[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:07.92,0:00:10.64,Default,,0000,0000,0000,,Hello! Justin here. How you doin?
Dialogue: 0,0:00:10.64,0:00:12.93,Default,,0000,0000,0000,,In this lesson now we're going to be checking out
Dialogue: 0,0:00:12.93,0:00:15.18,Default,,0000,0000,0000,,a little bit of more advanced
Dialogue: 0,0:00:15.18,0:00:17.86,Default,,0000,0000,0000,,power chord technique and also introduce
Dialogue: 0,0:00:17.86,0:00:20.98,Default,,0000,0000,0000,,a little thing called "palm muting" \Nwhich is a very very cool
Dialogue: 0,0:00:20.98,0:00:22.46,Default,,0000,0000,0000,,mainly a rock technique
Dialogue: 0,0:00:22.46,0:00:23.29,Default,,0000,0000,0000,,that works on electric guitar
Dialogue: 0,0:00:23.29,0:00:24.81,Default,,0000,0000,0000,,but it also sounds very cool
Dialogue: 0,0:00:24.81,0:00:26.00,Default,,0000,0000,0000,,on acoustic guitar.
Dialogue: 0,0:00:26.00,0:00:28.32,Default,,0000,0000,0000,,You can even use it for your\N12-bar blues stuff as well
Dialogue: 0,0:00:28.32,0:00:31.14,Default,,0000,0000,0000,,so it is pretty handy little\Ncool thing to do.
Dialogue: 0,0:00:31.14,0:00:32.87,Default,,0000,0000,0000,,So the first thing I want to talk about is
Dialogue: 0,0:00:32.87,0:00:34.34,Default,,0000,0000,0000,,you've now got your power chords
Dialogue: 0,0:00:34.34,0:00:35.100,Default,,0000,0000,0000,,with the 6 strings root and you've also got
Dialogue: 0,0:00:35.100,0:00:37.83,Default,,0000,0000,0000,,a power chord with the 5th string root
Dialogue: 0,0:00:37.83,0:00:40.27,Default,,0000,0000,0000,,So a really good exercise is\Nto practice going through
Dialogue: 0,0:00:40.27,0:00:42.35,Default,,0000,0000,0000,,any or all of your power chords
Dialogue: 0,0:00:42.35,0:00:45.16,Default,,0000,0000,0000,,and playing them on both\Nthe 6th string and the 5th string
Dialogue: 0,0:00:45.16,0:00:47.15,Default,,0000,0000,0000,,so, if you took, say a C power chord
Dialogue: 0,0:00:47.15,0:00:50.27,Default,,0000,0000,0000,,you could have that as the 6th string root
Dialogue: 0,0:00:50.27,0:00:51.10,Default,,0000,0000,0000,,at the 8th fret
Dialogue: 0,0:00:51.10,0:00:52.38,Default,,0000,0000,0000,,♪
Dialogue: 0,0:00:52.38,0:00:54.59,Default,,0000,0000,0000,,or the 5th string root at the 3rd fret
Dialogue: 0,0:00:54.59,0:00:55.83,Default,,0000,0000,0000,,♪
Dialogue: 0,0:00:55.83,0:00:56.83,Default,,0000,0000,0000,,They nearly sound identical
Dialogue: 0,0:00:56.83,0:00:59.20,Default,,0000,0000,0000,,♪
Dialogue: 0,0:00:59.20,0:01:00.35,Default,,0000,0000,0000,,You'd also have, say a G chord
Dialogue: 0,0:01:00.35,0:01:03.45,Default,,0000,0000,0000,,at the 6th string root, 3rd fret
Dialogue: 0,0:01:03.45,0:01:04.63,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:04.63,0:01:06.89,Default,,0000,0000,0000,,or the 10th fret, 5th string root
Dialogue: 0,0:01:06.89,0:01:07.95,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:07.95,0:01:09.42,Default,,0000,0000,0000,,And you can hear this one sounds an octave higher
Dialogue: 0,0:01:09.42,0:01:11.68,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:11.68,0:01:12.87,Default,,0000,0000,0000,,but they're essentially the same chords.
Dialogue: 0,0:01:12.87,0:01:14.77,Default,,0000,0000,0000,,It wouldn't matter if it was written in the music
Dialogue: 0,0:01:14.77,0:01:16.08,Default,,0000,0000,0000,,to play one and you played the other
Dialogue: 0,0:01:16.08,0:01:18.80,Default,,0000,0000,0000,,It wouldn't matter if "that" or "that"
Dialogue: 0,0:01:18.80,0:01:20.01,Default,,0000,0000,0000,,It just sound slightly different
Dialogue: 0,0:01:20.01,0:01:21.43,Default,,0000,0000,0000,,It's up to you to choose
Dialogue: 0,0:01:21.43,0:01:23.47,Default,,0000,0000,0000,,So that's the first thing\Nthat's really important to realize
Dialogue: 0,0:01:23.47,0:01:26.55,Default,,0000,0000,0000,,that every chord, power chord, \Ncan be played in 2 different places.
Dialogue: 0,0:01:27.70,0:01:31.56,Default,,0000,0000,0000,,It also leads to a little bit of a confusion\Nas to which one
Dialogue: 0,0:01:31.56,0:01:34.00,Default,,0000,0000,0000,,are you going to choose\Nif it just says in the music to play C
Dialogue: 0,0:01:34.00,0:01:36.18,Default,,0000,0000,0000,,well, you're going to play\Nthis C, or this C
Dialogue: 0,0:01:36.67,0:01:39.76,Default,,0000,0000,0000,,There's even another one up here.\Nso which one are you going to choose?
Dialogue: 0,0:01:39.76,0:01:43.51,Default,,0000,0000,0000,,Usually, you're looking for the ones that are\Nthe easiest to get to
Dialogue: 0,0:01:43.51,0:01:46.25,Default,,0000,0000,0000,,Sometimes you might want one\Nthat is further away
Dialogue: 0,0:01:46.25,0:01:48.27,Default,,0000,0000,0000,,deliberately 'cause it's going to sound higher
Dialogue: 0,0:01:48.27,0:01:50.78,Default,,0000,0000,0000,,Or 'cause you want to get a sliding effect\Nup to it sliding effect up to it
Dialogue: 0,0:01:50.78,0:01:52.50,Default,,0000,0000,0000,,But usually you pick the nearest one
Dialogue: 0,0:01:52.50,0:01:54.11,Default,,0000,0000,0000,,Now, one of the chord progressions
Dialogue: 0,0:01:54.11,0:01:55.82,Default,,0000,0000,0000,,that we looked at in the very first one
Dialogue: 0,0:01:55.82,0:01:57.31,Default,,0000,0000,0000,,when we look at power chords
Dialogue: 0,0:01:57.31,0:01:58.31,Default,,0000,0000,0000,,with the 6th string root
Dialogue: 0,0:01:58.31,0:01:59.75,Default,,0000,0000,0000,,It was the same sequence that went
Dialogue: 0,0:01:59.75,0:02:03.79,Default,,0000,0000,0000,,F, B♭
Dialogue: 0,0:02:03.79,0:02:07.76,Default,,0000,0000,0000,,A♭ to D♭
Dialogue: 0,0:02:07.76,0:02:09.76,Default,,0000,0000,0000,,It's a very very common chord sequence, right?
Dialogue: 0,0:02:10.79,0:02:13.93,Default,,0000,0000,0000,,Now, of course jumping around that much
Dialogue: 0,0:02:13.93,0:02:15.27,Default,,0000,0000,0000,,if you are playing in a rock band
Dialogue: 0,0:02:15.27,0:02:17.12,Default,,0000,0000,0000,,and you're jumping 'round \Nand you try to check out
Dialogue: 0,0:02:17.12,0:02:19.52,Default,,0000,0000,0000,,all the hot chicks up the front\Nand bash your head around
Dialogue: 0,0:02:19.52,0:02:21.48,Default,,0000,0000,0000,,and probably swig a bottle\Nof Jack Daniels or whatever
Dialogue: 0,0:02:21.48,0:02:23.12,Default,,0000,0000,0000,,you try to do at the same time
Dialogue: 0,0:02:23.12,0:02:24.63,Default,,0000,0000,0000,,then the last thing you ought to be doing
Dialogue: 0,0:02:24.63,0:02:27.06,Default,,0000,0000,0000,,is looking at the guitar \Ntrying to shift around
Dialogue: 0,0:02:27.06,0:02:28.56,Default,,0000,0000,0000,,and get your fingers moving like that
Dialogue: 0,0:02:28.56,0:02:30.78,Default,,0000,0000,0000,,It's just not happening.\NSo, what we want to do
Dialogue: 0,0:02:30.78,0:02:33.43,Default,,0000,0000,0000,,is try to simplify that so the movements \Nthat you have to make
Dialogue: 0,0:02:33.43,0:02:35.80,Default,,0000,0000,0000,,on the neck aren't quite as big.
Dialogue: 0,0:02:35.80,0:02:40.56,Default,,0000,0000,0000,,Now the first chord sequence was F to B♭
Dialogue: 0,0:02:40.56,0:02:43.12,Default,,0000,0000,0000,,Now, that's a big jump already.\NThat's like a five-fret jump.
Dialogue: 0,0:02:43.12,0:02:47.66,Default,,0000,0000,0000,,We could also go from F to B♭
Dialogue: 0,0:02:47.66,0:02:50.39,Default,,0000,0000,0000,,and stay in the same fret\Nbecause F is in the 1st fret
Dialogue: 0,0:02:50.39,0:02:53.32,Default,,0000,0000,0000,,with the 6th string root\Nand B♭ is in the
Dialogue: 0,0:02:53.32,0:02:55.28,Default,,0000,0000,0000,,1st fret with the 5th string root
Dialogue: 0,0:02:55.28,0:02:57.81,Default,,0000,0000,0000,,so, of course, it's going to be\Na bit cooler to go
Dialogue: 0,0:02:57.81,0:02:59.25,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:59.25,0:03:00.57,Default,,0000,0000,0000,,and the next chord was
Dialogue: 0,0:03:00.57,0:03:01.78,Default,,0000,0000,0000,,A♭
Dialogue: 0,0:03:01.78,0:03:02.39,Default,,0000,0000,0000,,No getting around that
Dialogue: 0,0:03:02.39,0:03:03.42,Default,,0000,0000,0000,,you're going to have to make a jump
Dialogue: 0,0:03:03.42,0:03:05.80,Default,,0000,0000,0000,,But the next chord was D♭
Dialogue: 0,0:03:05.80,0:03:07.41,Default,,0000,0000,0000,,which is also a big five-fret jump
Dialogue: 0,0:03:07.41,0:03:09.44,Default,,0000,0000,0000,,Then we could go A♭
Dialogue: 0,0:03:09.44,0:03:10.68,Default,,0000,0000,0000,,to D♭
Dialogue: 0,0:03:10.68,0:03:11.98,Default,,0000,0000,0000,,because A♭ and D♭
Dialogue: 0,0:03:11.98,0:03:12.92,Default,,0000,0000,0000,,are in the same fret too
Dialogue: 0,0:03:12.92,0:03:14.04,Default,,0000,0000,0000,,So now we'd have
Dialogue: 0,0:03:14.04,0:03:21.46,Default,,0000,0000,0000,,F - B♭ - A♭ - D♭
Dialogue: 0,0:03:21.46,0:03:23.33,Default,,0000,0000,0000,,It's really important this, \Nthat you get the idea
Dialogue: 0,0:03:23.33,0:03:25.51,Default,,0000,0000,0000,,of trying to look as you're\Nlearning a tune
Dialogue: 0,0:03:25.51,0:03:27.06,Default,,0000,0000,0000,,especially if you're learning like
Dialogue: 0,0:03:27.06,0:03:28.53,Default,,0000,0000,0000,,tabs off the Internet or whatever
Dialogue: 0,0:03:28.53,0:03:29.58,Default,,0000,0000,0000,,where it just gives you the chord
Dialogue: 0,0:03:29.58,0:03:31.00,Default,,0000,0000,0000,,and you've got no further instruction
Dialogue: 0,0:03:31.00,0:03:32.72,Default,,0000,0000,0000,,That you really think about
Dialogue: 0,0:03:32.72,0:03:34.09,Default,,0000,0000,0000,,which chords you might use
Dialogue: 0,0:03:34.09,0:03:35.52,Default,,0000,0000,0000,,and also try and listen
Dialogue: 0,0:03:35.52,0:03:37.65,Default,,0000,0000,0000,,because it takes a little bit of practice
Dialogue: 0,0:03:37.65,0:03:38.76,Default,,0000,0000,0000,,But you can learn to hear
Dialogue: 0,0:03:38.76,0:03:40.60,Default,,0000,0000,0000,,Where a power chord might be played
Dialogue: 0,0:03:40.60,0:03:41.52,Default,,0000,0000,0000,,if it is this one
Dialogue: 0,0:03:41.52,0:03:42.12,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:42.12,0:03:42.77,Default,,0000,0000,0000,,or this one
Dialogue: 0,0:03:42.77,0:03:43.68,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:43.68,0:03:44.76,Default,,0000,0000,0000,,They sound different, right?
Dialogue: 0,0:03:44.76,0:03:46.69,Default,,0000,0000,0000,,So if you try one\Nand you try the other one
Dialogue: 0,0:03:46.69,0:03:49.12,Default,,0000,0000,0000,,you listen to a record of the song\Nthat you're trying to play
Dialogue: 0,0:03:49.12,0:03:50.56,Default,,0000,0000,0000,,you will listen to it and go
Dialogue: 0,0:03:50.56,0:03:52.16,Default,,0000,0000,0000,,"Well, that sounds like the high one"
Dialogue: 0,0:03:52.16,0:03:53.20,Default,,0000,0000,0000,,and you're probably right
Dialogue: 0,0:03:53.20,0:03:58.01,Default,,0000,0000,0000,,Remember, these little inside of head attachments\NI don't mean my hat, I mean the ears
Dialogue: 0,0:03:58.01,0:03:59.92,Default,,0000,0000,0000,,Those things are really really good
Dialogue: 0,0:03:59.92,0:04:00.96,Default,,0000,0000,0000,,at helping you play guitar
Dialogue: 0,0:04:00.96,0:04:02.12,Default,,0000,0000,0000,,because they tell the truth
Dialogue: 0,0:04:02.12,0:04:03.64,Default,,0000,0000,0000,,they say "yeah, this one sounds right" or
Dialogue: 0,0:04:03.64,0:04:04.78,Default,,0000,0000,0000,,"that one doesn't sound right"
Dialogue: 0,0:04:04.78,0:04:07.08,Default,,0000,0000,0000,,So, make sure you trust your ears
Dialogue: 0,0:04:07.08,0:04:08.36,Default,,0000,0000,0000,,that's really important
Dialogue: 0,0:04:08.36,0:04:11.02,Default,,0000,0000,0000,,So, have a little fiddle \Nabout where you play
Dialogue: 0,0:04:11.02,0:04:11.88,Default,,0000,0000,0000,,what power chords
Dialogue: 0,0:04:11.88,0:04:13.97,Default,,0000,0000,0000,,and the thing I want to explain\Nto you right now
Dialogue: 0,0:04:13.97,0:04:16.02,Default,,0000,0000,0000,,is thing called "Palm Muting", right?
Dialogue: 0,0:04:16.02,0:04:17.86,Default,,0000,0000,0000,,I'm just going to play a G power chord
Dialogue: 0,0:04:17.88,0:04:19.23,Default,,0000,0000,0000,,so "this" would be kind of normal
Dialogue: 0,0:04:19.23,0:04:22.85,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:22.85,0:04:24.51,Default,,0000,0000,0000,,that's palm muted
Dialogue: 0,0:04:24.51,0:04:27.20,Default,,0000,0000,0000,,Normal
Dialogue: 0,0:04:27.20,0:04:29.77,Default,,0000,0000,0000,,palm muted
Dialogue: 0,0:04:29.77,0:04:31.22,Default,,0000,0000,0000,,and the reason it's called a "Palm Mute"
Dialogue: 0,0:04:31.22,0:04:33.58,Default,,0000,0000,0000,,is because we are using\Nthis part of our hand
Dialogue: 0,0:04:33.58,0:04:35.77,Default,,0000,0000,0000,,the outside of your hand.\NThe bit that you might do
Dialogue: 0,0:04:35.79,0:04:38.55,Default,,0000,0000,0000,,a karate chop with\Nif you're karate chopping a–
Dialogue: 0,0:04:38.55,0:04:40.43,Default,,0000,0000,0000,,not that they really do karate chops
Dialogue: 0,0:04:40.43,0:04:42.13,Default,,0000,0000,0000,,but I think you probably know what I mean
Dialogue: 0,0:04:42.13,0:04:44.24,Default,,0000,0000,0000,,It's that little outside bit of your hand
Dialogue: 0,0:04:44.24,0:04:47.34,Default,,0000,0000,0000,,and you're going to rest that\Nright on the strings
Dialogue: 0,0:04:47.34,0:04:50.18,Default,,0000,0000,0000,,at the back of the guitar.\NJust if you look where
Dialogue: 0,0:04:50.18,0:04:54.02,Default,,0000,0000,0000,,the actual bridge is where \Nthe strings are making contact
Dialogue: 0,0:04:54.02,0:04:58.18,Default,,0000,0000,0000,,with the bridge, the saddles\Nyou're putting it right on there
Dialogue: 0,0:04:58.18,0:05:00.50,Default,,0000,0000,0000,,Just lean it forward\Na little bit so you can play
Dialogue: 0,0:05:00.50,0:05:03.07,Default,,0000,0000,0000,,your chord (♪)
Dialogue: 0,0:05:03.07,0:05:04.60,Default,,0000,0000,0000,,and you've got a palm mute effect.
Dialogue: 0,0:05:04.60,0:05:07.28,Default,,0000,0000,0000,,Now what's interesting is\Nthe further back you go
Dialogue: 0,0:05:07.29,0:05:10.90,Default,,0000,0000,0000,,Now we've got no palm mute\N'cause we're off the back of the...
Dialogue: 0,0:05:10.90,0:05:16.67,Default,,0000,0000,0000,,the palm is not touching the strings\Nas you bring it forward
Dialogue: 0,0:05:16.67,0:05:20.62,Default,,0000,0000,0000,,you get more and more muted\Nuntil you just get clicky
Dialogue: 0,0:05:20.62,0:05:23.47,Default,,0000,0000,0000,,and it doesn't make any sense\NSo, any further then, say
Dialogue: 0,0:05:23.47,0:05:27.22,Default,,0000,0000,0000,,two inches away from the bridge\Nyou don't really get a sound
Dialogue: 0,0:05:27.22,0:05:30.62,Default,,0000,0000,0000,,you just get kind of a click\NBut what you're really after there
Dialogue: 0,0:05:30.62,0:05:35.44,Default,,0000,0000,0000,,is just bringing it forward a bit\Nthat kind of a muddies it up.
Dialogue: 0,0:05:35.44,0:05:38.24,Default,,0000,0000,0000,,If you're playing Metallica or Green Day\Nor something like that
Dialogue: 0,0:05:38.24,0:05:40.47,Default,,0000,0000,0000,,That would be a really\Ncool effect to be doing
Dialogue: 0,0:05:40.47,0:05:42.25,Default,,0000,0000,0000,,especially, if you kind of play
Dialogue: 0,0:05:42.25,0:05:44.97,Default,,0000,0000,0000,,some with the palm muting
Dialogue: 0,0:05:44.97,0:05:45.77,Default,,0000,0000,0000,,some without
Dialogue: 0,0:05:45.77,0:05:53.16,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:53.16,0:05:54.18,Default,,0000,0000,0000,,That kind of thing
Dialogue: 0,0:05:54.18,0:05:57.32,Default,,0000,0000,0000,,It is really worth being able\Nto play a chord
Dialogue: 0,0:05:57.32,0:05:59.64,Default,,0000,0000,0000,,2 and 3 and 4 and
Dialogue: 0,0:05:59.64,0:06:00.81,Default,,0000,0000,0000,,So the first one
Dialogue: 0,0:06:00.81,0:06:01.97,Default,,0000,0000,0000,,open
Dialogue: 0,0:06:01.97,0:06:04.17,Default,,0000,0000,0000,,then 2 and 3 and 4 and
Dialogue: 0,0:06:04.17,0:06:05.01,Default,,0000,0000,0000,,are all muted
Dialogue: 0,0:06:05.01,0:06:13.54,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:13.54,0:06:14.78,Default,,0000,0000,0000,,Really a good technique
Dialogue: 0,0:06:14.78,0:06:16.26,Default,,0000,0000,0000,,to get used to with this thing
Dialogue: 0,0:06:16.26,0:06:17.40,Default,,0000,0000,0000,,where you're resting it on the guitar
Dialogue: 0,0:06:17.40,0:06:19.89,Default,,0000,0000,0000,,it does make it sound kind of heavy
Dialogue: 0,0:06:19.89,0:06:20.97,Default,,0000,0000,0000,,especially with a lot of distortion
Dialogue: 0,0:06:20.97,0:06:23.44,Default,,0000,0000,0000,,it gives that rock-metal sound
Dialogue: 0,0:06:23.44,0:06:25.13,Default,,0000,0000,0000,,but it also sounds cool
Dialogue: 0,0:06:25.13,0:06:26.02,Default,,0000,0000,0000,,with the blues
Dialogue: 0,0:06:26.02,0:06:27.27,Default,,0000,0000,0000,,If we think back to our regular
Dialogue: 0,0:06:27.27,0:06:28.30,Default,,0000,0000,0000,,12-bar blues rhythm
Dialogue: 0,0:06:28.30,0:06:33.26,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:33.26,0:06:34.26,Default,,0000,0000,0000,,we add a little bit of palm mute
Dialogue: 0,0:06:34.26,0:06:36.31,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:36.31,0:06:37.98,Default,,0000,0000,0000,,sounds pretty cool, I reckon like that
Dialogue: 0,0:06:37.98,0:06:39.63,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:39.63,0:06:43.34,Default,,0000,0000,0000,,No palm mute
Dialogue: 0,0:06:43.34,0:06:47.71,Default,,0000,0000,0000,,with the palm mute back on
Dialogue: 0,0:06:47.71,0:06:49.93,Default,,0000,0000,0000,,It is definitely something that\Nyou want to check out there
Dialogue: 0,0:06:49.93,0:06:51.84,Default,,0000,0000,0000,,A little bit of palm mute\Non your 12-bar blues
Dialogue: 0,0:06:51.84,0:06:52.59,Default,,0000,0000,0000,,always sounds good
Dialogue: 0,0:06:52.59,0:06:57.02,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:57.02,0:06:59.50,Default,,0000,0000,0000,,so have a little bit of an experiment\Nwith this palm mute
Dialogue: 0,0:06:59.50,0:07:01.08,Default,,0000,0000,0000,,See if you can learn to listen to it
Dialogue: 0,0:07:01.08,0:07:02.52,Default,,0000,0000,0000,,so when you are listening to a track
Dialogue: 0,0:07:02.52,0:07:04.26,Default,,0000,0000,0000,,that you're trying to play\Nand you've got the tab out
Dialogue: 0,0:07:04.26,0:07:05.54,Default,,0000,0000,0000,,whatever and you're trying to figure it out
Dialogue: 0,0:07:05.54,0:07:07.34,Default,,0000,0000,0000,,or, even better, you're transcribing
Dialogue: 0,0:07:07.34,0:07:09.52,Default,,0000,0000,0000,,a song by yourself, just use your ears
Dialogue: 0,0:07:09.52,0:07:11.98,Default,,0000,0000,0000,,and try and hear "Oh, is he using\Nany palm mute there, or not?"
Dialogue: 0,0:07:11.98,0:07:13.55,Default,,0000,0000,0000,,and then, as you get used to it
Dialogue: 0,0:07:13.55,0:07:15.37,Default,,0000,0000,0000,,you hear it more and you've played it more
Dialogue: 0,0:07:15.37,0:07:17.09,Default,,0000,0000,0000,,you will start to recognize it\Npretty quickly
Dialogue: 0,0:07:17.09,0:07:18.89,Default,,0000,0000,0000,,and be able to use it whenever you like
Dialogue: 0,0:07:18.89,0:07:20.28,Default,,0000,0000,0000,,So, I hope you've enjoyed that
Dialogue: 0,0:07:20.28,0:07:22.22,Default,,0000,0000,0000,,and I'll see you for another lesson
Dialogue: 0,0:07:22.22,0:07:23.54,Default,,0000,0000,0000,,sometime really soon
Dialogue: 0,0:07:23.54,0:07:24.05,Default,,0000,0000,0000,,Take care!
Dialogue: 0,0:07:24.05,0:07:24.70,Default,,0000,0000,0000,,Bye-bye