0:00:00.000,0:00:10.808 36C3 preroll music 0:00:13.623,0:00:21.449 Herald Angel Noujoum: Hello and [br]welcome to our next talk, 0:00:21.449,0:00:26.630 Why 3D printing clothes is NOT the future. [br]Short question to the audience: 0:00:26.630,0:00:32.103 Who of you has already 3D printed anything? [br]Please raise your hand. 0:00:32.103,0:00:35.640 That's what I thought, I estimate that's about [br]80 % of the audience in this hall. 0:00:35.640,0:00:38.860 I am not surprised, it is the topic of this talk, [br]that's why you are here. 0:00:38.860,0:00:41.606 Second question: Who of you 0:00:41.606,0:00:47.059 has already tried 3D printing clothes?[br]Please raise your hand again. 0:00:47.059,0:00:54.539 I see four people.[br]So, how did it go? 0:00:54.539,0:00:58.082 One person indicates [br]that it worked out well, 0:00:58.082,0:01:02.399 the others are showing hand gestures [br]of "not that well". 0:01:02.399,0:01:05.513 Who of all the people that have [br]already 3D printed 0:01:05.513,0:01:09.930 has thought about printing clothes? 0:01:09.930,0:01:12.869 Ok, about 10 people have thought [br]about that. 0:01:12.869,0:01:17.540 Our next speaker, Rebekka, will tell you [br]why it might not be the best idea 0:01:17.540,0:01:22.320 to 3D print clothes. [br]On the internet 0:01:22.320,0:01:27.270 and especially Twitter, Rebekka is known[br]by her nickname Kurfuerstin 0:01:27.270,0:01:31.619 and she is a clothing technician. Her [br]research includes 0:01:31.619,0:01:35.120 traditional apparel production, she has [br]worked in a fashion company, 0:01:35.120,0:01:38.737 at the theater and at a tv show. 0:01:38.737,0:01:42.459 Also, she is researching innovative [br]techniques such as 3D printing 0:01:42.459,0:01:46.963 and virtual clothing simulation, 0:01:46.963,0:01:50.709 meaning software that realistically [br]simulates clothes 0:01:50.709,0:01:55.770 on a virtual avatar. 0:01:55.770,0:01:58.940 Have fun with the talk , [br]I hope you will learn a lot 0:01:58.940,0:02:01.953 and please welcome Rebekka 0:02:01.953,0:02:03.663 with a round of applause. [br]Thank you. 0:02:03.663,0:02:08.490 applause 0:02:08.490,0:02:12.280 Speaker Rebekka/Kurfuerstin: I just [br]received some mail really quick, 0:02:12.280,0:02:17.312 but that won't stop me from giving [br]my talk. Welcome, 0:02:17.312,0:02:22.140 nice to see you all here, in this hall [br]and on the live stream and... 0:02:22.140,0:02:26.480 additional mail, okay, a lot happening [br]on this stage. I will maybe read that later, 0:02:26.480,0:02:33.079 but it is great to know that the [br]post office system works! 0:02:33.079,0:02:38.129 The title of my talk is "Why 3D printing [br]clothes is NOT the future". 0:02:38.129,0:02:44.087 It will be about the properties of [br]3D printed clothes and 0:02:44.087,0:02:50.599 what would need to happen in order [br]for it to be a serious alternative 0:02:50.599,0:02:54.402 for everyday wear. I was just introduced [br]as a clothing technician. 0:02:54.402,0:02:57.749 In case you don't know what this strange [br]combination of words means, 0:02:57.749,0:03:03.689 clothes and technology, [br]a short explanation. 0:03:03.689,0:03:07.319 When clothes are made, at one side, 0:03:07.319,0:03:12.511 you have the design, the idea.[br]But the realization, the production, 0:03:12.511,0:03:16.989 happens somewhere else entirely[br]and by some other person. 0:03:16.989,0:03:20.920 In a simplified way, a person creates [br]the design for a dress 0:03:20.920,0:03:24.069 and says: I designed this dress. 0:03:24.069,0:03:29.520 So they have a nice picture from which [br]you can learn some information, but not much. 0:03:29.520,0:03:33.560 And they go to a factory and say: [br]please make this dress. 0:03:33.560,0:03:37.720 The production will kindly ask: [br]where is the table of information? 0:03:37.720,0:03:41.650 Because the production site wants to [br]have all the information about the dress. 0:03:41.650,0:03:47.099 And the designer then asks: what? [br]And the production then asks: what? 0:03:47.099,0:03:49.920 And that would be the end of it. 0:03:49.920,0:03:53.529 Because the factory wants to know, [br]which fabric do we need for the dress, 0:03:53.529,0:03:58.730 and how much? Which sizes will be made, [br]and how many dresses in which sizes? 0:03:58.730,0:04:02.360 Which machines do we need for that, what [br]text will be on the care instruction labels 0:04:02.360,0:04:05.760 and what will be the exact position of the [br]labels on the side seam in cm? 0:04:05.760,0:04:11.360 All those questions cannot be answered [br]by the illustration of the dress. 0:04:11.360,0:04:14.959 And that is where clothing technology comes in,[br]as the intersection between design and production. 0:04:14.959,0:04:20.570 It's about the technical feasibility and 0:04:20.570,0:04:25.110 what needs to be done [br]to manufacture clothes. 0:04:25.110,0:04:29.590 It's about materials, quality, [br]prices and locations. 0:04:29.590,0:04:34.710 Where should the production take place, [br]and when? 0:04:34.710,0:04:37.610 All these questions need answers [br]and that is the responsibility 0:04:37.610,0:04:43.169 of clothing technicians. [br]And this kind of reality check, 0:04:43.169,0:04:48.379 the perspective of feasibility, is the perspective [br]I also chose to examine 3D printing. 0:04:48.379,0:04:52.090 If you search for the words "3D print" and [br]"clothes", you will get headlines like these. 0:04:52.090,0:04:58.930 For example: 3D printing will bring [br]flexibility into the fashion industry. 0:04:58.930,0:05:03.110 Or: The fashion of the future. Or: Will the [br]street wear of the future be 3D printed? 0:05:03.110,0:05:08.020 Or: Can 3D printing fundamentally [br]change the fashion industry? 0:05:08.020,0:05:12.070 [br]A few years ago, the headlines were [br]even more sensational. 0:05:12.070,0:05:15.759 They were predicting that by 2020, we [br]would print a sweater in the morning, 0:05:15.759,0:05:19.270 melt it down in the evening and then [br]print a new one the next day. 0:05:19.270,0:05:21.700 Nowadays, the predictions have [br]become a bit more careful, 0:05:21.700,0:05:24.400 at least with a question mark at the end. 0:05:24.400,0:05:28.889 But even from these headlines, [br]you get the sense that something 0:05:28.889,0:05:33.423 will fundamentally change the [br]fashion industry. 0:05:33.423,0:05:37.990 There is also the hope of [br]a sustainable production 0:05:37.990,0:05:41.180 with the argument, that the procedure [br]of 3D printing is sustainable. 0:05:41.180,0:05:45.287 Sustainability is a major topic [br]in the fashion industry. 0:05:45.287,0:05:48.539 The question is if 3D printing [br]might be the solution. 0:05:48.539,0:05:54.569 Clothes have already been 3D printed, 0:05:54.569,0:05:58.289 it's not even that new or unrealistic. 0:05:58.289,0:06:02.300 There are entire 3D printed collections and [br]I will show some examples now. 0:06:02.300,0:06:07.990 In Israel, Danit Peleg printed her entire [br]final collection of five outfits. 0:06:07.990,0:06:13.169 In Israel, Danit Peleg printed her entire [br]final collection of five outfits. 0:06:13.169,0:06:18.449 One example is the two piece outfit on[br]the right, a top and a floor length skirt. 0:06:18.449,0:06:25.110 The skirt has been printed using [br]only desktop printers, 0:06:25.110,0:06:30.169 meaning that it consists of [br]modules of A4 size 0:06:30.169,0:06:34.169 that have been connected afterwards. 0:06:34.169,0:06:37.930 It is flexibel, because it was printed [br]with a flexible filament, 0:06:37.930,0:06:42.160 but also because it made up [br]of a zigzag structure 0:06:42.160,0:06:45.936 that allows for it to pull on it. 0:06:45.936,0:06:50.889 If you pull it up, it bounces up and down. 0:06:50.889,0:06:55.020 The jacket is the first [br]3D printed ready-to-wear 0:06:55.020,0:07:00.039 article of clothing that [br]you can order online, 0:07:00.039,0:07:04.970 in limited edition of 100 pieces. 0:07:04.970,0:07:10.400 It costs 1500 $. 0:07:10.400,0:07:13.860 You can choose the color and [br]some writing on the back 0:07:13.860,0:07:17.991 and then the jacket will be [br]printed in 100 hours. 0:07:17.991,0:07:24.110 Another example is from the [br]design collective Nervous System, 0:07:24.110,0:07:28.969 who have developed the Kinematics System. 0:07:28.969,0:07:32.910 It consists of triangles [br]that are connected by hinges, 0:07:32.910,0:07:38.397 making the whole structure flexible. 0:07:38.397,0:07:43.830 But it is made of a hard material. [br]It can move, but it is not elastic 0:07:43.830,0:07:48.530 and it rattles a bit when you move.[br]They also developed an opaque version. 0:07:48.530,0:07:53.199 [br]The dress on the right is based[br]on the same triangle structure, 0:07:53.199,0:07:58.291 but there are some kind of [br]petals on top of it. 0:07:58.291,0:08:03.650 So the dress is opaque. 0:08:03.650,0:08:09.530 A third example is the Pangolin Dress 0:08:09.530,0:08:13.159 which is also made of a structure [br]of interlocked modules 0:08:13.159,0:08:16.360 that can move on top of [br]and into each other, 0:08:16.360,0:08:21.789 thus making the structure flexible. 0:08:21.789,0:08:27.449 You can move in the dress and the [br]dress adjusts to your movements. 0:08:27.449,0:08:31.148 One of the people working on it is [br]Travis Fitch, a designer working in New York. 0:08:31.148,0:08:35.229 I contacted Travis and said: I am a [br]clothing technician, I love numbers. 0:08:35.229,0:08:39.473 How do you know if a newly developed [br]structure is suitable for a dress? 0:08:39.473,0:08:43.959 How do you know if the elasticity [br]is high enough 0:08:43.959,0:08:49.500 to use it in a piece of clothing? 0:08:49.500,0:08:53.890 Do you do laboratory tests? 0:08:53.890,0:08:59.630 And he answered, well, I pull at it and then [br]I either say it is okay or not. 0:08:59.630,0:09:03.040 So the clothing technician in me [br]came through and said, 0:09:03.040,0:09:08.490 well how about numbers? So I offered [br]to test some of his structures, 0:09:08.490,0:09:15.010 [br]to conduct some laboratory experiments 0:09:15.010,0:09:18.930 in order to examine how the properties [br]can be expressed in numbers and units. 0:09:18.930,0:09:23.324 Those were only three examples. [br]There are many more 0:09:23.324,0:09:29.070 on catwalks and in fashion shows. It is clear [br]that those examples are not everyday wear. 0:09:29.070,0:09:34.410 They are special made-to-order products, 0:09:34.410,0:09:38.200 it takes months to create them, 0:09:38.200,0:09:42.529 they consist of 300 different pieces [br]that need to be assembled. 0:09:42.529,0:09:47.190 But the headlines about fundamentally [br]changing the fashion industry 0:09:47.190,0:09:50.660 are about everyday wear. 0:09:50.660,0:09:55.043 Custom-made items on a catwalk [br]do not change the whole industry. 0:09:55.043,0:09:58.720 Something needs to happen [br]before that applies to everyday wear. 0:09:58.720,0:10:03.779 That is why I ask, what kind of properties [br]do clothes need to have 0:10:03.779,0:10:07.870 in order to be everyday wear, [br]meaning clothes 0:10:07.870,0:10:13.846 that we can wear every day and [br]for every occasion? 0:10:13.846,0:10:19.310 First of all, clothes need [br]to be comfortable. 0:10:19.310,0:10:24.300 There are four aspects of wearing comfort. 0:10:24.300,0:10:29.540 First, the psychological wearing comfort [br]which is about fashion trends, 0:10:29.540,0:10:36.379 societal norms and individuality. 0:10:36.379,0:10:40.240 The fact that I am standing here [br]in a t-shirt and a hoodie 0:10:40.240,0:10:44.339 is particularly apt for this congress. 0:10:44.339,0:10:47.610 On another business conference I might [br]have worn something different. 0:10:47.610,0:10:52.360 And that people are driving around [br]in onesies and goose costumes 0:10:52.360,0:10:57.856 is also very specific for this group right here.[br]laughter 0:10:57.856,0:11:01.661 What I mean by this is that people feel [br]comfortable wearing this in this specific context 0:11:01.661,0:11:04.120 and might not feel at ease [br]in another context, 0:11:04.120,0:11:06.510 although the clothes themselves [br]have not changed. 0:11:06.510,0:11:11.220 That is the psychological wearing comfort. 0:11:11.220,0:11:16.310 The next-to-skin-comfort is about [br]the feeling of something on the skin. 0:11:16.310,0:11:21.420 Surfaces can be soft or scratchy, [br]they can also cause allergies. 0:11:21.420,0:11:26.190 So it is about the direct contact [br]on the skin. 0:11:26.190,0:11:30.930 The physiological wearing comfort is very [br]important as well. It's about the climate control 0:11:30.930,0:11:35.055 of the body and about how clothes can keep [br]us warm but also allow for moisture to evaporate. 0:11:35.055,0:11:38.890 The human body has this amazing system [br]of protecting us from overheating. 0:11:38.890,0:11:44.490 We start to sweat and [br]the moisture evaporates. 0:11:44.490,0:11:49.540 But the evaporation has to happen [br]through the fabric of our clothes. 0:11:49.540,0:11:54.100 Some clothes allow for better evaporation [br]than others. 0:11:54.100,0:11:58.870 This aspect is incredibly important for our [br]comfort when wearing clothes. 0:11:58.870,0:12:05.209 The fourth aspect is the [br]ergonomical wearing comfort 0:12:05.209,0:12:10.811 which is about freedom of movement [br]and that is what I examined in detail. 0:12:10.811,0:12:14.639 Freedom of movement in clothes is [br]achieved by the fit of a piece of clothing, 0:12:14.639,0:12:20.350 mainly meaning how tight it is on the body. 0:12:20.350,0:12:25.860 Secondly, it is achieved by the elasticity [br]of the materials used. 0:12:25.860,0:12:29.380 This is very important because there are parts [br]of our body where we need 50% stretching, 0:12:29.380,0:12:35.070 for example at our knees and elbows. 0:12:35.070,0:12:38.790 If you move your arm like this, then the [br]clothes need to allow this movement 0:12:38.790,0:12:42.019 without tearing apart. 0:12:42.019,0:12:47.670 Without elasticity, [br]the sleeve would be destroyed 0:12:47.670,0:12:51.940 or would change its form and create buckles. 0:12:51.940,0:12:56.570 If we have a very tight sleeve 0:12:56.570,0:13:00.300 made from a material that is not elastic 0:13:00.300,0:13:03.486 the sleeve at the elbow would take [br]the shape of our elbow. 0:13:03.486,0:13:07.796 So we need a material with [br]the capability to rebound. 0:13:07.796,0:13:10.579 After we have moved the arm like this, [br]the sleeve at the elbow 0:13:10.579,0:13:15.230 will go back to its original shape. 0:13:15.230,0:13:18.730 So if a material is not elastic, [br]it is not that suitable for clothes. 0:13:18.730,0:13:22.000 It is possible, but then it needs to be [br]compensated by the cut of the clothes, 0:13:22.000,0:13:25.199 in that case, it cannot be too tight. [br]If a piece of clothing is loose fit, 0:13:25.199,0:13:29.160 the elasticity of the fabric [br]is not that important. 0:13:29.160,0:13:35.339 I wanted to examine the influencing [br]factors on the elastic properties 0:13:35.339,0:13:39.389 of 3D printed structures in order [br]to actively influence the elasticity. 0:13:39.389,0:13:43.315 This could be used 0:13:43.315,0:13:47.226 to enhance the wearing comfort [br]of 3D printed clothes 0:13:47.226,0:13:54.320 and thereby get us a bit closer to [br]3D printed everyday wear. 0:13:54.320,0:13:59.805 Elasticity in textile structures, fabrics, [br]is achieved by two aspects. 0:13:59.805,0:14:04.050 First, a material itself can be elastic. 0:14:04.050,0:14:08.260 In fabrics, this is mostly elastane. 0:14:08.260,0:14:11.720 Elastane can be stretched 300% [br]and will return to its original length. 0:14:11.720,0:14:15.758 It is used in a majority of clothes, 0:14:15.758,0:14:22.860 mostly in the ratio 98% cotton and 2% elastane. 0:14:22.860,0:14:26.903 2% are enough to make a shirt [br]elastic enough to easily put it on 0:14:26.903,0:14:31.967 while at the same time being tight [br]and not starting to buckle after wearing. 0:14:31.967,0:14:36.170 The second possibility is structural elasticity. 0:14:36.170,0:14:41.370 In clothing, this is mainly achieved [br]by creating knitwear. 0:14:41.370,0:14:47.320 If you pull at knitwear, 0:14:47.320,0:14:50.579 the loops will change their shape. 0:14:50.579,0:14:54.870 In this manner, [br]you can create an elastic structure, 0:14:54.870,0:14:59.903 [br]even with materials with low elasticity. 0:14:59.903,0:15:04.994 For example, cotton fibers are [br]not very elastic. But if you create a knitwear 0:15:04.994,0:15:07.949 made of cotton threads, [br]the fabric can be very flexible and elastic. 0:15:07.949,0:15:13.899 In 3D printed structures, 0:15:13.899,0:15:18.660 an elastic material can be used as well, [br]for example TPU. 0:15:18.660,0:15:23.449 TPU is short for thermoplastic polyurethane. [br]Polyurethane is a primary part of elastane, too. 0:15:23.449,0:15:28.360 So TPU and elastane have very similar [br]properties based on their chemical composition. 0:15:28.360,0:15:38.259 Structural elasticity is also possible. 0:15:38.259,0:15:43.680 It is possible to print meshes, 0:15:43.680,0:15:48.459 but you can also create different shapes[br]like curves, arches, helices or springs. 0:15:48.459,0:15:53.050 In short, shapes that you can [br]compress or pull at, 0:15:53.050,0:15:58.350 so that you will first pull at the structure [br]before pulling at the material itself. 0:15:58.350,0:16:02.180 However, the design depends [br]on the printing method. There are several 0:16:02.180,0:16:06.380 different methods and not all of them are [br]equally suited to create certain shapes. 0:16:06.380,0:16:11.550 For my research, I focused on two of them. 0:16:11.550,0:16:16.360 First, the FLM, [br]short for fused layer modeling, 0:16:16.360,0:16:20.779 sometimes also called FDM, [br]short for fused deposition modeling. 0:16:20.779,0:16:25.197 You heat a thermoplastic filament 0:16:25.197,0:16:29.759 and push it through a nozzle 0:16:29.759,0:16:33.839 The nozzle then lays the strand of material [br]on the printing bed. 0:16:33.839,0:16:39.720 All layers on top of each other [br]make the object. 0:16:39.720,0:16:46.230 If an object has an overhang [br]like the shape on the left, 0:16:46.230,0:16:50.920 you need support structures. 0:16:50.920,0:16:56.029 In every layer, the extruder will also [br]build the supporting columns. 0:16:56.029,0:17:00.000 When the object is finished, 0:17:00.000,0:17:04.530 the support structures can be removed. 0:17:04.530,0:17:09.258 This is not a problem for hard materials, 0:17:09.258,0:17:13.770 you can easily break it off [br]and sand the surface. 0:17:13.770,0:17:17.890 But for elastic materials, [br]it's a different situation. 0:17:17.890,0:17:22.220 If you pull at it, it will not break off, [br]but simply stretch. 0:17:22.220,0:17:26.859 So if you want to print elastic shapes [br]with overhangs or interlockings, 0:17:26.859,0:17:31.759 this method is not recommended. 0:17:31.759,0:17:34.700 The support structures [br]cannot be broken off, 0:17:34.700,0:17:38.380 they would have to be cut off [br]with scissors, 0:17:38.380,0:17:41.309 so that would take a long time. 0:17:41.309,0:17:43.090 Interjection: Water soluble support structures! 0:17:43.090,0:17:47.345 Speaker: Yes, good idea, unfortunately [br]that does not work for TPU yet. 0:17:47.345,0:17:49.890 Waterbased support structures [br]are usually made of PVA. 0:17:49.890,0:17:54.392 you can remove them with water afterwards. 0:17:54.392,0:18:01.730 But the melting temperatures [br]of PVA and TPU do not match. 0:18:01.730,0:18:06.880 TPU requires a very high temperature, [br]I printed with 215°C. 0:18:06.880,0:18:10.564 At this temeprature, PVA is already decomposing, [br]its melting temperature is lower. 0:18:10.564,0:18:16.960 So it is a good idea, but at the moment [br]it does not work yet. 0:18:16.960,0:18:21.390 I am sure that something will be developed 0:18:21.390,0:18:26.720 to solve this problem, though. 0:18:26.720,0:18:30.410 The other method is SLS, [br]short for selective laser sintering. 0:18:30.410,0:18:34.500 An entire layer of powder is laid [br]on the build plate. 0:18:34.500,0:18:40.391 A laser melts the fine grain powder in order 0:18:40.391,0:18:44.370 to create the desired shape layer by layer.[br]In this case, 0:18:44.370,0:18:50.001 the powder itself is the support structure, [br]so you do not need to print 0:18:50.001,0:18:56.480 supporting columns. In the end, the entire [br]printer is filled with a block of powder 0:18:56.480,0:19:00.794 and somewhere in there,[br]the object can be found. 0:19:00.794,0:19:06.970 The powder is removed and can be reused. 0:19:06.970,0:19:13.570 For my research, [br]I examined several structures. 0:19:13.570,0:19:17.929 The ones on the left and in the middle [br]are created from powder. 0:19:17.929,0:19:25.380 So it was possible to create some height [br]and chain-like shapes. 0:19:25.380,0:19:32.400 I had different sizes. 0:19:32.400,0:19:36.909 The smaller size is much more flexible, 0:19:36.909,0:19:43.070 you can easily move it and fold it. 0:19:43.070,0:19:46.470 The modules can be shifted [br]into each other. 0:19:46.470,0:19:51.239 You can compress it and pull at it [br]and the structure is very flexible. 0:19:51.239,0:19:57.667 As I said, for the other 3D printing method, [br]the possibilities in shape were limited. 0:19:57.667,0:20:01.850 This structure is based on a pattern of rhombs [br]that was extruded. 0:20:01.850,0:20:08.780 If you pull at it, the shape [br]of the rhomb changes 0:20:08.780,0:20:13.264 before the material itself is strained. 0:20:13.264,0:20:16.620 Again, I had different variations in size and height 0:20:16.620,0:20:21.600 in order to examine the influencing factors [br]on the elastic properties. 0:20:21.600,0:20:26.279 in order to examine the influencing factors [br]on the elastic properties. 0:20:26.279,0:20:30.489 How can you examine [br]elastic properties at all? 0:20:30.489,0:20:36.215 How can you examine [br]elastic properties at all? 0:20:36.215,0:20:41.211 With a so-called tensile test. 0:20:41.211,0:20:47.370 You don't test a piece of clothing, [br]you only test a fabric swatch. 0:20:47.370,0:20:53.060 The swatch is clamped into a tensile test machine [br]which then pulls with constant velocity. 0:20:53.060,0:20:57.501 The corresponding software automatically [br]creates a diagram like the one on the right. 0:20:57.501,0:21:03.480 It shows the elongation in %, 0:21:03.480,0:21:08.250 meaning how long the fabric swatch [br]has been stretched, 0:21:08.250,0:21:12.230 and on the other axis [br]the tensile strength in N, 0:21:12.230,0:21:18.090 how much strength is needed in order to [br]achieve this elongation of the fabric swatch. 0:21:18.090,0:21:23.370 This diagram shows the elongation, [br]the elasticity and the tensile strength. 0:21:23.370,0:21:26.820 I need to stress that elongation and [br]elasticity is not the same. 0:21:26.820,0:21:33.160 You can stretch something and it [br]might have just gotten longer. 0:21:33.160,0:21:37.490 If I stretch something 0:21:37.490,0:21:41.179 and it returns to its original length, [br]it is elastic. 0:21:41.179,0:21:45.730 So that is a different property, 0:21:45.730,0:21:51.190 which you can also gather [br]from the stress-elongation-diagram. 0:21:51.190,0:21:57.030 I tested all of my structures this way. 0:21:57.030,0:22:01.110 Of course, you need to test several specimen [br]in order to generate average values. 0:22:01.110,0:22:05.656 So I had my numbers and units. 0:22:05.656,0:22:09.650 But what do I do with that? 0:22:09.650,0:22:17.059 I still need to know if these numbers are [br]good or bad. There is a recommendation 0:22:17.059,0:22:22.799 by the Dialog Textil Bekleidung in cooperation [br]with the German Fashion Mode Verband, 0:22:22.799,0:22:27.860 It is not a standard or a law, [br]clothes do not have to have these properties. 0:22:27.860,0:22:32.350 But it is a recommendation, what stretch properties [br]clothing should approximately have 0:22:32.350,0:22:37.640 and what kind of forces [br]they should withstand. 0:22:37.640,0:22:41.370 This is a small extract. [br]It is divided by products, 0:22:41.370,0:22:46.020 so trousers and skirts have different [br]specifications opposed to underwear. 0:22:46.020,0:22:50.299 If it is far from the body, meaning loose fit, [br]lower tensile strengths suffice. 0:22:50.299,0:22:54.514 If a piece of clothing is loose fit, 0:22:54.514,0:23:00.610 the stretching properties [br]are not that important. 0:23:00.610,0:23:03.270 So I compared these numbers to mine [br]and I found 0:23:03.270,0:23:08.039 that the elongations of my structures [br]were great. 0:23:08.039,0:23:13.591 But the maximum force was not reached. 0:23:13.591,0:23:18.040 So I can stretch my structures just fine, 0:23:18.040,0:23:24.340 but I do not need a lot of force to tear [br]them apart and that is a bad result. 0:23:24.340,0:23:28.850 If I bend my elbow [br]and the sleeve is destroyed, 0:23:28.850,0:23:32.520 I do not want to use this structure [br]for clothes. 0:23:32.520,0:23:35.870 So the tensile strength of the [br]3D printed structures is lower 0:23:35.870,0:23:41.180 than the recommended [br]properties for clothes. 0:23:41.180,0:23:45.279 I also wanted to examine the influencing [br]factors on the elastic properties. 0:23:45.279,0:23:51.090 From my results, I could see that the size of [br]the modules influences the properties. 0:23:51.090,0:23:56.929 The larger sizes show higher values [br]than the smaller variations. 0:23:56.929,0:24:01.864 However, the larger variations do [br]not feel and move like fabric. 0:24:01.864,0:24:07.018 The smaller variations are [br]more fabric-like, 0:24:07.018,0:24:11.115 but they didn't show very good [br]tensile strengths. 0:24:11.115,0:24:15.240 Aside from that, there was another [br]influencing factor: the slicing software. 0:24:15.240,0:24:23.300 The slicing software has two main tasks. 0:24:23.300,0:24:29.299 Firstly, it slices the object into layers. Secondly, [br]it transfers the information to the 3D printer, 0:24:29.299,0:24:34.590 where the extruder has to be in order to [br]create the shape of each layer. 0:24:34.590,0:24:39.210 For example, if you want to print a vase [br]like the one on the left, the first layer 0:24:39.210,0:24:43.789 would be filled completeley, because we want [br]to fill the vase with water and it should not leak. 0:24:43.789,0:24:48.460 The path of the extruder could look like this, [br]it would go in rows 0:24:48.460,0:24:52.100 from one side to the other in order to [br]completely fill the circle. 0:24:52.100,0:24:55.600 The second layer would be a ring [br]and the extruder might 0:24:55.600,0:25:00.970 take a path like this, but a different [br]path is also possible. 0:25:00.970,0:25:07.121 There are many different slicing programs [br]with many setting options. 0:25:07.121,0:25:12.539 I took a closer look and I found [br]that the extruder 0:25:12.539,0:25:17.820 took a very specific path for [br]my rhomb structures. 0:25:17.820,0:25:23.450 It went to the intersection and then [br]turned around. Under the microscope, 0:25:23.450,0:25:27.620 you can see that this is exactly the place [br]where the structure was torn apart. 0:25:27.620,0:25:33.190 The extruder did not cross the [br]intersection even once. 0:25:33.190,0:25:37.190 At this point, the strands of material [br]are only connected when a new, 0:25:37.190,0:25:40.989 hot strand melts a little bit into [br]the other, already cold one. 0:25:40.989,0:25:45.309 But due to the fact that the extruder [br]did not cross the intersection, it created 0:25:45.309,0:25:52.930 a predetermined breaking point. That [br]is exactly where the structure was torn apart. 0:25:52.930,0:25:57.970 In another variation that was based on the [br]same shape, the slicing software decided 0:25:57.970,0:26:01.960 something else. The extruder took the path [br]to the bending point of the rhomb. 0:26:01.960,0:26:07.490 Consequently, this is the point [br]where it was torn apart. 0:26:07.490,0:26:11.870 That is why the test samples look [br]differently after the tensile test. 0:26:11.870,0:26:18.850 That also explains the low tensile [br]strength of the structures. 0:26:18.850,0:26:21.932 The tensile test machine did not pull at the [br]material as much as at these connection points 0:26:21.932,0:26:28.340 and depending on how strong these are, 0:26:28.340,0:26:33.549 the structure can be torn apart easily. 0:26:33.549,0:26:37.680 This means that the method itself [br]limits the tensile strength. 0:26:37.680,0:26:42.809 Now, I tested eight different structures,[br]eight different variations. 0:26:42.809,0:26:46.309 You might ask now how I came to the [br]conclusion that 3D printing clothes 0:26:46.309,0:26:53.075 is not recommended in general. 0:26:53.075,0:26:58.750 Maybe a different structure would show [br]a higher tensile strength. 0:26:58.750,0:27:03.610 Yes, maybe. But the method itself creates [br]limitations concerning the properties. 0:27:03.610,0:27:09.900 We have to go deeper and look [br]at the molecules. 0:27:09.900,0:27:16.581 Textile fibers naturally have a [br]very high tensile strength. 0:27:16.581,0:27:24.290 On the inside, natural fibers like cotton, [br]wool or linen show a regular 0:27:24.290,0:27:30.241 arrangement of molecular chains. 0:27:30.241,0:27:36.300 There are amorphous parts [br]and crystalline parts. 0:27:36.300,0:27:42.159 The strands that you can see on the [br]right depict molecular chains. 0:27:42.159,0:27:46.620 The amorphous parts, [br]where the molecules are 0:27:46.620,0:27:51.000 tangled like a plate of spaghetti, [br]are not stable. 0:27:51.000,0:27:57.630 The crystalline parts, where they show a [br]regular arrangement, are stable. 0:27:57.630,0:28:03.862 Natural fibers show a high degree of [br]crystalline parts which translates 0:28:03.862,0:28:09.040 to a high tensile strength. Fibers naturally [br]show higher tensile strengths 0:28:09.040,0:28:13.856 than my 3D printed structures [br]could ever have. 0:28:13.856,0:28:17.510 And for synthetic fibers, there are [br]measures we can take to even influence 0:28:17.510,0:28:24.130 and increase the tensile strength. 0:28:24.130,0:28:30.542 There are several ways to spin a fiber, [br]at least one of them is very similar to 3D printing. 0:28:30.542,0:28:37.400 You melt synthetic material and press it [br]through a nozzle. 0:28:37.400,0:28:40.978 The extruded strand is the fiber. 0:28:40.978,0:28:45.320 The difference is that you have several [br]possibilities to influence the property 0:28:45.320,0:28:48.823 of the extruded strand or fiber. 0:28:48.823,0:28:53.880 The degree of crystallinity depends on [br]the rate of controlled cooling. 0:28:53.880,0:28:59.750 The slower a fiber cools off the more [br]time do the molecular chains have 0:28:59.750,0:29:04.007 to arrange themselves regularly. 0:29:04.007,0:29:07.850 That is why the spinning chambers [br]are really hot 0:29:07.850,0:29:12.690 in order to allow for a very slow rate [br]of controlled cooling 0:29:12.690,0:29:18.740 so that the fibers show high degrees of [br]crystallinity, resulting in high tensile strengths. 0:29:18.740,0:29:22.500 We do not have this opportunity [br]in 3D printing. 0:29:22.500,0:29:26.779 We can use a heated build plate. But that 0:29:26.779,0:29:30.880 only influences the first few layers. 0:29:30.880,0:29:35.299 Besides, we need the printed strands to 0:29:35.299,0:29:40.291 cool off quickly so that they keep their shape. 0:29:40.291,0:29:46.809 We can only print the next layer 0:29:46.809,0:29:49.179 if the layer underneath [br]has already hardened. 0:29:49.179,0:29:54.159 We cannot keep a constant high temperature [br]like we can in the spinning chamber. 0:29:54.159,0:29:58.470 The SLS method allows [br]for better conditions 0:29:58.470,0:30:03.223 concerning the tensile strength 0:30:03.223,0:30:07.150 and the structures did show better values. 0:30:07.150,0:30:11.409 We have a second possibility to increase the [br]tensile strength of synthetic fibers 0:30:11.409,0:30:15.271 which is by stretching them [br]after spinning. 0:30:15.271,0:30:21.020 The fibers are guided through cylinders [br]and subjected to tensile forces. 0:30:21.020,0:30:31.460 This increases the degree of [br]crystallinity even more. 0:30:31.460,0:30:36.380 The molecules are forced [br]to align even more. 0:30:36.380,0:30:40.179 This decreases the fiber diameter and [br]makes the fiber more fine, softer 0:30:40.179,0:30:45.840 and at the same time stronger. 0:30:45.840,0:30:50.700 That explains why textile fibers have [br]much higher tensile strengths 0:30:50.700,0:30:56.309 while at the same time being much finer [br]than anything you can 3D print at the moment. 0:30:56.309,0:30:59.977 Furthermore, textile fibers have the advantageous [br]capability of warming us by isolating air. 0:30:59.977,0:31:03.700 Every little chamber that can entrap air [br]turns a fabric into a warming structure 0:31:03.700,0:31:09.100 when worn on the body. [br]Fabrics consist of threads 0:31:09.100,0:31:13.834 and threads consist of fibers, 0:31:13.834,0:31:18.170 as you can see on this microscope picture. 0:31:18.170,0:31:21.559 It's not a picture of a carpet, [br]it's fabric 0:31:21.559,0:31:29.139 and the little single fibers would not be [br]visible with the naked eye. 0:31:29.139,0:31:33.779 The gaps between the fibers [br]isolate air. 0:31:33.779,0:31:38.000 At the same time, the gaps are important [br]for the transportation of moisture. 0:31:38.000,0:31:41.130 Sweat can evaporate and go through the fabric.[br]In conclusion, 0:31:41.130,0:31:46.220 fabrics can warm us and at the same time [br]protect us against overheating. 0:31:46.220,0:31:51.350 At the moment, we cannot 3D print such fine [br]miniature fibers. We are still quite limited 0:31:51.350,0:31:58.429 when it comes to fineness. We cannot efficiently [br]3D print chambers to entrap air 0:31:58.429,0:32:04.059 like the ones we can find in fabrics [br]made of textile fibers. 0:32:04.059,0:32:08.970 Some things cannot be done yet [br]in 3D printing. But what can we do 0:32:08.970,0:32:15.220 in 3D printing instead? We have an immense [br]freedom of design that can be applied 0:32:15.220,0:32:20.679 mostly in shoes and accessories, 0:32:20.679,0:32:24.649 for example bracelets, necklaces [br]or glasses. 0:32:24.649,0:32:29.450 The benefits can be used for costumes. 0:32:29.450,0:32:34.998 For example, in the movie "Black Panther", [br]several crowns were 3D printed. 0:32:34.998,0:32:39.520 Theoretically, the process is sustainable, 0:32:39.520,0:32:44.076 just because it is additive manufacturing. 0:32:44.076,0:32:48.059 Material is only built where it is needed [br]for the desired shape. 0:32:48.059,0:32:53.909 This is in stark contrast to the [br]production of clothes. 0:32:53.909,0:32:58.620 When you cut the fabric, you can achieve [br]a utilization ratio of maybe 90%. 0:32:58.620,0:33:03.262 Just because pattern pieces [br]have many different shapes, 0:33:03.262,0:33:07.280 10% of the fabric is thrown away. 0:33:07.280,0:33:15.017 3D printing is more sustainable [br]in this aspect. 0:33:15.017,0:33:17.899 Also, the materials can be reused. 0:33:17.899,0:33:20.870 Recycling is another problem [br]in the fashion industry. 0:33:20.870,0:33:24.440 So it is a good thing that you can [br]reuse the powder after printing. 0:33:24.440,0:33:30.270 3D printing is also very suitable for [br]made-to-order production. 0:33:30.270,0:33:34.530 In the fashion industry, made-to-order [br]items always lead to high costs. 0:33:34.530,0:33:38.909 Also, it is possible to create different [br]material properties in the same product. 0:33:38.909,0:33:42.764 When I have the shoulder 0:33:42.764,0:33:47.279 and want it to be a bit more firm, 0:33:47.279,0:33:50.797 I can already prepare that in the [br]3D model. I can decide 0:33:50.797,0:33:54.620 to create more layers. If I created the same [br]piece of clothing in fabric, 0:33:54.620,0:33:58.320 I would need to have a seam, I would reinforce [br]it with another fabric 0:33:58.320,0:34:02.440 or another layer of fabric. Using a 3D printer, [br]this could happen in the same step. 0:34:02.440,0:34:07.050 Theoretically, it is also possible to [br]integrate additional functions 0:34:07.050,0:34:13.290 like cables, LED or sensors. 0:34:13.290,0:34:18.440 There is still a question mark [br]behind that. 0:34:18.440,0:34:22.530 First of all, this would not [br]be everyday wear, 0:34:22.530,0:34:28.790 and secondly, this is not [br]state of the art yet. 0:34:28.790,0:34:33.170 Another benefit might be to create the [br]whole garment in one step. 0:34:33.170,0:34:36.769 Right now, a fabric is created out of [br]threads out of textile fibers. 0:34:36.769,0:34:39.330 Then, the fabric needs to be cut, the [br]pieces need to be sewn together, 0:34:39.330,0:34:42.070 maybe it is dyed after that. [br]Different processes, 0:34:42.070,0:34:46.370 executed at different locations.[br]With 3D printing, 0:34:46.370,0:34:52.090 everything could happen in the same step. 0:34:52.090,0:34:56.118 But only if the garment can fit into [br]the build volume of a printer. 0:34:56.118,0:35:00.230 If we print A4 sized pieces and [br]assemble them afterwards, 0:35:00.230,0:35:04.550 we are still in the same situation of [br]having to connect many pieces. 0:35:04.550,0:35:11.230 The software developed by Nervous System [br]is a smarter solution. 0:35:11.230,0:35:15.286 The software digitally folds the dress. [br]The dress is then printed in the folded state, 0:35:15.286,0:35:20.030 significantly reducing [br]the needed build volume. 0:35:20.030,0:35:25.960 The dress is hidden somewhere [br]in the block of powder. 0:35:25.960,0:35:29.810 The powder is removed, [br]a bit like in archeology, 0:35:29.810,0:35:34.094 the dress will get cleaned off [br]and opened. 0:35:34.094,0:35:37.411 This is a good option to really [br]use the benefits of 3D printing. 0:35:37.411,0:35:46.520 The disadvantages or challenges are 0:35:46.520,0:35:51.190 the insufficient tensile strength,[br]resulting from the process itself 0:35:51.190,0:35:56.180 and there is not a lot we can [br]do about it. We are still very limited 0:35:56.180,0:36:03.340 in terms of fineness. The standard nozzle [br]diameter is 0.4 millimeters. 0:36:03.340,0:36:08.695 Fiber diameters are more [br]in the micrometer range. 0:36:08.695,0:36:13.556 That is a significant difference. The fineness [br]is very important for the next-to-skin-comfort, 0:36:13.556,0:36:17.920 for the transportation of moisture and for [br]the capability to warm us. 0:36:17.920,0:36:24.720 This is fundamental and without it, [br]the aspects of wearing comfort 0:36:24.720,0:36:31.258 cannot be guaranteed [br]when we 3D print textile structures. 0:36:31.258,0:36:36.119 Time and costs are still [br]quite problematic in 3D printing. 0:36:36.119,0:36:40.650 It takes af long time [br]and it is very expensive. 0:36:40.650,0:36:45.095 Again, this is not suitable for [br]everyday wear, only for individual pieces. 0:36:45.095,0:36:48.014 We also still have to discuss [br]care instructions. 0:36:48.014,0:36:51.378 Can you wash a 3D printed garment [br]at all? If I wear a piece of clothing every day, 0:36:51.378,0:36:54.589 I want to be able to wash it. 0:36:54.589,0:36:58.082 When we talk about garments, [br]we also need to talk about fastenings, 0:36:58.082,0:37:02.144 you need to somehow get inside [br]the piece of clothing. 0:37:02.144,0:37:06.251 So, zippers, buttons, hooks, eyelets, [br]all of this needs to be thought of 0:37:06.251,0:37:12.750 if we want to print [br]everything in one piece. 0:37:12.750,0:37:17.090 In conclusion, the construction of fabrics [br]made from threads made from fibers 0:37:17.090,0:37:23.170 is still unbeatable in regards of [br]wearing comfort. 0:37:23.170,0:37:28.379 There are not yet applicable solutions 0:37:28.379,0:37:40.370 to imitate the properties in 3D printing. 0:37:40.370,0:37:44.478 At the current state of the art, [br]3D printed clothes are not only not the future, 0:37:44.478,0:37:47.257 they aren't even the present.[br]Because the present means 0:37:47.257,0:37:50.930 fabrics made of textile fibers and that [br]works really well for our wearing comfort. 0:37:50.930,0:37:55.430 3D printed structure cannot [br]provide that yet. 0:37:55.430,0:37:58.660 That does not mean that we [br]should stop the research. 0:37:58.660,0:38:01.260 Whoever said before that they had [br]success when printing clothes, 0:38:01.260,0:38:04.760 I am very interested to hear about that.[br]Maybe there are some aspects 0:38:04.760,0:38:11.587 that I have not thought about.[br]But we should not forget 0:38:11.587,0:38:17.460 the basic function of clothes. The 3D [br]printed clothes that I showed in the beginning, 0:38:17.460,0:38:21.800 those are amazing artworks, I love [br]them and I want to see more of them. 0:38:21.800,0:38:24.820 But I want to remind everyone that [br]clothes should warm us, 0:38:24.820,0:38:28.170 that in general, it should be opaque [br]and that the climate exchange 0:38:28.170,0:38:33.840 and the transportation of moisture has [br]to be guaranteed. I find it a bit difficult 0:38:33.840,0:38:38.370 to put so much hope on 3D printing 0:38:38.370,0:38:44.030 to fundamentally change [br]the whole fashion industry. 0:38:44.030,0:38:49.371 Because the fashion industry has [br]a lot of serious problems, 0:38:49.371,0:38:53.580 ecological problems, 0:38:53.580,0:38:57.250 but also social and societal problems. 0:38:57.250,0:39:01.229 But I don't think we should simply hope [br]to develop new technologies 0:39:01.229,0:39:04.440 and tell us that the sustainability problem [br]can be solved by 3D printing 0:39:04.440,0:39:09.850 all of our clothes. Please conduct [br]further research. 0:39:09.850,0:39:15.830 But please don't forget the basic [br]functions of clothes and do not think 0:39:15.830,0:39:20.323 that a new technology will solve all the [br]problems of the fashion industry. 0:39:20.323,0:39:27.140 I advise everyone [br]to revolutionize the fashion industry. 0:39:27.140,0:39:32.650 But please do not think that 3D printing [br]is the universal solution for that. 0:39:32.650,0:39:36.782 And now I am finished with my [br]presentation and I thank you all for listening. 0:39:36.782,0:39:47.155 applause 0:39:47.155,0:39:49.912 Herald Angel Noujoum: Yes, thank you, [br]that was quite a precision landing, I'm afraid 0:39:49.912,0:39:52.830 we don't have time left for questions, I am sorry [br]to everyone flocking to the microphones right now. 0:39:52.830,0:39:57.330 But you can see here where you can [br]talk to Rebekka, 0:39:57.330,0:40:01.409 you can find her and ask her questions [br]on Twitter under @Kurfuerstin. 0:40:01.409,0:40:04.331 You can also talk to her right now after [br]the talk. Maybe not right here, 0:40:04.331,0:40:07.330 but somewhere in the back. [br]She also needs to read her post cards. 0:40:07.330,0:40:10.780 I'm sure there will be time [br]and the possibility 0:40:10.780,0:40:14.600 to talk to her or each other about [br]3D printing and 3D printed clothes. 0:40:14.600,0:40:17.556 Please give another round of applause. 0:40:17.556,0:40:18.670 applause 0:40:18.670,0:40:22.280 postroll music 0:40:22.280,0:40:30.234 Subtitles created by c3subtitles.de in 2020. [br]Join us!