0:00:05.066,0:00:09.123 This time we are here for Lesson BL-024. 0:00:09.123,0:00:12.330 In which we are going to be [br]checking out some licks 0:00:12.330,0:00:16.444 using position 4 of minor pentatonic [br]and the Blue scale. 0:00:16.444,0:00:19.711 The licks that we are going to be doing are these. 0:00:19.711,0:00:22.153 So lick number one sounds like this 0:00:22.153,0:00:24.899 . . . 0:00:24.899,0:00:27.431 Lick number two sounds like this 0:00:27.431,0:00:31.996 . . . 0:00:31.996,0:00:34.317 Lick number three sounds like this 0:00:34.317,0:00:37.428 . . . 0:00:37.428,0:00:40.386 Lick number four sounds like this 0:00:40.386,0:00:43.364 . . . 0:00:43.364,0:00:45.405 I find it kind of fast, [br]you can play this slowly as well. 0:00:45.405,0:00:50.534 And lick number 5 is this one. [br]A pretty weird one 0:00:50.534,0:00:55.789 . . . 0:00:55.789,0:00:58.248 Which I will explain a little bit more [br]when we go to a close up. 0:00:58.248,0:01:00.134 So let's start off. 0:01:00.134,0:01:03.385 Close up of lick 1, here we go ! 0:01:04.617,0:01:07.302 Ok. Lick no1 was this 0:01:07.302,0:01:11.476 . . . 0:01:11.476,0:01:13.758 Now this one's a really really cool little trick here. 0:01:13.758,0:01:16.936 What we are doing is [br]putting the 1st finger in the 12th fret, 0:01:16.936,0:01:19.465 2nd finger in the 13th fret 0:01:19.465,0:01:23.184 and we are going to put a curl[br]just on the 13th. 0:01:23.184,0:01:27.630 Rhythm for this is going 1 2 3 and 4 and 0:01:27.630,0:01:32.942 So first two is beat 1 and beat 2. 0:01:32.942,0:01:36.268 Now, normally my fingers would be [br]kind of holding over 0:01:36.268,0:01:38.122 but here I'm just pulling them back, [br]so you can see. 0:01:38.122,0:01:41.415 1st finger staying where it is,[br]and the 2nd finger is doing a little curl. 0:01:41.415,0:01:43.762 . . . 0:01:43.762,0:01:49.726 Then we finish 3rd finger is now going [br]on the 14th fret of the 3rd string. 0:01:49.726,0:01:52.202 We are putting it down [br]a little bit flatter than normal . 0:01:52.218,0:01:53.598 because it's going to play there 0:01:53.598,0:01:58.992 and then roll onto its tip [br]to play the 14th fret of the 4th string 0:01:58.992,0:02:01.745 . . . 0:02:01.745,0:02:04.276 Then 1st finger on 12th fret 3rd string 0:02:04.276,0:02:06.489 . . . 0:02:06.489,0:02:09.142 And finishing back on the root note.[br]Slowly : 0:02:09.142,0:02:14.892 . . . 0:02:14.892,0:02:16.257 A little faster 0:02:16.257,0:02:20.510 . . . 0:02:20.510,0:02:21.610 And faster again 0:02:21.610,0:02:24.940 . . . 0:02:26.187,0:02:28.503 Now lick no2 here is this 0:02:28.503,0:02:32.644 . . . 0:02:32.644,0:02:37.262 Now this one, we are starting here [br]with the bend with the 3rd finger 15th fret 0:02:37.262,0:02:39.122 and then while we are holding a bend, 0:02:39.122,0:02:41.638 we are going to sneak [br]our little finger underneath 0:02:41.638,0:02:44.031 to play the 15th fret of the thinnest string. 0:02:44.046,0:02:49.057 . . . 0:02:49.057,0:02:51.162 Of course we've got to release in there, as well. 0:02:51.162,0:02:52.081 So we are doing a bend, 0:02:52.081,0:02:53.630 . . . 0:02:53.630,0:02:54.577 play the note 0:02:54.577,0:02:56.399 . . . 0:02:56.399,0:03:00.772 and you can see at the time I'm hitting that one,[br]I'm also muting the bent note 0:03:00.772,0:03:03.220 but I'am muting it [br]with the picking hand. 0:03:03.220,0:03:06.038 . . . 0:03:06.038,0:03:08.178 So at that point you can hear [br]the bend disappears 0:03:08.178,0:03:12.560 and that's because I'm allowing my picking hand [br]to touch that second string. 0:03:12.560,0:03:14.825 Now, once its touch to the note is finished 0:03:14.825,0:03:18.683 I can then bring it back down again, [br]ready for the next bend 0:03:18.683,0:03:21.938 . . . 0:03:21.938,0:03:24.049 Definitely worth practising, [br]just that a little bit. 0:03:24.049,0:03:29.645 . . . 0:03:29.645,0:03:30.853 Now the next part 0:03:30.853,0:03:34.320 . . . 0:03:34.320,0:03:38.827 We've got 15th to 13th flick-off [br]using 3rd finger to 1st finger 0:03:38.827,0:03:41.005 . . . 0:03:41.005,0:03:43.631 2nd finger on the14th fret 3rd string 0:03:43.631,0:03:45.109 . . . 0:03:45.109,0:03:47.235 then 3rd finger back on 15th 0:03:47.235,0:03:49.159 . . . 0:03:49.159,0:03:52.218 finishing with a curl [br]on the 13th fret with the 1st finger 0:03:52.218,0:03:58.207 . . . 0:03:58.207,0:03:59.349 The whole lick 0:03:59.349,0:04:04.904 . . . 0:04:05.858,0:04:07.973 Into Lick no3. 0:04:07.973,0:04:13.619 Lick no3 is starting with a tone bend [br]from the note G, 0:04:13.619,0:04:16.684 3rd finger 15th fret [br]of the thinnest string 0:04:16.684,0:04:18.041 . . . 0:04:18.041,0:04:19.688 Then it's coming back down, 0:04:19.688,0:04:23.066 so again we're using our picking hand [br]to mute the strings at the top 0:04:23.066,0:04:24.604 so that we don't get seagulls. 0:04:24.604,0:04:28.873 If you are unsure about how to do this thing, [br]check out the Bending video 0:04:28.873,0:04:35.743 . . . 0:04:35.743,0:04:40.021 Here we're using a 3rd finger to 1st finger flick-off, [br]15th fret to 12th fret. 0:04:40.021,0:04:42.174 . . . 0:04:42.174,0:04:45.129 3rd finger is moving over [br]to the 15th fret of the 2nd string . 0:04:45.129,0:04:47.342 and then back to 1st finger [br]on the thinnest string. 0:04:47.342,0:04:49.782 . . . 0:04:49.782,0:04:51.882 Now at this point, [br]we are using 2nd finger now 0:04:51.882,0:04:55.509 on the note C which is the 13th fret, [br]which gets a curl, 0:04:55.509,0:04:57.226 . . . 0:04:57.226,0:04:59.569 and finishing with the 3rd finger [br]on the root note, 0:04:59.569,0:05:01.856 which is 14th fret 3rd string. 0:05:01.856,0:05:02.904 . . . 0:05:02.904,0:05:04.078 Nice and slow 0:05:04.078,0:05:18.032 . . . 0:05:18.032,0:05:19.087 Little faster 0:05:19.087,0:05:27.031 . . . 0:05:27.031,0:05:28.457 and it can be quite fast. 0:05:28.457,0:05:33.294 . . . 0:05:35.433,0:05:37.529 Lick No4. [br]We are using a blue note again 0:05:37.529,0:05:40.287 right of the back [br]with that hammer-on and flick-off 0:05:40.287,0:05:42.482 . . . 0:05:42.482,0:05:44.699 So that's the 12th fret of the 4th string, 0:05:44.699,0:05:48.643 hammering on 2nd finger into the 13th, [br]flicking it off again 0:05:48.643,0:05:51.336 . . . 0:05:51.336,0:05:54.256 then picking little finger [br]15th fret on the 5th string 0:05:54.256,0:05:56.975 . . . 0:05:56.975,0:06:00.046 Now we've got here [br]a little string of hammer-ons . 0:06:00.046,0:06:01.911 So use it going through the blue note, 0:06:01.911,0:06:06.717 which is 1st, 2nd, 3rd fingers, [br]12th,13th 14th frets on the D string 0:06:06.717,0:06:09.280 . . . 0:06:09.280,0:06:12.350 Onto the G string, [br]we've got 1st finger 14th fret 0:06:12.350,0:06:15.188 and we are hammering on the 3rd finger [br]onto the note A 0:06:15.188,0:06:18.179 which is the 14th fret of the G string. 0:06:18.179,0:06:22.772 Flick here it off again back to note G,[br]first finger 0:06:22.772,0:06:27.672 and we are finishing off there [br]with a little 2nd finger curl 0:06:27.672,0:06:30.718 . . . 0:06:30.718,0:06:33.208 and finishing back on the root note, [br]so we have this 0:06:33.208,0:06:39.477 . . . 0:06:39.477,0:06:40.900 A very nice little lick! 0:06:40.900,0:06:42.085 Again nice and slow 0:06:42.085,0:06:51.804 . . . 0:06:51.804,0:06:52.816 A little faster 0:06:52.816,0:06:58.972 . . . 0:06:58.972,0:06:59.652 Faster again 0:06:59.652,0:07:03.032 . . . 0:07:03.032,0:07:04.924 And, really fast! 0:07:04.924,0:07:11.245 . . . 0:07:11.245,0:07:17.226 Lick no5, this one's using a little trick [br]that we use sometimes while we are playing. 0:07:17.226,0:07:21.283 It's called playing in 4ths [br]where we play the notes of the scale. 0:07:21.283,0:07:26.731 I think of it as 2 sides like (plays)[br]the 2nd side and the first side. 0:07:26.731,0:07:28.012 We are playing these 2 notes like 0:07:28.012,0:07:31.092 . . . 0:07:31.092,0:07:32.235 That's the pattern. 0:07:32.235,0:07:35.548 So if you thought of it like a little box, [br]we are kind of going up the box, 0:07:35.548,0:07:37.061 back and then down the box. 0:07:37.061,0:07:40.392 It's kind of going around [br]in a little square there. 0:07:40.392,0:07:42.874 . . . 0:07:42.874,0:07:45.113 And then you could do the same thing [br]on the next set of strings. 0:07:45.113,0:07:48.047 . . . 0:07:48.047,0:07:48.919 And the next set. 0:07:48.919,0:07:51.951 . . . 0:07:51.951,0:07:53.462 You see this is a little pattern. 0:07:53.462,0:08:00.794 . . . 0:08:00.794,0:08:03.136 And that's as far as we take here [br]with this pattern, 0:08:03.136,0:08:07.348 but I'am also that would normally be played [br]as either sixteenth notes or eighth notes, 0:08:07.348,0:08:08.734 because it's a 4 note pattern. 0:08:08.734,0:08:12.159 But to make a little bit more interesting [br]I have turned them into triplets. 0:08:12.159,0:08:14.214 So you get a quite a different feeling. 0:08:14.214,0:08:22.526 Having this 1-trip-let 2-trip-let [br]3-trip-let 4-trip-let 0:08:22.957,0:08:24.087 Makes it kind of weird. 0:08:24.087,0:08:27.321 It disguises the fact that it's a 4 note pattern. 0:08:27.321,0:08:34.682 . . . 0:08:34.682,0:08:36.169 and then to finish it we've got. 0:08:36.169,0:08:41.523 . . . 0:08:41.523,0:08:43.809 We are just shifting out of the position [br]for that last note. 0:08:43.809,0:08:45.291 Nice and slow. 0:08:45.291,0:08:58.600 . . . 0:08:58.600,0:09:00.189 Every note is picked. 0:09:00.189,0:09:01.059 A little faster. 0:09:01.059,0:09:10.492 . . . 0:09:10.492,0:09:11.263 and a little faster again. 0:09:11.263,0:09:17.679 . . . 0:09:19.294,0:09:21.037 Get cracking on those, 0:09:21.037,0:09:24.593 make sure that you are really confident [br]using the licks and with the scale 0:09:24.593,0:09:26.616 before we get into the next lesson [br] 0:09:26.616,0:09:31.072 which is going to be POSITION 5. [br]Ride up the dust here.