[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:05.42,0:00:07.08,Default,,0000,0000,0000,,Hi, how'ya doing, Justin here! Dialogue: 0,0:00:07.08,0:00:10.36,Default,,0000,0000,0000,,Welcome to this last lesson in the\NFolk Fingerstyle Module, Dialogue: 0,0:00:10.36,0:00:14.94,Default,,0000,0000,0000,,where we're gonna be learning how to add\Nhammer-ons and flick-offs into our patterns. Dialogue: 0,0:00:14.94,0:00:19.20,Default,,0000,0000,0000,,Now, this is quite tricky. The first time\NI learned it, I really struggled with it, Dialogue: 0,0:00:19.20,0:00:23.78,Default,,0000,0000,0000,,so, expect it to take a little bit of time\Nto learn, but if you are going to continue Dialogue: 0,0:00:23.78,0:00:27.42,Default,,0000,0000,0000,,your path into folk fingerstyle, and you're\Ngonna learn some James Taylor, or Dialogue: 0,0:00:27.42,0:00:31.74,Default,,0000,0000,0000,,Tommy Emmanuel, Andy Mckee, any of those\Nkinda complex guys, you're gonna need to Dialogue: 0,0:00:31.74,0:00:36.52,Default,,0000,0000,0000,,learn this technique. It's gonna take some\Npractice. What I'm gonna do in this lesson, Dialogue: 0,0:00:36.52,0:00:41.80,Default,,0000,0000,0000,,I've written out four patterns, which use\Nsome of the common kind of ideas and Dialogue: 0,0:00:41.80,0:00:44.91,Default,,0000,0000,0000,,I'm gonna take you through each one and\Nexplain what's going on. So, when you Dialogue: 0,0:00:44.91,0:00:49.16,Default,,0000,0000,0000,,come across them in the real world, you'll\Nunderstand how to go about practicing them Dialogue: 0,0:00:49.16,0:00:54.02,Default,,0000,0000,0000,,and the difficulties that you might face.\NIt's a lot of fun and you don't wanna Dialogue: 0,0:00:54.02,0:00:57.99,Default,,0000,0000,0000,,always have to pick every note that you're\Ngonna play. So, using hammer-ons and Dialogue: 0,0:00:57.99,0:01:01.68,Default,,0000,0000,0000,,flick-offs is very-very common. So, what\Nwe're gonna do is we're gonna have look\N Dialogue: 0,0:01:01.68,0:01:06.26,Default,,0000,0000,0000,,at the right hand and then the left hand\N(the fretting hand and then the picking hand) Dialogue: 0,0:01:06.26,0:01:10.66,Default,,0000,0000,0000,,for each one of the patterns and hopefully\Nyou'll get it, you'll sort them out and Dialogue: 0,0:01:10.66,0:01:14.04,Default,,0000,0000,0000,,you'll be able to incorporate these into\Nyour playing as well and of course, Dialogue: 0,0:01:14.04,0:01:17.15,Default,,0000,0000,0000,,remember, that once you've learned this, \Nyou might wanna think back to when you Dialogue: 0,0:01:17.15,0:01:21.13,Default,,0000,0000,0000,,made up your own patterns, and maybe \Nmake up some of your own patterns that Dialogue: 0,0:01:21.13,0:01:23.58,Default,,0000,0000,0000,,also use these hammer-ons\Nand flick-offs too. Dialogue: 0,0:01:23.58,0:01:26.96,Default,,0000,0000,0000,,So, let's get to a close-up and\Ncheck out pattern 17. Dialogue: 0,0:01:27.40,0:01:34.03,Default,,0000,0000,0000,,♪ Dialogue: 0,0:01:34.03,0:01:38.20,Default,,0000,0000,0000,,OK, that's the first pattern. Now, what\Nwhat we've starting-off here is with our Dialogue: 0,0:01:38.20,0:01:43.87,Default,,0000,0000,0000,,little finger on the 3rd fret\Nof the 2nd string. (♪) Dialogue: 0,0:01:43.87,0:01:48.87,Default,,0000,0000,0000,,And it's flicking-off onto the\N1st fret of the 2nd string. Dialogue: 0,0:01:48.87,0:01:52.36,Default,,0000,0000,0000,,♪ Dialogue: 0,0:01:52.36,0:01:57.19,Default,,0000,0000,0000,,Now, the trick here is, that it has to\Nflick-off exactly at the end. Dialogue: 0,0:01:57.19,0:02:06.28,Default,,0000,0000,0000,,1-and-2; and then we're playing\Nwith the thumb. So, 1-and-2-and-3 Dialogue: 0,0:02:06.28,0:02:10.44,Default,,0000,0000,0000,,Now this one, the part on beat 3,\Nwe've just played the open 2nd string, Dialogue: 0,0:02:10.44,0:02:15.66,Default,,0000,0000,0000,,lifting our 1st finger off, and we\Nhammer it down at exactly the same time as Dialogue: 0,0:02:15.67,0:02:23.83,Default,,0000,0000,0000,,our thumb plays on the 3rd beat.\NSo: 1, and, 2, and, 3 Dialogue: 0,0:02:23.83,0:02:26.27,Default,,0000,0000,0000,,And we're not playing that one.\NMake sure you recognize it, Dialogue: 0,0:02:26.27,0:02:33.51,Default,,0000,0000,0000,,that's a hammer-on. \N1, and, 2, and, 3, and, 4 Dialogue: 0,0:02:33.51,0:02:37.94,Default,,0000,0000,0000,,And now here: and-4\NSo you're flicking this off, Dialogue: 0,0:02:37.94,0:02:40.76,Default,,0000,0000,0000,,little finger's flicking off,\Nat exactly the same time Dialogue: 0,0:02:40.76,0:02:46.84,Default,,0000,0000,0000,,the thumb is playing the 4th string (♪) Dialogue: 0,0:02:46.84,0:02:48.79,Default,,0000,0000,0000,,Which feels really weird\Nwhen you start-off with;\N Dialogue: 0,0:02:48.79,0:02:50.100,Default,,0000,0000,0000,,this stuff's gonna feel awkward, you know. Dialogue: 0,0:02:50.100,0:02:54.07,Default,,0000,0000,0000,,but just do it like this slowly. \NReally slowly. Dialogue: 0,0:02:54.08,0:03:11.57,Default,,0000,0000,0000,,1-and-2-and-3-and-4\N1-and-2-and-3-and-4 Dialogue: 0,0:03:11.57,0:03:14.17,Default,,0000,0000,0000,,That's how you're gonna have to do it.\NJust real slow Dialogue: 0,0:03:14.17,0:03:23.70,Default,,0000,0000,0000,,♪ Dialogue: 0,0:03:35.68,0:03:39.51,Default,,0000,0000,0000,,Ok, I want you to see clearly now,\Nhow little this hand is doing Dialogue: 0,0:03:39.51,0:03:43.89,Default,,0000,0000,0000,,for that seemingly quite complicated\Npattern. Thumb and 2nd finger together, Dialogue: 0,0:03:45.37,0:03:53.44,Default,,0000,0000,0000,,flick-off, thumb, 2nd finger, thumb,\N3rd finger, thumb; and that's it! Dialogue: 0,0:03:53.44,0:03:54.41,Default,,0000,0000,0000,,So: ♪ Dialogue: 0,0:04:11.12,0:04:16.40,Default,,0000,0000,0000,,It's really part of the trick here\Nis getting the...resisting the urge Dialogue: 0,0:04:16.40,0:04:17.64,Default,,0000,0000,0000,,to go: ♪ Dialogue: 0,0:04:19.02,0:04:21.61,Default,,0000,0000,0000,,because your fingers gonna\Nnaturally wanna play it. Dialogue: 0,0:04:22.54,0:04:23.05,Default,,0000,0000,0000,,Flick. Dialogue: 0,0:04:25.53,0:04:28.41,Default,,0000,0000,0000,,And here: just the thumb. Dialogue: 0,0:04:29.85,0:04:33.55,Default,,0000,0000,0000,,And hammering the 1st finger down. Dialogue: 0,0:04:33.55,0:04:56.02,Default,,0000,0000,0000,,♪ Dialogue: 0,0:04:56.03,0:04:57.96,Default,,0000,0000,0000,,Ok, we've got a few interesting things\Ngoing on here: Dialogue: 0,0:04:57.96,0:04:59.61,Default,,0000,0000,0000,,♪ Dialogue: 0,0:04:59.61,0:05:02.20,Default,,0000,0000,0000,,Playing the thumb and the 2nd finger,\Nwe're now on the G chord of course, Dialogue: 0,0:05:02.20,0:05:06.99,Default,,0000,0000,0000,,we've moved from C to G;\Nflicking-off little finger to 1st finger Dialogue: 0,0:05:08.56,0:05:11.31,Default,,0000,0000,0000,,Thumb, playing the open Dialogue: 0,0:05:12.73,0:05:15.41,Default,,0000,0000,0000,,Now we've got thumb and\N2nd, or 1st finger-doesn't really matter Dialogue: 0,0:05:17.15,0:05:19.81,Default,,0000,0000,0000,,Flick-off, then: ♪ Dialogue: 0,0:05:19.81,0:05:22.96,Default,,0000,0000,0000,,We've got little finger going down,\Nso we're changing the bass note Dialogue: 0,0:05:22.96,0:05:28.66,Default,,0000,0000,0000,,instead of ♪\Nwe're now going 1-and-2-3-4 Dialogue: 0,0:05:28.66,0:05:31.30,Default,,0000,0000,0000,,We're adding this F note in there.\NIt makes it like a G7 Dialogue: 0,0:05:31.30,0:05:35.59,Default,,0000,0000,0000,,♪ Dialogue: 0,0:05:35.59,0:05:39.94,Default,,0000,0000,0000,,So, it'll be thumb, playing that note\Nthere, the F, 3rd fret of the 4th string, Dialogue: 0,0:05:39.94,0:05:52.62,Default,,0000,0000,0000,,♪ Dialogue: 0,0:05:52.62,0:05:55.13,Default,,0000,0000,0000,,It's just a really cool little pattern\NI want you to see the idea, that Dialogue: 0,0:05:55.13,0:05:57.05,Default,,0000,0000,0000,,sometimes the bass notes can change. Dialogue: 0,0:05:57.05,0:06:02.36,Default,,0000,0000,0000,,As well as incorporating your flick-offs\Nand hammer-ons as well. Dialogue: 0,0:06:02.36,0:06:06.74,Default,,0000,0000,0000,,♪ Dialogue: 0,0:06:06.74,0:06:09.29,Default,,0000,0000,0000,,Ok, let's check-out the picking hand. Dialogue: 0,0:06:10.27,0:06:14.89,Default,,0000,0000,0000,,Ok, so we're starting here with our\N2nd finger, and the bass note being played Dialogue: 0,0:06:14.89,0:06:24.45,Default,,0000,0000,0000,,flicking-off, thumb, 2nd finger, thumb\Nand 1st finger, flick-off, thumb, 1st Dialogue: 0,0:06:24.46,0:06:55.20,Default,,0000,0000,0000,,♪ Dialogue: 0,0:06:55.20,0:06:57.86,Default,,0000,0000,0000,,OK, this is pattern 19.\NThis is a fun one, because we're Dialogue: 0,0:06:57.86,0:07:04.13,Default,,0000,0000,0000,,now using our travis picking;\N5th string, 4th string, 6th string, 4th string, Dialogue: 0,0:07:04.13,0:07:08.77,Default,,0000,0000,0000,,So, on our C: ♪ Dialogue: 0,0:07:08.77,0:07:12.06,Default,,0000,0000,0000,,When we're doing it in open position,\Nmake sure, use your 3rd finger to move over. Dialogue: 0,0:07:12.06,0:07:13.13,Default,,0000,0000,0000,,Don't: ♪ Dialogue: 0,0:07:14.31,0:07:17.06,Default,,0000,0000,0000,,Of course there's enough fingers to\Nhold all of the strings down, but then Dialogue: 0,0:07:17.06,0:07:19.75,Default,,0000,0000,0000,,♪ Dialogue: 0,0:07:19.75,0:07:21.08,Default,,0000,0000,0000,,It all just flows together. Dialogue: 0,0:07:22.26,0:07:25.21,Default,,0000,0000,0000,,You want that kind of definition that\Nmoving the finger gives you. Dialogue: 0,0:07:26.81,0:07:28.75,Default,,0000,0000,0000,,And we're adding in the\Nhammer-ons and flick-offs. Dialogue: 0,0:07:28.76,0:07:34.80,Default,,0000,0000,0000,,♪ Dialogue: 0,0:07:34.80,0:07:39.35,Default,,0000,0000,0000,,So, here hammer your little finger\Nin the 2nd string 3rd fret Dialogue: 0,0:07:39.35,0:07:40.56,Default,,0000,0000,0000,,♪ Dialogue: 0,0:07:40.56,0:07:47.32,Default,,0000,0000,0000,,Bass, open, bass, 3rd finger playing\Nthe 3rd fret of the thinnest string Dialogue: 0,0:07:47.32,0:07:52.90,Default,,0000,0000,0000,,and then that's gonna flick-off at exactly\Nthe same time as you pluck the 4th string. Dialogue: 0,0:07:52.90,0:07:55.00,Default,,0000,0000,0000,,That was really hard to do slow, \Nbut anyway:)\N Dialogue: 0,0:07:55.00,0:08:14.34,Default,,0000,0000,0000,,♪ Dialogue: 0,0:08:14.34,0:08:16.11,Default,,0000,0000,0000,,Thumb and 2nd finger start-off here. Dialogue: 0,0:08:17.10,0:08:20.62,Default,,0000,0000,0000,,With a hammer-on, thumb, 3rd finger, Dialogue: 0,0:08:20.62,0:08:28.63,Default,,0000,0000,0000,,thumb on the thickest string, 3rd finger\Nplaying the thinnest string and then the flick-off Dialogue: 0,0:08:28.63,0:08:30.88,Default,,0000,0000,0000,,happening at exactly the same time\Nas the thumb- Dialogue: 0,0:08:30.88,0:08:46.39,Default,,0000,0000,0000,,♪ Dialogue: 0,0:08:46.39,0:08:50.45,Default,,0000,0000,0000,,Really think when you've got the flick-off\Ntry and connect the moving of your thumb Dialogue: 0,0:08:51.83,0:08:56.53,Default,,0000,0000,0000,,with the flick-off; so it's almost like\Nit becomes one movement. Dialogue: 0,0:08:56.53,0:08:57.71,Default,,0000,0000,0000,,♪ Dialogue: 0,0:08:57.71,0:08:59.39,Default,,0000,0000,0000,,'Cause thumb's just playing that one note.\N Dialogue: 0,0:09:00.50,0:09:02.40,Default,,0000,0000,0000,,But you have to connect\Nthe thumb with that\N Dialogue: 0,0:09:02.40,0:09:04.24,Default,,0000,0000,0000,,flick-off movement, \N'cause if the flick-off comes Dialogue: 0,0:09:04.24,0:09:06.64,Default,,0000,0000,0000,,too early, or too late,\Nit'll just sound wrong. Dialogue: 0,0:09:06.64,0:09:08.44,Default,,0000,0000,0000,,Ok, and pattern number 20 Dialogue: 0,0:09:08.44,0:09:17.44,Default,,0000,0000,0000,,♪ Dialogue: 0,0:09:17.44,0:09:19.91,Default,,0000,0000,0000,,We've got here we're on G; Dialogue: 0,0:09:19.91,0:09:24.08,Default,,0000,0000,0000,,Pick, flick-off the 1st finger from\Nthe 1st fret to the open Dialogue: 0,0:09:24.08,0:09:26.05,Default,,0000,0000,0000,,♪ Dialogue: 0,0:09:26.05,0:09:31.05,Default,,0000,0000,0000,,then 1st finger, open, 2nd finger, open. Dialogue: 0,0:09:31.05,0:09:47.13,Default,,0000,0000,0000,,♪ Dialogue: 0,0:09:47.13,0:09:48.47,Default,,0000,0000,0000,,Works nice kind of to see that one. Dialogue: 0,0:09:48.47,0:09:52.27,Default,,0000,0000,0000,,♪ Dialogue: 0,0:09:52.27,0:09:53.20,Default,,0000,0000,0000,,Let's look at the picking hand. Dialogue: 0,0:09:54.16,0:10:00.01,Default,,0000,0000,0000,,♪ Dialogue: 0,0:10:00.01,0:10:06.19,Default,,0000,0000,0000,,Starting with thumb on the thickest string,-\Nwe're on a G chord of course,- 3rd finger, Dialogue: 0,0:10:06.19,0:10:13.07,Default,,0000,0000,0000,,playing the thinnest string, flick-off,\Nthumb, 2nd finger, then thumb and 2nd, Dialogue: 0,0:10:13.07,0:10:16.52,Default,,0000,0000,0000,,flick-off, thumb and 1st, flick-off. Dialogue: 0,0:10:16.52,0:10:35.74,Default,,0000,0000,0000,,♪ Dialogue: 0,0:10:35.74,0:10:39.14,Default,,0000,0000,0000,,Incorporating your hammer-ons and\Nflick-offs into your fingerstyle patterns Dialogue: 0,0:10:39.14,0:10:42.99,Default,,0000,0000,0000,,is most likely gonna be difficult and require\Nquite a few hours of practice. Dialogue: 0,0:10:42.99,0:10:45.27,Default,,0000,0000,0000,,I do think it's worth it\Nand you'll find that Dialogue: 0,0:10:45.27,0:10:48.93,Default,,0000,0000,0000,,all of the great fingerpickers\Nuse this technique. Dialogue: 0,0:10:48.93,0:10:52.98,Default,,0000,0000,0000,,The thing that you probably wanna do now\Nis go back and try and make up some of Dialogue: 0,0:10:52.98,0:10:57.71,Default,,0000,0000,0000,,your own patterns that use it. That's\Nprobably the best way to go about it now. Dialogue: 0,0:10:57.71,0:11:01.46,Default,,0000,0000,0000,,Either that, or have a go at learning some\NJames Taylor, or Tommy Emmanuel, or Dialogue: 0,0:11:01.48,0:11:03.04,Default,,0000,0000,0000,,one of the great fingerpickers;. Dialogue: 0,0:11:03.04,0:11:05.50,Default,,0000,0000,0000,,Chet Atkins maybe,\Nor Merle Travis and see, Dialogue: 0,0:11:05.50,0:11:09.71,Default,,0000,0000,0000,,if you can actually work out their tunes\Nand see the way they're using it Dialogue: 0,0:11:09.71,0:11:14.20,Default,,0000,0000,0000,,and putting it into practice. Those that've\Nbought the DVD version of this series Dialogue: 0,0:11:14.20,0:11:17.54,Default,,0000,0000,0000,,will have the bonus material, where\NI'm gonna do some actual songs Dialogue: 0,0:11:17.55,0:11:20.89,Default,,0000,0000,0000,,and incorporate all of the ideas that\Nwe've done in this course, so Dialogue: 0,0:11:20.90,0:11:24.81,Default,,0000,0000,0000,,some of you are probably gonna be\Nchecking that out now, which is good for me Dialogue: 0,0:11:24.81,0:11:29.60,Default,,0000,0000,0000,,and good for you, buying the DVD really\Nhelps support all of the free stuff, so Dialogue: 0,0:11:29.61,0:11:33.31,Default,,0000,0000,0000,,if you've enjoyed this, you wanna\Ncheck out the bonus material and Dialogue: 0,0:11:33.31,0:11:37.68,Default,,0000,0000,0000,,go and pick up the DVD off the website and\Ncheck out the extras, I'm sure you'll dig'em. Dialogue: 0,0:11:37.68,0:11:40.26,Default,,0000,0000,0000,,Hope you've enjoyed the course, \Ntake care of yourselves and Dialogue: 0,0:11:40.26,0:11:45.38,Default,,0000,0000,0000,,I'll see you for much more guitar lessons,\Nlicks, riffs, tricks, songs and all that stuff Dialogue: 0,0:11:45.38,0:11:49.72,Default,,0000,0000,0000,,I can't speak now, my mouth has gone dry\NI've been doing all that,-I've actually done Dialogue: 0,0:11:49.72,0:11:54.43,Default,,0000,0000,0000,,nearly all of these lessons in\None run-through,- and just a funny little Dialogue: 0,0:11:54.43,0:11:59.18,Default,,0000,0000,0000,,insider thing, doing this last little intro\Nhas taken about 5000 gazillion takes, Dialogue: 0,0:11:59.18,0:12:03.60,Default,,0000,0000,0000,,which I find funny, 'cause most of the\Nrest of it's been plain sailing, like 1, or 2 goes Dialogue: 0,0:12:03.60,0:12:06.62,Default,,0000,0000,0000,,on all of these and they've just\Nsailed through. Dialogue: 0,0:12:06.62,0:12:10.06,Default,,0000,0000,0000,,Ridiculous how life works sometomes\Nanyway. Take care of yourselves, Dialogue: 0,0:12:10.06,0:12:14.80,Default,,0000,0000,0000,,have a lovely time with these fingerstyle patterns\Nand I'll see you for much more very soon. Dialogue: 0,0:12:14.80,0:12:15.83,Default,,0000,0000,0000,,Take care, bye-bye!