1 00:00:05,342 --> 00:00:07,148 Hi, how'ya doing, Justin here. 2 00:00:07,148 --> 00:00:10,404 Welcome to this lesson on basic Travis picking. 3 00:00:10,404 --> 00:00:14,268 Now Travis picking gets it's name from the great Merle Travis, 4 00:00:14,268 --> 00:00:18,635 a country guitar picker and his picking style was subsequently stolen 5 00:00:18,635 --> 00:00:22,607 by anyone who played fingerstyle accoustic guitar. It sounds really cool 6 00:00:22,617 --> 00:00:24,520 and it's a great technique to learn. 7 00:00:24,520 --> 00:00:28,640 Now it's basically a little bit more complicated version of the thumb 8 00:00:28,640 --> 00:00:32,066 moving around that we've looked at previously, but in order to help your 9 00:00:32,066 --> 00:00:35,206 development overall as well, we're now going to be applying this to 10 00:00:35,206 --> 00:00:38,856 some barre chords. To really make sure that you got your barre chords good as well. 11 00:00:38,859 --> 00:00:44,189 So, let's get to a close-up, we're gonna be using a C, A-shape barre chord. 12 00:00:44,189 --> 00:00:46,221 Which is (plays) this one, you're gonna see it in the close-up 13 00:00:46,221 --> 00:00:50,811 in a second; I'm gonna show you a close-up first of all of the fretting hand and then 14 00:00:50,824 --> 00:00:54,544 we'll go to the close-up of the picking hand to see what all the fuss is about. 15 00:00:54,845 --> 00:00:58,980 Ok, here we are for our C chord. Now this is of course an A-shape 16 00:00:58,980 --> 00:01:02,702 barre chord,-with the 1st finger on the root note C,- at the 3rd fret, 17 00:01:02,702 --> 00:01:06,558 you don't tuck your 2nd finger like that, I'm just doing it to keep things nice and 18 00:01:06,558 --> 00:01:12,108 simple for you to see. Now, what we want to get used to the idea of here is the 1st 19 00:01:12,108 --> 00:01:17,116 finger moving between the note C and the note G. The pattern we're learning is this: 20 00:01:17,116 --> 00:01:23,616 ♪ 21 00:01:23,623 --> 00:01:26,777 So, just get use to the idea of this 1st finger moving 22 00:01:26,777 --> 00:01:34,551 ♪ 23 00:01:34,551 --> 00:01:36,031 Let's check out the picking hand! 24 00:01:36,629 --> 00:01:40,109 The big deal with this Travis picking is the movement of the thumb. 25 00:01:40,109 --> 00:01:44,008 And instead of just alternating between two strings that we've had before 26 00:01:44,008 --> 00:01:51,298 when we looked at our pattern, (♪) our thumb is now gonna go: 27 00:01:51,298 --> 00:01:56,221 5th string, 4th string, 6th string, 4th string. 28 00:01:56,221 --> 00:01:59,708 ♪ 29 00:01:59,708 --> 00:02:02,358 Which is why we had a look at the 1st finger moving over between the 30 00:02:02,364 --> 00:02:04,684 5th string and the 6th string. 31 00:02:04,684 --> 00:02:07,140 Now but don't use a barre, move your 1st finger! 32 00:02:07,140 --> 00:02:08,467 ♪ 33 00:02:08,467 --> 00:02:13,278 So, the 1st pattern we're going to look at is basically our very simple pattern 1: 34 00:02:13,278 --> 00:02:15,948 ♪ 35 00:02:15,949 --> 00:02:17,965 That was the original one, 36 00:02:17,965 --> 00:02:19,293 but now we're gonna be going: 37 00:02:19,293 --> 00:02:23,821 ♪ 38 00:02:23,821 --> 00:02:26,801 Again, you'd gonna have to probably do this very slowly, I really struggled 39 00:02:26,814 --> 00:02:30,232 the first time I learned this, so I'd expect you guys, to at least have a 40 00:02:30,232 --> 00:02:31,754 bit of fun with it. Really slowly: 41 00:02:31,754 --> 00:02:33,003 together: 42 00:02:33,003 --> 00:02:39,143 Thumb, 1, thumb on the thickest string, 2nd finger, thumb back on the 4th string. 43 00:02:39,143 --> 00:02:49,020 ♪ 44 00:02:49,020 --> 00:02:52,289 If you're really struggling to hold your barre chord down, and you see a barre chord, 45 00:02:52,289 --> 00:02:54,685 just use our regular open A chord: 46 00:02:54,685 --> 00:02:59,262 ♪ 47 00:02:59,262 --> 00:03:02,162 you will get the kind of the bottom 2 string ringing out a little bit, 48 00:03:02,162 --> 00:03:05,567 which sounds a bit funny to my ear, but at least you can kind of get used to 49 00:03:05,574 --> 00:03:08,916 the thumb movement there, that's what's really important is,...getting this: 50 00:03:08,916 --> 00:03:11,308 ♪ 51 00:03:11,308 --> 00:03:15,075 you know, just practicing that is a really good idea for this kind of pattern. 52 00:03:15,075 --> 00:03:17,825 ♪ 53 00:03:17,825 --> 00:03:20,025 Then introduce the other fingers. 54 00:03:20,025 --> 00:03:23,521 ♪ 55 00:03:23,521 --> 00:03:25,578 So that's pattern 13. 56 00:03:25,578 --> 00:03:26,718 Pattern 14: 57 00:03:26,718 --> 00:03:29,898 ♪ 58 00:03:29,898 --> 00:03:32,315 Exactly like our pattern 2, 59 00:03:32,315 --> 00:03:34,025 but with this new Travis Picking. 60 00:03:34,025 --> 00:03:37,513 ♪ 61 00:03:37,513 --> 00:03:41,293 And of course, you would then start to merge 13 and 14 together. 62 00:03:41,295 --> 00:03:43,035 ♪ 63 00:03:49,995 --> 00:03:50,927 You can really hear... 64 00:03:50,927 --> 00:03:52,077 ♪ 65 00:03:52,080 --> 00:03:54,162 just sounds cool. 66 00:03:54,162 --> 00:03:56,802 A lot of the times these guys have a little bit of kinda mute on there as well. 67 00:03:56,805 --> 00:03:58,901 ♪ 68 00:03:58,901 --> 00:04:02,319 So you get that... I'm just resting my palm of my hand there: 69 00:04:02,319 --> 00:04:04,629 ♪ 70 00:04:10,490 --> 00:04:13,669 Ok, pattern 15 and 16 where I'm to now, 71 00:04:13,669 --> 00:04:15,937 I'm using a G barre chord 72 00:04:15,937 --> 00:04:18,325 An E-shape barre chord at the 3rd fret. 73 00:04:18,325 --> 00:04:19,825 Hopefully you know how to play that, 74 00:04:19,825 --> 00:04:24,585 now, all of the 6th string root patterns we've checked out so far, 75 00:04:24,585 --> 00:04:28,414 had the thumb bouncing between the 6th string and the 4th string. 76 00:04:28,414 --> 00:04:30,215 ♪ 77 00:04:34,985 --> 00:04:37,860 Now what we're doing for our Travis picking is, we're going: 78 00:04:37,860 --> 00:04:45,160 6th string, 4, 5, 4 6, 4, 5, 4 79 00:04:45,164 --> 00:04:47,647 So that's where it starts to get a bit more complicated. 80 00:04:47,647 --> 00:04:49,397 ♪ 81 00:04:55,027 --> 00:04:57,131 Again, you gonna have to just do these really slowly. 82 00:04:57,131 --> 00:04:59,905 It's still then same pattern with the rest of the fingers as we've been looking, 83 00:04:59,905 --> 00:05:04,147 as same as pattern 1 for the C chord, or pattern 3 for the G chord would've been 84 00:05:04,147 --> 00:05:09,337 having this 2nd finger on the beat and then the 1st finger on the end after 2 and then 85 00:05:09,338 --> 00:05:11,368 back to that finger; That pattern. 86 00:05:11,370 --> 00:05:12,890 ♪ 87 00:05:12,900 --> 00:05:14,870 That's the original pattern we would have had on the G. 88 00:05:14,873 --> 00:05:16,793 Then just try and break out that... 89 00:05:16,793 --> 00:05:21,289 the thumb, into moving over doing to the 5th string. 90 00:05:21,289 --> 00:05:23,839 I would highly recommend doing what I'm doing now. 91 00:05:23,839 --> 00:05:27,051 I've just...doing 6th, 4, 5, 4 92 00:05:27,051 --> 00:05:31,481 Just doing that quite a few times to get the thumb used to moving 93 00:05:31,481 --> 00:05:33,695 onto the 5th string. 94 00:05:33,696 --> 00:05:35,915 ♪ 95 00:05:35,915 --> 00:05:37,895 And then introduce those other notes. 96 00:05:37,895 --> 00:05:41,335 ♪ 97 00:05:41,342 --> 00:05:44,282 Again, really slowly and gradually build up the speed is what you want. 98 00:05:44,292 --> 00:05:49,372 Now, pattern 16: exactly the same as our pattern 4 was originally. 99 00:05:49,372 --> 00:05:51,953 There's pattern 4: ♪ 100 00:05:56,118 --> 00:05:58,797 And 16 now, we're now just again 101 00:05:58,797 --> 00:06:00,319 moving it onto our Travis picking 102 00:06:00,319 --> 00:06:03,729 ♪ 103 00:06:12,460 --> 00:06:14,937 I'm sure you're gonna have a whole lot of fun with your Travis picking, 104 00:06:14,937 --> 00:06:18,118 It is a little bit tricky and it takes a little bit of practice, but nearly all 105 00:06:18,118 --> 00:06:20,978 of the things that sound really cool require quite a bit of practice and 106 00:06:20,978 --> 00:06:25,323 this is one of them. I'm gonna show you a cool little country trick as well, 107 00:06:25,323 --> 00:06:27,006 that I think you might enjoy. 108 00:06:28,186 --> 00:06:30,296 I was really stoked when I discovered this thing. 109 00:06:31,371 --> 00:06:40,731 Hopefully you remember your C7 open chord. Right? If you move that C chord up 2 frets 110 00:06:40,731 --> 00:06:41,851 you're on a D chord. 111 00:06:41,859 --> 00:06:42,509 ♪ 112 00:06:44,673 --> 00:06:47,326 Now, if we use pattern 2: 113 00:06:47,326 --> 00:06:47,946 ♪ 114 00:06:50,382 --> 00:06:52,614 what I'm doing is moving my 3rd finger 115 00:06:53,724 --> 00:06:55,283 over to the 6th string. 116 00:06:55,283 --> 00:06:55,863 ♪ 117 00:06:57,893 --> 00:06:58,480 5th string: 118 00:06:58,480 --> 00:06:59,000 ♪ 119 00:06:59,000 --> 00:06:59,826 6th string: 120 00:06:59,826 --> 00:07:00,996 ♪ 121 00:07:03,851 --> 00:07:04,811 Sounds pretty cool. 122 00:07:04,813 --> 00:07:06,043 Now, you can do it with the Blues. 123 00:07:06,044 --> 00:07:13,444 Using D, G, back to D 124 00:07:13,444 --> 00:07:15,274 ♪ 125 00:07:20,624 --> 00:07:21,694 G 126 00:07:31,481 --> 00:07:32,741 It's a really fun little pattern. 127 00:07:33,049 --> 00:07:33,599 A 128 00:07:35,851 --> 00:07:36,591 G 129 00:07:40,187 --> 00:07:41,377 Back down to D 130 00:07:41,831 --> 00:07:42,981 ♪ 131 00:07:46,473 --> 00:07:49,242 And you can kind of develop this idea quite a lot. 132 00:07:49,242 --> 00:07:50,195 Hope you'll have fun with that, 133 00:07:50,195 --> 00:07:52,215 take care, and I'll see you for 134 00:07:52,225 --> 00:07:53,583 the last lesson in this series, 135 00:07:53,583 --> 00:07:57,174 which is adding in hammer-ons and flick-offs to our patterns. 136 00:07:57,174 --> 00:07:59,042 Just kind of tricky enough already. 137 00:07:59,042 --> 00:08:00,782 And now we're gonna b introducing some new stuff. 138 00:08:00,782 --> 00:08:03,104 So, I'm sure you're gonna enjoy that too. 139 00:08:03,106 --> 00:08:04,896 See you very soon, bye-bye!