[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:10.10,0:00:11.86,Default,,0000,0000,0000,,Hey, how are you doing?\NJustin here.
Dialogue: 0,0:00:11.86,0:00:17.64,Default,,0000,0000,0000,,In the lesson today, I'm going to be \Nteaching you 6 Angus Young style riffs.
Dialogue: 0,0:00:17.66,0:00:22.72,Default,,0000,0000,0000,,Like rock lead guitar riffs. A lot\Nof Angus's style is built on blues.
Dialogue: 0,0:00:22.72,0:00:25.36,Default,,0000,0000,0000,,They're essentially blues licks \Nfrom kind of, you know,
Dialogue: 0,0:00:25.36,0:00:29.44,Default,,0000,0000,0000,,Chuck Berry, T-Bone Walker, \NAlbert King kind of style licks,
Dialogue: 0,0:00:29.44,0:00:32.30,Default,,0000,0000,0000,,but played a little bit \Nheavier, a little bit faster.
Dialogue: 0,0:00:33.12,0:00:37.02,Default,,0000,0000,0000,,So what I'm going to do is- \NYeah, there's 6 licks.
Dialogue: 0,0:00:37.02,0:00:39.46,Default,,0000,0000,0000,,I'll just take you through\Nthem one at a time.
Dialogue: 0,0:00:39.46,0:00:41.79,Default,,0000,0000,0000,,Lick number 1 sounds something like this:
Dialogue: 0,0:00:41.79,0:00:45.76,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:00:46.80,0:00:48.41,Default,,0000,0000,0000,,A little bit slower:
Dialogue: 0,0:00:48.41,0:00:57.25,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:00:57.75,0:00:59.53,Default,,0000,0000,0000,,Let's check it out in the close up.
Dialogue: 0,0:01:00.40,0:01:03.43,Default,,0000,0000,0000,,Lick number 1, nice and slow:
Dialogue: 0,0:01:03.43,0:01:18.26,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:01:18.80,0:01:20.56,Default,,0000,0000,0000,,Using my 3rd finger here:
Dialogue: 0,0:01:20.56,0:01:21.26,Default,,0000,0000,0000,,5
Dialogue: 0,0:01:21.26,0:01:21.97,Default,,0000,0000,0000,,8
Dialogue: 0,0:01:21.97,0:01:23.09,Default,,0000,0000,0000,,5
Dialogue: 0,0:01:23.09,0:01:24.12,Default,,0000,0000,0000,,7
Dialogue: 0,0:01:24.12,0:01:25.08,Default,,0000,0000,0000,,5
Dialogue: 0,0:01:25.08,0:01:26.03,Default,,0000,0000,0000,,7
Dialogue: 0,0:01:26.03,0:01:27.14,Default,,0000,0000,0000,,5
Dialogue: 0,0:01:27.14,0:01:27.98,Default,,0000,0000,0000,,7
Dialogue: 0,0:01:28.26,0:01:33.40,Default,,0000,0000,0000,,Roll, back and plenty of vibrato.
Dialogue: 0,0:01:33.40,0:01:38.88,Default,,0000,0000,0000,,I've got a whole lesson on this rolling \Ntechnique if you're struggling with that.
Dialogue: 0,0:01:41.10,0:01:45.71,Default,,0000,0000,0000,,Pick, pick, flick, and it's \Nimportant to realise that this
Dialogue: 0,0:01:45.71,0:01:49.77,Default,,0000,0000,0000,,note here is the note \Nthat's on the beat, so it's:
Dialogue: 0,0:01:49.77,0:01:52.53,Default,,0000,0000,0000,,3 -- 4 -- and a-
Dialogue: 0,0:01:52.53,0:02:01.61,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:02:01.92,0:02:05.11,Default,,0000,0000,0000,,So make sure you've kind of sussed \Nthat out because it's a good one
Dialogue: 0,0:02:05.11,0:02:07.82,Default,,0000,0000,0000,,to be practising repeating \Nalong with your metronome.
Dialogue: 0,0:02:07.82,0:02:10.05,Default,,0000,0000,0000,,Just make sure you're \Nthere with the rhythm.
Dialogue: 0,0:02:10.09,0:02:17.18,Default,,0000,0000,0000,,3 -- 4e - and a 1e - \Nand a 2e - and a 3 --
Dialogue: 0,0:02:17.98,0:02:24.19,Default,,0000,0000,0000,,4e - and a 1e - and a 2e - and a 3 --
Dialogue: 0,0:02:24.29,0:02:29.35,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:02:29.100,0:02:32.18,Default,,0000,0000,0000,,Lick number 2 sounds something like this:
Dialogue: 0,0:02:32.18,0:02:36.48,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:02:37.59,0:02:39.26,Default,,0000,0000,0000,,Bit slower:
Dialogue: 0,0:02:39.26,0:02:46.47,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:02:47.51,0:02:49.63,Default,,0000,0000,0000,,Okay, let's check it out as a close up.
Dialogue: 0,0:02:50.34,0:02:53.64,Default,,0000,0000,0000,,Okay, lick number 2 nice and slow:
Dialogue: 0,0:02:53.64,0:03:01.74,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:03:03.35,0:03:04.57,Default,,0000,0000,0000,,That lick again:
Dialogue: 0,0:03:05.12,0:03:15.29,Default,,0000,0000,0000,,2 -- 3 -- and - 4 - and - \N1e and a - 2e and a - 3e and a - 4e
Dialogue: 0,0:03:15.29,0:03:18.51,Default,,0000,0000,0000,,1 -- 2 --
Dialogue: 0,0:03:18.92,0:03:22.10,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:03:22.41,0:03:24.81,Default,,0000,0000,0000,,Making sure you tone bend,
Dialogue: 0,0:03:24.81,0:03:26.17,Default,,0000,0000,0000,,drop it down,
Dialogue: 0,0:03:26.17,0:03:28.26,Default,,0000,0000,0000,,tone bend with vibrato.
Dialogue: 0,0:03:29.89,0:03:32.47,Default,,0000,0000,0000,,Then we've got here 8-5 flick off.
Dialogue: 0,0:03:34.85,0:03:37.16,Default,,0000,0000,0000,,8-5 again, but picked.
Dialogue: 0,0:03:38.80,0:03:40.54,Default,,0000,0000,0000,,Now I usually pick,
Dialogue: 0,0:03:40.54,0:03:41.59,Default,,0000,0000,0000,,pick,
Dialogue: 0,0:03:41.59,0:03:42.56,Default,,0000,0000,0000,,flick.
Dialogue: 0,0:03:43.15,0:03:45.61,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:03:45.96,0:03:46.77,Default,,0000,0000,0000,,Pick,
Dialogue: 0,0:03:46.77,0:03:47.51,Default,,0000,0000,0000,,flick off,
Dialogue: 0,0:03:47.51,0:03:51.39,Default,,0000,0000,0000,,pick, pick, pick, pick,
Dialogue: 0,0:03:51.39,0:03:52.39,Default,,0000,0000,0000,,flick off.
Dialogue: 0,0:03:52.72,0:03:55.14,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:03:55.14,0:03:56.56,Default,,0000,0000,0000,,Another little roll in there.
Dialogue: 0,0:03:56.56,0:03:59.56,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:03:59.90,0:04:00.60,Default,,0000,0000,0000,,Yeah,
Dialogue: 0,0:04:00.60,0:04:01.30,Default,,0000,0000,0000,,5
Dialogue: 0,0:04:01.30,0:04:02.00,Default,,0000,0000,0000,,7
Dialogue: 0,0:04:02.00,0:04:02.71,Default,,0000,0000,0000,,5
Dialogue: 0,0:04:03.50,0:04:12.03,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:04:12.74,0:04:15.26,Default,,0000,0000,0000,,Lick number 3 sounds likes this:
Dialogue: 0,0:04:15.26,0:04:19.00,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:04:19.72,0:04:23.26,Default,,0000,0000,0000,,But of course it tends to get \Nrepeated a little more, the first lick.
Dialogue: 0,0:04:23.26,0:04:27.81,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:04:28.59,0:04:30.38,Default,,0000,0000,0000,,But I've just put a little tag on it.
Dialogue: 0,0:04:31.13,0:04:32.08,Default,,0000,0000,0000,,Little bit slower:
Dialogue: 0,0:04:32.08,0:04:37.84,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:04:38.51,0:04:39.58,Default,,0000,0000,0000,,Okay, lick number 3:
Dialogue: 0,0:04:39.58,0:04:45.76,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:04:46.41,0:04:48.64,Default,,0000,0000,0000,,Now this first part gets repeated a lot.
Dialogue: 0,0:04:48.64,0:04:51.63,Default,,0000,0000,0000,,Now I've just written it out \N2 times officially for the lick,
Dialogue: 0,0:04:51.63,0:04:54.42,Default,,0000,0000,0000,,but of course you would do\Nit as many times as you like.
Dialogue: 0,0:04:54.42,0:04:55.12,Default,,0000,0000,0000,,It's this:
Dialogue: 0,0:04:55.12,0:05:02.13,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:05:02.72,0:05:05.69,Default,,0000,0000,0000,,Now some people might prefer \Nto do the bend with a 3rd finger.
Dialogue: 0,0:05:05.69,0:05:12.11,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:05:12.26,0:05:16.15,Default,,0000,0000,0000,,I don't recommend doing bends with the \N4th finger, only with the 3rd finger.
Dialogue: 0,0:05:16.26,0:05:20.63,Default,,0000,0000,0000,,So, I mean you can if you like. It's up to\Nyour style, it just doesn't work for me.
Dialogue: 0,0:05:21.75,0:05:25.15,Default,,0000,0000,0000,,So, if you're going to do this \Nstyle with your 4th finger here:
Dialogue: 0,0:05:25.15,0:05:28.77,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:05:28.77,0:05:32.45,Default,,0000,0000,0000,,You'd probably swap over your 3rd finger\Nfor the bend, doesn't really matter.
Dialogue: 0,0:05:32.45,0:05:36.51,Default,,0000,0000,0000,,I suspect Angus's is going to\Nbe doing it here with a 2nd finger:
Dialogue: 0,0:05:36.51,0:05:37.96,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:05:37.96,0:05:39.89,Default,,0000,0000,0000,,Making sure that you get that full tone.
Dialogue: 0,0:05:39.89,0:05:41.73,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:05:41.73,0:05:44.68,Default,,0000,0000,0000,,So it ends up being the same as\Nthat note on the second string.
Dialogue: 0,0:05:44.68,0:05:54.05,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:05:55.70,0:05:57.90,Default,,0000,0000,0000,,Lick number 4 sounds like this:
Dialogue: 0,0:05:57.90,0:06:02.80,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:02.80,0:06:04.38,Default,,0000,0000,0000,,Very bluesy lick.
Dialogue: 0,0:06:04.38,0:06:09.06,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:10.03,0:06:11.22,Default,,0000,0000,0000,,Let's get to a close up.
Dialogue: 0,0:06:12.07,0:06:13.38,Default,,0000,0000,0000,,Lick number 4:
Dialogue: 0,0:06:13.38,0:06:22.47,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:23.18,0:06:26.04,Default,,0000,0000,0000,,So here we're starting off with\Na tone bend on the 12th fret:
Dialogue: 0,0:06:26.04,0:06:27.62,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:27.62,0:06:30.11,Default,,0000,0000,0000,,A little triplet chromatically \Ndown the blues scale:
Dialogue: 0,0:06:30.11,0:06:32.12,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:32.12,0:06:36.12,Default,,0000,0000,0000,,Now we've got a little 5 notes \Nover the space of 4 rhythm.
Dialogue: 0,0:06:36.14,0:06:40.12,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:40.12,0:06:43.16,Default,,0000,0000,0000,,Basically, what that's meaning \Nis that this little passage here:
Dialogue: 0,0:06:43.16,0:06:46.52,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:06:46.98,0:06:49.22,Default,,0000,0000,0000,,Finishes with this note on the beat. \N
Dialogue: 0,0:06:50.02,0:06:52.18,Default,,0000,0000,0000,,You can use hippopotamus or university.
Dialogue: 0,0:06:52.18,0:06:54.07,Default,,0000,0000,0000,,Hip-po-po-ta-mus
Dialogue: 0,0:06:55.89,0:06:57.78,Default,,0000,0000,0000,,U-ni-ver-si-ty
Dialogue: 0,0:06:58.87,0:07:00.82,Default,,0000,0000,0000,,If you want to get your group of 5 there.
Dialogue: 0,0:07:00.82,0:07:04.94,Default,,0000,0000,0000,,Hippopotamus or university \Nhave 5 syllables, so you'd have:
Dialogue: 0,0:07:04.94,0:07:10.91,Default,,0000,0000,0000,,1 -- 2 -- 3 - trip-let - hip-po-po-ta-mus
Dialogue: 0,0:07:12.24,0:07:15.10,Default,,0000,0000,0000,,And bringing this back \Nonto the beat there,
Dialogue: 0,0:07:15.49,0:07:18.92,Default,,0000,0000,0000,,but it's really a blues riff so you\Ncan play with the rhythm there a bit.
Dialogue: 0,0:07:19.11,0:07:25.50,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:25.65,0:07:26.73,Default,,0000,0000,0000,,Just play with it.
Dialogue: 0,0:07:26.74,0:07:34.06,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:34.27,0:07:36.10,Default,,0000,0000,0000,,Lick number 5 sounds like this:
Dialogue: 0,0:07:36.10,0:07:39.62,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:39.62,0:07:41.30,Default,,0000,0000,0000,,Now this is another repeating lick.
Dialogue: 0,0:07:41.30,0:07:42.01,Default,,0000,0000,0000,,This bit:
Dialogue: 0,0:07:42.01,0:07:43.81,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:43.81,0:07:46.11,Default,,0000,0000,0000,,Can get repeated as many \Ntimes as you like, and
Dialogue: 0,0:07:46.11,0:07:47.31,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:47.31,0:07:49.64,Default,,0000,0000,0000,,just finishing it with that really.
Dialogue: 0,0:07:49.64,0:07:50.91,Default,,0000,0000,0000,,You can pick every note:
Dialogue: 0,0:07:50.91,0:07:52.44,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:52.44,0:07:53.82,Default,,0000,0000,0000,,or do them all as flick offs:
Dialogue: 0,0:07:53.82,0:07:55.67,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:07:55.67,0:07:58.82,Default,,0000,0000,0000,,Of course you can probably\Nget it a bit faster with the flick offs:
Dialogue: 0,0:07:58.82,0:08:00.74,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:00.74,0:08:04.58,Default,,0000,0000,0000,,but it doesn't quite have as \Nmuch guts if you do it that way,
Dialogue: 0,0:08:04.58,0:08:07.10,Default,,0000,0000,0000,,and of course that-\NThis one can go right up the neck:
Dialogue: 0,0:08:07.10,0:08:09.96,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:09.96,0:08:13.50,Default,,0000,0000,0000,,There's lots of different variations\Nthat you should play with, of course.
Dialogue: 0,0:08:13.66,0:08:15.59,Default,,0000,0000,0000,,Okay, lick number 5 here we've got:
Dialogue: 0,0:08:15.59,0:08:16.64,Default,,0000,0000,0000,,8
Dialogue: 0,0:08:16.64,0:08:17.68,Default,,0000,0000,0000,,7
Dialogue: 0,0:08:17.68,0:08:18.62,Default,,0000,0000,0000,,5
Dialogue: 0,0:08:18.62,0:08:19.59,Default,,0000,0000,0000,,over and over again:
Dialogue: 0,0:08:19.59,0:08:23.60,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:23.60,0:08:26.75,Default,,0000,0000,0000,,Now if you pick every note it \Nsounds a little bit more aggressive:
Dialogue: 0,0:08:26.75,0:08:29.90,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:29.90,0:08:31.85,Default,,0000,0000,0000,,but you can always do pick, flick, flick:
Dialogue: 0,0:08:31.85,0:08:36.32,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:36.48,0:08:38.39,Default,,0000,0000,0000,,You could use those fingers if you want.
Dialogue: 0,0:08:38.39,0:08:42.38,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:42.44,0:08:46.54,Default,,0000,0000,0000,,And this lick definitely works\Nif you move it up 12 frets
Dialogue: 0,0:08:46.54,0:08:48.67,Default,,0000,0000,0000,,so your 1st finger \Nwill be on the 17th fret:
Dialogue: 0,0:08:48.67,0:08:52.11,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:52.16,0:08:53.69,Default,,0000,0000,0000,,And of course alternate picking:
Dialogue: 0,0:08:53.69,0:08:58.66,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:08:59.59,0:09:02.12,Default,,0000,0000,0000,,Important thing with a \Nriff like this is to work out
Dialogue: 0,0:09:02.12,0:09:04.04,Default,,0000,0000,0000,,how to get out of it because repeating:
Dialogue: 0,0:09:04.04,0:09:06.82,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:06.82,0:09:08.54,Default,,0000,0000,0000,,you'll find fairly straight forward,
Dialogue: 0,0:09:08.54,0:09:11.21,Default,,0000,0000,0000,,but then you've got to\Nfigure out how you'll finish it.
Dialogue: 0,0:09:11.21,0:09:13.27,Default,,0000,0000,0000,,Now, probably the most \Nmost obvious one is:
Dialogue: 0,0:09:13.27,0:09:13.97,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:13.97,0:09:15.97,Default,,0000,0000,0000,,putting a bend on the end, or:
Dialogue: 0,0:09:15.97,0:09:17.32,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:17.32,0:09:18.60,Default,,0000,0000,0000,,sliding up here:
Dialogue: 0,0:09:18.60,0:09:21.17,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:21.17,0:09:24.76,Default,,0000,0000,0000,,is quite nice up to the 10th fret \Nwith a 3rd finger, 2nd string.
Dialogue: 0,0:09:24.76,0:09:27.26,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:27.26,0:09:30.08,Default,,0000,0000,0000,,Also gets you to the next position \Nwhich is quite nice, or:
Dialogue: 0,0:09:30.08,0:09:33.09,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:33.09,0:09:35.38,Default,,0000,0000,0000,,you could put a bend on, \Nwouldn't really matter.
Dialogue: 0,0:09:36.25,0:09:40.03,Default,,0000,0000,0000,,Lick number 6 is kind of a country \Nstyle riff that Angus uses quite a lot.
Dialogue: 0,0:09:40.03,0:09:43.36,Default,,0000,0000,0000,,I'm going to show you one way of\Nplaying it, which is going to be this:
Dialogue: 0,0:09:43.36,0:09:45.74,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:45.74,0:09:49.87,Default,,0000,0000,0000,,But make sure that you understand\Nthe kind of idea of having this
Dialogue: 0,0:09:49.87,0:09:52.93,Default,,0000,0000,0000,,12 fret bend and then adding \Nthe other note together:
Dialogue: 0,0:09:52.93,0:09:55.89,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:09:55.89,0:09:59.23,Default,,0000,0000,0000,,Very commonly done in AC/DC stuff, \Nso make sure you check out
Dialogue: 0,0:09:59.23,0:10:01.31,Default,,0000,0000,0000,,lots of variations of this yourself.
Dialogue: 0,0:10:01.47,0:10:04.70,Default,,0000,0000,0000,,And I'll also show you a quick \Nclose up of how to do the same lick
Dialogue: 0,0:10:04.70,0:10:06.87,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:06.87,0:10:08.87,Default,,0000,0000,0000,,further up the neck,\Nso we'll have it here:
Dialogue: 0,0:10:08.87,0:10:10.42,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:10.42,0:10:11.12,Default,,0000,0000,0000,,and up here:
Dialogue: 0,0:10:11.12,0:10:12.87,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:12.87,0:10:14.85,Default,,0000,0000,0000,,Both essentially the same thing.
Dialogue: 0,0:10:15.10,0:10:16.94,Default,,0000,0000,0000,,Okay, lick number 6 here:
Dialogue: 0,0:10:16.94,0:10:22.18,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:22.18,0:10:25.05,Default,,0000,0000,0000,,Now I'm showing you the one\NI've tabbed out for you is this:
Dialogue: 0,0:10:25.05,0:10:28.14,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:28.14,0:10:32.73,Default,,0000,0000,0000,,but there's loads of variations with this.\NThe concept that I'm trying to get you
Dialogue: 0,0:10:32.73,0:10:34.96,Default,,0000,0000,0000,,use to here is bending this 12th fret:
Dialogue: 0,0:10:34.96,0:10:37.14,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:37.14,0:10:39.14,Default,,0000,0000,0000,,and then sneaking\Nlittle finger underneath:
Dialogue: 0,0:10:39.14,0:10:43.13,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:43.13,0:10:46.25,Default,,0000,0000,0000,,You can hold that little finger\Ndown and play it. It's quite nice.
Dialogue: 0,0:10:46.25,0:10:53.14,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:53.14,0:10:55.72,Default,,0000,0000,0000,,And really muck about with\Nthat quite a lot, it's nice.
Dialogue: 0,0:10:55.72,0:10:57.68,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:10:58.91,0:11:02.76,Default,,0000,0000,0000,,Essentially what we're doing, just so you\Nunderstand the kind of theory behind it.
Dialogue: 0,0:11:02.76,0:11:03.86,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:11:03.86,0:11:09.09,Default,,0000,0000,0000,,As we're bending, we're really reaching \Nthese 2 notes here which are 14th and 12th
Dialogue: 0,0:11:10.04,0:11:15.94,Default,,0000,0000,0000,,Which are essentially \Npart of little A-chord there.
Dialogue: 0,0:11:15.94,0:11:21.02,Default,,0000,0000,0000,,A-shaped bar chord. \NThat's why the lick works.
Dialogue: 0,0:11:21.02,0:11:22.58,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:11:22.58,0:11:23.28,Default,,0000,0000,0000,,Or:
Dialogue: 0,0:11:23.28,0:11:26.61,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:11:26.84,0:11:31.27,Default,,0000,0000,0000,,Now exactly the same note can be\Nfound further up the neck here,
Dialogue: 0,0:11:31.27,0:11:33.27,Default,,0000,0000,0000,,putting little finger on the 17th fret:
Dialogue: 0,0:11:33.27,0:11:34.67,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:11:34.67,0:11:36.78,Default,,0000,0000,0000,,And bending the 16th fret up a tone:
Dialogue: 0,0:11:36.78,0:11:51.14,Default,,0000,0000,0000,,♪♪
Dialogue: 0,0:11:51.77,0:11:55.87,Default,,0000,0000,0000,,Well I hope you've enjoyed playing around\Nwith those Angus Young styled licks.
Dialogue: 0,0:11:55.87,0:11:58.25,Default,,0000,0000,0000,,The big deal here is to\Nmake sure that you practice
Dialogue: 0,0:11:58.25,0:12:00.88,Default,,0000,0000,0000,,variations of them, don't \Njust learn like a set lick.
Dialogue: 0,0:12:01.15,0:12:04.73,Default,,0000,0000,0000,,And what I really recommend that \Nyou do is that you get a backing track
Dialogue: 0,0:12:04.73,0:12:07.84,Default,,0000,0000,0000,,of some sort of blues \Nor rock backing track
Dialogue: 0,0:12:07.84,0:12:12.01,Default,,0000,0000,0000,,and then practise using each of the licks,\None at a time, and experimenting with
Dialogue: 0,0:12:12.01,0:12:14.51,Default,,0000,0000,0000,,how you play it, so you \Nlearn variations of it.
Dialogue: 0,0:12:14.67,0:12:17.67,Default,,0000,0000,0000,,And then try to mix it in with all\Nthe other licks that you know
Dialogue: 0,0:12:17.67,0:12:21.35,Default,,0000,0000,0000,,so play one lick then go into this \Nnew lick, deliberately, kind of thinking
Dialogue: 0,0:12:21.35,0:12:25.06,Default,,0000,0000,0000,,about it and play the lick and then \Ngo on back into your regular playing.
Dialogue: 0,0:12:25.07,0:12:28.45,Default,,0000,0000,0000,,Try and get that new lick \Nin as many times as you can.
Dialogue: 0,0:12:28.55,0:12:32.26,Default,,0000,0000,0000,,Now that's a little bit conscious. In \Nreal life it shouldn't happen like that,
Dialogue: 0,0:12:32.26,0:12:35.92,Default,,0000,0000,0000,,you shouldn't really be thinking much at\Nall, just be feeling and doing.
Dialogue: 0,0:12:35.92,0:12:39.32,Default,,0000,0000,0000,,But in order to get that way, \Nto get it kind of instinctive
Dialogue: 0,0:12:39.32,0:12:41.83,Default,,0000,0000,0000,,you need to have practised \Nthese things a whole lot.
Dialogue: 0,0:12:41.83,0:12:46.26,Default,,0000,0000,0000,,It's that repetition that kind of makes it\Nnatural for you to do those kind of licks.
Dialogue: 0,0:12:46.26,0:12:51.90,Default,,0000,0000,0000,,So practise, consciously, thinking about \Nit, trying to get those licks in as best
Dialogue: 0,0:12:51.90,0:12:55.56,Default,,0000,0000,0000,,you can and as often as you can\Nand probably what you'll find is
Dialogue: 0,0:12:55.56,0:12:58.93,Default,,0000,0000,0000,,the ones that kind of naturally\Nfit with your style of playing
Dialogue: 0,0:12:58.93,0:13:02.65,Default,,0000,0000,0000,,that'll come out on their own without \Nhaving to think about it. And the ones
Dialogue: 0,0:13:02.65,0:13:06.84,Default,,0000,0000,0000,,that maybe don't fit so well with your\Nnatural playing style - maybe you won't
Dialogue: 0,0:13:06.84,0:13:10.88,Default,,0000,0000,0000,,play them so much, but that's\Ncool because they weren't the ones
Dialogue: 0,0:13:10.88,0:13:14.17,Default,,0000,0000,0000,,that were naturally right for you \Nso don't stress about it, you know.
Dialogue: 0,0:13:15.00,0:13:17.49,Default,,0000,0000,0000,,It's lot's of good fun. \NPlenty more AC/DC licks.
Dialogue: 0,0:13:17.49,0:13:22.25,Default,,0000,0000,0000,,Highly recommend the "If You Want Blood\NYou've Got It" live album by AC/DC for
Dialogue: 0,0:13:22.25,0:13:28.20,Default,,0000,0000,0000,,licks stealing, cause it's live and\NAngus's guitar is really kind of clear
Dialogue: 0,0:13:28.20,0:13:32.02,Default,,0000,0000,0000,,in the mix and it's quite an\Neasy one to transcribe from.
Dialogue: 0,0:13:32.27,0:13:34.65,Default,,0000,0000,0000,,Not too much production\Nkind of covering things up.
Dialogue: 0,0:13:34.65,0:13:38.64,Default,,0000,0000,0000,,Really raw and lots of really \Nproper blues lick in there,
Dialogue: 0,0:13:38.64,0:13:43.27,Default,,0000,0000,0000,,so check that album out - that would \Nbe a highly recommended one.
Dialogue: 0,0:13:43.27,0:13:45.77,Default,,0000,0000,0000,,But remember, transcribing \Nis the way forward.
Dialogue: 0,0:13:45.77,0:13:49.21,Default,,0000,0000,0000,,Don't just be getting licks from\Nme and off tab books and stuff.
Dialogue: 0,0:13:49.21,0:13:53.01,Default,,0000,0000,0000,,Try and get into working out stuff by ear \Nbecause you'll learn it loads better
Dialogue: 0,0:13:53.01,0:13:56.41,Default,,0000,0000,0000,,and you'll really get inside it and\Nyou'll pick up the vibrato better
Dialogue: 0,0:13:56.41,0:13:59.31,Default,,0000,0000,0000,,and the styling of it, the\Nrhythms of it and everything else.
Dialogue: 0,0:13:59.31,0:14:02.27,Default,,0000,0000,0000,,Cause remember, music is about \Nlistening not about reading.
Dialogue: 0,0:14:02.49,0:14:06.54,Default,,0000,0000,0000,,Anyway, have fun with all of that and I'll\Nsee you for another lesson some time soon.
Dialogue: 0,0:14:06.54,0:14:07.24,Default,,0000,0000,0000,,Take care.
Dialogue: 0,0:14:07.24,0:14:07.97,Default,,0000,0000,0000,,Bye.