1 00:00:00,450 --> 00:00:04,259 I believe in Philadelphia I often tell 2 00:00:04,259 --> 00:00:05,609 people my attachment to Philly is 3 00:00:05,609 --> 00:00:08,069 visceral. When I'm downtown or a South 4 00:00:08,069 --> 00:00:09,660 Philly restaurant, I feel remarkably 5 00:00:09,660 --> 00:00:12,209 connected. "Should I compare thee to a 6 00:00:12,209 --> 00:00:14,910 summers day? Thou art more lovely and 7 00:00:14,910 --> 00:00:16,020 more temperate. 8 00:00:16,020 --> 00:00:18,840 "Open air is a large scale interactive 9 00:00:18,840 --> 00:00:21,210 installation, where very powerful 10 00:00:21,210 --> 00:00:23,250 spotlights are actually controlled by 11 00:00:23,250 --> 00:00:25,590 the voices of participants. Most of the 12 00:00:25,590 --> 00:00:27,420 time when you see a show, a light show in 13 00:00:27,420 --> 00:00:29,700 the sky, it's actually following a score 14 00:00:29,700 --> 00:00:31,560 of music so the lights are moving to the 15 00:00:31,560 --> 00:00:34,320 beat. Instead here in Philadelphia, what 16 00:00:34,320 --> 00:00:36,270 we're doing, is if those lights move it's 17 00:00:36,270 --> 00:00:38,340 because they were reacting to the voice 18 00:00:38,340 --> 00:00:40,470 of someone who has sent a message either 19 00:00:40,470 --> 00:00:42,510 through a special iPhone app or through 20 00:00:42,510 --> 00:00:46,860 a webpage. That message arrives into our 21 00:00:46,860 --> 00:00:49,560 servers, we analyze it for volume for 22 00:00:49,560 --> 00:00:52,290 intonation for frequency, and then when 23 00:00:52,290 --> 00:00:54,600 it gets played back in the Parkway the 24 00:00:54,600 --> 00:00:57,329 lights react to those parameters. So in 25 00:00:57,329 --> 00:01:18,600 position and and in intensity." (music) 26 00:01:18,600 --> 00:01:21,430 "The project is in a way it's kind of 27 00:01:21,430 --> 00:01:23,050 like a rant line or maybe like a 28 00:01:23,050 --> 00:01:25,030 voicemail system, where you send messages 29 00:01:25,030 --> 00:01:27,100 but instead of sending them directly to 30 00:01:27,100 --> 00:01:28,630 somebody, first they go into the night 31 00:01:28,630 --> 00:01:31,420 sky. People can listen to those messages 32 00:01:31,420 --> 00:01:33,370 through the phone or through speakers 33 00:01:33,370 --> 00:01:34,990 that are any consolable in Logan Square. 34 00:01:34,990 --> 00:01:37,570 So the idea is, create a platform for 35 00:01:37,570 --> 00:01:39,729 communication, but that is visualized and 36 00:01:39,729 --> 00:01:47,650 that takes over the entire park. "Baby, it looks like you never felt sky before, well let 37 00:01:47,650 --> 00:01:50,050 all rhythm read the fine morning before 38 00:01:50,050 --> 00:01:51,970 you go blowing out those stars of 39 00:01:51,970 --> 00:01:56,080 tomorrow and I'm Ray by the way. Then 40 00:01:56,080 --> 00:01:59,320 yeah". "When your message appears in the 41 00:01:59,320 --> 00:02:01,600 night sky, the system notifies you it's 42 00:02:01,600 --> 00:02:03,160 like.. 'hey it's your turn here comes your 43 00:02:03,160 --> 00:02:05,740 message' and all the lights actually find 44 00:02:05,740 --> 00:02:08,080 you with GPS tracking and all the lights 45 00:02:08,080 --> 00:02:10,330 are oriented toward you. So in a way you 46 00:02:10,330 --> 00:02:12,640 become part of the show, you're part of 47 00:02:12,640 --> 00:02:14,799 in the limelight so to speak but it's 48 00:02:14,799 --> 00:02:17,019 also a little bit awkward or violent 49 00:02:17,019 --> 00:02:18,370 because you feel like all of these 50 00:02:18,370 --> 00:02:20,680 lights are actually tracking you over 51 00:02:20,680 --> 00:02:22,090 the park where you can't get away from 52 00:02:22,090 --> 00:02:25,480 them, so it's a project that has a a 53 00:02:25,480 --> 00:02:27,730 sense of seduction and participation but 54 00:02:27,730 --> 00:02:30,220 then also a sense of tracking and of 55 00:02:30,220 --> 00:02:31,870 policing and just making people aware 56 00:02:31,870 --> 00:02:33,610 that these technologies have very 57 00:02:33,610 --> 00:02:35,769 accurate information about where we are 58 00:02:35,769 --> 00:02:41,040 and who we are. 59 00:02:41,040 --> 00:02:42,689 What I'm interested in is in 60 00:02:42,689 --> 00:02:44,670 self-representation, the idea that it is 61 00:02:44,670 --> 00:02:46,739 the people who make the decisions about 62 00:02:46,739 --> 00:02:49,290 what the contents will be. What you're 63 00:02:49,290 --> 00:02:52,439 actually seeing is what people have said 64 00:02:52,439 --> 00:02:57,041 and you too can be part of that dialogue