[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:05.40,0:00:07.16,Default,,0000,0000,0000,,Hi, how'ya doing, Justin here!
Dialogue: 0,0:00:07.16,0:00:10.05,Default,,0000,0000,0000,,Welcome to\NMinor Chord Scale Relations!
Dialogue: 0,0:00:10.05,0:00:13.29,Default,,0000,0000,0000,,And in this lesson we're going to be\Nlooking at the relationship of the
Dialogue: 0,0:00:13.30,0:00:19.43,Default,,0000,0000,0000,,C maj scale to the chords A min, E min\Nand D min; which are the 3 chords
Dialogue: 0,0:00:19.43,0:00:24.15,Default,,0000,0000,0000,,in the key of C. We're gonna look at it\Nexactly the same way as we looked at
Dialogue: 0,0:00:24.15,0:00:26.59,Default,,0000,0000,0000,,the major chords in the C Major scale,\N
Dialogue: 0,0:00:26.59,0:00:29.11,Default,,0000,0000,0000,,So, let's get to a close-up and\Ncheck out how to do this.
Dialogue: 0,0:00:29.96,0:00:34.07,Default,,0000,0000,0000,,So, just very quickly, we're gonna revise\Nthe C major scale, so we have this:
Dialogue: 0,0:00:34.07,0:00:47.57,Default,,0000,0000,0000,,G, F, E, D, C, B, A, G, F, E, D,\NC, B, A, G, F and E.
Dialogue: 0,0:00:47.57,0:00:51.02,Default,,0000,0000,0000,,♪
Dialogue: 0,0:00:51.02,0:00:56.20,Default,,0000,0000,0000,,So, the chords that we're\Nlooking at today: the 1st one is Am (♪)
Dialogue: 0,0:00:56.20,0:00:59.58,Default,,0000,0000,0000,,And now we're looking at how to play\Nthat scale kind of based around
Dialogue: 0,0:00:59.58,0:01:06.08,Default,,0000,0000,0000,,our Am chord. So we have here: G (♪)\N- just with the little finger, nice, easy one (♪)
Dialogue: 0,0:01:06.08,0:01:11.61,Default,,0000,0000,0000,,to get the F note, our 1st finger\Nhas to just lay over (♪)
Dialogue: 0,0:01:11.61,0:01:14.45,Default,,0000,0000,0000,,and then back to normal for our E note.
Dialogue: 0,0:01:14.45,0:01:18.89,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:18.89,0:01:22.90,Default,,0000,0000,0000,,On the 2nd string, little finger\Njust goes down on the 3rd fret
Dialogue: 0,0:01:22.90,0:01:29.65,Default,,0000,0000,0000,,to get our D note, lifts off to regular\Nfor our C note and 1st finger lifts off
Dialogue: 0,0:01:29.65,0:01:39.92,Default,,0000,0000,0000,,to get the note B (♪). Next string: we just\Nplay the regular note for A, lift it off for G.
Dialogue: 0,0:01:39.92,0:01:44.05,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:44.05,0:01:46.86,Default,,0000,0000,0000,,Now, we don't tend to use\Nthese other ones as much, but we've
Dialogue: 0,0:01:46.86,0:01:52.22,Default,,0000,0000,0000,,also got F, E, D. We can't really play\Nthe C there, because it interrupts with
Dialogue: 0,0:01:52.22,0:02:00.42,Default,,0000,0000,0000,,the A root note, so: ♪\NThat's generally all of the ones we play.
Dialogue: 0,0:02:00.42,0:02:04.60,Default,,0000,0000,0000,,We don't tend to play those: ♪\NWell, that's worth knowing to...
Dialogue: 0,0:02:04.60,0:02:09.58,Default,,0000,0000,0000,,you might wanna do a little run-down like\Nthat sometime: ♪. It sounds kind of funky.
Dialogue: 0,0:02:09.58,0:02:15.05,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:15.05,0:02:16.81,Default,,0000,0000,0000,,Just explore it. Just like I'm doing now:\N
Dialogue: 0,0:02:16.81,0:02:27.16,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:27.16,0:02:31.39,Default,,0000,0000,0000,,And see the way that the scale and the\NAm chord kinda lock together.
Dialogue: 0,0:02:31.39,0:02:37.84,Default,,0000,0000,0000,,So, the 2nd chord that we're looking at\Ntoday is E minor: (♪). Now, generally, for this
Dialogue: 0,0:02:37.84,0:02:41.26,Default,,0000,0000,0000,,particular one you wanna be using be your\N2nd and 3rd fingers, but there's
Dialogue: 0,0:02:41.26,0:02:45.40,Default,,0000,0000,0000,,other options, as you know with the\NE minor chord, you can play it with any
Dialogue: 0,0:02:45.40,0:02:49.33,Default,,0000,0000,0000,,2, kinda consecutive fingers and you're\Ngonna be fine. But because our melody:
Dialogue: 0,0:02:49.33,0:02:56.84,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:56.84,0:03:02.11,Default,,0000,0000,0000,,is here, it makes sense to use the\Nmiddle two fingers. So, of course,
Dialogue: 0,0:03:02.11,0:03:07.08,Default,,0000,0000,0000,,little finger, 1st finger, open,\Nlittle finger, 1st finger, open,
Dialogue: 0,0:03:07.09,0:03:11.90,Default,,0000,0000,0000,,little finger on the A, open,\Nlittle finger, if you're gonna go this far
Dialogue: 0,0:03:11.90,0:03:19.52,Default,,0000,0000,0000,,on the F, E, lift it off for D, put it\Nback on for C, lift it off for B, open.
Dialogue: 0,0:03:19.52,0:03:20.87,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:20.87,0:03:23.39,Default,,0000,0000,0000,,Don't tend to: (♪)\NAlthough of course: (♪)
Dialogue: 0,0:03:23.39,0:03:24.32,Default,,0000,0000,0000,,just like the A minor:
Dialogue: 0,0:03:24.32,0:03:46.92,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:46.92,0:03:49.74,Default,,0000,0000,0000,,Just have a bit of an experiment.\NThat's all I'm asking you to do,
Dialogue: 0,0:03:49.74,0:03:59.42,Default,,0000,0000,0000,,is to play around with the relationship (♪)\Nbetween this scale and the chord of Em
Dialogue: 0,0:03:59.42,0:04:03.68,Default,,0000,0000,0000,,Now, there's one more minor chord\Nto look at, it's the D minor
Dialogue: 0,0:04:03.68,0:04:06.70,Default,,0000,0000,0000,,Now, D minor in open position with the\NC major scale's a little bit awkward,
Dialogue: 0,0:04:06.70,0:04:14.08,Default,,0000,0000,0000,,because it's only using the thinnest\N4 strings, anyway. So, we can get (♪)
Dialogue: 0,0:04:14.08,0:04:14.99,Default,,0000,0000,0000,,We've got that much.
Dialogue: 0,0:04:14.99,0:04:18.89,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:18.89,0:04:26.56,Default,,0000,0000,0000,,But we don't tend to use...'cos it uses...\NHas to require some kind of pretty weird
Dialogue: 0,0:04:26.56,0:04:29.55,Default,,0000,0000,0000,,stretching things to get there.\NSo, generally, you'd wanna do
Dialogue: 0,0:04:29.56,0:04:35.45,Default,,0000,0000,0000,,D min using your 1st, 2nd and 3rd fingers,\Nlittle finger down for the note G, off for F,
Dialogue: 0,0:04:35.45,0:04:40.26,Default,,0000,0000,0000,,1st finger off to get to the E.\NOn the 2nd string: we've already got
Dialogue: 0,0:04:40.27,0:04:43.93,Default,,0000,0000,0000,,the note D, 1st finger on the C,\Nopen for the B.
Dialogue: 0,0:04:43.94,0:04:48.17,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:48.17,0:04:49.25,Default,,0000,0000,0000,,And then, we've got that:
Dialogue: 0,0:04:49.25,0:04:57.31,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:57.31,0:04:59.74,Default,,0000,0000,0000,,I'll be honest, I tend to avoid this chord\Nbecause there's no...
Dialogue: 0,0:04:59.74,0:05:00.68,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:00.68,0:05:02.38,Default,,0000,0000,0000,,Unless I'm just doing those kind of simple\N
Dialogue: 0,0:05:02.38,0:05:09.07,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:09.07,0:05:12.13,Default,,0000,0000,0000,,There's, you know, there's different ways\Nof playing the melodies there, but
Dialogue: 0,0:05:12.13,0:05:13.06,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:13.06,0:05:16.70,Default,,0000,0000,0000,,there's not that many as there are for\Nthe other chords.
Dialogue: 0,0:05:18.10,0:05:22.41,Default,,0000,0000,0000,,There we have the chord-scale relationships\Nbetween the C major scale,
Dialogue: 0,0:05:22.41,0:05:28.06,Default,,0000,0000,0000,,our Am, Em and Dmin chords. Like I've\Nmentioned before, really what I want you
Dialogue: 0,0:05:28.06,0:05:31.44,Default,,0000,0000,0000,,to do, is just experiment a little bit.\NSee the way that the scale
Dialogue: 0,0:05:31.44,0:05:34.59,Default,,0000,0000,0000,,fits with the chord shapes.\NThat's really important to be
Dialogue: 0,0:05:34.59,0:05:39.13,Default,,0000,0000,0000,,able to understand this idea; there's a lot of,\Nlot of ground that this covers.
Dialogue: 0,0:05:39.13,0:05:43.02,Default,,0000,0000,0000,,When you understand the relationship\Nbetween the chords and the scales and\N
Dialogue: 0,0:05:43.02,0:05:46.65,Default,,0000,0000,0000,,the way you can put it together, you get\Nall sorts of interesting chords, you get
Dialogue: 0,0:05:46.65,0:05:50.10,Default,,0000,0000,0000,,the ability to play melody, there's all\Nsorts of things that this kinda leads to.
Dialogue: 0,0:05:50.10,0:05:53.78,Default,,0000,0000,0000,,We're gonna be exploring some of that.\NBut this is one of those lessons that
Dialogue: 0,0:05:53.79,0:05:56.98,Default,,0000,0000,0000,,for the future of your guitar playing is\Ngonna really make a difference. Even if
Dialogue: 0,0:05:56.98,0:06:01.49,Default,,0000,0000,0000,,it doesn't seem to be right now. This is a\Nbiggin. There's a lot of interesting stuff
Dialogue: 0,0:06:01.49,0:06:06.07,Default,,0000,0000,0000,,going on here, so do spend a bit of time\Nwith it and I'm sure you'll gonna enjoy
Dialogue: 0,0:06:06.07,0:06:08.90,Default,,0000,0000,0000,,the next lesson, where we're\Ngoing to learn how to put all of these
Dialogue: 0,0:06:08.90,0:06:14.27,Default,,0000,0000,0000,,major and minor chord scale relationships\Nalong with our folk fingerstyle patterns,
Dialogue: 0,0:06:14.27,0:06:17.22,Default,,0000,0000,0000,,to play the Australien classic song:\NWaltzing Matilda.
Dialogue: 0,0:06:17.22,0:06:20.15,Default,,0000,0000,0000,,And I'll see you for that very soon.\NTake care of yourselves, bye-bye!