0:00:17.456,0:00:19.434 How you doing? Justin here 0:00:19.434,0:00:20.892 In this lesson today we're 0:00:20.892,0:00:22.282 going to check out mini 0:00:22.282,0:00:24.227 sweep picking arpeggios. 0:00:24.227,0:00:25.253 Now a lot of you guys 0:00:25.253,0:00:26.500 have been asking 0:00:26.500,0:00:27.453 for sweep picking lessons. 0:00:27.453,0:00:28.406 I'm not really very good 0:00:28.406,0:00:29.360 at doing the proper big really very good 0:00:29.360,0:00:31.562 sweep picking. I am practicing right now, 0:00:31.562,0:00:33.018 so maybe in the future, I'll get good 0:00:33.018,0:00:34.593 enough to teach you lads, but right now, 0:00:34.593,0:00:36.761 I'm not. Now, little mini sweep picking, 0:00:36.761,0:00:38.424 like what I'm going to show you now is the 0:00:38.424,0:00:40.086 same technique and by practicing this it 0:00:40.086,0:00:42.596 will help you to develop your proper big 0:00:42.596,0:00:44.384 full sweep picking patterns, if that's 0:00:44.384,0:00:46.481 what you want. The reason I never really 0:00:46.481,0:00:48.156 got good at the big ones is because I find 0:00:48.156,0:00:50.701 them difficult to use [br]because they're so big. 0:00:50.701,0:00:52.470 You have to kind of play, stop for a bit, 0:00:52.470,0:00:54.639 then go in to a big sweep, and then get 0:00:54.639,0:00:56.420 into whatever else, whatever 0:00:56.420,0:00:57.420 licks you'replaying. 0:00:57.420,0:00:58.525 Whereas these little mini ones 0:00:58.525,0:01:01.048 are easier to use and really good to get 0:01:01.048,0:01:04.137 lots of variations of them, so you're able 0:01:04.137,0:01:06.113 to use them in lots of different[br]circumstances 0:01:06.113,0:01:08.685 be they rock, metal, Jazz whatever you [br]like. 0:01:08.685,0:01:10.669 So, uhm, lets get to a close up. We're 0:01:10.669,0:01:12.316 going to be doing all of these ones in the 0:01:12.316,0:01:14.109 key of A minor. We're just going to be 0:01:14.109,0:01:20.562 learning a really basic little shape. 0:01:20.562,0:01:21.836 I'm going to show you how to do some 0:01:21.836,0:01:23.174 variations of that. And I'm going to 0:01:23.174,0:01:30.799 show you how to link it to this other one. 0:01:30.799,0:01:32.364 So you can just play the kind of lick that 0:01:32.364,0:01:33.867 I just played there at the start. So, 0:01:33.867,0:01:38.793 Let's get to a close up look at the left [br]hand. 0:01:38.793,0:01:40.799 Don't worry about the picking for now 0:01:40.799,0:01:42.443 We're just looking at the notes. 0:01:42.443,0:01:47.703 We've got here the 12th fret on the 3rd[br]string, 1st finger 0:01:47.703,0:01:51.216 14th fret, 3 rd finger 0:01:51.216,0:01:55.667 13 th fret, second finger, on the B[br]string 0:01:55.667,0:01:59.329 1st finger on the 12th fret of the inner[br]string 0:01:59.329,0:02:12.180 And little finger on the 15th fret of the [br]finish string 0:02:12.180,0:02:13.525 What I'd recommend is that you spend a 0:02:13.525,0:02:16.010 bit of time just playing this now, over 0:02:16.010,0:02:18.000 and over again. Don't worry about the 0:02:18.000,0:02:19.832 picking, don't start to try and sweep 0:02:19.832,0:02:23.414 just get the notes under your fingers. 0:02:23.414,0:02:25.051 So your fingers know what they're doing 0:02:25.051,0:02:26.367 In a second, we're going to have to [br]concentrate 0:02:26.367,0:02:27.893 on the other hand, and you can't 0:02:27.893,0:02:30.090 concentrate on two things at once. 0:02:30.090,0:02:32.630 Ok. Now we're looking at the sweeping [br]part. 0:02:32.630,0:02:34.558 So checking out here, we've got the same 0:02:34.558,0:02:36.290 pattern all of the time now. We're gonna 0:02:36.290,0:02:38.018 be doing this. Down. 0:02:38.018,0:02:38.983 Hammer. 0:02:38.983,0:02:39.988 Down. 0:02:39.988,0:02:41.087 Down. 0:02:41.087,0:02:41.950 Up. 0:02:41.950,0:02:42.982 Flick off. 0:02:42.982,0:02:43.896 Up 0:02:43.896,0:02:44.847 Up. 0:02:44.847,0:02:45.724 Down 0:02:45.724,0:02:46.553 Hammer. 0:02:46.553,0:02:47.569 Down. 0:02:47.569,0:02:48.371 Down. 0:02:48.371,0:02:49.328 Up. 0:02:49.328,0:02:50.138 Flick off. 0:02:50.138,0:02:51.092 Up. 0:02:51.092,0:02:51.901 Up. 0:02:51.901,0:02:52.747 Down 0:02:52.747,0:02:53.503 Hammer 0:02:53.503,0:02:54.353 Down. 0:02:54.353,0:02:54.868 Down. 0:02:54.868,0:02:55.508 Up. 0:02:55.508,0:02:56.176 Flick off. 0:02:56.176,0:02:56.943 Up. 0:02:56.943,0:03:06.318 Up. 0:03:06.318,0:03:07.842 What you're after here, is trying to get 0:03:07.842,0:03:10.613 the pick to move nice and slowly and 0:03:10.613,0:03:12.948 evenly through the strings. Not like 0:03:12.948,0:03:14.262 doing a separate down pick and an up pick 0:03:14.262,0:03:15.614 for each one. That would be wrong. 0:03:15.614,0:03:36.049 Try and get it to just kind of glide [br]through. 0:03:36.049,0:03:40.716 You see eventually it's just like a little 0:03:40.716,0:03:50.049 to making that motion. 0:03:50.049,0:03:50.981 It's just making that one little 0:03:50.981,0:03:53.090 sweeping movement. 0:03:53.090,0:03:55.154 As with most things on the guitar. 0:03:55.154,0:03:57.093 If you want to play them fast, the trick 0:03:57.093,0:03:59.416 is to practice really slowly a lot. 0:03:59.416,0:04:01.985 And gradually build the speed up. 0:04:01.985,0:04:04.528 And this kind of sweep picking is no [br]different 0:04:04.528,0:04:06.100 However, there does come a point where 0:04:06.100,0:04:08.111 you have to try to get the actual flow of 0:04:08.111,0:04:09.916 the sweep working. And it never really 0:04:09.916,0:04:11.897 works until you just go for it. 0:04:11.897,0:04:13.891 So, what I'd really recommend that you do 0:04:13.891,0:04:16.491 is practice doing that one pattern really 0:04:16.491,0:04:20.685 really slowly a lot. 0:04:20.685,0:04:26.866 I mean slowly like... 0:04:26.866,0:04:31.045 That kind of speed, maybe even slower. 0:04:31.045,0:04:32.764 Just really watch your pick hand, 0:04:32.764,0:04:35.220 try and get that motion to be really [br]smooth. 0:04:35.220,0:04:37.012 Practice it like that for a half an hour 0:04:37.012,0:04:38.797 or an hour or something, you know. 0:04:38.797,0:04:41.125 If you don't practice that long, 15 mins 0:04:41.125,0:04:43.463 every day for a week or two. Just really 0:04:43.463,0:04:45.614 try and get that motion so it's really 0:04:45.614,0:04:48.584 smooth and flowing together properly, and 0:04:48.584,0:04:50.461 then every now and again, have a little 0:04:50.461,0:04:53.726 burst and see if you can do it really[br]quick. 0:04:53.726,0:04:56.841 It's kind of, you have to have done it 0:04:56.841,0:04:58.526 slowly enough times otherwise the muscle 0:04:58.526,0:05:00.073 memory won't be there. 0:05:00.073,0:05:01.473 But you will find that if you've practice 0:05:01.473,0:05:03.349 it slowly enough, there will come a point 0:05:03.349,0:05:05.080 where you just suddenly start doing it, 0:05:05.080,0:05:06.875 and the picking will just flow. 0:05:06.875,0:05:08.075 And that's essentially what you're looking[br] 0:05:08.075,0:05:10.888 for, for any of these kind of these common 0:05:10.888,0:05:14.949 or sweep picking kind of techniques. 0:05:14.949,0:05:16.606 Now as I mentioned before, there are a lot 0:05:16.606,0:05:19.839 of different ways of exploring this idea. 0:05:19.839,0:05:21.905 Now we've just looked at an A minor [br]arpeggio. 0:05:21.905,0:05:23.870 I'm just going to show you up close now, 0:05:23.870,0:05:26.357 a couple of ways of exploring that one [br]shape. 0:05:26.357,0:05:27.776 If you go, through a little bit more 0:05:27.776,0:05:29.084 advanced, you might want to try playing 0:05:29.084,0:05:30.354 around with some of these ideas 0:05:30.354,0:05:32.226 Let's go to a close up, and look at some 0:05:32.226,0:05:35.275 variations that use the same technique in 0:05:35.275,0:05:37.216 the same pattern, but slightly different 0:05:37.216,0:05:39.740 finger combinations. 0:05:39.740,0:05:41.511 So the one we looked at already was this 0:05:41.511,0:05:47.344 nice simple A minor 7 arpeggio. 0:05:47.344,0:05:49.020 Couple of nice little variations that you 0:05:49.020,0:05:51.211 might want to try. One is to turn it into 0:05:51.211,0:05:57.157 a minor 7 flat 5 arpeggio. Exactly 0:05:57.157,0:06:00.757 the same notes, but this first finger drop 0:06:00.757,0:06:08.881 down to the 11th fret. 0:06:08.881,0:06:19.725 Now this would work, over an F chord. 0:06:19.725,0:06:24.491 Cause really it's a minor 7 flat 5. 0:06:24.491,0:06:26.436 Which works out as being an F9, and so, 0:06:26.436,0:06:33.048 that's our first funky one to check out. 0:06:33.048,0:06:35.424 Now you could always use this same shape 0:06:35.424,0:06:41.971 for a diminished arpeggio. 0:06:41.971,0:06:50.363 Yeah, 12, 15, 14, 12, 15. 0:06:50.363,0:06:52.398 Any of you guys into ?? would know that 0:06:52.398,0:06:56.139 one already. 0:06:56.139,0:06:58.701 And this one moves around in thirds, so 0:06:58.701,0:07:01.856 whatever the finger was at the end, here 0:07:01.856,0:07:09.983 down three frets. Goes down three frets [br]again. 0:07:09.983,0:07:14.604 And down 3 frets again. And that's where 0:07:14.604,0:07:20.652 you get a lot of those heavier metal licks 0:07:20.652,0:07:33.908 So a lick like that... 0:07:33.908,0:07:37.784 Down, hammer, down, down, up flick off 0:07:37.784,0:07:42.674 up, up, down, slide, hammer, down, down, 0:07:42.674,0:07:46.494 up, flick off, up, up, down. 0:07:46.544,0:07:49.254 Slide, hammer, down, down, 0:07:49.254,0:07:52.254 Up, flick off, up, up, down, down 0:08:04.564,0:08:06.437 Ok, so far we've only been looking at 0:08:06.437,0:08:08.912 the finished 3 strings, but if we just 0:08:08.912,0:08:10.620 take that simple minor 7 arpeggio that 0:08:10.620,0:08:14.544 we've been looking at already in A, and 0:08:14.544,0:08:20.552 move it over to the next 3 strings, 0:08:20.552,0:08:30.808 We end up with the middle part of an E7[br]arpeggio 0:08:30.808,0:08:32.080 Which is of course useful to think of it 0:08:32.080,0:08:34.045 that way. You could also come up with 0:08:34.045,0:08:36.236 arpeggios on the next 3 strings using the 0:08:36.236,0:08:43.974 5th, 4th and 3rd string. This was one 0:08:43.974,0:08:45.915 that I was using in the beginning. That 0:08:45.915,0:08:51.743 first lick I played you here. 0:08:51.743,0:08:53.813 This is an A minor 6 arpeggio. We're 0:08:53.813,0:08:55.258 starting on the note F sharp, but 0:08:55.258,0:09:06.493 the 9th fret, 12, 10, 9, 12. 0:09:06.493,0:09:09.057 And what I really like about this shape is 0:09:09.057,0:09:10.093 that it joins onto the other one we've got 0:09:10.093,0:09:13.142 if we go down, up, hammer, down, down, 0:09:13.142,0:09:15.516 slide, hammer,down, down, now we're into 0:09:15.516,0:09:19.477 that middle one. 0:09:19.477,0:09:44.113 We can use the little slide 0:09:44.113,0:09:45.627 I hope you've enjoyed a look at these 0:09:45.627,0:09:48.241 mini sweep picking arpeggios. They're 0:09:48.241,0:09:50.417 a lot of fun, they're very useful because 0:09:50.417,0:09:51.669 they're like a little bite size chunk. 0:09:51.669,0:09:52.844 You shouldn't have to much trouble 0:09:52.844,0:09:54.496 working them into your playing, 0:09:54.496,0:09:56.292 and that's kind of the point now. 0:09:56.292,0:09:57.607 Once you've learned the shape, you have 0:09:57.607,0:09:59.065 to try to work out how you're going to get 0:09:59.065,0:10:01.685 into it. Uhm, it's always the hardest[br]thing. 0:10:01.685,0:10:03.017 The starting and finishing with these 0:10:03.017,0:10:05.504 things because they usually tend to sound 0:10:05.504,0:10:07.277 like you kind of playing away. Doing 0:10:07.277,0:10:08.794 your licks or whatever and then suddenly 0:10:08.794,0:10:10.463 you stop and suddenly go into a sweep pick 0:10:10.463,0:10:12.426 and then you stop again and do something [br]else. 0:10:12.426,0:10:13.547 It always tends to sound a bit lame. 0:10:13.547,0:10:15.473 The guys who do it really good are the 0:10:15.473,0:10:16.978 guys that just kind of effortlessly flow 0:10:16.978,0:10:18.593 into these monster licks and then they 0:10:18.593,0:10:20.009 flow out again. 0:10:20.009,0:10:21.938 I must admit, I must be honest here, I 0:10:21.938,0:10:23.588 have a lot of trouble doing that, you know 0:10:23.588,0:10:25.958 I'm not really good at that really fast 0:10:25.958,0:10:28.296 technical kind of stuff. That's why it's 0:10:28.296,0:10:30.816 taken me so long to give you guys a lesson[br]on it. 0:10:30.816,0:10:33.823 Because I don't like teaching stuff I 0:10:33.823,0:10:34.889 can't do very well. But, I made a bit of 0:10:34.889,0:10:36.969 an exception here. This is a really good 0:10:36.969,0:10:38.095 fun thing to do, you know. 0:10:38.095,0:10:39.927 And it's quite a usable little trick. 0:10:39.927,0:10:41.653 I think a lot more usable than the really 0:10:41.653,0:10:44.248 big sweeping shapes, and uh, I think with 0:10:44.248,0:10:45.897 a little bit of practice you'll be able 0:10:45.897,0:10:47.781 to tear these up all over the finger board 0:10:47.781,0:10:49.195 At least I hope so. 0:10:49.195,0:10:50.178 I hope you enjoyed that. 0:10:50.178,0:10:50.925 Take care of yourselves. 0:10:50.925,0:10:52.391 Plenty more advice and some more hints on 0:10:52.391,0:10:54.382 how to use this stuff on the webpage. 0:10:54.382,0:10:56.260 Just look it up in the index. 0:10:56.260,0:10:58.477 of course, on the website justinguitar.com 0:10:58.477,0:11:00.957 I'll see you for another lesson real soon. 0:11:00.957,0:11:02.503 Take care of yourselves, bye bye.