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Imaginative sculptures that explore how we perceive reality

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    If you happened to be
    in the town of Lubec, Maine
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    in July of 2016,
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    you may have seen something
    a little curious on the horizon
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    when you looked out across the bay.
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    In the distance,
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    on an otherwise uninhabited island,
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    loomed large black letters
    that spelled the word "FOREVER."
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    The sign was 15 feet tall
    and 50 feet wide,
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    large enough so that on a clear day,
    you really could see "FOREVER,"
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    the word perfectly visible
    and legible in the distance.
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    But on some days,
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    a thick white fog
    would roll in off the ocean,
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    erasing the word and the view altogether.
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    And sometimes, like in this video,
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    you could barely see "FOREVER"
    peeking out of the shifting fog,
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    accompanied only by the rhythmic
    warning sounds of fog horns.
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    (Sound of fog horn)
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    (Sound of fog horn)
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    It started out as a fairly simple idea,
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    albeit a little strange,
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    to put the word "FOREVER" in the landscape
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    so it could appear
    and disappear in the fog.
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    But it took over a year
    to plan and execute,
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    and it required the help
    of so many people,
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    like the lobster boat captain,
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    who helped transport
    all of the materials to the island.
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    And the volunteers, who helped carry
    thousands of pounds of wood and steel
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    to the top of the hill
    through waist-high shrubs.
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    And in the end,
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    "FOREVER" only lasted for three weeks.
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    (Laughter)
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    So if you're wondering
    why I did it at all,
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    as I often did during that process,
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    it might help for you to know
    a little bit more about me
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    and my upbringing.
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    I grew up in an evangelical
    Christian family.
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    And although I'm an atheist today,
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    I've realized that my religious upbringing
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    has played a really important role
    in shaping the person that I've become.
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    In 1986, when I was five years old,
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    my parents became missionaries
    to South Africa.
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    And that was during
    the last few years of the apartheid,
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    so we lived in an all-white neighborhood,
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    and I attended an all-white public school,
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    while my parents helped found
    a multiracial church
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    in downtown Cape Town.
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    Because I was so young,
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    it was impossible for me to understand
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    the magnitude of what was happening
    in South Africa at that time.
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    I witnessed the racism and oppression
    of people of color I knew and loved
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    on a daily basis,
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    but because of my own skin color,
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    there was no way
    I could fully comprehend it.
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    But I had the privilege
    to experience, firsthand,
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    one of the most influential
    social movements of the 20th century.
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    And the thing that left
    a long-lasting impression on me
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    was how the people I met in South Africa
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    could envision a better future
    for themselves and their country.
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    A future they really
    believed was possible.
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    And then they worked together,
    relentlessly, for decades,
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    until they achieved
    that extraordinary historic change.
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    I was there to see Nelson Mandela
    released from prison,
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    and I watched an entire country
    begin a major transformation.
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    And that transformed me as a person.
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    It instilled in me a sense
    of wonder and optimism
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    and possibility that permeates
    everything I create.
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    I make sculptures like "FOREVER"
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    as a way of giving physical,
    tangible forms to language and time.
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    Those powerful but invisible forces
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    that shape the way we perceive
    and experience our realities.
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    And in doing so, I try to give
    other people the opportunity
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    to reflect on their own
    perception of reality
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    and inspire them to wonder and imagine
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    what else might be possible.
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    I often use signs to do this,
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    because of how simply and effectively
    they're able to grab our attention
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    and communicate information.
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    They often point out things
    we would otherwise overlook,
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    like this sign on the side
    of the highway in Texas.
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    [TEMPTATIONS]
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    They can often signify things
    that we can't see at all,
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    like the distance to our destination.
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    Signs often help to orient us in the world
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    [You are on an island]
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    by telling us where we are now
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    and what's happening
    in the present moment,
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    but they can also help us zoom out,
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    shift our perspective
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    and get a glimpse of the bigger picture.
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    Imagine, for example,
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    you're walking down
    the street in Philadelphia.
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    A city in the US that contains
    so much history,
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    the birthplace of our constitution.
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    But imagine you're walking down the street
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    in an area that's undergoing
    a huge transformation
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    due to gentrification.
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    And as you walk down that street,
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    you notice something
    flashing up above you.
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    So you look up and you see this.
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    A flashing neon sign that says
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    "All the light you see is from the past,"
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    and then "All you see is past,"
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    before turning off completely
    for a brief moment.
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    It asks you to stop and notice
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    the history embedded
    in everything that you see.
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    And it reminds you
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    that because light takes time
    to travel across space,
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    even from just across the street
    or across the room,
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    everything you're seeing
    in the present moment
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    is technically an image of the past.
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    Signs influence the way
    we all navigate the world,
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    which means they have
    the ability to create
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    a collective experience or understanding.
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    My time in South Africa taught me
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    that when people are able
    to find common ground
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    and work together towards a mutual goal,
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    powerful things can happen
    and so much more becomes possible.
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    And I want to create more opportunities
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    for people to find
    that kind of common ground.
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    I want people to feel
    the power of collaboration,
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    sometimes quite literally.
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    A few years ago,
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    a friend of mine showed me
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    how our bodies can safely conduct
    small amounts of electricity.
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    And if you hold hands with another person,
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    a small electrical current
    can pass through your held hands
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    and become like a switch
    that can trigger something else to happen.
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    So last year, I used
    that form of human connection
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    to activate an inflatable sculpture.
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    I put two sensors on a platform
    far enough apart
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    so that one person
    can't make it work on their own.
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    But when two or more people work together
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    to complete that electrical circuit,
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    the inflatable comes to life.
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    And it begins to fill with air,
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    and the longer people hold hands,
    the larger it becomes,
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    expanding into the words "You are magic."
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    (Music, birds chirping)
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    I always love to see
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    how each group of people
    finds a different way
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    to bridge that physical
    and metaphorical divide.
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    But as soon as they release their hands
    and break that connection,
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    the words immediately begin
    to slouch and fall over
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    and eventually return to a lifeless
    pile of fabric on the ground.
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    (Applause)
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    At this moment in time,
    I think we could all agree
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    that the future feels
    pretty bleak and uncertain.
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    But maybe the hope
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    for a brighter, more sustainable,
    more equitable future
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    depends first on our ability
    to imagine it.
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    But after we imagine it,
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    we actually have to believe it's possible.
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    And then we have to find common ground
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    with people we would maybe
    otherwise disagree with
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    and work together
    towards that mutual goal.
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    And if we do that, I believe
    we have the capacity for magic.
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    So if you can humor me
    for one more minute,
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    I'm going to ask everyone
    in this theater to hold hands.
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    When was the last time
    you held hands with a stranger?
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    (Laughter)
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    And if you feel comfortable,
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    go ahead and make
    that metaphorical gesture
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    of reaching across the aisle.
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    And after you've held hands
    with people on either side of you,
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    if you feel comfortable,
    please close your eyes.
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    Now take a minute to imagine
    what you want,
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    what you want the future to look like.
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    And give yourself permission
    to be at least a little bit idealistic.
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    What do you want to see change or happen
    in your own life as an individual?
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    What do you want to see change or happen
    for everyone, for the planet?
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    Can you picture it?
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    And can you start to see how,
    if we all worked together,
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    it might actually be possible?
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    Now open your eyes,
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    and let's make it real.
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    Thank you.
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    (Applause)
Title:
Imaginative sculptures that explore how we perceive reality
Speaker:
Alicia Eggert
Description:

TED Fellow Alicia Eggert takes us on a visual tour of her work -- from a giant sculpture on an uninhabited island in Maine to an interactive installation that inflates only when people hold hands, creating an electric current. Her work explores the power of art to inspire wonder and foster hope in dark times. As she puts it: "A brighter, more sustainable, more equitable future depends first on our ability to imagine it."

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Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
10:29

English subtitles

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