1 00:00:05,056 --> 00:00:06,256 Hi, how are you doing? 2 00:00:06,256 --> 00:00:08,426 Justin is here with quick tip for you, 3 00:00:08,426 --> 00:00:10,956 and today: put on someone else's shoes, 4 00:00:10,956 --> 00:00:12,896 I don't mean literally putting. 5 00:00:12,896 --> 00:00:13,576 Somebody else's shoes on. 6 00:00:13,576 --> 00:00:14,706 That would be a little bit weird! 7 00:00:14,726 --> 00:00:15,946 What I'm talking about here is: 8 00:00:15,946 --> 00:00:18,226 getting a different perspective on things. 9 00:00:18,226 --> 00:00:20,316 Now this links back to the idea that I 10 00:00:20,316 --> 00:00:23,226 talked previously about recording yourself 11 00:00:23,226 --> 00:00:25,366 Especially when you're recording yourself. 12 00:00:25,366 --> 00:00:27,186 Sometimes it can be difficult 13 00:00:27,186 --> 00:00:28,406 to be objective. 14 00:00:28,406 --> 00:00:30,476 Songwriters have it a lot, you know, 15 00:00:30,476 --> 00:00:32,226 you've written a tune and you're 16 00:00:32,226 --> 00:00:33,256 listening back to it, and you're trying 17 00:00:33,256 --> 00:00:35,626 to figure it out if it's good or not. 18 00:00:35,626 --> 00:00:38,156 There's lots of instances; whether you like 19 00:00:38,156 --> 00:00:40,226 a particular solo, a song, 20 00:00:40,226 --> 00:00:43,326 a bridge, the melody, the sound. 21 00:00:43,326 --> 00:00:45,316 One of the things I find really helpful 22 00:00:45,316 --> 00:00:46,276 I do all the time is 23 00:00:46,276 --> 00:00:47,856 put on somebody's else's shoes, 24 00:00:47,856 --> 00:00:50,096 or more particularly, close to the point, 25 00:00:50,096 --> 00:00:52,426 putting on somebody's else's ears. 26 00:00:52,426 --> 00:00:54,176 So if I'm doing a mix, say, 27 00:00:54,176 --> 00:00:57,346 I imagine myself a good buddy, Reese, 28 00:00:57,346 --> 00:00:59,446 who always used to pull up an amazing mix. 29 00:00:59,446 --> 00:01:00,879 When I'm mixing a song, 30 00:01:00,879 --> 00:01:02,929 after I've done what I think it is, 31 00:01:02,929 --> 00:01:04,529 I'll sit there and go, 32 00:01:04,529 --> 00:01:06,279 "Now what would Reese say?" 33 00:01:06,279 --> 00:01:08,809 I'm trying to listen with his ears, 34 00:01:08,809 --> 00:01:10,389 and I'll go, "He's going to say 35 00:01:10,389 --> 00:01:11,649 that the kick drum's too loud, 36 00:01:11,649 --> 00:01:13,539 or there's not enough sizzle in the hats, 37 00:01:13,539 --> 00:01:14,879 or the guitar's too loud, 38 00:01:14,879 --> 00:01:16,889 or the vocal needs to come up. 39 00:01:16,889 --> 00:01:19,619 By imagining myself being somebody else, 40 00:01:19,619 --> 00:01:21,249 it changes stuff. 41 00:01:21,249 --> 00:01:24,069 It's a really effective tool, 42 00:01:24,069 --> 00:01:27,409 and it's a very odd one. 43 00:01:27,409 --> 00:01:30,129 I found it on a prev record I was doing, 44 00:01:30,129 --> 00:01:31,789 I was working with a producer 45 00:01:31,789 --> 00:01:33,209 who used to call guitar solos 46 00:01:33,209 --> 00:01:36,369 with too many notes "Ernie", 47 00:01:36,369 --> 00:01:38,769 maybe there was too much "Ernie" involved. 48 00:01:38,769 --> 00:01:39,809 So that's something I still use 49 00:01:39,809 --> 00:01:43,099 if I'm recording a guitar solo 50 00:01:43,099 --> 00:01:45,429 for myself or someone else's record, 51 00:01:45,429 --> 00:01:47,509 I'm listening back to it and I'm thinking, 52 00:01:47,509 --> 00:01:49,509 now is there too much "Ernie" in it, 53 00:01:49,509 --> 00:01:51,539 is there too much little widdly bits, 54 00:01:51,539 --> 00:01:52,419 or is it okay? 55 00:01:52,419 --> 00:01:54,299 Because you get attached to stuff, 56 00:01:54,299 --> 00:01:55,729 as a guitar player, I'm like, 57 00:01:55,729 --> 00:01:57,989 that's a really awesome lick, 58 00:01:57,989 --> 00:01:59,589 but you gotta think of it from 59 00:01:59,589 --> 00:02:00,769 the song perspective. 60 00:02:00,769 --> 00:02:02,469 Is that lick fitting the song? 61 00:02:02,469 --> 00:02:03,579 No matter how cool it is, 62 00:02:03,579 --> 00:02:06,519 if it's in the wrong song, it's not cool anymore. 63 00:02:06,519 --> 00:02:10,049 By stepping back out from myself, 64 00:02:10,049 --> 00:02:12,109 and trying to be objective with what I'm doing, 65 00:02:12,109 --> 00:02:13,799 I'm going, okay, is that really 66 00:02:13,799 --> 00:02:15,079 the right thing there? 67 00:02:15,079 --> 00:02:18,079 Is that right or should I change it? 68 00:02:18,079 --> 00:02:22,019 What would Thessa say, with "Ernie"? 69 00:02:22,019 --> 00:02:25,329 For songwriting, it's something I do all the time. 70 00:02:25,329 --> 00:02:26,829 When I'm writing a tune, 71 00:02:26,829 --> 00:02:27,674 and I've recorded it, 72 00:02:27,674 --> 00:02:28,769 I listen back to it, 73 00:02:28,769 --> 00:02:29,839 and I start listening back to it 74 00:02:29,839 --> 00:02:31,189 as if I was other people, 75 00:02:31,189 --> 00:02:33,069 depending on what kind of tune it is, 76 00:02:33,069 --> 00:02:34,599 or how I'm feeling, 77 00:02:34,599 --> 00:02:36,629 or who I'm respecting at the time. 78 00:02:36,629 --> 00:02:38,629 I'm always trying to pick people 79 00:02:38,629 --> 00:02:41,449 that I really respect and whose ears I admire, 80 00:02:41,449 --> 00:02:45,329 and go, well, is that bridge really good enough? 81 00:02:45,329 --> 00:02:46,739 Is it linking in okay? 82 00:02:46,739 --> 00:02:48,659 And I'll be going, well, it is and it isn't, 83 00:02:48,659 --> 00:02:50,709 and of course because I created it, 84 00:02:50,709 --> 00:02:52,669 I'm already attached to it emotionally. 85 00:02:52,669 --> 00:02:55,049 Stepping back and going, okay, 86 00:02:55,049 --> 00:02:57,269 what would James Taylor be thinking, 87 00:02:57,269 --> 00:02:58,539 if he was doing that? 88 00:02:58,539 --> 00:03:01,549 Do you think it would work for him? 89 00:03:01,549 --> 00:03:03,929 Trying to step back away from the things, 90 00:03:03,929 --> 00:03:06,369 it really increases your perspective, 91 00:03:06,369 --> 00:03:07,799 because as musicians, 92 00:03:07,799 --> 00:03:10,679 we get attached to stuff. 93 00:03:11,479 --> 00:03:12,449 I always feel bad 94 00:03:12,449 --> 00:03:14,229 if I'm critiquing somebody's song, 95 00:03:14,229 --> 00:03:16,739 because it's like calling their kid ugly. 96 00:03:16,739 --> 00:03:18,799 No matter how ugly your kids are, 97 00:03:18,799 --> 00:03:20,649 you don't want hear that they're ugly. 98 00:03:20,649 --> 00:03:21,939 They're still beautiful to you, 99 00:03:21,939 --> 00:03:23,909 and it's the same with writing a song. 100 00:03:23,909 --> 00:03:25,379 You're attached to it. 101 00:03:25,379 --> 00:03:26,979 You don't want to hear from somebody 102 00:03:26,979 --> 00:03:28,219 that your song is no good. 103 00:03:28,219 --> 00:03:30,799 So rather than try to embarrass somebody 104 00:03:30,799 --> 00:03:32,239 by asking them for a critique, 105 00:03:32,239 --> 00:03:34,499 you can try and be the critic yourself, 106 00:03:34,499 --> 00:03:36,399 and go, let's get really honest here, 107 00:03:36,399 --> 00:03:38,229 and if I was playing it to this guy, 108 00:03:38,229 --> 00:03:39,759 what would they say? 109 00:03:39,759 --> 00:03:42,479 What would they hear that I'm not hearing? 110 00:03:42,479 --> 00:03:44,709 Is it good enough, really, you know? 111 00:03:44,709 --> 00:03:46,999 This is a really, really cool technique. 112 00:03:46,999 --> 00:03:50,859 I've been using it for 10 or 15 years. 113 00:03:50,859 --> 00:03:52,849 I've been trying to step out 114 00:03:52,849 --> 00:03:54,829 from my own perspective to listen. 115 00:03:54,829 --> 00:03:56,659 It nearly always fixes stuff, 116 00:03:56,659 --> 00:03:58,979 even things that I wouldn't have noticed, 117 00:03:58,979 --> 00:04:02,369 stuff that, maybe because I've played it 118 00:04:02,369 --> 00:04:03,559 and I'm involved, or maybe 119 00:04:03,559 --> 00:04:04,859 I just wouldn't have thought of it, 120 00:04:04,859 --> 00:04:07,269 until I step into that other mode. 121 00:04:07,469 --> 00:04:09,059 Well, I hope this little quick tip 122 00:04:09,059 --> 00:04:10,999 increases your persepective on music. 123 00:04:10,999 --> 00:04:13,026 It's a really cool idea, do give it a try. 124 00:04:13,026 --> 00:04:15,046 I'll see you for plenty more lessons, 125 00:04:15,046 --> 00:04:16,516 and quick tips, and songs, 126 00:04:16,516 --> 00:04:17,826 and all kinds of stuff very soon. 127 00:04:17,826 --> 00:04:19,766 Take care of yourselves, bye bye.