[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:00.94,0:00:03.19,Default,,0000,0000,0000,,The dictionary definition of trauma is: Dialogue: 0,0:00:03.19,0:00:05.06,Default,,0000,0000,0000,,Severe emotional shock and pain, Dialogue: 0,0:00:05.06,0:00:07.52,Default,,0000,0000,0000,,caused by an extremely\Nupsetting experience. Dialogue: 0,0:00:07.52,0:00:09.77,Default,,0000,0000,0000,,There is no set way to process trauma. Dialogue: 0,0:00:09.77,0:00:12.87,Default,,0000,0000,0000,,But, in "Unorthodox," we see how\Ntwo different communities, Dialogue: 0,0:00:12.87,0:00:15.09,Default,,0000,0000,0000,,one in Berlin, and another in\NBrooklyn, Dialogue: 0,0:00:15.09,0:00:17.67,Default,,0000,0000,0000,,cope with the tragedies\Nthat have shaped them. Dialogue: 0,0:00:17.67,0:00:21.06,Default,,0000,0000,0000,,And, in turn, we learn ways\Nto deal with our trauma. Dialogue: 0,0:00:22.70,0:00:26.09,Default,,0000,0000,0000,,In Brooklyn, trauma forms\N19 year old Esty's, Dialogue: 0,0:00:26.09,0:00:27.99,Default,,0000,0000,0000,,and her community's,\Nidentity. Dialogue: 0,0:00:27.99,0:00:30.67,Default,,0000,0000,0000,,The action follows\Nthe secretive Satmar community Dialogue: 0,0:00:30.67,0:00:32.04,Default,,0000,0000,0000,,of Hasidic Jews. Dialogue: 0,0:00:32.04,0:00:34.57,Default,,0000,0000,0000,,Established by a rabbi\Nwho had fled Satu Mare, Dialogue: 0,0:00:34.57,0:00:37.06,Default,,0000,0000,0000,,in present-day Romania,\Nduring the Holocaust. Dialogue: 0,0:00:37.06,0:00:39.85,Default,,0000,0000,0000,,The Satmar community\Ndoes not mix with others. Dialogue: 0,0:00:39.85,0:00:41.21,Default,,0000,0000,0000,,In "Unorthodox," Dialogue: 0,0:00:41.21,0:00:43.50,Default,,0000,0000,0000,,at the head of the\Nsex-segregated table, Dialogue: 0,0:00:43.50,0:00:44.80,Default,,0000,0000,0000,,for Pesach dinner, Dialogue: 0,0:00:44.80,0:00:47.69,Default,,0000,0000,0000,,an annual commemoration\Nof the Jews who escaped slavery Dialogue: 0,0:00:47.69,0:00:48.89,Default,,0000,0000,0000,,in ancient Egypt, Dialogue: 0,0:00:48.89,0:00:51.06,Default,,0000,0000,0000,,Esty's grandfather\Ngives his reasons why. Dialogue: 0,0:00:51.06,0:00:52.69,Default,,0000,0000,0000,,[Grandfather] We tell ourselves Dialogue: 0,0:00:52.69,0:00:54.26,Default,,0000,0000,0000,,the story of Passover Dialogue: 0,0:00:54.26,0:00:56.46,Default,,0000,0000,0000,,to remind us of\Nour suffering. Dialogue: 0,0:00:56.46,0:00:58.28,Default,,0000,0000,0000,,[Narrator] The show celebrates Dialogue: 0,0:00:58.28,0:01:00.29,Default,,0000,0000,0000,,the strong bonds\Nof family and tradition, Dialogue: 0,0:01:00.29,0:01:02.03,Default,,0000,0000,0000,,within Esty's community, Dialogue: 0,0:01:02.03,0:01:03.79,Default,,0000,0000,0000,,where religious customs \Nand prayers Dialogue: 0,0:01:03.79,0:01:05.37,Default,,0000,0000,0000,,can take place safely, Dialogue: 0,0:01:05.37,0:01:06.59,Default,,0000,0000,0000,,while deadly attacks Dialogue: 0,0:01:06.59,0:01:09.07,Default,,0000,0000,0000,,on synagogues, and \Nother venues frequented by Jews, Dialogue: 0,0:01:09.07,0:01:10.56,Default,,0000,0000,0000,,rise, across the world. Dialogue: 0,0:01:10.56,0:01:14.25,Default,,0000,0000,0000,,This community defies\Nanti-Semitism, by living devoutly. Dialogue: 0,0:01:14.25,0:01:16.04,Default,,0000,0000,0000,,We also see, in this scene, Dialogue: 0,0:01:16.04,0:01:18.09,Default,,0000,0000,0000,,how Satmar Jews \Ndraw on past trauma, Dialogue: 0,0:01:18.09,0:01:20.76,Default,,0000,0000,0000,,to make members scared\Nof the big, bad outside. Dialogue: 0,0:01:20.76,0:01:22.64,Default,,0000,0000,0000,,[Grandfather] When we trusted Dialogue: 0,0:01:22.64,0:01:25.96,Default,,0000,0000,0000,,our friends and neighbors, Dialogue: 0,0:01:25.96,0:01:28.41,Default,,0000,0000,0000,,God punished us. Dialogue: 0,0:01:28.41,0:01:31.04,Default,,0000,0000,0000,,When we forget who we are, Dialogue: 0,0:01:31.04,0:01:35.51,Default,,0000,0000,0000,,we invite God's wrath. Dialogue: 0,0:01:35.51,0:01:36.95,Default,,0000,0000,0000,,[Narrator] The Holocaust Dialogue: 0,0:01:36.95,0:01:38.36,Default,,0000,0000,0000,,caused PTSD in its survivors. Dialogue: 0,0:01:38.36,0:01:39.89,Default,,0000,0000,0000,,Its impact lives on. Dialogue: 0,0:01:39.89,0:01:42.04,Default,,0000,0000,0000,,As Auschwitz survivor,\Nchemist, and writer, Dialogue: 0,0:01:42.04,0:01:43.58,Default,,0000,0000,0000,,Primo Levi puts it: Dialogue: 0,0:01:43.58,0:01:45.34,Default,,0000,0000,0000,,"Auschwitz is outside of us, Dialogue: 0,0:01:45.34,0:01:47.54,Default,,0000,0000,0000,,but it is all around us,\Nin the air. Dialogue: 0,0:01:47.54,0:01:50.79,Default,,0000,0000,0000,,The plague has died away,\Nbut the infection still lingers, Dialogue: 0,0:01:50.79,0:01:53.01,Default,,0000,0000,0000,,and it would be foolish\Nto deny it." Dialogue: 0,0:01:53.01,0:01:55.41,Default,,0000,0000,0000,,This generational trauma\Ngrows from the roots Dialogue: 0,0:01:55.41,0:01:58.56,Default,,0000,0000,0000,,of Esty's family tree,\Nand shapes Esty's personal identity. Dialogue: 0,0:01:58.56,0:02:01.08,Default,,0000,0000,0000,,She is discouraged from\Nexploring passions Dialogue: 0,0:02:01.08,0:02:03.71,Default,,0000,0000,0000,,that contradict\Nthe community's values. Dialogue: 0,0:02:03.71,0:02:05.84,Default,,0000,0000,0000,,Her piano lessons\Nare so frowned upon, Dialogue: 0,0:02:05.84,0:02:07.70,Default,,0000,0000,0000,,she must take them \Nin secret. Dialogue: 0,0:02:07.70,0:02:09.38,Default,,0000,0000,0000,,Her teacher,\NVivian Dropkin, Dialogue: 0,0:02:09.38,0:02:11.77,Default,,0000,0000,0000,,is derided as 'a shiksa,'\Nor non-Jew. Dialogue: 0,0:02:11.77,0:02:14.68,Default,,0000,0000,0000,,But interestingly,\Nthough the show never mentions it, Dialogue: 0,0:02:14.68,0:02:17.17,Default,,0000,0000,0000,,Dropkin is a secular Jew. Dialogue: 0,0:02:17.17,0:02:20.03,Default,,0000,0000,0000,,Despite her faith, her choices\Nare not Jewish enough Dialogue: 0,0:02:20.03,0:02:21.99,Default,,0000,0000,0000,,for Esty's devout community. Dialogue: 0,0:02:21.99,0:02:26.48,Default,,0000,0000,0000,,[Man speaking Yiddish.] Dialogue: 0,0:02:26.48,0:02:28.54,Default,,0000,0000,0000,,Many Orthodox Jews\Nbelieve that the way Dialogue: 0,0:02:28.54,0:02:30.59,Default,,0000,0000,0000,,to undo the trauma\Nof the Holocaust, Dialogue: 0,0:02:30.59,0:02:32.14,Default,,0000,0000,0000,,is to repopulate. Dialogue: 0,0:02:32.14,0:02:34.79,Default,,0000,0000,0000,,2013 research for\Nthe Pew Center Dialogue: 0,0:02:34.79,0:02:38.26,Default,,0000,0000,0000,,shows that Orthodox Jews\Nhave a birth rate of 4.1, Dialogue: 0,0:02:38.26,0:02:41.39,Default,,0000,0000,0000,,as opposed to the U. S.\Nnational average of 1.8. Dialogue: 0,0:02:41.39,0:02:44.71,Default,,0000,0000,0000,,Esty totally believes\Nwhat she's been taught to believe, Dialogue: 0,0:02:44.71,0:02:46.02,Default,,0000,0000,0000,,later insisting, Dialogue: 0,0:02:46.02,0:02:48.68,Default,,0000,0000,0000,,"We are rebuilding\Nthe six million lost." Dialogue: 0,0:02:48.68,0:02:50.66,Default,,0000,0000,0000,,Jews killed in the Holocaust. Dialogue: 0,0:02:51.45,0:02:54.14,Default,,0000,0000,0000,,[Grandmother] So many lost. Dialogue: 0,0:02:59.54,0:03:05.27,Default,,0000,0000,0000,,But, soon, you'll have\Nchildren of your own. Dialogue: 0,0:03:05.27,0:03:07.54,Default,,0000,0000,0000,,[Narrator] Six million\Nis no small sum. Dialogue: 0,0:03:07.54,0:03:10.52,Default,,0000,0000,0000,,So, alongside the housework\Nneeded to keep her home tidy, Dialogue: 0,0:03:10.52,0:03:12.44,Default,,0000,0000,0000,,and her husband, Yanky Shapiro, Dialogue: 0,0:03:12.44,0:03:14.62,Default,,0000,0000,0000,,well fed and in perfectly\Nironed suits, Dialogue: 0,0:03:14.62,0:03:17.26,Default,,0000,0000,0000,,Esty's job is to have\Nas many children as possible. Dialogue: 0,0:03:17.26,0:03:19.72,Default,,0000,0000,0000,,[Woman] You will have no leverage\Nin this marriage, Dialogue: 0,0:03:19.72,0:03:21.54,Default,,0000,0000,0000,,until there is a baby.\NUnderstand me? Dialogue: 0,0:03:21.54,0:03:24.58,Default,,0000,0000,0000,,[Narrator] She is told that sex\Nwill give her husband pleasure, Dialogue: 0,0:03:24.58,0:03:27.31,Default,,0000,0000,0000,,which, in turn, will give her\Nexactly what she wants: Dialogue: 0,0:03:27.31,0:03:29.36,Default,,0000,0000,0000,,what she has been told she wants...\Na baby. Dialogue: 0,0:03:29.36,0:03:31.92,Default,,0000,0000,0000,,The problem with this way\Nof dealing with trauma, Dialogue: 0,0:03:31.92,0:03:33.94,Default,,0000,0000,0000,,as we see it through Esty's eyes, Dialogue: 0,0:03:33.94,0:03:35.51,Default,,0000,0000,0000,,is, it creates \Na domino effect. Dialogue: 0,0:03:35.51,0:03:37.28,Default,,0000,0000,0000,,There is a field of academic study Dialogue: 0,0:03:37.28,0:03:38.60,Default,,0000,0000,0000,,called epigenetics, Dialogue: 0,0:03:38.60,0:03:39.99,Default,,0000,0000,0000,,which deals with the concept Dialogue: 0,0:03:39.99,0:03:41.64,Default,,0000,0000,0000,,of trans-generational trauma, Dialogue: 0,0:03:41.64,0:03:43.81,Default,,0000,0000,0000,,or, the idea that trauma\Ncan be inherited. Dialogue: 0,0:03:43.81,0:03:45.26,Default,,0000,0000,0000,,Some studies suggest that DNA Dialogue: 0,0:03:45.26,0:03:47.68,Default,,0000,0000,0000,,changes in response\Nto horrifying experiences, Dialogue: 0,0:03:47.68,0:03:49.91,Default,,0000,0000,0000,,and that, then, passes\Ndown generations. Dialogue: 0,0:03:49.91,0:03:51.91,Default,,0000,0000,0000,,Whether through epigenetics \Nor not, Dialogue: 0,0:03:51.91,0:03:53.98,Default,,0000,0000,0000,,in "Unorthodox," traumatized parents Dialogue: 0,0:03:53.98,0:03:56.33,Default,,0000,0000,0000,,unintentionally traumatize\Ntheir children. Dialogue: 0,0:03:56.33,0:03:58.74,Default,,0000,0000,0000,,Esty's grandparents are still,\Nunderstandably, Dialogue: 0,0:03:58.74,0:04:00.44,Default,,0000,0000,0000,,bereft by the Holocaust. Dialogue: 0,0:04:00.44,0:04:03.25,Default,,0000,0000,0000,,Their son, Mordecai,\Nis mentally unwell. Dialogue: 0,0:04:03.25,0:04:06.26,Default,,0000,0000,0000,,As for Leah, her trauma \Ncomes, mainly, Dialogue: 0,0:04:06.26,0:04:08.96,Default,,0000,0000,0000,,from not quite fitting the mold\Nthat's been set for her. Dialogue: 0,0:04:08.96,0:04:11.78,Default,,0000,0000,0000,,Esty is tarred by her parents' pain. Dialogue: 0,0:04:11.78,0:04:15.26,Default,,0000,0000,0000,,Now that she is a bride herself,\Nshe finds the rules troublesome. Dialogue: 0,0:04:15.26,0:04:17.95,Default,,0000,0000,0000,,[Mrs. Shapiro] We shouldn't have agreed\Nto this marriage. Dialogue: 0,0:04:17.95,0:04:19.48,Default,,0000,0000,0000,,[Yanky Shapiro] Mommy, please! Dialogue: 0,0:04:19.48,0:04:22.13,Default,,0000,0000,0000,,[Mrs. Shapiro] The apple doesn't fall\Nfar from the tree. Dialogue: 0,0:04:22.13,0:04:24.30,Default,,0000,0000,0000,,[Narrator] When Esty tries\Nto argue the case Dialogue: 0,0:04:24.30,0:04:26.93,Default,,0000,0000,0000,,for her to be pleasured,\Nrather than traumatized in bed, Dialogue: 0,0:04:26.93,0:04:29.33,Default,,0000,0000,0000,,using scripture as evidence\Nof God's will for it, Dialogue: 0,0:04:29.33,0:04:30.23,Default,,0000,0000,0000,,she is shut down. Dialogue: 0,0:04:30.23,0:04:32.95,Default,,0000,0000,0000,,[Yanky Shapiro] Women are not \Nallowed to read the Talmud! Dialogue: 0,0:04:32.95,0:04:35.86,Default,,0000,0000,0000,,[Narrator] This text is for men only,\Nnot for women's eyes, Dialogue: 0,0:04:35.86,0:04:37.09,Default,,0000,0000,0000,,due to something known as Dialogue: 0,0:04:37.09,0:04:39.50,Default,,0000,0000,0000,,"Kavod Hatzibur," or the dignity\Nof the community. Dialogue: 0,0:04:39.50,0:04:42.52,Default,,0000,0000,0000,,Esty's story shows how\Nsocially restrictive responses to trauma Dialogue: 0,0:04:42.52,0:04:44.00,Default,,0000,0000,0000,,often unfairly muzzle women. Dialogue: 0,0:04:44.00,0:04:47.26,Default,,0000,0000,0000,,Esty can't get away with half\Nof what her cousin in law, Moishe, can. Dialogue: 0,0:04:47.26,0:04:50.16,Default,,0000,0000,0000,,Moishe is a thief, a liar, \Nan aggressive lout, Dialogue: 0,0:04:50.16,0:04:52.16,Default,,0000,0000,0000,,with no consideration\Nfor others. Dialogue: 0,0:04:52.16,0:04:54.76,Default,,0000,0000,0000,,Yet, his behavior seems rooted\NIn self-loathing. Dialogue: 0,0:04:54.76,0:04:56.76,Default,,0000,0000,0000,,His moral decay,\Nhis own trauma, Dialogue: 0,0:04:56.76,0:04:58.38,Default,,0000,0000,0000,,is catching up with him, Dialogue: 0,0:04:58.38,0:04:59.95,Default,,0000,0000,0000,,as he realizes, he has neither Dialogue: 0,0:04:59.95,0:05:02.01,Default,,0000,0000,0000,,the commitment of one community, Dialogue: 0,0:05:02.01,0:05:03.46,Default,,0000,0000,0000,,nor the tools of another. Dialogue: 0,0:05:03.46,0:05:05.18,Default,,0000,0000,0000,,[Moishe cackles laughing.] Dialogue: 0,0:05:05.18,0:05:06.56,Default,,0000,0000,0000,,[Narrator] Meanwhile, Yanky, Dialogue: 0,0:05:06.56,0:05:07.73,Default,,0000,0000,0000,,a saint next to Moishe, Dialogue: 0,0:05:07.73,0:05:09.07,Default,,0000,0000,0000,,ends up meting out trauma, Dialogue: 0,0:05:09.07,0:05:11.20,Default,,0000,0000,0000,,through his childishly ignorant\Ncommitment Dialogue: 0,0:05:11.20,0:05:12.89,Default,,0000,0000,0000,,to maintaining his community, Dialogue: 0,0:05:12.89,0:05:14.77,Default,,0000,0000,0000,,by any means available. Dialogue: 0,0:05:14.77,0:05:18.19,Default,,0000,0000,0000,,In Brooklyn, we see how trauma, Dialogue: 0,0:05:18.19,0:05:20.28,Default,,0000,0000,0000,,sadly, sometimes begets\Nmore trauma. Dialogue: 0,0:05:20.28,0:05:21.94,Default,,0000,0000,0000,,As Esty's mom puts it: Dialogue: 0,0:05:21.94,0:05:24.02,Default,,0000,0000,0000,,[Leah] So much damage \Ndone in Brooklyn, Dialogue: 0,0:05:24.02,0:05:25.61,Default,,0000,0000,0000,,in the name of God. Dialogue: 0,0:05:25.61,0:05:27.73,Default,,0000,0000,0000,,All the rules, all the gossip. Dialogue: 0,0:05:27.73,0:05:30.44,Default,,0000,0000,0000,,No wonder Esty couldn't stand it. Dialogue: 0,0:05:30.44,0:05:32.84,Default,,0000,0000,0000,,[Narrator] Berlin, meanwhile, Dialogue: 0,0:05:32.84,0:05:35.54,Default,,0000,0000,0000,,has a very different way\Nof dealing with trauma. Dialogue: 0,0:05:35.54,0:05:42.16,Default,,0000,0000,0000,,[Classical music.] Dialogue: 0,0:05:42.16,0:05:43.51,Default,,0000,0000,0000,,"Unorthodox" presents Dialogue: 0,0:05:43.51,0:05:45.31,Default,,0000,0000,0000,,Adolf Hitler's former stronghold Dialogue: 0,0:05:45.31,0:05:46.82,Default,,0000,0000,0000,,as a liberal, diverse idyll, Dialogue: 0,0:05:46.82,0:05:48.82,Default,,0000,0000,0000,,where people, especially the young,\Ncan do Dialogue: 0,0:05:48.82,0:05:51.24,Default,,0000,0000,0000,,what they want, when they want,\Nwith whom they want. Dialogue: 0,0:05:51.24,0:05:52.93,Default,,0000,0000,0000,,Once the epicenter of suffering, Dialogue: 0,0:05:52.93,0:05:54.52,Default,,0000,0000,0000,,Berlin counters its past trauma Dialogue: 0,0:05:54.52,0:05:55.74,Default,,0000,0000,0000,,by celebrating joy, Dialogue: 0,0:05:55.74,0:05:57.66,Default,,0000,0000,0000,,and reclaiming some of its character Dialogue: 0,0:05:57.66,0:05:59.94,Default,,0000,0000,0000,,that the Nazis tried to extinguish. Dialogue: 0,0:05:59.94,0:06:01.34,Default,,0000,0000,0000,,This is the city Dialogue: 0,0:06:01.34,0:06:04.26,Default,,0000,0000,0000,,that once saw the Golden 1920s\Nof the Weimar Republic, Dialogue: 0,0:06:04.26,0:06:06.24,Default,,0000,0000,0000,,when Marlene Dietrich\Nrose to fame, Dialogue: 0,0:06:06.24,0:06:08.21,Default,,0000,0000,0000,,cabaret was popular entertainment, Dialogue: 0,0:06:08.21,0:06:10.53,Default,,0000,0000,0000,,and the Bauhaus art movement\Nwas founded. Dialogue: 0,0:06:10.53,0:06:13.11,Default,,0000,0000,0000,,This social liberalism\Ncomes across in public displays Dialogue: 0,0:06:13.11,0:06:16.28,Default,,0000,0000,0000,,of affection, that the naive\Nand modest Esty is struck by. Dialogue: 0,0:06:16.28,0:06:18.36,Default,,0000,0000,0000,,She is used to a traumatic sex life, Dialogue: 0,0:06:18.36,0:06:20.31,Default,,0000,0000,0000,,that only ever happened in private, Dialogue: 0,0:06:20.31,0:06:22.16,Default,,0000,0000,0000,,yet was discussed so publicly. Dialogue: 0,0:06:22.16,0:06:24.18,Default,,0000,0000,0000,,In Berlin, the opposite is true. Dialogue: 0,0:06:24.18,0:06:26.88,Default,,0000,0000,0000,,This is because pleasure,\Nrather than procreation, Dialogue: 0,0:06:26.88,0:06:28.31,Default,,0000,0000,0000,,is the goal. Dialogue: 0,0:06:28.31,0:06:30.22,Default,,0000,0000,0000,,Esty begins to realize Dialogue: 0,0:06:30.22,0:06:32.13,Default,,0000,0000,0000,,that the world is not\Nas black and white Dialogue: 0,0:06:32.13,0:06:33.34,Default,,0000,0000,0000,,as she has been taught. Dialogue: 0,0:06:33.34,0:06:36.09,Default,,0000,0000,0000,,[Man] You could try to rescue\NRobert's attempt at a salad. Dialogue: 0,0:06:36.09,0:06:38.00,Default,,0000,0000,0000,,[Narrator] The city's physical spaces Dialogue: 0,0:06:38.00,0:06:40.54,Default,,0000,0000,0000,,are examples of how traumatic sites\Ncan be reclaimed. Dialogue: 0,0:06:40.54,0:06:42.84,Default,,0000,0000,0000,,On Esty's first excursion\Nwith her new friends, Dialogue: 0,0:06:42.84,0:06:44.32,Default,,0000,0000,0000,,she ventures upon what is, Dialogue: 0,0:06:44.32,0:06:46.04,Default,,0000,0000,0000,,to her community back in Brooklyn, Dialogue: 0,0:06:46.04,0:06:47.23,Default,,0000,0000,0000,,hell. Dialogue: 0,0:06:47.23,0:06:49.13,Default,,0000,0000,0000,,[Man] When the Berlin Wall was up, Dialogue: 0,0:06:49.13,0:06:50.74,Default,,0000,0000,0000,,East German guards shot anyone Dialogue: 0,0:06:50.74,0:06:53.18,Default,,0000,0000,0000,,who tried to swim across this lake\Nto freedom. Dialogue: 0,0:06:53.18,0:06:55.34,Default,,0000,0000,0000,,[Esty] And now? Dialogue: 0,0:06:55.34,0:06:58.26,Default,,0000,0000,0000,,[Man] Now, you can swim\Nas far as you like. Dialogue: 0,0:06:58.26,0:07:00.22,Default,,0000,0000,0000,,[Mystical music.] Dialogue: 0,0:07:00.22,0:07:02.84,Default,,0000,0000,0000,,[Narrator] It might be\Nthe location of trauma, Dialogue: 0,0:07:02.84,0:07:05.15,Default,,0000,0000,0000,,but it's not the source\Nof trauma. Dialogue: 0,0:07:05.15,0:07:07.28,Default,,0000,0000,0000,,Unlike the Mikvah that \Nblessed Esty, Dialogue: 0,0:07:07.28,0:07:09.76,Default,,0000,0000,0000,,a secular body of water\Ncannot bless, or condemn. Dialogue: 0,0:07:09.76,0:07:11.14,Default,,0000,0000,0000,,Only people can. Dialogue: 0,0:07:11.14,0:07:13.75,Default,,0000,0000,0000,,Of course, some people\Nwill never be able to find joy Dialogue: 0,0:07:13.75,0:07:16.14,Default,,0000,0000,0000,,in the same waters Hitler \Ngazed across, Dialogue: 0,0:07:16.14,0:07:18.50,Default,,0000,0000,0000,,as he decided to end\Nmillions of Jews' lives. Dialogue: 0,0:07:18.50,0:07:19.75,Default,,0000,0000,0000,,But in this scene, Dialogue: 0,0:07:19.75,0:07:21.28,Default,,0000,0000,0000,,Esty has \Nan opportunity to help Dialogue: 0,0:07:21.28,0:07:23.28,Default,,0000,0000,0000,,begin her new life,\Nwithin its waters. Dialogue: 0,0:07:23.28,0:07:24.93,Default,,0000,0000,0000,,Esty removes her wig\Nin this lake, Dialogue: 0,0:07:24.93,0:07:27.25,Default,,0000,0000,0000,,in a more extreme version\Nof the breakup haircut. Dialogue: 0,0:07:27.25,0:07:28.77,Default,,0000,0000,0000,,While the shorn hair\Nbeneath it Dialogue: 0,0:07:28.77,0:07:30.23,Default,,0000,0000,0000,,is the imposition of a sect Dialogue: 0,0:07:30.23,0:07:32.28,Default,,0000,0000,0000,,that sees women's hair\Nas so tempting to men Dialogue: 0,0:07:32.28,0:07:33.76,Default,,0000,0000,0000,,it must be shaved off, Dialogue: 0,0:07:33.76,0:07:36.06,Default,,0000,0000,0000,,it is also an uncanny\Nand unintended reminder Dialogue: 0,0:07:36.06,0:07:38.08,Default,,0000,0000,0000,,of the ways in which\NEsty's ancestors Dialogue: 0,0:07:38.08,0:07:39.84,Default,,0000,0000,0000,,were dehumanized\Nby the Nazis, Dialogue: 0,0:07:39.84,0:07:42.38,Default,,0000,0000,0000,,their heads shaved\Nin the concentration camps. Dialogue: 0,0:07:42.38,0:07:44.48,Default,,0000,0000,0000,,[Esty panting.] Dialogue: 0,0:07:44.48,0:07:47.21,Default,,0000,0000,0000,,[Narrator] Without this wig,\Nshe can float in the water, Dialogue: 0,0:07:47.21,0:07:48.72,Default,,0000,0000,0000,,free to forget her trauma, Dialogue: 0,0:07:48.72,0:07:51.03,Default,,0000,0000,0000,,and all the rules and regulations\Nthat led to it. Dialogue: 0,0:07:51.03,0:07:53.03,Default,,0000,0000,0000,,The lake scene proves how Dialogue: 0,0:07:53.03,0:07:54.74,Default,,0000,0000,0000,,expression of individual freedoms Dialogue: 0,0:07:54.74,0:07:57.75,Default,,0000,0000,0000,,can pay tribute to past generations\Nwho were once restricted. Dialogue: 0,0:07:57.75,0:07:59.50,Default,,0000,0000,0000,,By swimming in the waters, Dialogue: 0,0:07:59.50,0:08:00.90,Default,,0000,0000,0000,,Esty and her friends Dialogue: 0,0:08:00.90,0:08:03.60,Default,,0000,0000,0000,,do what many from \Nprevious generations could not. Dialogue: 0,0:08:03.60,0:08:05.55,Default,,0000,0000,0000,,Joy is, for them, a far more useful Dialogue: 0,0:08:05.55,0:08:07.57,Default,,0000,0000,0000,,tool of remembrance,\Nthan guilt. Dialogue: 0,0:08:07.57,0:08:09.41,Default,,0000,0000,0000,,[Man] A lake is just a lake. Dialogue: 0,0:08:09.41,0:08:11.16,Default,,0000,0000,0000,,[Narrator] Esty's new friends Dialogue: 0,0:08:11.16,0:08:12.97,Default,,0000,0000,0000,,prove that trauma comes\Nin many forms. Dialogue: 0,0:08:12.97,0:08:15.54,Default,,0000,0000,0000,,Each carries with them\Ntheir own difficult histories. Dialogue: 0,0:08:15.54,0:08:17.20,Default,,0000,0000,0000,,Some come from war-torn countries, Dialogue: 0,0:08:17.20,0:08:18.45,Default,,0000,0000,0000,,have lost loved ones, Dialogue: 0,0:08:18.45,0:08:20.30,Default,,0000,0000,0000,,or grew up gay\Nin homophobic countries. Dialogue: 0,0:08:20.30,0:08:22.26,Default,,0000,0000,0000,,The friction between\NEsty and Yael hinges Dialogue: 0,0:08:22.26,0:08:25.23,Default,,0000,0000,0000,,on how their shared trauma\Nis dealt with so differently. Dialogue: 0,0:08:25.23,0:08:27.52,Default,,0000,0000,0000,,[Esty] My grandparents\Nlost their whole families Dialogue: 0,0:08:27.52,0:08:28.78,Default,,0000,0000,0000,,in the camps. Dialogue: 0,0:08:28.78,0:08:30.76,Default,,0000,0000,0000,,[Yael] So did half of Israel. Dialogue: 0,0:08:30.76,0:08:33.10,Default,,0000,0000,0000,,But, we are too busy\Ndefending our present, Dialogue: 0,0:08:33.10,0:08:35.08,Default,,0000,0000,0000,,to be sentimental \Nabout our past. Dialogue: 0,0:08:35.08,0:08:36.36,Default,,0000,0000,0000,,[Narrator] Both Jewish, Dialogue: 0,0:08:36.36,0:08:38.65,Default,,0000,0000,0000,,Esty and Yael's ancestors\Nmay have very well died Dialogue: 0,0:08:38.65,0:08:40.93,Default,,0000,0000,0000,,alongside each other \Nin the death camps, Dialogue: 0,0:08:40.93,0:08:42.58,Default,,0000,0000,0000,,but their responses\Nto this trauma Dialogue: 0,0:08:42.58,0:08:44.40,Default,,0000,0000,0000,,couldn't be more different. Dialogue: 0,0:08:44.40,0:08:47.05,Default,,0000,0000,0000,,Yael used music\Nas an escape from military duty, Dialogue: 0,0:08:47.05,0:08:49.05,Default,,0000,0000,0000,,and its inevitable traumas. Dialogue: 0,0:08:49.05,0:08:52.43,Default,,0000,0000,0000,,With her violin in hand,\Nshe expresses herself as she chooses. Dialogue: 0,0:08:52.43,0:08:55.82,Default,,0000,0000,0000,,Esty quickly learns that,\Nin Berlin, Dialogue: 0,0:08:55.82,0:08:57.08,Default,,0000,0000,0000,,men and women, Dialogue: 0,0:08:57.08,0:08:58.14,Default,,0000,0000,0000,,secular Jews, Dialogue: 0,0:08:58.14,0:08:59.73,Default,,0000,0000,0000,,Muslims, Christians,\Nand others Dialogue: 0,0:08:59.73,0:09:01.11,Default,,0000,0000,0000,,play music together. Dialogue: 0,0:09:01.11,0:09:03.18,Default,,0000,0000,0000,,The only rules \Nare that they turn up, Dialogue: 0,0:09:03.18,0:09:04.93,Default,,0000,0000,0000,,stay focused, and \Ncollaborate. Dialogue: 0,0:09:04.93,0:09:07.86,Default,,0000,0000,0000,,Esty no longer\Nmuffles her own screams, Dialogue: 0,0:09:07.86,0:09:09.76,Default,,0000,0000,0000,,but unleashes her pain\Nand trauma, Dialogue: 0,0:09:09.76,0:09:11.89,Default,,0000,0000,0000,,using the creativity\Nshe has always longed Dialogue: 0,0:09:11.89,0:09:13.35,Default,,0000,0000,0000,,to be able to wield. Dialogue: 0,0:09:13.35,0:09:15.87,Default,,0000,0000,0000,,Using Yael's unfiltered freedom\Nas a template, Dialogue: 0,0:09:15.87,0:09:18.89,Default,,0000,0000,0000,,Esty finally expresses \Nher personal identity. Dialogue: 0,0:09:18.89,0:09:22.31,Default,,0000,0000,0000,,[Singing] Dialogue: 0,0:09:23.45,0:09:25.51,Default,,0000,0000,0000,,[Narrator] The Berliners\Nof "Unorthodox" Dialogue: 0,0:09:25.51,0:09:27.74,Default,,0000,0000,0000,,haven't forgotten their trauma, Dialogue: 0,0:09:27.74,0:09:30.65,Default,,0000,0000,0000,,or that of the city\Nthey live in, Dialogue: 0,0:09:30.65,0:09:32.80,Default,,0000,0000,0000,,but have found ways\Nto deal with it, Dialogue: 0,0:09:32.80,0:09:35.88,Default,,0000,0000,0000,,reclaiming Hitler's land\Nfor their own, joyful purposes. Dialogue: 0,0:09:35.88,0:09:38.22,Default,,0000,0000,0000,,Wanting personal freedoms\Nfor everyone, Dialogue: 0,0:09:38.22,0:09:39.64,Default,,0000,0000,0000,,especially women. Dialogue: 0,0:09:39.64,0:09:42.95,Default,,0000,0000,0000,,Using creativity as a conduit\Nto exorcise their trauma. Dialogue: 0,0:09:42.95,0:09:45.53,Default,,0000,0000,0000,,That is not to say\NBrooklyn is totally opposite. Dialogue: 0,0:09:45.85,0:09:47.78,Default,,0000,0000,0000,,Like everything else in the show, Dialogue: 0,0:09:47.78,0:09:49.78,Default,,0000,0000,0000,,from the costumes to the sets, Dialogue: 0,0:09:49.78,0:09:52.83,Default,,0000,0000,0000,,"Unorthodox" handles trauma\Nsensitively and beautifully. Dialogue: 0,0:09:52.83,0:09:55.20,Default,,0000,0000,0000,,No one is outright good,\Nor outright evil. Dialogue: 0,0:09:55.20,0:09:57.03,Default,,0000,0000,0000,,Some people struggle in Berlin, Dialogue: 0,0:09:57.03,0:09:59.90,Default,,0000,0000,0000,,in the same way others thrive\Nin Brooklyn. Dialogue: 0,0:09:59.90,0:10:02.16,Default,,0000,0000,0000,,Human trauma\Nis complex and individual, Dialogue: 0,0:10:02.16,0:10:04.01,Default,,0000,0000,0000,,not black and white. Dialogue: 0,0:10:04.01,0:10:05.88,Default,,0000,0000,0000,,In "Unorthodox," we see Dialogue: 0,0:10:05.88,0:10:08.58,Default,,0000,0000,0000,,the classic tale of a Jew\Nescaping European trauma Dialogue: 0,0:10:08.58,0:10:10.36,Default,,0000,0000,0000,,and captivity, in reverse. Dialogue: 0,0:10:10.36,0:10:12.56,Default,,0000,0000,0000,,In Berlin, Esty discovers Dialogue: 0,0:10:12.56,0:10:14.37,Default,,0000,0000,0000,,that undoing trauma\Ncan be as simple Dialogue: 0,0:10:14.37,0:10:15.68,Default,,0000,0000,0000,,as going for a swim, Dialogue: 0,0:10:15.68,0:10:17.43,Default,,0000,0000,0000,,communicating with outsiders, Dialogue: 0,0:10:17.43,0:10:19.20,Default,,0000,0000,0000,,and singing her heart out. Dialogue: 0,0:10:19.20,0:10:20.57,Default,,0000,0000,0000,,All on her own terms, Dialogue: 0,0:10:20.57,0:10:22.27,Default,,0000,0000,0000,,and in her own time. Dialogue: 0,0:10:22.27,0:10:33.82,Default,,0000,0000,0000,,[Soft music.]