - A will that was made...
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    ...less than a week before her death.
    - No. I didn't do it.
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    Someone must have taken the poison
    from the dark room.
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    Mr. Garrett, if you had the chemical tin,
    that would prove I was innocent.
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    How?
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    The murderer's fingerprints
    would be on it.
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    - Not if they'd been removed.
    - But they couldn't be removed.
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    If anyone touched that chemical...
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    ...the ferranide would etch the prints
    into the metal.
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    A search has been made
    for the poison container.
  • 7:04 - 7:06
    - Lt's missing.
    - But it must be in the house.
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    You were the only person connected
    with the Lambert household...
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    ...with a knowledge of sodium ferranide.
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    You were the only one who had access
    to her room the night she died.
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    And the only one who had motive
    to commit murder.
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    I didn't kill her, I tell you.
    I didn't. I didn't kill her, I tell you.
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    That's all.
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    - What's the verdict?
    - The girl's being held for trial. Murder.
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    What's up, baby?
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    Something we didn't figure on.
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    I gotta get out to the Lambert joint
    and find a tin can.
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    - Look out.
    - Oh, heavens.
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    Come back here.
  • 7:50 - 7:53
    He's gone away. He drove away.
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    Knocked the bumper off.
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    What's all this about a tin can?
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    There's fingerprints on it.
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    If the cops find it first,
    we're gonna be in a jam.
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    - A jam? How?
    - Never mind how.
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    If Eula Denning isn't set up,
    she'll get all that old lady's dough.
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    Oh, I see.
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    And if she is set up,
    the money goes to Miles Lambert.
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    Not bad.
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    - How much do you get?
    - Oh, Lambert will take care of me.
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    I'll have to start being nice
    to Mr. Lambert.
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    Don't you be nice to nobody but me,
    lamby pie.
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    Be careful, baby.
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    Officer, did a man come in here?
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    The DA's closed up this joint.
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    No one can get in here
    without a court order.
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    I'm here to see to that.
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    Well, the man bumped into my fender
    and ran away and...
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    Oh, a hit and runner?
  • 9:43 - 9:46
    Yes. And he must be around here
    some place.
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    - Lt's the only place he could've gone.
    - You and I will just take a look around.
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    Maybe you'd better go on that side,
    I'll go on this one, so he can't escape.
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    Good idea. And if you spot him, yell.
    I'll come a running.
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    Hey, what are you doing there?
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    Why, I'm here to read the gas meter.
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    That's the man, officer.
    He's the one who smashed my fender.
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    - Oh, a run and hitter?
    - Yes.
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    I won't prefer charges
    if you pay to have it fixed.
  • 10:17 - 10:18
    Well?
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    Will this square it?
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    It’ll only cost me three and a half
    to have my fender fixed...
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    ...and about 50¢ for the gasoline
    I wasted, so here's a dollar back.
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    All right, get along with you?
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    Thanks a lot, officer.
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    He had an awful lot of money
    for a gas meter reader.
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    Maybe I'm in the wrong branch
    of the service.
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    Did he say he was
    from the gas company?
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    Yes.
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    Gee, that's kind of funny.
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    I got it, Mr. Bostwick.
    All about the Lambert inquest.
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    I was delayed on account of a man
    ran into my fender.
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    So it was you?
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    You switched those assignment slips,
    didn't you?
  • 10:58 - 11:01
    Well, I thought reporters
    always did things like that.
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    At least, they do in the movies.
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    It says right in my textbook...
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    ...that a newspaperman must stop
    at nothing to get news.
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    If she intends to impress the editor
    she must do much more...
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    ...than what the assignment calls for.
    So there.
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    A thing like this would happen to me.
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    I have it. Every word.
    Oh, it's sensational.
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    I'll bet you, you never thought
    I could do it.
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    The story of the Lambert inquest
    was on the street a half hour ago.
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    But that's impossible.
    I had it right here in...
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    We were lucky enough to get it
    from the DA's office.
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    Oh, dear.
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    And I was so sure I had a scoop
    and you'd have to stop the presses.
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    - Stop the presses?
    - Or something.
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    My dear little girly, will you please
    take pity on a poor, tired old man?
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    If another thing like this happens
    to me today, I'll lose my mind.
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    - Good morning, Dad.
    - Good morning, pet.
  • 12:07 - 12:09
    How's the star reporter this morning?
  • 12:09 - 12:11
    Don't mention it.
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    You watch. I'll show that Mr. Bostitch
    whatever his name is.
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    - I'll get a story yet.
    - That's the spirit.
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    - Good morning, Miss Nancy.
    - Good morning, Effie.
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    Doesn't that look good?
    Effie, you're an artist.
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    Boy, oh, boy. What cuisine.
  • 12:24 - 12:28
    Oh, shucks, Miss Nancy.
    That's just plain old cereal.
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    Dad, I have a favor I wanna ask of you.
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    Go right ahead, darling. I'm in
    a receptive mood this morning.
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    Go right ahead.
  • 12:40 - 12:43
    Well, Eula Denning needs a good lawyer
    and I want you to defend her.
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    No, I wouldn't want that case, Nancy.
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    I've been reading,
    I'm afraid the girl is guilty.
  • 12:48 - 12:49
    There's no extenuating evidence.
  • 12:49 - 12:51
    I'll bet she didn't do it.
  • 12:51 - 12:52
    What makes you think that?
  • 12:53 - 12:55
    I don't know. I guess maybe
    it's my woman's intuition.
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    She doesn't look the type
    who'd poison anybody.
  • 12:58 - 12:59
    You can't go by type.
  • 12:59 - 13:02
    The most charming woman in history
    was a murderess.
  • 13:02 - 13:04
    Committed crimes
    less than the Lambert estate.
  • 13:04 - 13:06
    That's where the man
    with the funny ear came in.
  • 13:07 - 13:09
    Funny ear?
    What are you talking about?
  • 13:09 - 13:11
    This man sat next to me
    during the inquest.
  • 13:11 - 13:14
    And afterwards got in a car
    and ran into my fender.
  • 13:14 - 13:17
    I'm gonna take that car away
    if you start having accidents.
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    But it wasn't my fault.
    I wasn't even in the car.
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    That's why I followed him.
    I made him pay for that fender too.
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    Guess what? He went to that estate
    and tried to get in.
  • 13:26 - 13:28
    - Probably another reporter.
    - I don't think so.
  • 13:28 - 13:30
    He didn't look smart,
    and he acted suspicious.
  • 13:30 - 13:32
    I wouldn't concern myself about it.
  • 13:32 - 13:34
    - Oh, no.
    - You want it?
  • 13:34 - 13:37
    Certainly. I'm saving it for last.
  • 13:38 - 13:40
    - Goodbye, darling.
    - Bye... bye, Dad.
  • 14:02 - 14:03
    Ted.
  • 14:04 - 14:05
    Oh, Ted.
  • 14:07 - 14:10
    - Where are you, Ted?
    - In the garage.
  • 14:11 - 14:13
    What do you want?
  • 14:13 - 14:15
    Come here, will you?
    It's something very important.
  • 14:15 - 14:17
    Oh, I'm busy.
  • 14:31 - 14:33
    Well, where are you?
  • 14:33 - 14:35
    Here.
  • 14:36 - 14:38
    What's the matter? What are you hiding for?
  • 14:38 - 14:40
    Somebody tried to blow up my car.
  • 14:40 - 14:43
    Oh, stop it, will you?
    It's nothing to get excited over.
  • 14:45 - 14:47
    Nothing to get excited over?
  • 14:48 - 14:50
    How can you say a thing like that?
  • 14:50 - 14:54
    Why, I might have been blown
    to bits right before my very eyes.
  • 14:54 - 14:56
    It's just a gag.
  • 14:56 - 14:58
    A whistle bomb.
  • 15:00 - 15:02
    - You mean, it's just a practical joke?
    - Sure.
  • 15:02 - 15:04
    It blows off when you press the starter.
  • 15:04 - 15:07
    And boy did you go into a tailspin.
  • 15:07 - 15:09
    I'll bet you put that thing there.
  • 15:09 - 15:11
    Oh, don't be an infant.
  • 15:11 - 15:13
    I got better things to do.
  • 15:13 - 15:17
    Well, fine thing.
    It's practically a menace to civilization.
  • 15:17 - 15:19
    Anyone who'd do a trick
    like that ought...
  • 15:19 - 15:21
    Pipe down. Pipe down.
  • 15:26 - 15:29
    - We didn't do anything.
    - Hey, let me go.
  • 15:29 - 15:31
    I'm gonna tell Ma on you.
  • 15:31 - 15:34
    - They got a load of them.
    - Not mine, they're Killer's.
  • 15:34 - 15:36
    Killer Parkins,
    you'll grow up to be a fiend.
  • 15:36 - 15:39
    - Lt was Mary's idea.
    - Lt certainly was.
  • 15:39 - 15:42
    Mary Nickerson,
    you ought to be ashamed of...
  • 15:42 - 15:44
    Ted, aren't you going to speak
    to your sister?
  • 15:44 - 15:46
    That gangster? She's out of my control.
  • 15:46 - 15:49
    You're jealous
    because you didn't think of it first.
  • 15:49 - 15:51
    - Give me those.
    - These belong to my big brother.
  • 15:51 - 15:54
    They don't, now.
    Now, go on. Get out of here.
  • 15:54 - 15:58
    Before I lose control of myself.
    Go on. Get out of here.
  • 15:58 - 15:59
    You thugs.
  • 15:59 - 16:01
    I'm in my own back yard
    and don't you dare come in.
  • 16:12 - 16:14
    Nice going, Nancy.
  • 16:14 - 16:15
    The very idea.
  • 16:15 - 16:18
    Just a nice quiet morning at the Drews.
  • 16:18 - 16:20
    - Well, so long, I'll be seeing you.
    - Where you going?
  • 16:21 - 16:24
    Where do you think I'd be going
    with tennis racket, to shovel coal?
  • 16:24 - 16:27
    I'll tell you where he's going
    for 10¢.
  • 16:28 - 16:30
    I wouldn't pay you a penny,
    I'm not interested.
  • 16:30 - 16:32
    Then what are you asking for?
  • 16:32 - 16:33
    You get in the house.
  • 16:35 - 16:36
    I'll tell you anyway.
  • 16:36 - 16:40
    He's got a date with a beautiful girl.
  • 16:41 - 16:43
    Are you going to play tennis
    again with that woman?
  • 16:44 - 16:45
    What do you mean, woman?
  • 16:45 - 16:47
    She is only two years older than you are.
  • 16:47 - 16:50
    Well, if you'd rather play tennis,
    why all right.
  • 16:50 - 16:52
    But I was sort of depending on you
    to help me.
  • 16:52 - 16:55
    Of course, my getting the best story
    for the paper isn't important.
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    You know how it is.
    The honor would be nice.
  • 16:58 - 17:00
    - Gosh, Nancy.
    - Lt's all right. Go right ahead.
  • 17:00 - 17:02
    Don 't mind me. I just...
  • 17:02 - 17:04
    Oh, by the way,
    I have something for you.
  • 17:04 - 17:06
    Oh, you have? Well, what is it?
  • 17:07 - 17:10
    It's nothing really.
    Just a little birthday present.
  • 17:11 - 17:14
    I spent the four bucks I had
    to fix the fender.
  • 17:14 - 17:16
    Well, gee, Nancy, thanks.
  • 17:17 - 17:19
    But my birthday isn't
    for two months yet.
  • 17:19 - 17:20
    Is that so?
  • 17:21 - 17:24
    Oh, well. Now that you've seen it,
    you might as well keep it.
  • 17:24 - 17:28
    Well, gee, thanks. I don't...
  • 17:28 - 17:32
    Oh, gosh.
  • 17:32 - 17:34
    - Thanks.
    - You're welcome.
  • 17:34 - 17:36
    Wait a minute, Nancy.
  • 17:36 - 17:39
    Look, I might postpone my tennis date
    if you really need me.
  • 17:39 - 17:41
    Don't bother. Don't bother.
  • 17:41 - 17:43
    I was going down to the jail
    to interview Eula Denning...
  • 17:44 - 17:45
    ...I wanted you
    to take your camera along.
  • 17:46 - 17:48
    So far, she hasn't allowed anyone
    to take her picture.
  • 17:48 - 17:50
    Then how do you expect me to get one?
  • 17:50 - 17:52
    Oh, I'd think of a way.
  • 17:53 - 17:55
    Then you don't really need me?
  • 17:55 - 17:57
    Well, reporters always take
    staff photographers...
  • 17:57 - 18:00
    ...when they're on important
    assignments and besides...
  • 18:01 - 18:03
    ...Dad doesn't like
    my going into the jail alone.
  • 18:03 - 18:04
    I'll go with you.
  • 18:04 - 18:06
    A jail is no place for children, Mary.
  • 18:06 - 18:08
    Let her go. Maybe they'll lock her up.
  • 18:08 - 18:11
    I should say not. Now, go on,
    change your clothes.
  • 18:11 - 18:12
    Wear your new hat.
  • 18:12 - 18:16
    - All right.
    - I'll get your camera for you, Ted.
  • 18:17 - 18:19
    Hurry.
    I want to make the noon edition.
  • 18:19 - 18:22
    And besides, maybe you'll have
    time to fix my fender.
  • 18:23 - 18:24
    Duped again.
  • 18:29 - 18:31
    - No cameras.
    - Well, you see, l...
  • 18:31 - 18:33
    Give the lady your camera, Ted.
  • 18:33 - 18:36
    Well, okay.
  • 18:36 - 18:38
    All right. Over there.
  • 18:42 - 18:45
    That's that. You should have known
    you couldn't get a camera in.
  • 18:45 - 18:47
    I did.
  • 18:51 - 18:52
    What was in the case?
  • 18:52 - 18:55
    I took out the camera
    and put in a block of wood.
  • 18:55 - 18:56
    I figured something like this.
  • 18:57 - 19:00
    Look, you don't expect me to take
    a picture in here after what she said?
  • 19:00 - 19:01
    Of course, silly.
  • 19:01 - 19:03
    And if they catch us we'll stay here.
  • 19:03 - 19:05
    Oh, stop your worrying.
  • 19:05 - 19:07
    Put your hat on.
  • 19:08 - 19:09
    - Inside?
    - Of course.
  • 19:09 - 19:12
    You never saw a real newspaperman
    without his hat on, did you?
  • 19:12 - 19:14
    They even eat in them.
  • 19:16 - 19:20
    No, not like that. It looks awful.
  • 19:20 - 19:22
    For gosh sakes, what're you doing?
  • 19:22 - 19:25
    - You just gave it to me.
    - I know. No, now let me fix it.
  • 19:33 - 19:35
    Fix it is right.
  • 19:38 - 19:40
    Oh, you ruined it.
  • 19:45 - 19:49
    There. Now you look like a real reporter
    and not a store window dummy.
  • 19:58 - 20:00
    Yes?
  • 20:00 - 20:04
    I'm Nancy Drew of the Tribune,
    and Mr. Nickerson, my photographer.
  • 20:04 - 20:06
    - Hello.
    - Oh, a reporter.
  • 20:06 - 20:07
    You seem so young.
  • 20:08 - 20:10
    I guess, I better explain.
    We're not real reporters.
  • 20:11 - 20:14
    I want to win a prize in journalism
    and that's why I wanted an interview.
  • 20:14 - 20:17
    - What did you say your name was?
    - Nancy Drew.
  • 20:17 - 20:20
    Are you related to Carson Drew,
    the attorney?
  • 20:20 - 20:21
    He's her father.
  • 20:22 - 20:24
    Oh, I see.
  • 20:24 - 20:26
    Miss Denning, do you know a man
    with a funny ear?
  • 20:26 - 20:28
    It's all sorts folded up like.
  • 20:28 - 20:31
    No, I don't. Why do you ask?
  • 20:31 - 20:33
    There was one at the inquest.
  • 20:33 - 20:35
    I was wondering
    if he's a friend of yours.
  • 20:35 - 20:37
    I don't know who it could be.
  • 20:37 - 20:40
    Miss Denning,
    I don't think you did anything.
  • 20:40 - 20:43
    That is, I mean, I think you're innocent.
  • 20:43 - 20:46
    If it's all right,
    I'm gonna ask my father to come.
  • 20:46 - 20:48
    Oh, if he only would.
  • 20:48 - 20:50
    You see, there's...
  • 20:50 - 20:52
    Well, there're so much evidence
    against me.
  • 20:52 - 20:54
    Why, it's even worst now
    than it was yesterday.
  • 20:55 - 20:56
    Did they find something else?
  • 20:56 - 20:59
    Police checked with manufacturers
    and learned...
  • 20:59 - 21:02
    ...the only sale of sodium ferranide
    in this part of the country was to me.
  • 21:05 - 21:08
    Well, if you only had that tin can,
    the one the poison came in.
  • 21:08 - 21:11
    You know, you told about it
    at the inquest yesterday.
  • 21:11 - 21:13
    - Lt's disappeared.
    - Someone probably stole it.
  • 21:13 - 21:16
    I saw it just the other day
    when I was cleaning... out the darkroom.
  • 21:17 - 21:19
    I can't understand
    why they didn't find it.
  • 21:19 - 21:21
    - Lt was...
    - What's the matter?
  • 21:22 - 21:26
    The tin was empty,
    but I didn't throw it away.
  • 21:26 - 21:29
    I wanted to save it because
    the manufacturer's address was on it.
  • 21:29 - 21:32
    Think hard. Maybe you can remember
    what you did with it.
  • 21:33 - 21:38
    I put some empty bottles and things
    in the basement in an old cupboard.
  • 21:39 - 21:40
    The container must've been with them.
  • 21:41 - 21:42
    - Maybe it's still there.
    - Yeah.
  • 21:43 - 21:45
    You just leave it to me,
    and please don't tell anyone.
  • 21:45 - 21:49
    Oh, I almost forgot. Miss Denning,
    may we take a picture of you?
  • 21:49 - 21:52
    - I don't mind.
    - Hurry up, Ted.
  • 21:53 - 21:57
    Thanks a lot, Miss Denning,
    and we'll let you know what happens.
  • 22:04 - 22:06
    - A bit to your right.
    - Look sad now.
  • 22:06 - 22:07
    Hold it.
  • 22:12 - 22:14
    Here, what's the big idea?
    What's going on out here?
  • 22:14 - 22:18
    We're taking the quaddle form to porknip
    with the ornflarble. Am... skray.
  • 22:18 - 22:22
    - Ls the gentleman with the prisoner?
    - Ted, I think we better be leaving.
  • 22:35 - 22:37
    What if you can get in? It's still illegal.
  • 22:37 - 22:38
    Not for a reporter.
  • 22:38 - 22:41
    Reporter has the right to do things
    an ordinary person shouldn't.
  • 22:41 - 22:45
    Now go ahead
    and do exactly as I told you.
  • 22:45 - 22:46
    Okay.
  • 22:46 - 22:49
    But if anything happens,
    don't blame me.
  • 22:55 - 22:58
    - Hello.
    - Well?
  • 22:58 - 23:01
    You don't wanna subscribe
    to any magazines, do you?
  • 23:01 - 23:04
    - No.
    - I didn't think you did.
  • 23:05 - 23:08
    - Are you watching this place?
    - Yep.
  • 23:11 - 23:15
    Well, I guess you get kind of
    lonesome around here all by yourself?
  • 23:15 - 23:16
    Sometimes.
  • 23:16 - 23:19
    I'm not very busy right now.
  • 23:19 - 23:23
    If you like, I could play
    a little game of rummy or something.
  • 23:24 - 23:26
    Say, that's an idea, son.
  • 23:26 - 23:28
    - Draw up a chair.
    - Swell.
  • 23:31 - 23:36
    Look, do you mind if I sit over there?
    I'm kind of superstitious.
  • 23:36 - 23:38
    Oh, sure, sure.
  • 23:46 - 23:48
    We ought to have something
    to shoot at, son.
  • 23:48 - 23:52
    - Say, a penny a point?
    - A penny a...
  • 23:52 - 23:54
    Yeah, that'll be fine.
  • 23:55 - 23:57
    I'll keep score for you.
  • 24:05 - 24:08
    Hurry, Nancy
  • 24:08 - 24:12
    Hurry opkay's getting my oughday
    Hey
  • 24:13 - 24:14
    Don't do that.
  • 24:14 - 24:16
    It puts me off of my game.
  • 24:16 - 24:18
    Oh, I'm sorry.
  • 25:21 - 25:23
    What was that noise?
  • 25:23 - 25:24
    What noise?
  • 25:24 - 25:27
    - I'd better investigate.
    - Well, you were just hearing things.
  • 25:32 - 25:33
    Maybe so.
  • 25:48 - 25:50
    Ted.
  • 25:50 - 25:52
    Your mother wants you
    to come home right away.
  • 25:52 - 25:55
    Oh, hello. Glad to see you again.
  • 25:56 - 25:59
    Well, I guess I'll have to be going.
  • 25:59 - 26:02
    - How do we stand?
    - I'll figure it up.
  • 26:08 - 26:10
    You got me in a fine mess.
  • 26:10 - 26:12
    I lost my allowance to that rummy shark.
  • 26:12 - 26:14
    Well, it was worth it.
    I found the tin can.
  • 26:15 - 26:16
    Yeah?
  • 26:16 - 26:18
    That man with the funny ear
    was there.
  • 26:18 - 26:20
    He chased me out of the basement.
  • 26:20 - 26:23
    Gosh, Nancy, we took an awful chance.
  • 26:24 - 26:25
    Maybe we shouldn't have done it.
  • 26:25 - 26:27
    We better get this to the police station.
  • 26:27 - 26:30
    See if Captain Tweedy
    can find fingerprints on it.
  • 26:51 - 26:54
    Suffering cats. Look at the time.
    My tennis date was at 3.
  • 26:54 - 26:56
    But this is more important than tennis.
  • 26:56 - 27:00
    - She will never play with me again.
    - Don't you want to go?
  • 27:00 - 27:03
    You don't need me. You can tell me
    about it later. Goodbye.
  • 27:21 - 27:25
    Help. Help. Stop that woman.
    She's thief.
  • 27:29 - 27:32
    Look out. She's a thief.
    Stop her, please.
  • 27:32 - 27:36
    Thief. Stop her. Stop her. She's a thief.
  • 27:51 - 27:54
    Captain Tweedy, of all people,
    it would have to be you.
  • 28:00 - 28:03
    Well, what are you staring at?
    Come on, get away. Break it up.
  • 28:09 - 28:11
    - Hi, Dad.
    - Hello, pet.
  • 28:11 - 28:14
    - Gee, I'm glad you're home.
    - You are?
  • 28:14 - 28:15
    What are you doing up so late?
  • 28:15 - 28:18
    You get back to sleep. Good night.
  • 28:18 - 28:21
    - Oh, but Dad. I can't go to sleep.
    - What's the matter?
  • 28:22 - 28:24
    Nothing.
  • 28:24 - 28:25
    No?
  • 28:25 - 28:27
    Come on in, tell me all about it.
  • 28:31 - 28:32
    Now?
  • 28:32 - 28:35
    Dad you've always taught me
    to do right, haven't you?
  • 28:35 - 28:37
    I tried to, Nancy.
  • 28:37 - 28:40
    Dad, if I believed in something
    I knew was right...
  • 28:40 - 28:42
    ...I should always live up to it.
  • 28:42 - 28:45
    More than that.
    Don't back down an inch.
  • 28:45 - 28:48
    Supposing you made a promise
    that you knew was right...
  • 28:48 - 28:50
    ...I bet you you'd keep it.
    - Certainly.
  • 28:50 - 28:53
    A person who fails to live up
    to his promise is a weakling.
  • 28:54 - 28:56
    You'd never want me
    to break a promise, would you?
  • 28:56 - 28:58
    Of course not, Nancy.
  • 28:59 - 29:00
    If you make a promise in good faith...
  • 29:00 - 29:03
    ...I’d expect you to live up to it,
    no matter what it cost you.
  • 29:04 - 29:05
    And you'd help me live up to it?
  • 29:05 - 29:08
    Certainly. What kind of a father
    do you think I am?
  • 29:08 - 29:10
    Then, you're going to defend
    Eula Denning...
  • 29:10 - 29:12
    ...because I promised her you would.
  • 29:12 - 29:13
    What?
  • 29:13 - 29:15
    You said you'd help me keep a promise.
  • 29:16 - 29:17
    Nancy, you tricked me into this.
  • 29:17 - 29:20
    You're always doing that to me.
    Now, I won't have...
  • 29:21 - 29:23
    Well, all right.
  • 29:23 - 29:26
    If you can give me any reason to
    believe that Eula Denning is innocent...
  • 29:26 - 29:27
    ...I’ll take her case.
  • 29:28 - 29:31
    Oh, Dad, I knew you would.
  • 29:31 - 29:34
    Well, Ted and I went out
    to that Lambert house this afternoon.
  • 29:34 - 29:36
    I found that tin of sodium ferranide.
  • 29:36 - 29:38
    The one that could've had
    fingerprints on it.
  • 29:38 - 29:40
    You two went out there alone?
  • 29:40 - 29:42
    I know it was important
    evidence.
  • 29:42 - 29:44
    That man with the funny ear
    chased me out of the basement.
  • 29:44 - 29:46
    And Dad, that's not the worst of it.
  • 29:47 - 29:50
    When I was taking that tin to the police,
    a woman stole it from me.
  • 29:50 - 29:52
    That proves other people
    are mixed up in it.
  • 29:52 - 29:55
    - You should have gone to the police.
    - Oh, I know it.
  • 29:55 - 29:58
    Everything's gone wrong.
    I failed all around.
  • 29:58 - 30:00
    - Maybe I'm just not intelligent.
    - That's right.
  • 30:01 - 30:05
    - Dad.
    - Darling, everybody makes mistakes.
  • 30:08 - 30:09
    Don't you see, Dad?
  • 30:09 - 30:11
    If Miss Denning is convicted,
    it'll be my fault.
  • 30:11 - 30:14
    I was foolish and lost the evidence
    that could save her.
  • 30:15 - 30:17
    - I'm responsible.
    - Well, don't worry, Nancy.
  • 30:17 - 30:19
    I'll see Eula Denning in the morning.
  • 30:19 - 30:23
    Oh, Dad, honestly,
    I feel 10 years younger.
  • 30:23 - 30:25
    Don't be too enthusiastic.
  • 30:25 - 30:28
    There isn't a stick of evidence
    we could take into court.
  • 30:28 - 30:30
    There will be
    if you can get hold of that man.
  • 30:30 - 30:33
    - Would you know him if you saw him?
    - With that ear? I'll say.
  • 30:34 - 30:35
    It looked like one of Effie's popovers.
  • 30:36 - 30:37
    - A cauliflower ear?
    - What?
  • 30:37 - 30:40
    - I said a cauliflower ear.
    - What did you say?
  • 30:40 - 30:41
    I can't understand you, Nancy.
  • 30:42 - 30:46
    Well, how can you expect to splashing
    around like a seal after a fish.
  • 30:46 - 30:48
    - That's no way to talk to your father.
    - They're stockings.
  • 30:49 - 30:50
    Why don't you take them out?
  • 30:50 - 30:54
    Here's the towel. Oh, dear,
    Now I have to start all over again.
  • 30:54 - 30:58
    I said that that man's ear
    looked like one of Effie's popovers.
  • 30:58 - 31:00
    I said,
    it was probably a cauliflower ear.
  • 31:01 - 31:03
    That might indicate
    that he was a boxer or a wrestler.
  • 31:03 - 31:04
    Really?
  • 31:04 - 31:08
    What connection such a man could have
    in this case is more than I can see.
  • 31:08 - 31:11
    I felt all along that that man with
    the funny ear was a clue.
  • 31:11 - 31:13
    I think you ought to do something
    about him.
  • 31:13 - 31:16
    I'm going to do something about a girl
    with a funny face.
  • 31:16 - 31:19
    - Come on baby, you're going to bed.
    - Put me down. I'm no baby.
  • 31:19 - 31:22
    - You'll always be your daddy's baby.
    - I won't be anybody's baby.
  • 31:22 - 31:26
    Everybody loves a baby
    That's why I'm in love with you
  • 31:27 - 31:29
    - Pretty baby, Pretty baby
    - Oh, Dad.
  • 31:30 - 31:32
    Dad, don't be so silly.
  • 31:34 - 31:38
    Good night baby
    Good night baby
  • 31:38 - 31:41
    Good night baby
    I'm going to leave you now
  • 31:41 - 31:44
    Oh, Dad,
    we've gotta talk this thing over.
  • 31:44 - 31:48
    In the morning, the morning
    The bright and early morning
  • 31:48 - 31:50
    The morning
  • 31:57 - 31:59
    Hello.
  • 31:59 - 32:04
    - I'm Nancy Drew.
    - Charmed, I'm sure. Draw up a chair.
  • 32:05 - 32:07
    No, thank you.
    I've been standing all day.
  • 32:07 - 32:10
    Do you keep pictures
    of prize fighters and people like that?
  • 32:11 - 32:13
    You should meet
    some of my wife's folks.
  • 32:13 - 32:17
    You came to the right place. I know
    them all. What's your guy look like?
  • 32:17 - 32:20
    Oh, you'll know him in a minute.
    He has a cauliflower ear.
  • 32:31 - 32:35
    Here. If you recognize him,
    let me know.
  • 33:02 - 33:05
    - Ted. Oh, Ted.
    - What do you want?
  • 33:05 - 33:07
    Well, don't make me yell. Come here.
  • 33:08 - 33:10
    - Excuse me a second, Helen.
    - Okay.
  • 33:16 - 33:19
    - How did you find me here?
    - Hello, Ted.
  • 33:19 - 33:22
    - Oh, I get it.
    - Where would one expect to find you?
  • 33:22 - 33:25
    - Ted's got a girlfriend.
    - Ted's got a girlfriend.
  • 33:25 - 33:26
    Quiet, small fry.
  • 33:26 - 33:29
    - She's not so pretty.
    - I'll bet Ted thinks so.
  • 33:29 - 33:31
    - What's on your mind?
    - Look at this clipping I found.
  • 33:32 - 33:33
    Hey, let me see.
  • 33:34 - 33:36
    Soxie Anthens. Who's that?
  • 33:36 - 33:38
    He's the man I saw
    at the Lambert place.
  • 33:38 - 33:41
    He used to be a boxer. He's at
    Maxie's gymnasium on 1 st Street.
  • 33:41 - 33:43
    - How do you know?
    - Yeah. How do you know?
  • 33:43 - 33:46
    I just asked myself where I'd go
    if I were a prize fighter...
  • 33:46 - 33:48
    ...and it would be a gymnasium.
  • 33:48 - 33:51
    I called up all the places in town,
    pretended I was Mr. Anthen's girlfriend.
  • 33:51 - 33:54
    Pretty soon I found out he was
    at Maxie's. Then I hung up.
  • 33:54 - 33:59
    Yeah. Well, it was nice of you to tell
    me about it. L... I gotta get back.
  • 33:59 - 34:00
    - Goodbye, Ted.
    - Goodbye.
  • 34:00 - 34:01
    I don't want to keep you.
  • 34:02 - 34:04
    I thought I'd let you know
    where I'll be if Dad asks you.
  • 34:04 - 34:06
    You're not going down
    to that gym alone?
  • 34:06 - 34:09
    I am. Something has to be done
    about Soxie right sway.
  • 34:09 - 34:10
    He's important evidence.
  • 34:10 - 34:13
    You tell me about it so I'll get in a jam
    with your father...
  • 34:13 - 34:15
    ...for letting you go there.
  • 34:15 - 34:17
    I did no such thing.
    You're not responsible for me.
  • 34:17 - 34:20
    We'll go with you.
    We just love fights, don't we?
  • 34:20 - 34:23
    - I hope to kiss a polecat.
    - You two will not go.
  • 34:23 - 34:25
    - Why not?
    - Never mind.
  • 34:25 - 34:28
    Darn it, Nancy. Now you got me
    worried. Maybe I better go along.
  • 34:28 - 34:31
    I don't think you ought to.
    It's a tough place.
  • 34:31 - 34:36
    - I can take care of myself and you too.
    - Well, if you insist. Here.
  • 34:36 - 34:38
    - What's this?
    - Your costume.
  • 34:38 - 34:40
    You'll pose as a boxer
    by the name of One... Round Loogan...
  • 34:41 - 34:44
    ...gain Soxie's confidence. Who knows?
    Maybe he'll incriminate himself.
  • 34:44 - 34:46
    Say, you had this all figured out,
    didn't you?
  • 34:46 - 34:49
    Why, Ted Nickerson, I did not.
  • 35:05 - 35:07
    Ten cents.
  • 35:19 - 35:22
    - This is an awful joint.
    - Ted, there he is.
  • 35:24 - 35:28
    I'm positive the woman that stole the
    tin can from me is Soxie's girlfriend.
  • 35:28 - 35:31
    Now all you have to do is get him
    to tell you her name, where she lives.
  • 35:31 - 35:35
    Maybe you'd like to know if she's
    got any bridge work. How will l...?
  • 35:35 - 35:39
    Remember Captain Tweedy always said,
    "Cherchez la femme." Find the woman.
  • 35:39 - 35:42
    - The only smart thing he ever did say.
    - Yeah, and he stole that.
  • 35:42 - 35:44
    It's true. You can always get
    information from women.
  • 35:45 - 35:46
    They just love to talk.
  • 35:46 - 35:48
    Yeah, I've noticed that.
  • 35:48 - 35:50
    Go ahead now.
    I'll wait out here for you.
  • 35:53 - 35:58
    - He doesn't look very friendly does he?
    - Remember, you're One... Round Loogan.
  • 36:04 - 36:07
    - Wait a minute. What's the name?
    - One... Round Loogan.
  • 36:07 - 36:11
    All right, champ, but don't get sore.
    Everything's all right.
  • 36:16 - 36:18
    - Hi, champ.
    - I ain't no champ.
  • 36:18 - 36:21
    You sure train like one.
  • 36:21 - 36:23
    I'm kind of new around this break.
  • 36:23 - 36:26
    But I've been putting the boys
    on the canvas up in Frisco.
  • 36:26 - 36:29
    - Yeah?
    - That'll be enough of that.
  • 36:29 - 36:31
    Didn't I see you
    with a nice... looking dame?
  • 36:31 - 36:34
    - What's your name?
    - One... Round Loogan. I'll bet that babe...
  • 36:34 - 36:36
    One... Round Loogan.
    Never heard of you.
  • 36:36 - 36:40
    Well, I ain't very well known
    around here yet.
  • 36:40 - 36:43
    How about sparring a few rounds?
    That'll get you attention.
  • 36:43 - 36:46
    Oh, I ain't gonna do any training today.
  • 36:47 - 36:49
    If you're a fighter,
    you're in training all the time.
  • 36:49 - 36:52
    Well, well, I didn't bring my clothes.
  • 36:52 - 36:55
    That's all right. I'll get you some.
    Hey, Jake.
  • 36:55 - 36:57
    - Yeah.
    - Get the guy a pair of trunks.
  • 36:57 - 37:00
    He's gonna show me
    how they do things out in Frisco.
  • 37:00 - 37:04
    - Oh, sure. Well, come on.
    - But, I'd really rather not.
  • 37:22 - 37:24
    I want some gum, please.
  • 37:49 - 37:50
    Maxie's gym.
  • 37:51 - 37:53
    This is Soxie Anthens' girlfriend
    speaking.
  • 37:53 - 37:55
    Will you have him call me back
    as soon as he can.
  • 37:55 - 37:58
    Wait a minute. He's right here.
  • 37:58 - 37:59
    Hello?
  • 38:01 - 38:02
    Hey, Soxie.
  • 38:02 - 38:04
    Your girlfriend wants you to call her
    right away.
  • 38:05 - 38:06
    Okay.
  • 38:33 - 38:38
    Come on, in here. No, no, not there.
    Come on through here. Hey.
  • 38:38 - 38:41
    Get in there, will you?
    In you go.
  • 38:43 - 38:48
    All right, Soxie, warm up a little bit.
    A little, that's it.
  • 38:53 - 38:54
    No dames.
  • 38:55 - 38:57
    But I've gotta go in there.
    I'm his manager.
  • 38:57 - 39:00
    His manager? What...?
  • 39:01 - 39:03
    Ted, what are you doing?
  • 39:03 - 39:05
    Gee, Nancy, I'm in an awful mess.
  • 39:06 - 39:09
    I just learned something that might be
    an important clue. I wanna go.
  • 39:09 - 39:12
    So do I, but I can't. I gotta fight him.
  • 39:13 - 39:17
    Fight him? Oh, Ted, you mustn't.
  • 39:17 - 39:19
    I'll get mobbed or something if I don't.
  • 39:19 - 39:23
    Oh, dear. Oh, look.
    Maybe he's out of condition.
  • 39:23 - 39:26
    Yeah, like an ox.
  • 39:26 - 39:28
    Okay, One... Round, let's go.
    Ready, Jake?
  • 39:28 - 39:30
    All set.
  • 39:32 - 39:35
    Well, goodbye, Nancy.
  • 39:36 - 39:38
    Now folks, we're gonna have
    a little excitement.
  • 39:38 - 39:40
    Three... round boxing exhibition...
  • 39:40 - 39:44
    ...between Soxie Anthens of Chicago,
    who we all know...
  • 39:48 - 39:51
    ...and One... Round Loogan,
    the Frisco Flash.
  • 39:53 - 39:56
    All right, boys, go to your corners
    and come out fighting.
  • 39:57 - 40:01
    Why, One... Round, your glove is untied.
    Here, let me fix it for you.
  • 40:06 - 40:08
    Nancy, you're a genius.
  • 40:10 - 40:12
    Now if I can only tag him.
  • 40:15 - 40:17
    Come on, Soxie, come on.
  • 40:17 - 40:19
    Come again, Ted. I mean, Loogan.
  • 40:26 - 40:29
    - Tag him on a whisker, Soxie.
    - The kid ain't got no whiskers yet.
  • 40:30 - 40:31
    He has too.
  • 40:36 - 40:38
    Wow, chalk one up.
  • 40:41 - 40:43
    Well, chase him for a change.
  • 40:46 - 40:50
    - How much time left?
    - Come on, Ted. Don't be so nice to him.
  • 40:53 - 40:57
    Attaboy, Ted. Come on, hit again,
    hit him again. Come on.
  • 40:58 - 41:01
    Come on, Loogan. Come on, hit him.
    Do something, hit him, hit him.
  • 41:01 - 41:03
    Attaboy, Ted. Now, you got him.
  • 41:05 - 41:07
    Ted.
  • 41:08 - 41:13
    Ted, Ted. Oh, Ted, speak to me.
  • 41:13 - 41:16
    Speak to me. Ted, what happened?
  • 41:16 - 41:19
    That's what I was just about to ask you.
  • 41:20 - 41:23
    Try three, five, two, four, four, nine.
  • 41:25 - 41:27
    Gee, I wonder what they're doing.
  • 41:27 - 41:30
    I don't know, Killer.
    Maybe they're both insane.
  • 41:31 - 41:37
    Hello, this is Soxie Athens.
    Is my girlfriend there?
  • 41:39 - 41:41
    No soap.
  • 41:41 - 41:45
    Dear, there's only one more
    we can call, and that just has do be it.
  • 41:45 - 41:48
    - Lf you got the rest of them right.
    - Oh, I'm sure I have.
  • 41:48 - 41:50
    Yeah.
  • 41:51 - 41:53
    Oh, look at me. I'm ruined.
  • 41:53 - 41:55
    I won't even dare show up
    for my tennis lessons now.
  • 41:56 - 41:57
    Tennis lessons?
  • 41:57 - 42:00
    Ted, is that girl you've been playing
    with a tennis teacher?
  • 42:00 - 42:05
    Sure. It's Helen Winfield, the champ.
    Those lessons cost me one... fifty a copy.
  • 42:05 - 42:07
    Tennis teacher. Oh, that's wonderful.
  • 42:07 - 42:10
    I mean, I'm sorry
    about your lessons, but...
  • 42:10 - 42:11
    Hey, what's the matter with you?
  • 42:12 - 42:16
    Nothing. Nothing. Now try that other
    number three, five, two, four, four, O.
  • 42:16 - 42:19
    Maybe you ought to be psychoanalyzed.
  • 42:20 - 42:22
    Oh, I'm going home
    and getting me a cookie.
  • 42:22 - 42:25
    Get me one too. I'm gonna stay here
    and find out what it's all about.
  • 42:25 - 42:27
    Okay, pal.
  • 42:33 - 42:34
    Room clerk, Beldenburg Hotel.
  • 42:35 - 42:39
    This is Mr. Soxie Anthens.
    I'm calling my girlfriend.
  • 42:39 - 42:41
    She isn't here just now, Mr. Anthens.
  • 42:42 - 42:45
    - Lt's the place, how do I get her name?
    - Be strategic.
  • 42:45 - 42:47
    Yeah. Yeah.
  • 42:48 - 42:49
    Do you know where Miss... went?
  • 42:50 - 42:53
    No I don't, but I'll see
    if she left a message in your box.
  • 42:53 - 42:56
    - Soxie lives there too.
    - Really?
  • 42:57 - 43:01
    No, there's no message, Mr. Anthens.
    Shall I tell her you called?
  • 43:01 - 43:04
    Just a moment. Oh, Joe,
    did Miss Lucas take your cab?
  • 43:05 - 43:06
    Yeah. Why?
  • 43:06 - 43:08
    - Her name is Lucas.
    - Yeah.
  • 43:09 - 43:11
    She went to the Mandarin Cafe,
    Mr. Anthens.
  • 43:11 - 43:15
    Well, thank you ve...
    Thank you very much.
  • 43:15 - 43:18
    Mandarin Cafe.
  • 43:25 - 43:27
    Have you any money?
  • 43:27 - 43:31
    - Well, not to brag about.
    - Neither have I. Don't eat too much.
  • 43:33 - 43:35
    Oh, boy, a Chinese place.
  • 43:35 - 43:37
    Mary Nickerson.
  • 43:37 - 43:39
    We just love Chinese places. Don't we?
  • 43:39 - 43:41
    - Yeah.
    - Where did you hoodlums come from?
  • 43:42 - 43:44
    Thought you'd get away from us,
    didn't you?
  • 43:44 - 43:45
    Yeah.
  • 43:45 - 43:47
    - You're going home.
    - We are not.
  • 43:47 - 43:49
    We might get lost.
    We're going with you.
  • 43:49 - 43:51
    - Over my dead body.
    - Mine too.
  • 43:52 - 43:56
    Well, I guess I'll just have
    to call up Nancy's father then.
  • 43:56 - 43:59
    Oh, all right, all right.
    I suppose we'll have to do it.
  • 43:59 - 44:03
    On one condition, when the waiter takes
    your order, you say "I'm not hungry."
  • 44:03 - 44:06
    - But I am. How about you, Killer?
    - I'm starved.
  • 44:06 - 44:07
    We haven't enough money.
  • 44:07 - 44:09
    Are you going to cooperate with us
    or not?
  • 44:09 - 44:12
    - How about it, Killer?
    - Sure, we'll play along.
  • 44:12 - 44:13
    Okay, let's go.
  • 44:13 - 44:15
    Wait a minute. Let's just try this once.
  • 44:15 - 44:18
    Now, I'm the waiter.
    What'll you have, pests?
  • 44:19 - 44:20
    Chop suey.
  • 44:20 - 44:23
    - No. No.
    - No, No. Look, we're broke.
  • 44:23 - 44:25
    We can't buy you any food.
  • 44:25 - 44:29
    - Would you settle for a glass of milk?
    - Well, we might go that far.
  • 44:29 - 44:31
    Okay. It's a deal.
  • 44:32 - 44:34
    Ted, why do you have to have a sister?
  • 44:35 - 44:36
    Ask Ma.
  • 44:44 - 44:48
    Oh, I'm afraid this is a little too close
    to the orchestra.
  • 44:56 - 44:58
    This will be fine.
    Thank you very much.
  • 44:59 - 45:02
    Ted, did you see?
    She's right in the next booth...
  • 45:02 - 45:05
    ...with Miles Lambert.
    - She is?
  • 45:05 - 45:07
    Something's funny.
  • 45:07 - 45:09
    I'm positive that's Soxie's girl.
  • 45:09 - 45:11
    I think she's stepping out
    with Mr. Lambert.
  • 45:11 - 45:15
    - Do you suppose Soxie knows Lambert?
    - He might.
  • 45:15 - 45:16
    Let me out.
  • 45:16 - 45:17
    - What for?
    - Never mind.
  • 45:20 - 45:22
    Never mind that.
  • 45:26 - 45:27
    Come on.
  • 45:32 - 45:35
    Maxie's Gym. Soxie.
  • 45:40 - 45:44
    - Hello.
    - Mr. Anthens? This is a friend.
  • 45:44 - 45:46
    Would you be interested in knowing...
  • 45:46 - 45:48
    ...that Miss Lucas is dining
    with Miles Lambert...
  • 45:48 - 45:51
    ...at the Mandarin Cafe?
    - Who's talking?
  • 46:07 - 46:08
    Who'd you call?
  • 46:08 - 46:12
    I phoned Soxie about Lambert
    and Miss Lucas. And was he mad.
  • 46:12 - 46:15
    - Suffering cats.
    - We may learn something important.
  • 46:15 - 46:17
    When he gets here,
    something's sure to happen.
  • 46:17 - 46:20
    Yeah, probably a tong war.
  • 46:21 - 46:23
    What you order, please?
  • 46:23 - 46:25
    I'll have some egg foo young.
  • 46:25 - 46:28
    - And you?
    - Just tea.
  • 46:28 - 46:29
    And you too, please?
  • 46:33 - 46:34
    Glass of milk.
  • 46:36 - 46:40
    - And chop suey.
    - Yes, yes.
  • 46:53 - 46:55
    Ted, look.
  • 47:10 - 47:11
    - Soxie.
    - You cheap little...
  • 47:11 - 47:13
    - Take it easy, Soxie.
    - Sit down.
  • 47:14 - 47:16
    You've been planning
    to run out...
  • 47:16 - 47:18
    ...since you found Lambert
    was on that lady's dough.
  • 47:19 - 47:20
    Shut up, Soxie.
  • 47:20 - 47:23
    As for you wise guy,
    you want this dame, she's yours.
  • 47:23 - 47:27
    But the moment you and her try a
    break, you're gonna get a surprise.
  • 47:27 - 47:30
    I still got the tin can,
    with fingerprints on it.
  • 47:31 - 47:34
    - I know what to do with it.
    - Why, you...
  • 47:35 - 47:36
    Soxie, Soxie, don't.
  • 47:37 - 47:39
    Hey, what's the matter?
    Hey, where you come from?
  • 47:39 - 47:41
    - What you doing? What's the matter?
    - Why?
  • 47:42 - 47:45
    - I go call the police.
    - No, no. Don't do that.
  • 47:47 - 47:49
    We don't want any publicity.
  • 47:49 - 47:51
    Come on, dolly.
  • 47:53 - 47:56
    - Get the check. I gotta call Dad.
    - Sure.
  • 48:04 - 48:06
    - Yes?
    - Your daughter's on the phone.
  • 48:06 - 48:07
    Thank you.
  • 48:08 - 48:09
    Hello, Nancy.
  • 48:09 - 48:12
    Dad what happens to the Lambert estate
    if Eula Denning is convicted?
  • 48:13 - 48:16
    It goes to Miss Lambert's
    nearest relative, Miles Lambert. Why?
  • 48:16 - 48:19
    Oh, I was just wondering. Thanks, Dad.
  • 48:22 - 48:26
    - Come on, Ted, hurry up.
    - Give me some dough. I'm short.
  • 48:27 - 48:29
    It's all I have.
  • 48:29 - 48:31
    Sixty... five cents more, please.
  • 48:32 - 48:36
    Look mister, that's all we got.
    Maybe you'll trust us?
  • 48:36 - 48:39
    Oh, sure, sure,
    you nice people, I trust you.
  • 48:39 - 48:42
    Thank you very much.
    Come on, Ted, we've got to hurry.
  • 48:42 - 48:43
    Sixty... five cents.
  • 48:43 - 48:45
    But you just said you trust us.
  • 48:45 - 48:48
    You see, we gotta go home
    and get the money from our folks.
  • 48:48 - 48:50
    But we'll come back.
  • 48:50 - 48:51
    Sixty... five cent.
  • 48:53 - 48:55
    Now, look what you got us into.
  • 48:55 - 48:57
    We don't know nothing about it,
    do we, Killer?
  • 48:57 - 48:59
    No, they invited us.
  • 49:01 - 49:04
    Look, mister,
    we haven't got 65 cents.
  • 49:04 - 49:06
    Got check, no 65 cent?
  • 49:07 - 49:08
    - Yeah. That's right.
    - No.
  • 49:19 - 49:24
    You wash dish all day.
    Maybe two, three day.
  • 49:24 - 49:26
    Hey, hey, where you go?
    Kitchen that way.
  • 49:27 - 49:29
    - Kitchen that way.
    - Now, look.
  • 49:29 - 49:33
    - I don't wanna wash dishes.
    - I'm awful tired, but I can supervise.
  • 49:33 - 49:36
    You're gonna wash dishes, both of you,
    and it'll serve you right too.
  • 49:37 - 49:40
    - Hey, mister, maybe she could entertain.
    - Entertain?
  • 49:40 - 49:43
    - Yeah, she's a famous singer.
    - I thought you was my pal.
  • 49:43 - 49:46
    - What're you trying to do?
    - You must be winging.
  • 49:46 - 49:48
    Honest, sir,
    she's sung all over the world.
  • 49:48 - 49:53
    All right, you sing nice American song.
    No good, wash dishes.
  • 49:53 - 49:55
    Come on, quick.
  • 49:57 - 50:01
    - What will I sing?
    - Anything. "Little Bo Peep."
  • 50:02 - 50:06
    - Oh, oh, dear.
    - We'll be in for life after this.
  • 50:07 - 50:09
    Say, mister, can't you help her out?
  • 51:39 - 51:43
    I can't do it, they're just too fast.
  • 51:47 - 51:49
    Oh, phooey.
  • 52:45 - 52:48
    Oh, Miss Drew, now we are all present.
  • 52:48 - 52:51
    Now, here's the $50 and the medal.
  • 52:51 - 52:54
    And now, if Mr. Bostwick has chosen
    the best news story...
  • 52:54 - 52:57
    ...submitted by our charming...
    - Give the prize to this one.
  • 52:57 - 53:00
    About the humane worker
    who invented a nut cracker...
  • 53:00 - 53:01
    ...for toothless squirrels.
  • 53:01 - 53:05
    That's me. I won. I won.
  • 53:05 - 53:08
    - Lt is with great pleasure...
    - Unless Miss Drew has a story.
  • 53:08 - 53:12
    Oh, I have a story, Mr. Bostwick,
    but it's very confidential.
  • 53:12 - 53:15
    You see, my father...
  • 53:18 - 53:20
    Well, what is it?
  • 53:22 - 53:25
    The fact is, Mr. Bostwick,
    some strange man called my father...
  • 53:26 - 53:29
    ...and said he had the missing tin
    of sodium ferranide...
  • 53:29 - 53:32
    ...with fingerprints on it that would
    prove Eula Denning is innocent.
  • 53:32 - 53:35
    And would show up
    the real murderer of Kate Lambert.
  • 53:35 - 53:38
    - Ls this true?
    - Why, Mr. Bostwick...
  • 53:39 - 53:43
    ...you know my father's reputation
    and I wouldn't tell a lie.
  • 53:43 - 53:46
    - Go on. Go on.
    - Furthermore...
  • 53:47 - 53:50
    ...the man's bringing the tin
    to my father's office this evening.
  • 53:50 - 53:51
    Terrific.
  • 53:52 - 53:55
    Charlie, stop the presses.
    You're wonderful, Miss Drew.
  • 53:55 - 53:58
    Hold page one for replate.
    Hottest story yet. Hey, rewrite.
  • 53:59 - 54:02
    Don't stand there like a half wit,
    give her the money, she won.
  • 54:02 - 54:04
    - Congratulations.
    - And now, Miss Drew...
  • 54:05 - 54:09
    ...I take great pleasure in presenting
    you the check and the medal.
  • 54:10 - 54:13
    Give the check to the others,
    I'll just take the medal.
  • 54:13 - 54:14
    Come on, Ted. We're in a hurry.
  • 54:28 - 54:30
    Remarkable.
  • 54:30 - 54:32
    - Remarkable.
    - Isn’t it a whopper?
  • 54:32 - 54:35
    "Well, Soxie Anthens
    gonna spill the beans."
  • 54:35 - 54:36
    Well, well.
  • 54:37 - 54:40
    You don't understand Sergeant
    Entwhistle, that story isn't true.
  • 54:40 - 54:42
    It's printed in the paper.
  • 54:42 - 54:45
    - Nancy just made it up.
    - What they print it for, if it isn't true?
  • 54:45 - 54:47
    That's the trouble with newspapers.
  • 54:47 - 54:51
    It wasn't their fault. I made the editor
    think the story was on the level.
  • 54:51 - 54:52
    Why?
  • 54:52 - 54:56
    Oh, dear, Sergeant Entwhistle, are you
    sure Captain Tweedy won't be back?
  • 54:56 - 55:00
    Sure, I'm sure. He's in Chicago on
    a radio interview on how to avoid crime.
  • 55:00 - 55:02
    He's done it, all right.
  • 55:02 - 55:04
    - Just the same, I'll bet he'd understand.
    - Yeah.
  • 55:04 - 55:06
    What's Captain Tweedy got
    that I don't?
  • 55:06 - 55:08
    - Well, for one thing...
  • 55:09 - 55:11
    Look, sergeant,
    I put that story in the paper...
  • 55:11 - 55:14
    ...so the police could trap
    the real murderer.
  • 55:14 - 55:16
    Well, that's different. How?
  • 55:16 - 55:19
    Don't you see? That paper'll be
    on the street any minute.
  • 55:19 - 55:20
    If Lambert's the murderer...
  • 55:21 - 55:24
    ...he'll go after that tin can
    the minute he reads the story.
  • 55:24 - 55:26
    He'll think Soxie's gonna
    double... cross him.
  • 55:26 - 55:29
    Miss Drew, I'm sort of influenced
    to think you've got something.
  • 55:29 - 55:33
    Of course. All you have to do is be
    at Soxie's place when Lambert arrives...
  • 55:33 - 55:35
    ...and arrest them with the evidence.
  • 55:35 - 55:38
    - Where does this guy, Soxie, live?
    - Room 815, Beldenburg Hotel.
  • 55:38 - 55:39
    We'll help you identify them.
  • 55:40 - 55:42
    - You can't come along.
    - But I got to go along.
  • 55:42 - 55:44
    I want to get an eyewitness story
    about the case.
  • 55:44 - 55:47
    When they read what I write,
    you'll be promoted.
  • 55:47 - 55:49
    Yeah? I see what you mean.
  • 55:49 - 55:51
    Promise to keep out of trouble.
  • 55:51 - 55:53
    - Oh, sure, we promise.
    - We promise.
  • 55:53 - 55:56
    This is Sergeant Entwhistle.
    Send up a couple of squad cars.
  • 55:56 - 55:58
    - Hey.
    - Oh, no, no. You mustn't do that.
  • 55:58 - 56:00
    If they see police around,
    they'll run away.
  • 56:00 - 56:02
    Or at least get rid of that tin.
  • 56:02 - 56:04
    Yes, I see what you mean.
  • 56:04 - 56:06
    I'll go alone,
    capture them single... handed.
  • 56:06 - 56:09
    That will be much better,
    but, if they even see you, then...
  • 56:09 - 56:11
    Don't worry. They'll never know me.
  • 56:11 - 56:13
    I'll wear that disguise
    in the Cullen case.
  • 56:13 - 56:15
    Here it is, sergeant.
  • 56:16 - 56:17
    Thanks.
  • 56:26 - 56:27
    Thank you.
  • 56:28 - 56:33
    - Oh, careful, Grandma's medicine.
    - Clumsy.
  • 56:34 - 56:36
    - Good evening, young man.
    - Good evening, madam.
  • 56:36 - 56:38
    Will you register, Arthur?
  • 56:38 - 56:40
    Oh, sure, Grandma.
  • 56:41 - 56:43
    Grandmother would like the same room
    she had when she was here.
  • 56:44 - 56:45
    - What was it, Grandma?
    - Let's see.
  • 56:45 - 56:50
    My memory ain't what it used to be.
    Was it, 815?
  • 56:50 - 56:52
    Well, 815 is occupied, Mrs. Plopper.
  • 56:52 - 56:54
    But I can give you the one
    right next to it.
  • 56:55 - 56:57
    - Oh, that would be wonderful.
    - Yes, that will have to do.
  • 56:58 - 57:00
    I have to be up high
    on the account of my asthma.
  • 57:00 - 57:02
    I see.
  • 57:02 - 57:06
    - Show Mrs. Plopper to 817.
    - Come children.
  • 57:07 - 57:09
    Why don't they make these doors
    bigger?
  • 57:09 - 57:12
    - Careful, Arthur.
    - Yes, Grandma.
  • 57:28 - 57:29
    - Anything else, madam?
    - No, thanks.
  • 57:31 - 57:32
    There you are.
  • 57:33 - 57:34
    Thank you.
  • 57:36 - 57:38
    Get those bags open.
  • 57:39 - 57:41
    Didn't I tell you about my disguise?
  • 57:41 - 57:43
    - Out here, sergeant.
    - Okay.
  • 57:43 - 57:46
    Did I fool them. Did I fool them.
  • 57:46 - 57:48
    Anything happens,
    I'll give you the signal.
  • 57:49 - 57:50
    Right.
  • 58:30 - 58:32
    - Let me do that, will you, Nancy?
    - Yeah.
  • 58:39 - 58:41
    This one goes to the wall.
  • 58:48 - 58:50
    - Pull that wire through, will you, Nancy?
    - Sure.
  • 58:54 - 58:56
    - Here.
    - Okay.
  • 58:57 - 59:00
    I don't like this business, Nancy,
    it gives me the whim... whams.
  • 59:00 - 59:02
    I know. Me too.
  • 59:04 - 59:07
    All set here.
    If you don't hear me, let me know.
  • 59:07 - 59:09
    - I can hear him.
    - Yeah?
  • 59:50 - 59:53
    Why, I'm so sorry.
  • 59:53 - 59:57
    Why, I guess I must be
    in the wrong room.
  • 60:01 - 60:04
    - What's your name?
    - Why, my name is Mrs. Plopper.
  • 60:06 - 60:08
    Help. Help. Help.
    Get the wagon and set it off.
  • 60:15 - 60:18
    Oh, do something. Oh.
  • 60:20 - 60:22
    - Hello.
    - Drop that phone.
  • 60:23 - 60:25
    We weren't doing anything. Honest.
  • 60:25 - 60:27
    No, we were merely trying...
  • 60:27 - 60:30
    Shut up. Come on, get up, you.
  • 60:35 - 60:37
    All right, get out of here.
  • 60:43 - 60:45
    Come on.
  • 60:47 - 60:50
    Upstairs. All right, hurry it up.
  • 60:55 - 60:56
    Come on.
  • 61:05 - 61:08
    Mister, what are you gonna do to us?
  • 61:12 - 61:14
    All right, in here.
  • 61:29 - 61:31
    I wonder what they did
    to Sergeant Entwhistle?
  • 61:31 - 61:33
    Gosh, I don't know.
  • 61:41 - 61:45
    - We've gotta get out.
    - Yeah, I know.
  • 61:46 - 61:49
    - Oh, it's no use, Nancy.
    - Let's yell.
  • 61:49 - 61:51
    Yeah, together.
  • 61:51 - 61:55
    - Help. Help.
    - Help. Help. Somebody, help.
  • 61:55 - 61:57
    Think, I hope they got machine guns
    in this picture.
  • 61:57 - 61:59
    So do I.
  • 61:59 - 62:01
    Say, look.
  • 62:04 - 62:07
    - Nancy's car.
    - Nancy's car.
  • 62:07 - 62:10
    - Let's let the air out of the tires.
    - We ought to do something.
  • 62:10 - 62:14
    Say, I just remembered.
  • 62:21 - 62:23
    Hey, those are mine.
  • 62:25 - 62:29
    - Let's put them all on.
    - Oh, boy.
  • 62:30 - 62:32
    Help, somebody.
  • 62:33 - 62:35
    There's not a chance, Nancy.
    Not a chance.
  • 62:35 - 62:40
    With hundreds of people right under
    our feet, there must be some way out.
  • 62:40 - 62:44
    - What's that?
    - Oh, it's just a fuse box.
  • 62:44 - 62:48
    Say, those are the fuses
    to the electric sign.
  • 62:48 - 62:50
    If we turned that off,
    we'd get attention.
  • 62:50 - 62:52
    They wouldn't notice it for hours,
    maybe.
  • 62:52 - 62:56
    By that time, it'll be too late.
    Beldenburg.
  • 62:57 - 63:01
    Wait a minute, I've got an idea.
  • 63:11 - 63:15
    - There, that ought to create a sensation.
    - And this will help.
  • 63:22 - 63:23
    Look.
  • 63:29 - 63:31
    Bed Bud Hotel.
  • 63:40 - 63:42
    Get the engineer to fix it right away.
  • 64:08 - 64:12
    Somebody's coming.
    Hurry up. Open the door.
  • 64:14 - 64:16
    - Mister, downstairs, a criminal.
    - We gotta catch it.
  • 64:17 - 64:18
    Follow me.
  • 64:29 - 64:31
    So you were gonna double... cross me.
  • 64:33 - 64:35
    - Get the police, quick.
    - All right.
  • 64:36 - 64:37
    Give me that.
  • 64:42 - 64:43
    That will hold them.
  • 64:47 - 64:49
    - Ted, hurry up.
    - Right.
  • 64:53 - 64:54
    You're punchy, Lambert.
  • 64:55 - 64:57
    - That story in the paper was a phony.
    - Yeah?
  • 64:57 - 64:59
    You're still hanging on
    to that tin can.
  • 64:59 - 65:01
    In case I have to prove
    you killed the old dame.
  • 65:01 - 65:02
    I don't trust you.
  • 65:02 - 65:05
    You'll get your dough,
    soon as they convict Eula.
  • 65:05 - 65:08
    If I double... crossed you, you don't
    think I'd tie up the law here, do you?
  • 65:09 - 65:12
    - Where did he come from?
    - He was looking for that tin can.
  • 65:12 - 65:14
    Say this is a frame.
  • 65:29 - 65:32
    Ted, they're getting away.
  • 65:35 - 65:38
    Help. Help.
  • 65:48 - 65:50
    Come on, let's grab this one.
  • 66:04 - 66:06
    They're getting away
    in my daughter's car.
  • 66:14 - 66:17
    Hey. Hey. Wait.
  • 66:18 - 66:19
    Hey.
  • 66:20 - 66:22
    Hey.
  • 66:23 - 66:25
    After them, man.
  • 66:50 - 66:52
    Nancy, get off that car.
  • 66:52 - 66:55
    Stop you idiot.
    That's the car I'm chasing.
  • 66:57 - 66:59
    Come on, let's go.
  • 67:01 - 67:03
    Hell, what's this all about?
  • 67:03 - 67:06
    That's the man that poisoned
    the Lambert woman.
  • 67:06 - 67:08
    - And here's the proof.
    - Hi, Dad.
  • 67:08 - 67:10
    Nancy, how many times
    have I told you not...
  • 67:10 - 67:12
    Sergeant, how dare you
    allow my daughter...
  • 67:18 - 67:24
    Calling car 21, calling car 2... 1.
    Proceed to Gem Movie Theater.
  • 67:24 - 67:27
    Apprehend two kids,
    boy and girl, about 13.
  • 67:28 - 67:30
    Didn't like picture. Set off whistle bomb.
  • 67:30 - 67:32
    That is all.
  • 67:44 - 67:45
    }}
Title:
Nancy Drew... Reporter (1939)
Description:

more » « less
Video Language:
English
Team:
Film & TV
Duration:
01:07:40

English subtitles

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