0:00:05.342,0:00:07.148 Hi, how'ya doing, Justin here. 0:00:07.148,0:00:10.404 Welcome to this lesson on [br]basic Travis picking. 0:00:10.404,0:00:14.268 Now Travis picking gets it's name from[br]the great Merle Travis, 0:00:14.268,0:00:18.635 a country guitar picker and his[br]picking style was subsequently stolen 0:00:18.635,0:00:22.607 by anyone who played fingerstyle[br]accoustic guitar. It sounds really cool 0:00:22.617,0:00:24.520 and it's a great technique to learn. 0:00:24.520,0:00:28.640 Now it's basically a little bit more[br]complicated version of the thumb 0:00:28.640,0:00:32.066 moving around that we've looked at[br]previously, but in order to help your 0:00:32.066,0:00:35.206 development overall as well, we're now[br]going to be applying this to 0:00:35.206,0:00:38.856 some barre chords. To really make sure[br]that you got your barre chords good as well. 0:00:38.859,0:00:44.189 So, let's get to a close-up, we're gonna be[br]using a C, A-shape barre chord. 0:00:44.189,0:00:46.221 Which is (plays) this one,[br]you're gonna see it in the close-up 0:00:46.221,0:00:50.811 in a second; I'm gonna show you a close-up[br]first of all of the fretting hand and then 0:00:50.824,0:00:54.544 we'll go to the close-up of the picking [br]hand to see what all the fuss is about. 0:00:54.845,0:00:58.980 Ok, here we are for our C chord.[br]Now this is of course an A-shape 0:00:58.980,0:01:02.702 barre chord,-with the 1st finger on the[br]root note C,- at the 3rd fret, 0:01:02.702,0:01:06.558 you don't tuck your 2nd finger like that,[br]I'm just doing it to keep things nice and 0:01:06.558,0:01:12.108 simple for you to see. Now, what we want[br]to get used to the idea of here is the 1st 0:01:12.108,0:01:17.116 finger moving between the note C and the[br]note G. The pattern we're learning is this: 0:01:17.116,0:01:23.616 ♪ 0:01:23.623,0:01:26.777 So, just get use to the idea of this 1st[br]finger moving 0:01:26.777,0:01:34.551 ♪ 0:01:34.551,0:01:36.031 Let's check out the picking hand! 0:01:36.629,0:01:40.109 The big deal with this Travis picking is[br]the movement of the thumb. 0:01:40.109,0:01:44.008 And instead of just alternating between[br]two strings that we've had before 0:01:44.008,0:01:51.298 when we looked at our pattern, (♪)[br]our thumb is now gonna go: 0:01:51.298,0:01:56.221 5th string, 4th string, [br]6th string, 4th string. 0:01:56.221,0:01:59.708 ♪ 0:01:59.708,0:02:02.358 Which is why we had a look at the[br]1st finger moving over between the 0:02:02.364,0:02:04.684 5th string and the 6th string. 0:02:04.684,0:02:07.140 Now but don't use a barre, move[br]your 1st finger! 0:02:07.140,0:02:08.467 ♪ 0:02:08.467,0:02:13.278 So, the 1st pattern we're going to look at[br]is basically our very simple pattern 1: 0:02:13.278,0:02:15.948 ♪ 0:02:15.949,0:02:17.965 That was the original one, 0:02:17.965,0:02:19.293 but now we're gonna be going: 0:02:19.293,0:02:23.821 ♪ 0:02:23.821,0:02:26.801 Again, you'd gonna have to probably do [br]this very slowly, I really struggled 0:02:26.814,0:02:30.232 the first time I learned this, so I'd[br]expect you guys, to at least have a 0:02:30.232,0:02:31.754 bit of fun with it. Really slowly: 0:02:31.754,0:02:33.003 together: 0:02:33.003,0:02:39.143 Thumb, 1, thumb on the thickest string,[br]2nd finger, thumb back on the 4th string. 0:02:39.143,0:02:49.020 ♪ 0:02:49.020,0:02:52.289 If you're really struggling to hold your[br]barre chord down, and you see a barre chord, 0:02:52.289,0:02:54.685 just use our regular open A chord: 0:02:54.685,0:02:59.262 ♪ 0:02:59.262,0:03:02.162 you will get the kind of the bottom 2[br]string ringing out a little bit, 0:03:02.162,0:03:05.567 which sounds a bit funny to my ear,[br]but at least you can kind of get used to 0:03:05.574,0:03:08.916 the thumb movement there, that's what's[br]really important is,...getting this: 0:03:08.916,0:03:11.308 ♪ 0:03:11.308,0:03:15.075 you know, just practicing that is a really[br]good idea for this kind of pattern. 0:03:15.075,0:03:17.825 ♪ 0:03:17.825,0:03:20.025 Then introduce the other fingers. 0:03:20.025,0:03:23.521 ♪ 0:03:23.521,0:03:25.578 So that's pattern 13. 0:03:25.578,0:03:26.718 Pattern 14: 0:03:26.718,0:03:29.898 ♪ 0:03:29.898,0:03:32.315 Exactly like our pattern 2, 0:03:32.315,0:03:34.025 but with this new Travis Picking. 0:03:34.025,0:03:37.513 ♪ 0:03:37.513,0:03:41.293 And of course, you would then start to[br]merge 13 and 14 together. 0:03:41.295,0:03:43.035 ♪ 0:03:49.995,0:03:50.927 You can really hear... 0:03:50.927,0:03:52.077 ♪ 0:03:52.080,0:03:54.162 just sounds cool. 0:03:54.162,0:03:56.802 A lot of the times these guys have a [br]little bit of kinda mute on there as well. 0:03:56.805,0:03:58.901 ♪ 0:03:58.901,0:04:02.319 So you get that... I'm just resting my[br]palm of my hand there: 0:04:02.319,0:04:04.629 ♪ 0:04:10.490,0:04:13.669 Ok, pattern 15 and 16 where I'm to now, 0:04:13.669,0:04:15.937 I'm using a G barre chord 0:04:15.937,0:04:18.325 An E-shape barre chord at the 3rd fret. 0:04:18.325,0:04:19.825 Hopefully you know how to play that, 0:04:19.825,0:04:24.585 now, all of the 6th string root patterns[br]we've checked out so far, 0:04:24.585,0:04:28.414 had the thumb bouncing between[br]the 6th string and the 4th string. 0:04:28.414,0:04:30.215 ♪ 0:04:34.985,0:04:37.860 Now what we're doing for our[br]Travis picking is, we're going: 0:04:37.860,0:04:45.160 6th string, 4, 5, 4[br]6, 4, 5, 4 0:04:45.164,0:04:47.647 So that's where it starts[br]to get a bit more complicated. 0:04:47.647,0:04:49.397 ♪ 0:04:55.027,0:04:57.131 Again, you gonna have to just do these[br]really slowly. 0:04:57.131,0:04:59.905 It's still then same pattern with the rest[br]of the fingers as we've been looking, 0:04:59.905,0:05:04.147 as same as pattern 1 for the C chord, or[br]pattern 3 for the G chord would've been 0:05:04.147,0:05:09.337 having this 2nd finger on the beat and[br]then the 1st finger on the end after 2 and then 0:05:09.338,0:05:11.368 back to that finger; That pattern. 0:05:11.370,0:05:12.890 ♪ 0:05:12.900,0:05:14.870 That's the original pattern we would[br]have had on the G. 0:05:14.873,0:05:16.793 Then just try and break out that... 0:05:16.793,0:05:21.289 the thumb, into moving over doing[br]to the 5th string. 0:05:21.289,0:05:23.839 I would highly recommend doing[br]what I'm doing now. 0:05:23.839,0:05:27.051 I've just...doing 6th, 4, 5, 4 0:05:27.051,0:05:31.481 Just doing that quite a few times[br]to get the thumb used to moving 0:05:31.481,0:05:33.695 onto the 5th string. 0:05:33.696,0:05:35.915 ♪ 0:05:35.915,0:05:37.895 And then introduce those other notes. 0:05:37.895,0:05:41.335 ♪ 0:05:41.342,0:05:44.282 Again, really slowly and gradually[br]build up the speed is what you want. 0:05:44.292,0:05:49.372 Now, pattern 16: exactly the same as[br]our pattern 4 was originally. 0:05:49.372,0:05:51.953 There's pattern 4: ♪ 0:05:56.118,0:05:58.797 And 16 now, we're now just again 0:05:58.797,0:06:00.319 moving it onto our Travis picking 0:06:00.319,0:06:03.729 ♪ 0:06:12.460,0:06:14.937 I'm sure you're gonna have a whole[br]lot of fun with your Travis picking, 0:06:14.937,0:06:18.118 It is a little bit tricky and it takes a [br]little bit of practice, but nearly all 0:06:18.118,0:06:20.978 of the things that sound really cool[br]require quite a bit of practice and 0:06:20.978,0:06:25.323 this is one of them. I'm gonna show you[br]a cool little country trick as well, 0:06:25.323,0:06:27.006 that I think you might enjoy. 0:06:28.186,0:06:30.296 I was really stoked when I[br]discovered this thing. 0:06:31.371,0:06:40.731 Hopefully you remember your C7 open chord.[br]Right? If you move that C chord up 2 frets 0:06:40.731,0:06:41.851 you're on a D chord. 0:06:41.859,0:06:42.509 ♪ 0:06:44.673,0:06:47.326 Now, if we use pattern 2: 0:06:47.326,0:06:47.946 ♪ 0:06:50.382,0:06:52.614 what I'm doing is moving my 3rd finger 0:06:53.724,0:06:55.283 over to the 6th string. 0:06:55.283,0:06:55.863 ♪ 0:06:57.893,0:06:58.480 5th string: 0:06:58.480,0:06:59.000 ♪ 0:06:59.000,0:06:59.826 6th string: 0:06:59.826,0:07:00.996 ♪ 0:07:03.851,0:07:04.811 Sounds pretty cool. 0:07:04.813,0:07:06.043 Now, you can do it with the Blues. 0:07:06.044,0:07:13.444 Using D, G, back to D 0:07:13.444,0:07:15.274 ♪ 0:07:20.624,0:07:21.694 G 0:07:31.481,0:07:32.741 It's a really fun little pattern. 0:07:33.049,0:07:33.599 A 0:07:35.851,0:07:36.591 G 0:07:40.187,0:07:41.377 Back down to D 0:07:41.831,0:07:42.981 ♪ 0:07:46.473,0:07:49.242 And you can kind of develop this[br]idea quite a lot. 0:07:49.242,0:07:50.195 Hope you'll have fun with that, 0:07:50.195,0:07:52.215 take care, and I'll see you for 0:07:52.225,0:07:53.583 the last lesson in this series, 0:07:53.583,0:07:57.174 which is adding in hammer-ons[br]and flick-offs to our patterns. 0:07:57.174,0:07:59.042 Just kind of tricky enough already. 0:07:59.042,0:08:00.782 And now we're gonna b introducing[br]some new stuff. 0:08:00.782,0:08:03.104 So, I'm sure you're gonna enjoy that too. 0:08:03.106,0:08:04.896 See you very soon, bye-bye!