[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:03.06,0:00:04.51,Default,,0000,0000,0000,,The archive. Dialogue: 0,0:00:05.32,0:00:08.66,Default,,0000,0000,0000,,One may envision rooms and shelves Dialogue: 0,0:00:08.68,0:00:11.15,Default,,0000,0000,0000,,stocked with boxes\Nand cartons of old stuff. Dialogue: 0,0:00:11.62,0:00:15.30,Default,,0000,0000,0000,,And yet, for those who are\Npatient enough to dig through it, Dialogue: 0,0:00:15.32,0:00:18.10,Default,,0000,0000,0000,,the archive provides\Nthe precious opportunity Dialogue: 0,0:00:18.12,0:00:19.88,Default,,0000,0000,0000,,to touch the past, Dialogue: 0,0:00:19.90,0:00:22.43,Default,,0000,0000,0000,,to feel and learn from the experiences Dialogue: 0,0:00:22.45,0:00:27.45,Default,,0000,0000,0000,,of once-living people who now seem\Ndead and buried deeply in the archive. Dialogue: 0,0:00:28.04,0:00:32.36,Default,,0000,0000,0000,,But what if there was a way\Nto bring the archive to life? Dialogue: 0,0:00:32.39,0:00:35.23,Default,,0000,0000,0000,,Jon Michael Reese: "The world\Nis thinking wrong about race." Dialogue: 0,0:00:35.25,0:00:38.45,Default,,0000,0000,0000,,Melissa Joyner: "This country insists\Nupon judging the Negro." Dialogue: 0,0:00:38.48,0:00:40.06,Default,,0000,0000,0000,,JMR: "Because it does not know." Dialogue: 0,0:00:40.08,0:00:42.05,Default,,0000,0000,0000,,AYGTK: What if one could make it breathe? Dialogue: 0,0:00:42.07,0:00:44.73,Default,,0000,0000,0000,,MJ: "By his lowest\Nand most vicious representatives." Dialogue: 0,0:00:44.76,0:00:45.90,Default,,0000,0000,0000,,AYGTK: Speak. Dialogue: 0,0:00:45.93,0:00:47.97,Default,,0000,0000,0000,,JMR: "An honest, straightforward exhibit." Dialogue: 0,0:00:47.99,0:00:49.31,Default,,0000,0000,0000,,AYGTK: And even sing to us, Dialogue: 0,0:00:49.34,0:00:51.75,Default,,0000,0000,0000,,so that the archive\Nbecomes accessible to everyone. Dialogue: 0,0:00:51.78,0:00:54.31,Default,,0000,0000,0000,,What would performing\Nthe archive look like? Dialogue: 0,0:00:54.33,0:00:57.45,Default,,0000,0000,0000,,A performance that is not\Nsimply based on a true story Dialogue: 0,0:00:58.26,0:01:01.60,Default,,0000,0000,0000,,but one that allows us\Nto come face-to-face Dialogue: 0,0:01:01.62,0:01:04.19,Default,,0000,0000,0000,,with things we thought\Nwere once dead and buried. Dialogue: 0,0:01:04.21,0:01:05.23,Default,,0000,0000,0000,,(Piano music) Dialogue: 0,0:01:05.25,0:01:08.01,Default,,0000,0000,0000,,This is what "At Buffalo,"\Na new musical we're developing, Dialogue: 0,0:01:08.03,0:01:09.19,Default,,0000,0000,0000,,is all about. Dialogue: 0,0:01:09.21,0:01:12.74,Default,,0000,0000,0000,,Using collections\Nfrom over 30 archival institutions, Dialogue: 0,0:01:12.77,0:01:18.57,Default,,0000,0000,0000,,"At Buffalo" performs the massive archive\Nof the 1901 Pan-American Exposition, Dialogue: 0,0:01:18.60,0:01:20.62,Default,,0000,0000,0000,,the first World's Fair\Nof the 20th century, Dialogue: 0,0:01:20.64,0:01:21.91,Default,,0000,0000,0000,,held in Buffalo, New York. Dialogue: 0,0:01:21.94,0:01:23.62,Default,,0000,0000,0000,,Now, if you've heard of this fair, Dialogue: 0,0:01:23.64,0:01:26.94,Default,,0000,0000,0000,,it might be because this is where\Nthen-US president, William McKinley, Dialogue: 0,0:01:26.97,0:01:28.13,Default,,0000,0000,0000,,was assassinated. Dialogue: 0,0:01:28.16,0:01:30.38,Default,,0000,0000,0000,,For nearly 17 years, Dialogue: 0,0:01:30.40,0:01:33.47,Default,,0000,0000,0000,,I've stayed inside the gates\Nand the archive of this fair, Dialogue: 0,0:01:33.50,0:01:35.48,Default,,0000,0000,0000,,not only because of that story Dialogue: 0,0:01:35.51,0:01:38.96,Default,,0000,0000,0000,,but because of a real\Nlife-and-death racial drama Dialogue: 0,0:01:38.98,0:01:41.39,Default,,0000,0000,0000,,that played out on the fairgrounds. Dialogue: 0,0:01:41.41,0:01:44.70,Default,,0000,0000,0000,,Here, in a place that was like\NDisney World, the Olympics, Dialogue: 0,0:01:44.72,0:01:46.97,Default,,0000,0000,0000,,carnivals, museums, all in one, Dialogue: 0,0:01:46.100,0:01:51.24,Default,,0000,0000,0000,,there were three conflicting displays\Nof what it meant to be black Dialogue: 0,0:01:51.26,0:01:52.81,Default,,0000,0000,0000,,in the United States. Dialogue: 0,0:01:52.83,0:01:55.54,Default,,0000,0000,0000,,The archive says white showmen presented Dialogue: 0,0:01:55.57,0:01:57.69,Default,,0000,0000,0000,,a savage black origin Dialogue: 0,0:01:57.71,0:02:00.85,Default,,0000,0000,0000,,in the form of 98 West\Nand Central Africans, Dialogue: 0,0:02:00.87,0:02:02.58,Default,,0000,0000,0000,,living and performing war dances Dialogue: 0,0:02:02.60,0:02:06.16,Default,,0000,0000,0000,,in a recreated village\Ncalled Darkest Africa. Dialogue: 0,0:02:06.63,0:02:09.07,Default,,0000,0000,0000,,And across the street, Dialogue: 0,0:02:09.09,0:02:11.97,Default,,0000,0000,0000,,a happy slave life, Dialogue: 0,0:02:11.99,0:02:15.70,Default,,0000,0000,0000,,in the form of 150 Southern\Nblack performers, Dialogue: 0,0:02:15.73,0:02:17.08,Default,,0000,0000,0000,,picking cotton, Dialogue: 0,0:02:17.11,0:02:19.36,Default,,0000,0000,0000,,singing and dancing minstrel shows Dialogue: 0,0:02:19.38,0:02:24.43,Default,,0000,0000,0000,,in a recreated antebellum attraction\Ncalled Old Plantation. Dialogue: 0,0:02:25.28,0:02:26.99,Default,,0000,0000,0000,,As a response, Dialogue: 0,0:02:27.01,0:02:31.02,Default,,0000,0000,0000,,the black Buffalo community championed\Nthe third display of blackness: Dialogue: 0,0:02:31.51,0:02:32.71,Default,,0000,0000,0000,,the Negro Exhibit. Dialogue: 0,0:02:33.40,0:02:37.01,Default,,0000,0000,0000,,Codesigned by African American\Nscholar W.E.B. Du Bois, Dialogue: 0,0:02:37.04,0:02:41.67,Default,,0000,0000,0000,,it curated photographs,\Ncharts, books and more, Dialogue: 0,0:02:41.70,0:02:44.63,Default,,0000,0000,0000,,to show black Americans\Nas a high-achieving race, Dialogue: 0,0:02:44.65,0:02:47.43,Default,,0000,0000,0000,,capable of education and progress. Dialogue: 0,0:02:48.37,0:02:50.62,Default,,0000,0000,0000,,When I first encountered this story, Dialogue: 0,0:02:50.65,0:02:52.96,Default,,0000,0000,0000,,I understood from my own life experience Dialogue: 0,0:02:52.98,0:02:55.100,Default,,0000,0000,0000,,what was at stake to have members\Nof the African diaspora Dialogue: 0,0:02:56.02,0:02:57.69,Default,,0000,0000,0000,,see each other like this. Dialogue: 0,0:02:58.05,0:03:02.19,Default,,0000,0000,0000,,For me, as the child of immigrant parents\Nfrom Ghana, West Africa, Dialogue: 0,0:03:02.21,0:03:04.16,Default,,0000,0000,0000,,born in the American South, Dialogue: 0,0:03:04.18,0:03:06.92,Default,,0000,0000,0000,,raised in Manhattan, Kansas, Dialogue: 0,0:03:06.95,0:03:08.12,Default,,0000,0000,0000,,(Laughter) Dialogue: 0,0:03:08.15,0:03:11.28,Default,,0000,0000,0000,,and having attended the same\Nelite school as Du Bois, Dialogue: 0,0:03:11.30,0:03:14.04,Default,,0000,0000,0000,,I could see that the Buffalo fair\Neffectively pitted Dialogue: 0,0:03:14.06,0:03:16.13,Default,,0000,0000,0000,,the black Northerner\Nagainst the Southerner, Dialogue: 0,0:03:16.15,0:03:17.99,Default,,0000,0000,0000,,the educated against the uneducated, Dialogue: 0,0:03:18.01,0:03:21.20,Default,,0000,0000,0000,,and the African American\Nagainst the African. Dialogue: 0,0:03:21.51,0:03:23.30,Default,,0000,0000,0000,,And I wanted to know: Dialogue: 0,0:03:23.32,0:03:28.37,Default,,0000,0000,0000,,How did these three distinct groups\Nof black folk navigate this experience? Dialogue: 0,0:03:29.02,0:03:32.87,Default,,0000,0000,0000,,Unfortunately, the archive\Nhad answers to questions like this Dialogue: 0,0:03:32.90,0:03:35.17,Default,,0000,0000,0000,,underneath racial caricature, Dialogue: 0,0:03:35.20,0:03:38.78,Default,,0000,0000,0000,,conflicting information\Nand worse -- silence. Dialogue: 0,0:03:39.21,0:03:42.31,Default,,0000,0000,0000,,(Piano music) Dialogue: 0,0:03:42.33,0:03:46.74,Default,,0000,0000,0000,,Still, I could hear musical melodies Dialogue: 0,0:03:46.76,0:03:48.05,Default,,0000,0000,0000,,and see dance numbers Dialogue: 0,0:03:48.07,0:03:49.45,Default,,0000,0000,0000,,and the rhythms of the words Dialogue: 0,0:03:49.48,0:03:51.98,Default,,0000,0000,0000,,coming off the pages\Nof old newspaper articles. Dialogue: 0,0:03:52.00,0:03:53.68,Default,,0000,0000,0000,,And learning that this World's Fair Dialogue: 0,0:03:53.70,0:03:57.64,Default,,0000,0000,0000,,had music playing everywhere\Non its fairgrounds, Dialogue: 0,0:03:57.66,0:04:01.56,Default,,0000,0000,0000,,I knew that live, immersive,\Nspectacular musical theater, Dialogue: 0,0:04:01.58,0:04:04.60,Default,,0000,0000,0000,,with the latest technologies of our time, Dialogue: 0,0:04:04.62,0:04:09.26,Default,,0000,0000,0000,,is the closest experience that can bring\Nthe archival story of the 1901 fair Dialogue: 0,0:04:09.28,0:04:12.06,Default,,0000,0000,0000,,out of boxes and into life. Dialogue: 0,0:04:12.58,0:04:15.60,Default,,0000,0000,0000,,Stories, like Tannie and Henrietta, Dialogue: 0,0:04:15.62,0:04:18.41,Default,,0000,0000,0000,,a husband and wife vaudeville duo in love Dialogue: 0,0:04:18.43,0:04:21.55,Default,,0000,0000,0000,,who become at odds over performing\Nthese "coon" minstrel shows Dialogue: 0,0:04:21.58,0:04:23.88,Default,,0000,0000,0000,,while striving for their\Nfive-dollar-a-week dream Dialogue: 0,0:04:23.90,0:04:25.92,Default,,0000,0000,0000,,in the Old Plantation attraction. Dialogue: 0,0:04:25.94,0:04:28.66,Default,,0000,0000,0000,,Like African businessman John Tevi, Dialogue: 0,0:04:28.68,0:04:30.36,Default,,0000,0000,0000,,from present-day Togo, Dialogue: 0,0:04:30.39,0:04:33.79,Default,,0000,0000,0000,,who must outwit the savage rules\Nof the human zoo Dialogue: 0,0:04:33.82,0:04:35.93,Default,,0000,0000,0000,,in which he has become trapped. Dialogue: 0,0:04:35.95,0:04:39.49,Default,,0000,0000,0000,,And stories like Mary Talbert, Dialogue: 0,0:04:39.51,0:04:41.99,Default,,0000,0000,0000,,a wealthy leader\Nof the black Buffalo elite, Dialogue: 0,0:04:42.01,0:04:43.22,Default,,0000,0000,0000,,who must come to terms Dialogue: 0,0:04:43.24,0:04:45.88,Default,,0000,0000,0000,,with the racial realities\Nof her home town. Dialogue: 0,0:04:45.90,0:04:47.93,Default,,0000,0000,0000,,MJ: "The dominant race in this country Dialogue: 0,0:04:47.95,0:04:49.99,Default,,0000,0000,0000,,insists upon judging the Negro Dialogue: 0,0:04:50.01,0:04:52.54,Default,,0000,0000,0000,,by his lowest and most\Nvicious representatives." Dialogue: 0,0:04:52.57,0:04:54.88,Default,,0000,0000,0000,,AYGTK: Like Old Plantation\Nand Darkest Africa. Dialogue: 0,0:04:54.90,0:04:58.09,Default,,0000,0000,0000,,MJ: "... instead of by the more\Nintelligent and worthy classes." Dialogue: 0,0:04:58.12,0:05:00.56,Default,,0000,0000,0000,,AYGTK: When fair directors\Nignored Mary Talbert Dialogue: 0,0:05:00.58,0:05:04.12,Default,,0000,0000,0000,,and the local black Buffalo community's\Nrequest to participate in the fair, Dialogue: 0,0:05:04.14,0:05:06.28,Default,,0000,0000,0000,,newspapers say that Mary Talbert Dialogue: 0,0:05:06.30,0:05:08.89,Default,,0000,0000,0000,,and her club of educated\NAfrican American women Dialogue: 0,0:05:08.91,0:05:11.25,Default,,0000,0000,0000,,held a rousing protest meeting. Dialogue: 0,0:05:11.28,0:05:13.09,Default,,0000,0000,0000,,But the details of that meeting, Dialogue: 0,0:05:13.12,0:05:15.41,Default,,0000,0000,0000,,even down to the fiery speech she gave, Dialogue: 0,0:05:15.43,0:05:17.43,Default,,0000,0000,0000,,were not fully captured in the archive. Dialogue: 0,0:05:17.45,0:05:21.21,Default,,0000,0000,0000,,So, "At Buffalo" takes the essence\Nof Mary's speech Dialogue: 0,0:05:21.24,0:05:23.42,Default,,0000,0000,0000,,and turns it into song. Dialogue: 0,0:05:24.25,0:05:27.12,Default,,0000,0000,0000,,(All singing) We must, we are unanimous. Dialogue: 0,0:05:27.74,0:05:31.53,Default,,0000,0000,0000,,We must, we are unanimous. Dialogue: 0,0:05:31.55,0:05:34.00,Default,,0000,0000,0000,,MJ: We've got something to show -- Dialogue: 0,0:05:34.03,0:05:37.72,Default,,0000,0000,0000,,we're going to teach a lesson in Buffalo. Dialogue: 0,0:05:37.74,0:05:41.30,Default,,0000,0000,0000,,It would benefit the nation Dialogue: 0,0:05:41.33,0:05:45.36,Default,,0000,0000,0000,,to see our growth since emancipation. Dialogue: 0,0:05:45.39,0:05:51.44,Default,,0000,0000,0000,,Colored people should be represented\Nin this Pan-American exposition, Dialogue: 0,0:05:51.47,0:05:55.06,Default,,0000,0000,0000,,it would benefit the nation Dialogue: 0,0:05:55.09,0:05:59.49,Default,,0000,0000,0000,,to see our growth since emancipation. Dialogue: 0,0:05:59.52,0:06:05.99,Default,,0000,0000,0000,,(All singing) They made a great mistake Dialogue: 0,0:06:06.35,0:06:11.95,Default,,0000,0000,0000,,not to appoint someone from the race. Dialogue: 0,0:06:13.38,0:06:16.10,Default,,0000,0000,0000,,We must, we are unanimous. Dialogue: 0,0:06:16.84,0:06:20.32,Default,,0000,0000,0000,,We must, we are unanimous. Dialogue: 0,0:06:20.35,0:06:21.92,Default,,0000,0000,0000,,We must, we are unanimous. Dialogue: 0,0:06:21.94,0:06:26.42,Default,,0000,0000,0000,,AYGTK: Mary Talbert successfully demands\Nthat the Negro Exhibit come to the fair. Dialogue: 0,0:06:26.80,0:06:29.16,Default,,0000,0000,0000,,And to have the Negro Exhibit in Buffalo Dialogue: 0,0:06:29.19,0:06:33.87,Default,,0000,0000,0000,,means that the musical must tell the story\Nbehind why Du Bois cocreated it ... Dialogue: 0,0:06:35.69,0:06:40.23,Default,,0000,0000,0000,,and why Mary and the black elite\Nfelt it was urgently needed. Dialogue: 0,0:06:41.93,0:06:45.12,Default,,0000,0000,0000,,JMR: "The world is thinking\Nwrong about race. Dialogue: 0,0:06:46.98,0:06:50.58,Default,,0000,0000,0000,,They killed Sam Hose\Nfor who they thought he was. Dialogue: 0,0:06:51.97,0:06:53.91,Default,,0000,0000,0000,,And more men like him, every day, Dialogue: 0,0:06:53.93,0:06:57.69,Default,,0000,0000,0000,,more Negro men, like him, taken apart. Dialogue: 0,0:06:59.17,0:07:01.86,Default,,0000,0000,0000,,And after that -- that red ray ... Dialogue: 0,0:07:02.98,0:07:04.65,Default,,0000,0000,0000,,we can never be the same. Dialogue: 0,0:07:05.66,0:07:09.20,Default,,0000,0000,0000,,(Singing) A red ray Dialogue: 0,0:07:09.23,0:07:10.48,Default,,0000,0000,0000,,[A man hunt in Georgia] Dialogue: 0,0:07:10.50,0:07:12.44,Default,,0000,0000,0000,,cut across my desk Dialogue: 0,0:07:12.46,0:07:14.65,Default,,0000,0000,0000,,[Mob after Hose;\Nhe will be lynched if caught] Dialogue: 0,0:07:14.67,0:07:16.92,Default,,0000,0000,0000,,the very day Dialogue: 0,0:07:16.94,0:07:20.22,Default,,0000,0000,0000,,Sam's hands were laid to rest. Dialogue: 0,0:07:21.97,0:07:28.95,Default,,0000,0000,0000,,Can words alone withstand the laws unjust? Dialogue: 0,0:07:28.98,0:07:30.26,Default,,0000,0000,0000,,[Escape seems impossible] Dialogue: 0,0:07:30.29,0:07:35.72,Default,,0000,0000,0000,,Can words alone withstand the violence? Dialogue: 0,0:07:38.04,0:07:43.11,Default,,0000,0000,0000,,Oh, no, oh. Dialogue: 0,0:07:43.13,0:07:44.37,Default,,0000,0000,0000,,[Burned alive] Dialogue: 0,0:07:44.39,0:07:45.73,Default,,0000,0000,0000,,[Sam Hose is lynched] Dialogue: 0,0:07:45.75,0:07:50.66,Default,,0000,0000,0000,,Oh, no, oh. Dialogue: 0,0:07:50.68,0:07:52.61,Default,,0000,0000,0000,,[His body cut in many pieces] Dialogue: 0,0:07:53.43,0:07:56.41,Default,,0000,0000,0000,,Oh, no, oh. Dialogue: 0,0:07:56.43,0:07:57.83,Default,,0000,0000,0000,,[Burned at the Stake] Dialogue: 0,0:07:57.86,0:08:00.08,Default,,0000,0000,0000,,[Ten Cents Slice Cooked Liver.] Dialogue: 0,0:08:00.11,0:08:01.58,Default,,0000,0000,0000,,[Fight for souvenirs.] Dialogue: 0,0:08:08.76,0:08:12.05,Default,,0000,0000,0000,,(Both singing) Who has read the books? Dialogue: 0,0:08:12.07,0:08:17.01,Default,,0000,0000,0000,,Our numbers and statistics look small Dialogue: 0,0:08:17.03,0:08:22.12,Default,,0000,0000,0000,,against the page. Dialogue: 0,0:08:22.15,0:08:25.58,Default,,0000,0000,0000,,The crisis has multiplied. Dialogue: 0,0:08:25.60,0:08:28.31,Default,,0000,0000,0000,,Our people are lynched and died. Dialogue: 0,0:08:28.33,0:08:30.69,Default,,0000,0000,0000,,Oh, Lord. Dialogue: 0,0:08:30.71,0:08:36.51,Default,,0000,0000,0000,,Something must change. Dialogue: 0,0:08:38.76,0:08:43.37,Default,,0000,0000,0000,,AYGTK: Something must change. Dialogue: 0,0:08:44.40,0:08:47.63,Default,,0000,0000,0000,,"At Buffalo" reveals\Nhow the United States today Dialogue: 0,0:08:47.66,0:08:51.20,Default,,0000,0000,0000,,stands at similar crossroads\Nas 1901 America. Dialogue: 0,0:08:51.62,0:08:55.17,Default,,0000,0000,0000,,Just as the name of Sam Hose\Nfilled newspapers back then, Dialogue: 0,0:08:55.20,0:08:57.83,Default,,0000,0000,0000,,today's media carries the names of: Dialogue: 0,0:08:57.86,0:08:59.52,Default,,0000,0000,0000,,JMR: Oscar Grant. Dialogue: 0,0:09:00.10,0:09:01.52,Default,,0000,0000,0000,,MJ: Jacqueline Culp. Dialogue: 0,0:09:01.91,0:09:03.38,Default,,0000,0000,0000,,Pianist: Trayvon Martin. Dialogue: 0,0:09:04.02,0:09:05.36,Default,,0000,0000,0000,,AYGTK: Sandra Bland. Dialogue: 0,0:09:06.13,0:09:07.83,Default,,0000,0000,0000,,And too many others. Dialogue: 0,0:09:08.83,0:09:12.85,Default,,0000,0000,0000,,The 1901 fair's legacies persist Dialogue: 0,0:09:12.87,0:09:16.10,Default,,0000,0000,0000,,in more ways than we can imagine. Dialogue: 0,0:09:18.32,0:09:19.50,Default,,0000,0000,0000,,MJ: Mary Talbert Dialogue: 0,0:09:19.52,0:09:21.62,Default,,0000,0000,0000,,and the National Association\Nof Colored Women Dialogue: 0,0:09:21.65,0:09:24.52,Default,,0000,0000,0000,,started movements against lynching Dialogue: 0,0:09:24.55,0:09:26.54,Default,,0000,0000,0000,,and the myth of black criminality Dialogue: 0,0:09:26.56,0:09:30.10,Default,,0000,0000,0000,,just as black women today\Nstarted Black Lives Matter. Dialogue: 0,0:09:30.60,0:09:33.48,Default,,0000,0000,0000,,JMR: And some of the same\Npeople who fought for Dialogue: 0,0:09:33.50,0:09:35.36,Default,,0000,0000,0000,,and created the Negro Exhibit, Dialogue: 0,0:09:35.38,0:09:37.29,Default,,0000,0000,0000,,including Du Bois, Dialogue: 0,0:09:37.32,0:09:39.92,Default,,0000,0000,0000,,came to Buffalo,\Nfour years after the fair, Dialogue: 0,0:09:39.94,0:09:42.14,Default,,0000,0000,0000,,to start the Niagara Movement, Dialogue: 0,0:09:42.16,0:09:45.51,Default,,0000,0000,0000,,which set the groundwork\Nfor the creation of the NAACP. Dialogue: 0,0:09:45.53,0:09:47.21,Default,,0000,0000,0000,,AYGTK: It's not just black folks Dialogue: 0,0:09:47.24,0:09:50.03,Default,,0000,0000,0000,,who had a peculiar experience\Nat the 1901 fair. Dialogue: 0,0:09:50.40,0:09:53.31,Default,,0000,0000,0000,,An official handbook informed fair-goers: Dialogue: 0,0:09:53.33,0:09:55.35,Default,,0000,0000,0000,,MJ: "Please remember:" Dialogue: 0,0:09:55.37,0:09:57.35,Default,,0000,0000,0000,,JMR: "... once you get inside the gate," Dialogue: 0,0:09:57.37,0:10:00.17,Default,,0000,0000,0000,,AYGTK: "... you are a part of the show." Dialogue: 0,0:10:01.07,0:10:03.14,Default,,0000,0000,0000,,Performing the archive in "At Buffalo" Dialogue: 0,0:10:03.16,0:10:05.77,Default,,0000,0000,0000,,allows audiences to ask themselves, Dialogue: 0,0:10:05.79,0:10:08.31,Default,,0000,0000,0000,,"Are we still inside the gates, Dialogue: 0,0:10:08.33,0:10:12.93,Default,,0000,0000,0000,,and are we all still part of the show?" Dialogue: 0,0:10:17.07,0:10:20.48,Default,,0000,0000,0000,,(Music ends) Dialogue: 0,0:10:20.51,0:10:27.40,Default,,0000,0000,0000,,(Applause and cheers)