[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:05.00,0:00:06.41,Default,,0000,0000,0000,,Hey how you doing.
Dialogue: 0,0:00:06.41,0:00:08.40,Default,,0000,0000,0000,,Justin here for another\Nukulele lesson for you.
Dialogue: 0,0:00:08.40,0:00:11.69,Default,,0000,0000,0000,,and today we are checking out \Nshape one of the
Dialogue: 0,0:00:11.69,0:00:13.19,Default,,0000,0000,0000,,moveable chords.
Dialogue: 0,0:00:13.19,0:00:15.99,Default,,0000,0000,0000,,Okay, so. Hopefully by this \Nstage you're really hip with all of
Dialogue: 0,0:00:15.99,0:00:19.16,Default,,0000,0000,0000,,the open chord shapes on the uke that\Nwe've covered so far in the course.
Dialogue: 0,0:00:19.16,0:00:22.12,Default,,0000,0000,0000,,And now we're going to look at the \Nchord shapes that move
Dialogue: 0,0:00:22.12,0:00:23.51,Default,,0000,0000,0000,,up and down the neck.
Dialogue: 0,0:00:23.51,0:00:26.20,Default,,0000,0000,0000,,Okay, and this particular one \Nthat we're looking at today
Dialogue: 0,0:00:26.20,0:00:27.67,Default,,0000,0000,0000,,I've called shape one.
Dialogue: 0,0:00:27.67,0:00:31.85,Default,,0000,0000,0000,,Now, the root note for that \Nis on the first string. Okay?
Dialogue: 0,0:00:31.85,0:00:35.52,Default,,0000,0000,0000,,The one that start with the note A. Okay?
Dialogue: 0,0:00:35.52,0:00:40.17,Default,,0000,0000,0000,,So, you need to be familiar \Nwith the notes on the first string.
Dialogue: 0,0:00:40.17,0:00:43.74,Default,,0000,0000,0000,,Okay? Particularly the ones kind of \Nearly on from the nut,
Dialogue: 0,0:00:43.74,0:00:46.98,Default,,0000,0000,0000,,say the first 5/6 frets particularly. Ok?
Dialogue: 0,0:00:46.98,0:00:48.40,Default,,0000,0000,0000,,So let's get to a close up.
Dialogue: 0,0:00:48.40,0:00:50.67,Default,,0000,0000,0000,,Check out this chord and \Nwhat the root note is,
Dialogue: 0,0:00:50.67,0:00:53.97,Default,,0000,0000,0000,,and see if we can't change the chords \Naround a little bit.
Dialogue: 0,0:00:54.21,0:00:58.43,Default,,0000,0000,0000,,Okay, Here we are with the first of our\Nmoveable chord shapes ...
Dialogue: 0,0:00:58.43,0:00:59.74,Default,,0000,0000,0000,,for the ukulele.
Dialogue: 0,0:00:59.74,0:01:01.80,Default,,0000,0000,0000,,This one I call Shape One.
Dialogue: 0,0:01:02.09,0:01:04.92,Default,,0000,0000,0000,,We're going to start with the \Nthird finger
Dialogue: 0,0:01:04.92,0:01:07.51,Default,,0000,0000,0000,,on the fourth fret of the fourth string.
Dialogue: 0,0:01:07.51,0:01:11.84,Default,,0000,0000,0000,,Then we put the second finger down \Nin the third fret of the third string,
Dialogue: 0,0:01:11.84,0:01:16.52,Default,,0000,0000,0000,,and we use our 1st finger\Nto cover 2 strings in the 2nd fret.
Dialogue: 0,0:01:16.52,0:01:20.11,Default,,0000,0000,0000,,That'll be the 1st string and\Nthe 2nd string on the 2nd fret.
Dialogue: 0,0:01:20.11,0:01:23.69,Default,,0000,0000,0000,,Some people prefer to put the fingers\Ndown in order, so 1st finger 1st,
Dialogue: 0,0:01:23.69,0:01:27.34,Default,,0000,0000,0000,,doing a little mini-barré there,\N2nd finger down on the 3rd fret
Dialogue: 0,0:01:27.34,0:01:31.81,Default,,0000,0000,0000,,of the 3rd string, 3rd finger\Ndown on the 4th fret of the 4th string.
Dialogue: 0,0:01:31.81,0:01:33.90,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:33.90,0:01:35.06,Default,,0000,0000,0000,,That's what it sounds like.
Dialogue: 0,0:01:35.06,0:01:36.62,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:36.62,0:01:40.22,Default,,0000,0000,0000,,For those of you who're curious where it\Ncomes from, if you remember our A chord,
Dialogue: 0,0:01:40.22,0:01:40.100,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:41.00,0:01:43.62,Default,,0000,0000,0000,,Open chord, we've re-fingered that\Nusing strings 2 and 3,
Dialogue: 0,0:01:43.62,0:01:47.28,Default,,0000,0000,0000,,if we move that up one fret and then our\N1st finger replaces the nut,
Dialogue: 0,0:01:47.28,0:01:48.27,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:48.27,0:01:50.97,Default,,0000,0000,0000,,That's where we've got it!\NSo, that's (♪) A chord,
Dialogue: 0,0:01:50.97,0:01:59.65,Default,,0000,0000,0000,,Up one fret from A chord would be\NA sharp (♪), up one more would be B (♪)
Dialogue: 0,0:01:59.65,0:02:02.94,Default,,0000,0000,0000,,And here is our root note.\NSo, that was the note A.
Dialogue: 0,0:02:02.94,0:02:04.06,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:04.06,0:02:11.12,Default,,0000,0000,0000,,If we wanted to play a B chord,\N- A, A#, B - (♪)
Dialogue: 0,0:02:11.12,0:02:13.42,Default,,0000,0000,0000,,There's B, (♪),-\NB chord!
Dialogue: 0,0:02:13.42,0:02:16.47,Default,,0000,0000,0000,,What would it be if we move it up\None more fret? (♪)
Dialogue: 0,0:02:16.47,0:02:20.09,Default,,0000,0000,0000,,What's this note here? (♪)\N3rd fret of the thinnest string.
Dialogue: 0,0:02:20.09,0:02:26.62,Default,,0000,0000,0000,,That would be the note C (♪)\NSo that would be a C chord (♪)
Dialogue: 0,0:02:26.62,0:02:29.41,Default,,0000,0000,0000,,We already got a C chord like that.\NBut we can play it ( ♪)
Dialogue: 0,0:02:29.41,0:02:30.100,Default,,0000,0000,0000,,It's another way of playing a C chord now, \N
Dialogue: 0,0:02:31.01,0:02:33.57,Default,,0000,0000,0000,,so, we could do that (♪), way, or that way (♪)
Dialogue: 0,0:02:33.57,0:02:36.90,Default,,0000,0000,0000,,Same chord. You can hear it sounds\Nslightly different, but it's essentially
Dialogue: 0,0:02:36.90,0:02:44.62,Default,,0000,0000,0000,,the same chord. Anyone figure out where\Nwe'd put it if we wanted to play a D# chord?
Dialogue: 0,0:02:44.62,0:02:52.76,Default,,0000,0000,0000,,Think about it! So, we had an A there,\NA#, B, C, C#, D, D#
Dialogue: 0,0:02:52.76,0:02:59.72,Default,,0000,0000,0000,,Right up on the 6th fret (♪)\NThat's how we'd get our D# chord (♪)
Dialogue: 0,0:02:59.72,0:03:01.04,Default,,0000,0000,0000,,Okay, so, make sure you get that!
Dialogue: 0,0:03:01.04,0:03:07.88,Default,,0000,0000,0000,,So we've got A,- would be the open chord,-\Nup one, A sharp/B flat, up another one B.
Dialogue: 0,0:03:07.88,0:03:16.52,Default,,0000,0000,0000,,C, C sharp/D flat, D, D sharp/E flat, E.
Dialogue: 0,0:03:16.52,0:03:20.72,Default,,0000,0000,0000,,Okay, so it's a moveable chord shape.
Dialogue: 0,0:03:20.72,0:03:23.71,Default,,0000,0000,0000,,Very-very cool little idea, you'll learn\Nlots of different chords this way.
Dialogue: 0,0:03:23.71,0:03:28.84,Default,,0000,0000,0000,,So, it get's cooler. 'cause that's the\Nmajor chord, ok? If I move it back to B.
Dialogue: 0,0:03:28.84,0:03:30.90,Default,,0000,0000,0000,,So, 1st finger's in the 2nd fret.
Dialogue: 0,0:03:30.90,0:03:31.88,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:31.88,0:03:35.46,Default,,0000,0000,0000,,That's the major chord.\NIf we take off the 2nd finger,
Dialogue: 0,0:03:35.46,0:03:37.90,Default,,0000,0000,0000,,and move the bar over, so it's covering now\N
Dialogue: 0,0:03:37.90,0:03:43.11,Default,,0000,0000,0000,,3 strings, so we've got:\N4th fret, 2nd fret, 2nd fret, 2nd fret.
Dialogue: 0,0:03:43.11,0:03:46.85,Default,,0000,0000,0000,,Now I'm kind of moving my 2nd finger\Nother way, so you can see, I'd normally
Dialogue: 0,0:03:46.85,0:03:53.88,Default,,0000,0000,0000,,just leave it hanging around.\NOkay, so 4th fret, 2nd, 2nd, 2nd
Dialogue: 0,0:03:53.88,0:03:57.02,Default,,0000,0000,0000,,That would be a B minor chord.
Dialogue: 0,0:03:57.02,0:04:02.36,Default,,0000,0000,0000,,Ok? So, major..minor...ok?
Dialogue: 0,0:04:02.36,0:04:04.30,Default,,0000,0000,0000,,Now, the same idea just moves around.
Dialogue: 0,0:04:04.30,0:04:08.91,Default,,0000,0000,0000,,So, if we wanted to say, \Ntake it up to a D chord at the 5th fret,
Dialogue: 0,0:04:08.91,0:04:13.88,Default,,0000,0000,0000,,that'll be a D major chord.\NThat'll be a D minor.
Dialogue: 0,0:04:13.88,0:04:19.11,Default,,0000,0000,0000,,Ok? Major...minor...major...minor...
Dialogue: 0,0:04:19.11,0:04:24.12,Default,,0000,0000,0000,,Ok? So, if I wanted you to play a\NB flat minor chord, you'd start with A,
Dialogue: 0,0:04:24.13,0:04:29.27,Default,,0000,0000,0000,,find the root note first, so that'd be A, \NA#/ B flat,- ok, there's the root note,
Dialogue: 0,0:04:29.28,0:04:32.02,Default,,0000,0000,0000,,now, we know, that was the major shape,\Noh, there's the minor shape!
Dialogue: 0,0:04:32.02,0:04:34.30,Default,,0000,0000,0000,,There's B flat minor (♪)
Dialogue: 0,0:04:34.30,0:04:37.88,Default,,0000,0000,0000,,What, if we wanted to play a D flat minor?
Dialogue: 0,0:04:37.88,0:04:46.60,Default,,0000,0000,0000,,Ok, 1st of all, you find where the D is,\Nso, A, A sharp, B, C, C sharp, D,
Dialogue: 0,0:04:46.60,0:04:52.16,Default,,0000,0000,0000,,Then we want a D flat,- we said,\ND flat minor, so, D, flat, we put down the shape
Dialogue: 0,0:04:52.16,0:04:57.71,Default,,0000,0000,0000,,and we want D flat minor.\NSo, we'd use that shape (♪) - Ok?
Dialogue: 0,0:04:57.71,0:05:00.11,Default,,0000,0000,0000,,If you're really clever, you could 've gone\Nstraight to the D flat, there, and then
Dialogue: 0,0:05:00.11,0:05:05.33,Default,,0000,0000,0000,,put down the minor grip - ok?\NSo, a really good exercise is to try
Dialogue: 0,0:05:05.33,0:05:11.00,Default,,0000,0000,0000,,playing a few songs, just using these shapes.\NSee, if you can find some tunes that
Dialogue: 0,0:05:11.00,0:05:19.35,Default,,0000,0000,0000,,are just using these (♪)
Dialogue: 0,0:05:19.35,0:05:22.36,Default,,0000,0000,0000,,Ok? there's all sorts of different little\Nthings that you can find that're just using
Dialogue: 0,0:05:22.36,0:05:25.29,Default,,0000,0000,0000,,these one-shape kinda grips moving around.
Dialogue: 0,0:05:25.29,0:05:29.05,Default,,0000,0000,0000,,Ok, so, we've looked at major, and minor,
Dialogue: 0,0:05:29.05,0:05:33.33,Default,,0000,0000,0000,,There's also another really cool one\Nwhich is dominant 7 (♪)
Dialogue: 0,0:05:33.33,0:05:38.30,Default,,0000,0000,0000,,Ok? So, we're just barring the whole neck now.\NOk? So, this is more like a proper barré chord
Dialogue: 0,0:05:38.30,0:05:42.54,Default,,0000,0000,0000,,that we'd have on guitar; covering all\N4 strings with the 1st finger,
Dialogue: 0,0:05:42.54,0:05:47.86,Default,,0000,0000,0000,,and then we add the 2nd finger\Nin the 3rd fret of the 3rd string.
Dialogue: 0,0:05:47.86,0:05:49.27,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:49.27,0:05:51.53,Default,,0000,0000,0000,,2-3-2-2
Dialogue: 0,0:05:51.53,0:05:54.08,Default,,0000,0000,0000,,Root note's still here, this would be a B7.
Dialogue: 0,0:05:54.08,0:05:58.14,Default,,0000,0000,0000,,♪
Dialogue: 0,0:05:58.14,0:06:03.89,Default,,0000,0000,0000,,If we wanted a D7:\Nok, find B, C, C sharp, D.
Dialogue: 0,0:06:03.89,0:06:04.84,Default,,0000,0000,0000,,Put the shape down!
Dialogue: 0,0:06:04.84,0:06:07.34,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:07.34,0:06:10.03,Default,,0000,0000,0000,,Ok? it's really important that you\Nget used to this idea of finding
Dialogue: 0,0:06:10.03,0:06:14.39,Default,,0000,0000,0000,,the root note on the thinnest string and\Nthen putting down the appropriate shape.
Dialogue: 0,0:06:14.40,0:06:18.12,Default,,0000,0000,0000,,Either major, minor, or 7.\N
Dialogue: 0,0:06:19.70,0:06:22.94,Default,,0000,0000,0000,,It's very likely, that learning these \Nmoveable shapes on the uke are
Dialogue: 0,0:06:22.94,0:06:26.21,Default,,0000,0000,0000,,a little bit more challenging then\Nthe regular open chords and require
Dialogue: 0,0:06:26.22,0:06:29.08,Default,,0000,0000,0000,,a little bit more finger strength,\Nbut it's just practice!
Dialogue: 0,0:06:29.08,0:06:32.100,Default,,0000,0000,0000,,Particularly on ukulele, the fact that\Nstrings are nice and soft and you don't
Dialogue: 0,0:06:32.100,0:06:36.52,Default,,0000,0000,0000,,usually have to press'em down too hard, \Nshould make it relatively easy.
Dialogue: 0,0:06:36.52,0:06:39.21,Default,,0000,0000,0000,,It's definitely not as difficult as learning\Nbarré chords on the guitar.
Dialogue: 0,0:06:39.21,0:06:42.97,Default,,0000,0000,0000,,The big deal is, making sure that you know\Nthose root notes. 'Cause without knowing the
Dialogue: 0,0:06:42.98,0:06:45.02,Default,,0000,0000,0000,,root notes, the notes on that thinnest string,
Dialogue: 0,0:06:45.02,0:06:47.52,Default,,0000,0000,0000,,you're not gonna be able to use these shapes.
Dialogue: 0,0:06:47.52,0:06:51.34,Default,,0000,0000,0000,,But what this has done, in case you hadn't realised,-\Nis given you a whole lotta chords.
Dialogue: 0,0:06:51.34,0:06:56.41,Default,,0000,0000,0000,,You've got 3 chords on each different fret\Nthat you know know, a maj. chord, a min.chord\N
Dialogue: 0,0:06:56.41,0:07:00.06,Default,,0000,0000,0000,,and a dominant 7th on every fret,\Nall the way up, as far as you can get\N
Dialogue: 0,0:07:00.06,0:07:03.44,Default,,0000,0000,0000,,your fingers still in the frets - ok?\NThat's a whole lot of chords.
Dialogue: 0,0:07:03.44,0:07:07.61,Default,,0000,0000,0000,,I don't know exactly how many, but a LOT.\NDepends on, I guess, how far up the neck
Dialogue: 0,0:07:07.61,0:07:10.74,Default,,0000,0000,0000,,you feel like you can get to.\NBut this gives you access now to
Dialogue: 0,0:07:10.74,0:07:16.32,Default,,0000,0000,0000,,all of those chords that you couldn't\Nplay before. if you see C#min. or E flat7
Dialogue: 0,0:07:16.32,0:07:19.15,Default,,0000,0000,0000,,or whatever, these kind of chords that you\Nmight not have been able to play in an
Dialogue: 0,0:07:19.15,0:07:22.36,Default,,0000,0000,0000,,open position, you can now play them\Nusing this shape one.
Dialogue: 0,0:07:22.36,0:07:26.28,Default,,0000,0000,0000,,There's five shapes alltogether.\NBut this particular shape is the one that
Dialogue: 0,0:07:26.28,0:07:30.37,Default,,0000,0000,0000,,I recommend you spend quite a bit of time\Nwith first-ok? And it's got that root note
Dialogue: 0,0:07:30.37,0:07:33.62,Default,,0000,0000,0000,,on the thinnest string, which is in\Nsome instances is the easiest string
Dialogue: 0,0:07:33.62,0:07:38.12,Default,,0000,0000,0000,,to remember the note names of - ok?\NSo, get to grips with that solidly first,
Dialogue: 0,0:07:38.12,0:07:41.12,Default,,0000,0000,0000,,before you even think about learning\Nmore shapes, but when you're ready,
Dialogue: 0,0:07:41.12,0:07:43.66,Default,,0000,0000,0000,,join me for the next one, and we're gonna\Nbe looking at Shape Two!
Dialogue: 0,0:07:43.66,0:07:45.28,Default,,0000,0000,0000,,Take care of yourselves!\NBye-bye!