WEBVTT 00:00:11.157 --> 00:00:12.330 Hello groovers, 00:00:12.896 --> 00:00:15.675 here we are for my review of 00:00:15.675 --> 00:00:19.074 the Mesa V-Twin distortion pedal 00:00:20.286 --> 00:00:22.295 Um, a little bit about it first, 00:00:22.311 --> 00:00:23.643 the general gist of it 00:00:23.643 --> 00:00:26.328 The first thing you are going to notice, it's a big pedal 00:00:26.328 --> 00:00:28.741 it's quite heavy as well and it's made like a tank 00:00:28.741 --> 00:00:30.481 it's a really big solid metal pedal 00:00:30.481 --> 00:00:31.535 which I think is great 00:00:31.535 --> 00:00:33.356 if you are going to go out on the road 00:00:33.356 --> 00:00:36.584 then this is going to be a good sturdy, touring companion 00:00:37.628 --> 00:00:40.027 the first thing to do, interesting about it 00:00:40.027 --> 00:00:41.237 is the power supply 00:00:41.237 --> 00:00:42.769 so it's not like a regular pedal 00:00:42.773 --> 00:00:44.158 that you can just plug in, 00:00:44.158 --> 00:00:46.916 like plug into a 9-volt power supply 00:00:46.916 --> 00:00:48.551 it's got a big "wah-wah" thing 00:00:48.551 --> 00:00:50.582 you know, like, that you have to plug into 00:00:50.582 --> 00:00:52.456 the main power socket 00:00:52.456 --> 00:00:53.822 that's the first thing to 00:00:53.822 --> 00:00:55.334 make sure that you are aware of 00:00:55.334 --> 00:00:58.737 if it means that you are having your pedals at the front of the stage 00:00:58.737 --> 00:01:02.197 you're going to have to run a power supply out to this particular pedal 00:01:02.197 --> 00:01:04.016 if it's the only one you are using 00:01:04.016 --> 00:01:05.917 although, most pedals you will have to 00:01:05.962 --> 00:01:08.280 have some sort of power supply anyway 00:01:08.280 --> 00:01:10.328 but it definitely doesn't run on batteries 00:01:10.783 --> 00:01:11.913 What I'm gonna do now, 00:01:11.913 --> 00:01:13.435 before we actually listen to it 00:01:13.435 --> 00:01:15.830 is go through and do a close up and I'll explain 00:01:15.830 --> 00:01:17.810 all of the different bits, what they do 00:01:17.810 --> 00:01:19.655 and then we'll start playing it 00:01:19.655 --> 00:01:20.755 and have a bit of fun 00:01:20.755 --> 00:01:22.074 so, here we go 00:01:23.691 --> 00:01:28.998 well, here is our Mesa Engineering V-Twin distortion pedal 00:01:29.242 --> 00:01:31.211 possibly one of the best and fanciest 00:01:31.211 --> 00:01:33.687 distortion pedals I've ever had 00:01:33.687 --> 00:01:35.930 and probably that's ever been made, really 00:01:36.186 --> 00:01:38.698 I'm not even sure if they still make one 00:01:38.698 --> 00:01:40.460 exactly the same as this one anymore 00:01:41.090 --> 00:01:42.550 Let me go through and explain 00:01:42.550 --> 00:01:43.857 the basic features of it 00:01:43.857 --> 00:01:46.057 first thing, we've got two buttons on there 00:01:46.657 --> 00:01:48.396 The first one is, you can see 00:01:48.396 --> 00:01:50.277 it lights up the little red light there 00:01:50.277 --> 00:01:51.602 is a bypass switch 00:01:51.602 --> 00:01:54.179 which basically in effect, turns the pedal off 00:01:54.179 --> 00:01:55.432 so when the lights on, 00:01:55.432 --> 00:01:56.472 it's not working 00:01:56.827 --> 00:01:59.517 click that on and your pedal is then in action 00:02:00.079 --> 00:02:01.760 Now this one changes between 00:02:01.760 --> 00:02:02.861 a few different things 00:02:02.861 --> 00:02:04.306 depending on how you set it up 00:02:04.306 --> 00:02:05.989 with this center button depressed 00:02:06.530 --> 00:02:08.334 it's going from clean (clicks button) 00:02:08.344 --> 00:02:10.502 Click it on, and it goes to solo sound 00:02:10.502 --> 00:02:12.253 which is kind of a lead guitar 00:02:12.253 --> 00:02:14.210 kind of, you know, big heavy metal sound 00:02:14.928 --> 00:02:16.971 if you've got the button up 00:02:16.971 --> 00:02:17.907 it goes from blues 00:02:17.907 --> 00:02:18.707 (clicks button) 00:02:18.707 --> 00:02:19.507 to solo 00:02:19.507 --> 00:02:20.998 so two different distortions 00:02:20.998 --> 00:02:22.798 of course, your regular state 00:02:22.798 --> 00:02:24.515 if the amps in bypass 00:02:24.515 --> 00:02:25.867 would give you a clean sound 00:02:26.032 --> 00:02:28.768 and then, if you turn that off (clicks button) 00:02:28.773 --> 00:02:29.923 you've got a blues sound 00:02:29.923 --> 00:02:31.935 (clicks) kick that on for your lead solo 00:02:31.935 --> 00:02:33.982 (clicks) and then back to your rhythym sound 00:02:33.982 --> 00:02:35.732 (clicks) back to your clean sound, so 00:02:35.732 --> 00:02:39.002 it effectively gives you three channels of distortion 00:02:39.002 --> 00:02:41.063 so, or two channels of distortion 00:02:41.063 --> 00:02:43.065 and bypass, which will leave you clean 00:02:43.065 --> 00:02:46.374 it's got a really good range of EQ on this one 00:02:46.374 --> 00:02:47.584 we've got gain, of course 00:02:47.584 --> 00:02:49.522 which is how much distortion you've got 00:02:49.522 --> 00:02:52.844 you've got bass, middle, treble, and presence 00:02:52.844 --> 00:02:53.920 which are all EQ 00:02:53.920 --> 00:02:56.205 so very versatile for your EQ sounds 00:02:56.538 --> 00:02:58.990 and of course, you've got a master volume over there 00:02:58.990 --> 00:03:01.898 which will sort out your overall level 00:03:02.490 --> 00:03:03.972 now you can see inside 00:03:03.972 --> 00:03:05.297 this little cage part here 00:03:05.297 --> 00:03:07.355 is actually two real valves 00:03:07.815 --> 00:03:09.224 which I can actually pop out 00:03:09.224 --> 00:03:12.269 I probably shouldn't be doing this without turning the power off 00:03:12.269 --> 00:03:15.237 but just so you can have a little of a look-see, this comes off 00:03:15.959 --> 00:03:18.849 and they've got actually two proper 00:03:20.149 --> 00:03:22.661 AX7, I think 00:03:22.661 --> 00:03:24.303 yeah, AX7 valves 00:03:24.527 --> 00:03:26.410 I've got Mesa Boogie ones in there 00:03:27.250 --> 00:03:30.982 but you can, of course, put other valves in there 00:03:30.982 --> 00:03:31.962 if you wish 00:03:32.282 --> 00:03:33.958 it does change the sound a bit 00:03:33.958 --> 00:03:35.922 but, to be honest I've been pretty happy 00:03:35.922 --> 00:03:37.140 with the ones in there 00:03:37.140 --> 00:03:40.250 so, I really haven't had to do a whole lot to that 00:03:40.658 --> 00:03:43.561 let's put that cage back in before I show you anything else 00:03:44.093 --> 00:03:46.302 okay, so, other features 00:03:46.302 --> 00:03:47.803 if we look over the back here 00:03:48.573 --> 00:03:50.413 you see, we've got quite a few 00:03:50.417 --> 00:03:51.382 little holes here 00:03:51.382 --> 00:03:53.667 so, the first one is the instrument input 00:03:53.667 --> 00:03:54.557 pretty obvious 00:03:54.801 --> 00:03:56.511 external bypass 00:03:56.816 --> 00:04:00.389 which will turn the pedal on and off from an external source 00:04:00.389 --> 00:04:01.980 like a channel switching thing 00:04:02.310 --> 00:04:05.880 which you can use a seperate pedal for I don't know why you'd wanna do that 00:04:06.594 --> 00:04:07.575 an external select, 00:04:07.827 --> 00:04:10.658 which changes, is kind of an external way 00:04:10.658 --> 00:04:12.508 of changing your channel 00:04:13.009 --> 00:04:15.510 I use that with my TC Electronic G System 00:04:15.510 --> 00:04:17.883 and that, the G system, 00:04:17.883 --> 00:04:19.510 can change the channel for me 00:04:20.018 --> 00:04:22.330 depending on what sound I want and when 00:04:22.912 --> 00:04:25.156 so that's kind of a pretty useful feature 00:04:25.844 --> 00:04:27.735 we've also got, on the back here now, 00:04:27.735 --> 00:04:29.627 we've got a two-guitar amp 00:04:29.911 --> 00:04:30.977 two power amp 00:04:31.427 --> 00:04:33.457 and mixer/headphones 00:04:34.230 --> 00:04:37.329 now, of course, if you're using it with a guitar amplifier 00:04:37.329 --> 00:04:38.843 you are gonna plug your output 00:04:38.946 --> 00:04:41.230 from here into your guitar amplifier 00:04:41.515 --> 00:04:43.127 if you are using a power amp 00:04:43.127 --> 00:04:44.536 that doesn't have a pre-amp, 00:04:44.536 --> 00:04:46.760 like doesn't have a clean sound or whatever 00:04:46.981 --> 00:04:48.387 directly into your power-amp 00:04:48.387 --> 00:04:51.083 you would use this to the power-amp 00:04:51.083 --> 00:04:52.753 so they're slightly different 00:04:52.915 --> 00:04:54.246 they've got a different EQ 00:04:54.246 --> 00:04:57.554 depending on what output of the pedal you are going to use 00:04:58.031 --> 00:05:02.185 and then also, you have this mixer/headphones which means 00:05:02.185 --> 00:05:03.972 that if you were just playing at home 00:05:03.972 --> 00:05:04.783 and you wanted to 00:05:04.783 --> 00:05:06.409 really rock in distortion you could 00:05:06.409 --> 00:05:08.279 plug your headphones directly into here 00:05:08.279 --> 00:05:09.797 and listen to it from that 00:05:09.797 --> 00:05:12.520 also if you wanted to go directly into a mixing disk 00:05:12.761 --> 00:05:15.703 if gives you kind of a speaker simulation 00:05:15.703 --> 00:05:16.773 kind of effect 00:05:17.191 --> 00:05:19.041 by plugging it straight into the disk 00:05:19.170 --> 00:05:20.904 I have done a few gigs with this 00:05:21.521 --> 00:05:23.342 plugged straight into the disc 00:05:23.642 --> 00:05:24.843 and it sounds pretty good 00:05:24.843 --> 00:05:25.972 it's probably the best 00:05:25.972 --> 00:05:27.792 of this type of effect 00:05:27.792 --> 00:05:29.371 you know the speaker simulation 00:05:29.371 --> 00:05:30.569 that I've come across 00:05:30.569 --> 00:05:32.541 except the Mesa Boogey recording pre-amp 00:05:32.541 --> 00:05:35.121 which is what I use most of the time in my rig 00:05:35.121 --> 00:05:36.892 it's also got one switch over here 00:05:37.010 --> 00:05:40.112 which changes between mixers and headphones 00:05:40.762 --> 00:05:42.584 of course, that only really works 00:05:42.584 --> 00:05:45.260 if you are using the mixer/headphone output there 00:05:45.565 --> 00:05:47.005 another interesting thing, 00:05:47.005 --> 00:05:48.831 which I didn't discover for a while is 00:05:48.831 --> 00:05:51.050 it's got a couple of switches on the back here 00:05:51.221 --> 00:05:53.463 you can see I've got the screw missing from here 00:05:53.463 --> 00:05:54.772 so I can just flip it open 00:05:55.826 --> 00:05:57.679 you can see there that this one 00:05:57.679 --> 00:05:59.886 is a clean gain adjust 00:05:59.886 --> 00:06:02.364 so you can adjust the volume of your clean sound 00:06:02.364 --> 00:06:03.929 which is a really useful feature 00:06:03.929 --> 00:06:05.782 if your clean sound is a bit too quiet 00:06:05.782 --> 00:06:08.496 you need a really small little screwdriver to get in there 00:06:08.496 --> 00:06:11.309 and also you've got a switch here solo to blues 00:06:11.564 --> 00:06:13.531 which can change over 00:06:13.531 --> 00:06:14.950 instead of having clean, 00:06:15.335 --> 00:06:16.964 if we flip it back over here to, 00:06:17.510 --> 00:06:20.807 we've got this here going blues and solo 00:06:21.640 --> 00:06:25.521 we can have that going here, clean to solo 00:06:25.686 --> 00:06:27.528 if you put that switch on 00:06:27.528 --> 00:06:29.524 instead of going clean to solo 00:06:29.524 --> 00:06:31.488 it goes clean to blues 00:06:32.105 --> 00:06:33.751 (guitar playing) 00:06:33.751 --> 00:06:35.503 this is now in bypass mode, so 00:06:35.503 --> 00:06:37.033 (guitar playing) 00:06:37.033 --> 00:06:39.481 that's kind of our starting sound 00:06:39.952 --> 00:06:43.340 it's going through my Mesa Boogey Express Amplifier 00:06:43.434 --> 00:06:45.233 and I'm using a Telecaster 00:06:45.233 --> 00:06:46.810 but it's kind of hotted up a bit 00:06:46.810 --> 00:06:48.511 so I'm using the bridge pickup 00:06:48.511 --> 00:06:49.762 (guitar playing) 00:06:49.762 --> 00:06:51.557 so that's the pedal not functioning 00:06:51.557 --> 00:06:53.773 so the first thing, let's have a look 00:06:53.773 --> 00:06:56.167 at the effect of using the clean channels 00:06:56.167 --> 00:06:57.851 so I've just turned bypass off 00:06:57.851 --> 00:06:59.621 (guitar playing) 00:06:59.621 --> 00:07:00.726 That's the Boogey clean 00:07:00.726 --> 00:07:03.029 so bypass (plays guitar) 00:07:03.029 --> 00:07:05.844 with the clean sound (guitar playing) 00:07:05.844 --> 00:07:07.229 kind of makes it a lot warmer 00:07:07.229 --> 00:07:09.201 it's a really good effect here that gives 00:07:09.201 --> 00:07:11.501 it that really "valve-y" warm clean sound 00:07:11.501 --> 00:07:14.799 which I think is a really cool trick 00:07:14.799 --> 00:07:17.006 okay, (clicks) so now lets kick it 00:07:17.006 --> 00:07:18.642 over to here (clicks) 00:07:19.029 --> 00:07:20.750 and let's start off by listening to 00:07:20.750 --> 00:07:28.066 the blues channel, so (guitar playing) 00:07:28.243 --> 00:07:30.825 generally, really really solid little blues sound 00:07:30.876 --> 00:07:34.000 really nice (guitar playing) 00:07:34.150 --> 00:07:36.374 not too heavy, not too light just right 00:07:36.515 --> 00:07:38.582 of course we've got a gain adjustment here 00:07:38.832 --> 00:07:41.052 so if we turn the gain right down 00:07:41.052 --> 00:07:46.312 we're not getting any sound (guitar playing progressively louder) 00:07:46.312 --> 00:07:51.192 and on the blues channel (guitar playing) 00:07:51.192 --> 00:07:53.676 you're still getting quite a lot of distortion there 00:07:53.676 --> 00:07:55.716 I don't know if you can see on here or not 00:07:55.716 --> 00:07:57.346 I've got these little black lines 00:07:57.346 --> 00:07:59.627 all over the amplifier pedals 00:07:59.627 --> 00:08:01.837 just to remind me where the pedal settings go 00:08:01.837 --> 00:08:02.795 in case I knock them 00:08:02.795 --> 00:08:05.638 it's not a bad idea to get into the habit of doing that 00:08:05.638 --> 00:08:07.248 (guitar playing) 00:08:07.248 --> 00:08:09.230 so, there's your blues sound 00:08:09.230 --> 00:08:12.467 from quite a clean, you know (guitar playing) 00:08:12.467 --> 00:08:15.757 clean (guitar playing) 00:08:15.757 --> 00:08:18.331 hardly any distortion on the blues 00:08:18.331 --> 00:08:20.772 so you can get (guitar playing) 00:08:20.772 --> 00:08:23.459 up to quite a gnarly kind of distortion 00:08:23.459 --> 00:08:24.812 but it's still very blues-y 00:08:25.007 --> 00:08:28.300 now, if we flip that over to solo sound 00:08:28.300 --> 00:08:30.667 (guitar playing) 00:08:30.667 --> 00:08:31.609 we're straight away 00:08:31.609 --> 00:08:33.086 into proper rock territory 00:08:33.086 --> 00:08:45.107 (guitar playing) 00:08:45.107 --> 00:08:47.196 let's turn that presence up a little bit 00:08:47.196 --> 00:08:54.544 (guitar playing) 00:08:54.544 --> 00:08:56.910 really, really, really good solid 00:08:56.910 --> 00:08:58.753 lead guitar sound from this pedal 00:08:58.958 --> 00:09:00.062 it really has, 00:09:00.062 --> 00:09:02.264 this is kind of all bells and whistles 00:09:02.264 --> 00:09:04.124 great having the three channels 00:09:05.130 --> 00:09:06.723 so it really is, 00:09:07.033 --> 00:09:08.706 for me, this is kind of the best 00:09:08.706 --> 00:09:10.797 distortion pedal that I ever had 00:09:11.521 --> 00:09:13.000 I still use it all the time, 00:09:13.000 --> 00:09:14.350 it's great, it's a bit big 00:09:14.350 --> 00:09:16.898 so it's a little bit of a pain on the old pedal board 00:09:16.898 --> 00:09:18.718 but, other than that 00:09:18.718 --> 00:09:21.537 this is really a top-notch pedal 00:09:22.691 --> 00:09:24.334 well I hope you enjoyed my little 00:09:24.334 --> 00:09:28.030 talk-through the Mesa Boogey V-Twin Pedal 00:09:28.252 --> 00:09:29.294 great pedal, 00:09:30.246 --> 00:09:31.716 yeah, I really really rate it 00:09:31.716 --> 00:09:33.559 I've had it for quite a few years now 00:09:33.559 --> 00:09:36.942 and it's, yeah, really is my favorite distortion pedal 00:09:37.687 --> 00:09:39.072 yeah, I hope that's cool 00:09:39.072 --> 00:09:40.986 go and check them out in a shop near you 00:09:40.986 --> 00:09:44.083 and see if you dig it as much as I do 00:09:44.384 --> 00:09:45.184 take care guys 00:09:45.184 --> 00:09:46.973 I'll see you for another review soon 00:09:47.075 --> 00:09:47.982 bye-bye!