[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:13.45,0:00:15.71,Default,,0000,0000,0000,,Now I can teach you about suspended chords.
Dialogue: 0,0:00:15.71,0:00:18.65,Default,,0000,0000,0000,,So, what is a suspended chord, first of all?
Dialogue: 0,0:00:18.65,0:00:20.80,Default,,0000,0000,0000,,They're not chords\Nthat just like hanging around a lot.
Dialogue: 0,0:00:21.32,0:00:23.99,Default,,0000,0000,0000,,So, first of all you need to know what a "triad" is.
Dialogue: 0,0:00:23.99,0:00:26.57,Default,,0000,0000,0000,,Now, and triads are not \NAsian dudes with machine guns.
Dialogue: 0,0:00:26.57,0:00:28.08,Default,,0000,0000,0000,,In a musical sense.
Dialogue: 0,0:00:28.90,0:00:30.21,Default,,0000,0000,0000,,So, what we are talking about here\N
Dialogue: 0,0:00:30.21,0:00:33.32,Default,,0000,0000,0000,,is a triad that is a three note chord.
Dialogue: 0,0:00:33.32,0:00:34.37,Default,,0000,0000,0000,,Tri, prefix for three,
Dialogue: 0,0:00:34.37,0:00:35.90,Default,,0000,0000,0000,,so it's a three note chord.
Dialogue: 0,0:00:35.90,0:00:38.29,Default,,0000,0000,0000,,Three notes chords consist of a root note,
Dialogue: 0,0:00:38.29,0:00:39.53,Default,,0000,0000,0000,,a third and a fifth,
Dialogue: 0,0:00:39.53,0:00:41.04,Default,,0000,0000,0000,,wich is really the first note,
Dialogue: 0,0:00:41.09,0:00:44.80,Default,,0000,0000,0000,,the third note and the fifth note of a Major scale.
Dialogue: 0,0:00:44.80,0:00:46.80,Default,,0000,0000,0000,,Now, it's the third note of the triad
Dialogue: 0,0:00:46.80,0:00:49.99,Default,,0000,0000,0000,,that determines whether the chord is major or minor.
Dialogue: 0,0:00:50.30,0:00:52.70,Default,,0000,0000,0000,,So, if we were to have a look at, say, an A chord,
Dialogue: 0,0:00:52.70,0:00:57.84,Default,,0000,0000,0000,,then notes in A would be A, B,\N{\u1}C{\u0} would be the third, D, {\u1}E{\u0}.
Dialogue: 0,0:00:57.84,0:01:01.05,Default,,0000,0000,0000,,Now, actually, because of the key signature,\Nthe note C would be a C#,
Dialogue: 0,0:01:01.05,0:01:02.70,Default,,0000,0000,0000,,to make an A major chord.
Dialogue: 0,0:01:02.70,0:01:05.49,Default,,0000,0000,0000,,If you just go now \Nand play an A chord, an A Major chord
Dialogue: 0,0:01:05.49,0:01:06.79,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:06.79,0:01:09.74,Default,,0000,0000,0000,,and then you straight away afterward\Nplay an A minor chord
Dialogue: 0,0:01:09.77,0:01:10.58,Default,,0000,0000,0000,,...
Dialogue: 0,0:01:10.58,0:01:12.68,Default,,0000,0000,0000,,you'd notice that only one note is different.
Dialogue: 0,0:01:12.68,0:01:15.20,Default,,0000,0000,0000,,And that's the C# on the B string, \N
Dialogue: 0,0:01:15.20,0:01:18.41,Default,,0000,0000,0000,,second fret moves to C natural note
Dialogue: 0,0:01:18.41,0:01:19.60,Default,,0000,0000,0000,,(plays) in the first fret.
Dialogue: 0,0:01:19.60,0:01:21.88,Default,,0000,0000,0000,,So, it is in fact only one note every time
Dialogue: 0,0:01:21.88,0:01:24.68,Default,,0000,0000,0000,,that changes between a major and a minor chord.
Dialogue: 0,0:01:25.02,0:01:27.02,Default,,0000,0000,0000,,Sometimes that note is doubled \Nin your chord voicing,
Dialogue: 0,0:01:27.02,0:01:29.34,Default,,0000,0000,0000,,just to warn you, it’s just not like \None note on the guitar;
Dialogue: 0,0:01:29.34,0:01:31.57,Default,,0000,0000,0000,,harmonically it's one note that changes.
Dialogue: 0,0:01:31.57,0:01:33.71,Default,,0000,0000,0000,,Now, suspended chords
Dialogue: 0,0:01:33.71,0:01:35.99,Default,,0000,0000,0000,,take away the third of the chord
Dialogue: 0,0:01:35.99,0:01:37.64,Default,,0000,0000,0000,,and replace it with another note.
Dialogue: 0,0:01:38.01,0:01:41.29,Default,,0000,0000,0000,,So therefore, suspended chords \Nare neither major or minor,
Dialogue: 0,0:01:41.29,0:01:43.15,Default,,0000,0000,0000,,and they have a very airy sound.
Dialogue: 0,0:01:43.15,0:01:45.54,Default,,0000,0000,0000,,So, if I just give you some demonstrations here:
Dialogue: 0,0:01:45.54,0:01:46.53,Default,,0000,0000,0000,,A Major:
Dialogue: 0,0:01:46.53,0:01:47.62,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:47.62,0:01:49.58,Default,,0000,0000,0000,,Old happy sounding A Major.
Dialogue: 0,0:01:49.58,0:01:51.30,Default,,0000,0000,0000,,Now, if I move that...
Dialogue: 0,0:01:51.30,0:01:53.54,Default,,0000,0000,0000,,the third of the chord, \Nwhich is the note C#,
Dialogue: 0,0:01:53.54,0:01:55.36,Default,,0000,0000,0000,,if I move that up one semitone,
Dialogue: 0,0:01:55.36,0:01:56.47,Default,,0000,0000,0000,,to D
Dialogue: 0,0:01:56.47,0:01:57.81,Default,,0000,0000,0000,,...
Dialogue: 0,0:01:57.81,0:01:59.79,Default,,0000,0000,0000,,we now have an Asus4 sound.
Dialogue: 0,0:01:59.79,0:02:02.67,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:02.67,0:02:04.30,Default,,0000,0000,0000,,Here it's kinda hovering,
Dialogue: 0,0:02:04.30,0:02:06.06,Default,,0000,0000,0000,,it is kind of hanging about a bit, that one.
Dialogue: 0,0:02:06.06,0:02:06.91,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:06.91,0:02:08.47,Default,,0000,0000,0000,,Then we go back to A,
Dialogue: 0,0:02:08.47,0:02:09.80,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:09.80,0:02:11.71,Default,,0000,0000,0000,,Now, if I lift off my little finger now:
Dialogue: 0,0:02:11.71,0:02:13.02,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:13.02,0:02:15.86,Default,,0000,0000,0000,,which is kind of going down...\Nthat note down two frets,
Dialogue: 0,0:02:15.86,0:02:18.42,Default,,0000,0000,0000,,because if I go down just one \Nit gets to the minor chord,
Dialogue: 0,0:02:18.42,0:02:19.24,Default,,0000,0000,0000,,...
Dialogue: 0,0:02:19.24,0:02:21.22,Default,,0000,0000,0000,,we get an Asus2 chord.
Dialogue: 0,0:02:21.71,0:02:22.71,Default,,0000,0000,0000,,So, we've got now A:
Dialogue: 0,0:02:22.71,0:02:24.07,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:24.07,0:02:25.19,Default,,0000,0000,0000,,Asus4:
Dialogue: 0,0:02:25.19,0:02:26.41,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:26.41,0:02:27.12,Default,,0000,0000,0000,,A
Dialogue: 0,0:02:27.12,0:02:27.84,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:27.84,0:02:28.86,Default,,0000,0000,0000,,and Asus2:
Dialogue: 0,0:02:28.86,0:02:30.13,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:30.13,0:02:31.39,Default,,0000,0000,0000,,Quite a simple movement.
Dialogue: 0,0:02:31.39,0:02:34.04,Default,,0000,0000,0000,,Now, I'm not doing close-ups here at the chords,
Dialogue: 0,0:02:34.04,0:02:35.84,Default,,0000,0000,0000,,because it's quite a few chords and a few songs
Dialogue: 0,0:02:35.84,0:02:37.24,Default,,0000,0000,0000,,that I'm going to go through in this lesson,
Dialogue: 0,0:02:37.24,0:02:39.04,Default,,0000,0000,0000,,so, please go and check out the chords at:\N
Dialogue: 0,0:02:39.15,0:02:42.92,Default,,0000,0000,0000,,www.justinguitar.com
Dialogue: 0,0:02:42.92,0:02:45.26,Default,,0000,0000,0000,,you click on "chords" which is on the left hand side,
Dialogue: 0,0:02:45.26,0:02:47.43,Default,,0000,0000,0000,,or "chords and scales" I think it says actually,
Dialogue: 0,0:02:47.43,0:02:49.53,Default,,0000,0000,0000,,and then in the top group\Nthere are suspended chords.
Dialogue: 0,0:02:49.53,0:02:51.81,Default,,0000,0000,0000,,It shouldn't be very difficult for you to find them,
Dialogue: 0,0:02:51.81,0:02:54.12,Default,,0000,0000,0000,,and it explains all the different\Nfingering choices as well,
Dialogue: 0,0:02:54.12,0:02:55.83,Default,,0000,0000,0000,,so please go and check that out.
Dialogue: 0,0:02:55.83,0:02:58.17,Default,,0000,0000,0000,,So, that was A chord.\NYou can hear we had A:
Dialogue: 0,0:02:58.17,0:03:01.34,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:01.34,0:03:02.67,Default,,0000,0000,0000,,Very common sound.
Dialogue: 0,0:03:03.27,0:03:05.31,Default,,0000,0000,0000,,That is the A chord.\NNow if we move it onto D,
Dialogue: 0,0:03:05.31,0:03:06.38,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:06.38,0:03:07.76,Default,,0000,0000,0000,,play a regular D chord,
Dialogue: 0,0:03:07.76,0:03:09.53,Default,,0000,0000,0000,,then we add our little finger down,
Dialogue: 0,0:03:09.53,0:03:11.16,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:11.16,0:03:12.17,Default,,0000,0000,0000,,that's Dsus4.
Dialogue: 0,0:03:12.17,0:03:13.35,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:13.35,0:03:15.76,Default,,0000,0000,0000,,Back to regular D,\Nlift off our second finger,
Dialogue: 0,0:03:15.76,0:03:16.74,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:16.74,0:03:18.16,Default,,0000,0000,0000,,we get Dsus2
Dialogue: 0,0:03:18.16,0:03:18.87,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:18.87,0:03:20.62,Default,,0000,0000,0000,,and then back to D.
Dialogue: 0,0:03:21.28,0:03:24.69,Default,,0000,0000,0000,,Now, just using those two types of chord shapes,
Dialogue: 0,0:03:24.69,0:03:27.21,Default,,0000,0000,0000,,I can show you \Na couple of the different ways it was used.
Dialogue: 0,0:03:27.21,0:03:28.80,Default,,0000,0000,0000,,The first way you use suspended chords\N
Dialogue: 0,0:03:28.80,0:03:30.39,Default,,0000,0000,0000,,is as an ornament,
Dialogue: 0,0:03:30.39,0:03:31.73,Default,,0000,0000,0000,,it's to kind of decorate when you play.
Dialogue: 0,0:03:31.73,0:03:33.49,Default,,0000,0000,0000,,So, if you got a D chord for ages and ages
Dialogue: 0,0:03:33.49,0:03:35.57,Default,,0000,0000,0000,,and you just want to do \Nsomething a little bit different to it,
Dialogue: 0,0:03:35.57,0:03:36.76,Default,,0000,0000,0000,,then it just... you know
Dialogue: 0,0:03:36.76,0:03:38.34,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:38.34,0:03:39.96,Default,,0000,0000,0000,,If you start to get a bit bored, you could:
Dialogue: 0,0:03:39.96,0:03:45.84,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:45.84,0:03:47.65,Default,,0000,0000,0000,,You can just kind of add them in whenever you like,
Dialogue: 0,0:03:47.65,0:03:49.88,Default,,0000,0000,0000,,and they work on major and minor chords.
Dialogue: 0,0:03:49.88,0:03:51.92,Default,,0000,0000,0000,,I'll show you some tricks on that in a sec.
Dialogue: 0,0:03:52.57,0:03:55.91,Default,,0000,0000,0000,,Some famous examples\NI can think off the top of my head was...
Dialogue: 0,0:03:55.91,0:03:58.42,Default,,0000,0000,0000,,and old song from the 80's or early 90's...\N
Dialogue: 0,0:03:59.36,0:04:00.69,Default,,0000,0000,0000,,"Dead or Alive", by Bon Jovi,
Dialogue: 0,0:04:00.69,0:04:02.32,Default,,0000,0000,0000,,it's got a really nice example \Nright at the beginning,\N
Dialogue: 0,0:04:02.32,0:04:03.30,Default,,0000,0000,0000,,where it goes:
Dialogue: 0,0:04:03.37,0:04:06.46,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:04:06.46,0:04:09.25,Default,,0000,0000,0000,,It's a little decoration on the D chord there.
Dialogue: 0,0:04:10.31,0:04:14.37,Default,,0000,0000,0000,,Another good example \Nis "Summer of 69" by Bryan Adams.
Dialogue: 0,0:04:14.37,0:04:16.03,Default,,0000,0000,0000,,It's actually a keyboard part,
Dialogue: 0,0:04:16.03,0:04:18.01,Default,,0000,0000,0000,,but that whole song is doing a...
Dialogue: 0,0:04:21.16,0:04:25.18,Default,,0000,0000,0000,,Yeah, it starts on Dsus2, D,
Dialogue: 0,0:04:25.18,0:04:27.02,Default,,0000,0000,0000,,sus4, D
Dialogue: 0,0:04:27.02,0:04:28.34,Default,,0000,0000,0000,,sus2, D,
Dialogue: 0,0:04:28.34,0:04:31.01,Default,,0000,0000,0000,,and then it goes to Asus2, (plays)
Dialogue: 0,0:04:31.01,0:04:33.21,Default,,0000,0000,0000,,A regular, Asus4, A.
Dialogue: 0,0:04:33.21,0:04:41.35,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:04:41.35,0:04:42.45,Default,,0000,0000,0000,,So you can see then,
Dialogue: 0,0:04:42.45,0:04:45.36,Default,,0000,0000,0000,,in that instance it's kind of \Nusing the suspended chord
Dialogue: 0,0:04:45.36,0:04:48.08,Default,,0000,0000,0000,,as a riff, not just as an ornament.
Dialogue: 0,0:04:48.08,0:04:50.98,Default,,0000,0000,0000,,So, so far we've talked about D Major \N
Dialogue: 0,0:04:50.98,0:04:52.71,Default,,0000,0000,0000,,and then going to the sus,
Dialogue: 0,0:04:52.71,0:04:54.33,Default,,0000,0000,0000,,and A major going to the sus,
Dialogue: 0,0:04:54.33,0:04:57.22,Default,,0000,0000,0000,,and like I said, it also works for minor chords.
Dialogue: 0,0:04:57.22,0:04:59.14,Default,,0000,0000,0000,,So if we start with a D minor chord:
Dialogue: 0,0:04:59.14,0:05:00.89,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:05:00.89,0:05:04.02,Default,,0000,0000,0000,,add the little finger (plays),\Nwe get Dsus4 again.
Dialogue: 0,0:05:04.02,0:05:05.33,Default,,0000,0000,0000,,Back to D minor:
Dialogue: 0,0:05:05.33,0:05:06.11,Default,,0000,0000,0000,,...
Dialogue: 0,0:05:06.11,0:05:08.05,Default,,0000,0000,0000,,And then lift off your first finger (plays)
Dialogue: 0,0:05:08.05,0:05:09.67,Default,,0000,0000,0000,,and you get Dsus2.
Dialogue: 0,0:05:09.67,0:05:11.44,Default,,0000,0000,0000,,So the sus4 and the sus2 are the same,
Dialogue: 0,0:05:11.44,0:05:13.32,Default,,0000,0000,0000,,just we've put a minor in the middle\N
Dialogue: 0,0:05:13.32,0:05:14.09,Default,,0000,0000,0000,,instead of a major.
Dialogue: 0,0:05:14.09,0:05:14.81,Default,,0000,0000,0000,,...
Dialogue: 0,0:05:14.87,0:05:16.37,Default,,0000,0000,0000,,So a good example of using that one
Dialogue: 0,0:05:16.37,0:05:18.56,Default,,0000,0000,0000,,for both a Dm and Am is...
Dialogue: 0,0:05:19.48,0:05:21.00,Default,,0000,0000,0000,,"Loosing my Religion", by R.E.M.,
Dialogue: 0,0:05:21.00,0:05:22.16,Default,,0000,0000,0000,,where it's got this little:
Dialogue: 0,0:05:22.16,0:05:31.83,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:05:31.83,0:05:33.01,Default,,0000,0000,0000,,You can hear very clearly that
Dialogue: 0,0:05:33.01,0:05:34.52,Default,,0000,0000,0000,,he's used the suspended chords
Dialogue: 0,0:05:34.58,0:05:35.58,Default,,0000,0000,0000,,to kind of make a riff.
Dialogue: 0,0:05:36.62,0:05:38.64,Default,,0000,0000,0000,,Also the Rolling Stones on "Paint it Black"
Dialogue: 0,0:05:38.64,0:05:41.05,Default,,0000,0000,0000,,kind of uses it on the D minor at the beginning:
Dialogue: 0,0:05:41.05,0:05:44.88,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:05:44.88,0:05:46.96,Default,,0000,0000,0000,,It changes a bit to that last part.
Dialogue: 0,0:05:46.96,0:05:47.79,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:05:47.79,0:05:49.32,Default,,0000,0000,0000,,Very last bit's a bit different,
Dialogue: 0,0:05:49.32,0:05:51.32,Default,,0000,0000,0000,,but the first part of it is the sus chords.
Dialogue: 0,0:05:53.42,0:05:56.55,Default,,0000,0000,0000,,So, that's taken care of Dsus4 and Dsus2, \N
Dialogue: 0,0:05:56.66,0:05:58.47,Default,,0000,0000,0000,,Asus4 and Asus2.
Dialogue: 0,0:05:58.97,0:06:00.32,Default,,0000,0000,0000,,If we go on to E now,
Dialogue: 0,0:06:00.84,0:06:02.10,Default,,0000,0000,0000,,We have a regular E chord,
Dialogue: 0,0:06:02.10,0:06:04.03,Default,,0000,0000,0000,,if we put down our little finger
Dialogue: 0,0:06:04.03,0:06:06.49,Default,,0000,0000,0000,,underneath the third finger,
Dialogue: 0,0:06:06.49,0:06:07.44,Default,,0000,0000,0000,,...
Dialogue: 0,0:06:07.44,0:06:09.22,Default,,0000,0000,0000,,we get Esus4. (plays)
Dialogue: 0,0:06:09.22,0:06:10.35,Default,,0000,0000,0000,,And back to E.
Dialogue: 0,0:06:10.35,0:06:11.58,Default,,0000,0000,0000,,Now, we can't get...
Dialogue: 0,0:06:11.66,0:06:14.44,Default,,0000,0000,0000,,There's no such chord \Nas an Esus2 chord in an open position.
Dialogue: 0,0:06:14.44,0:06:15.92,Default,,0000,0000,0000,,I mean, there kind of is just later on, \N
Dialogue: 0,0:06:15.92,0:06:17.29,Default,,0000,0000,0000,,but for you right now, there's not.
Dialogue: 0,0:06:18.03,0:06:19.34,Default,,0000,0000,0000,,Because if we lift off the first finger,
Dialogue: 0,0:06:19.34,0:06:21.88,Default,,0000,0000,0000,,we get to E minor, not Esus2.
Dialogue: 0,0:06:21.96,0:06:23.04,Default,,0000,0000,0000,,Yeah?
Dialogue: 0,0:06:23.04,0:06:24.26,Default,,0000,0000,0000,,You can play it like this, (plays)
Dialogue: 0,0:06:24.26,0:06:25.36,Default,,0000,0000,0000,,like a big barre chord later on,
Dialogue: 0,0:06:25.36,0:06:27.23,Default,,0000,0000,0000,,but that's not the one for you right now.
Dialogue: 0,0:06:28.04,0:06:30.88,Default,,0000,0000,0000,,Again, there's quite a few tunes \Nthat use the Esus chord.
Dialogue: 0,0:06:31.48,0:06:33.45,Default,,0000,0000,0000,,Another good example of that one is...
Dialogue: 0,0:06:33.45,0:06:35.38,Default,,0000,0000,0000,,"It's Only Natural" by Crowded House,
Dialogue: 0,0:06:35.38,0:06:37.62,Default,,0000,0000,0000,,which is E, Esus4
Dialogue: 0,0:06:37.62,0:06:42.42,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:06:42.42,0:06:45.20,Default,,0000,0000,0000,,Then Asus4 to A
Dialogue: 0,0:06:45.20,0:06:47.74,Default,,0000,0000,0000,,Asus4 to A and back to E.
Dialogue: 0,0:06:47.74,0:06:49.77,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:06:49.77,0:06:51.89,Default,,0000,0000,0000,,Then it goes into barre chords \Nfor the rest of the tune.
Dialogue: 0,0:06:51.89,0:06:52.67,Default,,0000,0000,0000,,But the verses...\N
Dialogue: 0,0:06:52.67,0:06:55.07,Default,,0000,0000,0000,,You can hear it's kind of using it like a riff,
Dialogue: 0,0:06:55.07,0:06:57.37,Default,,0000,0000,0000,,but it's not really a riff, \Nit's just a decoration.
Dialogue: 0,0:06:57.80,0:06:58.67,Default,,0000,0000,0000,,Now...
Dialogue: 0,0:06:59.88,0:07:01.12,Default,,0000,0000,0000,,the only other ones that I think
Dialogue: 0,0:07:01.12,0:07:02.92,Default,,0000,0000,0000,,that are kind of useful for you to learn
Dialogue: 0,0:07:02.92,0:07:05.16,Default,,0000,0000,0000,,as a starting one is maybe a Csus.
Dialogue: 0,0:07:05.16,0:07:06.74,Default,,0000,0000,0000,,Now, C is a bit weird, \N
Dialogue: 0,0:07:06.74,0:07:08.08,Default,,0000,0000,0000,,because remember I told you that sometimes
Dialogue: 0,0:07:08.37,0:07:11.46,Default,,0000,0000,0000,,you have to change the third of a chord \Nto make a suspended chord.
Dialogue: 0,0:07:11.46,0:07:13.60,Default,,0000,0000,0000,,Well, in the case of a C open chord,
Dialogue: 0,0:07:13.60,0:07:16.87,Default,,0000,0000,0000,,we've got the note E,
Dialogue: 0,0:07:16.87,0:07:17.68,Default,,0000,0000,0000,,which is the third of the chord.
Dialogue: 0,0:07:17.68,0:07:18.50,Default,,0000,0000,0000,,It occurs twice.
Dialogue: 0,0:07:18.50,0:07:19.84,Default,,0000,0000,0000,,So, what I'm just gonna show you\N
Dialogue: 0,0:07:19.84,0:07:21.70,Default,,0000,0000,0000,,is a nice kind of decoration,
Dialogue: 0,0:07:21.76,0:07:23.72,Default,,0000,0000,0000,,but it's not really a true C suspended chord,\N
Dialogue: 0,0:07:23.72,0:07:25.91,Default,,0000,0000,0000,,because you might hit the first string.
Dialogue: 0,0:07:26.37,0:07:27.57,Default,,0000,0000,0000,,There's more of that on the web site.
Dialogue: 0,0:07:28.12,0:07:29.52,Default,,0000,0000,0000,,But just if you start with C:
Dialogue: 0,0:07:29.60,0:07:30.58,Default,,0000,0000,0000,,...
Dialogue: 0,0:07:30.58,0:07:32.08,Default,,0000,0000,0000,,put down your little finger\N
Dialogue: 0,0:07:32.08,0:07:33.27,Default,,0000,0000,0000,,in front of your second finger,
Dialogue: 0,0:07:33.27,0:07:34.14,Default,,0000,0000,0000,,underneath your third
Dialogue: 0,0:07:34.22,0:07:36.73,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:36.76,0:07:38.84,Default,,0000,0000,0000,,You get Csus4, (plays),
Dialogue: 0,0:07:38.84,0:07:39.63,Default,,0000,0000,0000,,back to C,
Dialogue: 0,0:07:39.63,0:07:42.52,Default,,0000,0000,0000,,lift off your second finger, (plays)
Dialogue: 0,0:07:42.52,0:07:44.77,Default,,0000,0000,0000,,and you get a Csus2. \NBack to C,
Dialogue: 0,0:07:44.77,0:07:46.27,Default,,0000,0000,0000,,which is just a really nice change.
Dialogue: 0,0:07:46.27,0:07:53.08,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:07:53.08,0:07:55.21,Default,,0000,0000,0000,,You can hear It's just got a kind of comfortable,
Dialogue: 0,0:07:55.21,0:07:57.36,Default,,0000,0000,0000,,easy feeling for some rhythm guitar.
Dialogue: 0,0:07:57.36,0:07:58.97,Default,,0000,0000,0000,,So, OK.
Dialogue: 0,0:07:58.97,0:07:59.90,Default,,0000,0000,0000,,That will do for now.
Dialogue: 0,0:07:59.90,0:08:01.92,Default,,0000,0000,0000,,If you want to check out \Nsome more suspended chords,
Dialogue: 0,0:08:01.92,0:08:04.44,Default,,0000,0000,0000,,I think every open suspended chord I can think of \N
Dialogue: 0,0:08:04.44,0:08:05.21,Default,,0000,0000,0000,,is on the web site,
Dialogue: 0,0:08:05.21,0:08:06.45,Default,,0000,0000,0000,,so go and have check that out.
Dialogue: 0,0:08:07.31,0:08:09.98,Default,,0000,0000,0000,,And then try and apply them \Nto any songs that you've got...
Dialogue: 0,0:08:09.98,0:08:11.95,Default,,0000,0000,0000,,where you've got a chord for a long time.
Dialogue: 0,0:08:11.95,0:08:15.24,Default,,0000,0000,0000,,See if you can incorporate \Nsome of those suspended chords in,
Dialogue: 0,0:08:15.24,0:08:17.43,Default,,0000,0000,0000,,to make your rhythm guitar playing \Na little more interesting.
Dialogue: 0,0:08:17.84,0:08:18.88,Default,,0000,0000,0000,,Have fun, see you soon.
Dialogue: 0,0:08:18.91,0:08:19.46,Default,,0000,0000,0000,,Bye!